Lincoln,Race, and the Spirit of ’76

Abstract

This essay examines how Lincoln dealt with race, slavery, and emancipation in antebellum America. It argues that despite a few controversial statements and policies regarding black Americans, Lincoln sought to preserve the American union and its system of self-government by reclaiming the ideals of the Declaration of Independence. Unlike U.S. Senator Stephen A. Douglas, who exploited white bigotry in his promotion of local “popular sovereignty” as a solution to the slavery controversy, Lincoln highlighted the natural rights of blacks as a way to prevent the spread of slavery and thereby save what he would later call “the last best hope of earth.”     

Cuban Miami on the Air: Narratives of Cubanía

Radio has been a fundamental aspect of Cuban culture on and off the island since the first broadcast in Havana in 1922. When Cubans fled the island after the revolution of 1959 for the USA, particularly Miami, radio quickly became a vital medium for navigating a new country and for consolidating a Cuban exile identity. Politically, radio in Miami has been an effective means for articulating hardline exile politics. But with generational turnover and increasingly moderate stances on Cuba by more recent arrivals and US-born Cuban Americans, how is radio changing? How are narratives of what constitutes cubanía – Cubanness – shifting in an increasingly diverse Cuban Miami? This article takes up these questions through an examination of an immensely popular morning program that aired in 2009 in southern Florida called the Enrique y Joe Show. I examine how the Enrique y Joe Show, produced and performed by US-born Cuban Americans, utilized a form of irreverent Cuban humor called choteo to represent and satirize the hardline Cuban exile politics that have been dominant on Miami's radio waves for decades. Ultimately, their performances deploy choteo to articulate Cuban American identity divorced from a particular political orthodoxy. The coda reflects on changes in Miami's radio landscape since 2009.     

Heroes and the renegotiation of national identity in American history textbooks: representations of George Washington and Abraham Lincoln, 1982–2003

ABSTRACT. American history textbooks for the USA's public schools act as quasi‐official loci for the renegotiation of national identity and are, as such, subject to much controversy. The choice of heroes and the way in which textbooks depict them display the interplay between competing visions of popular ethno‐history and scholarly historiography. This article examines contemporary renegotiation of the national narrative through an analysis of the evolving representation of the USA's two most prominent traditional national heroes – George Washington and Abraham Lincoln – in history textbooks for elementary‐school students published from the early 1980s to 2003. This period marks the development of the multiculturalist movement and its subsequent conservative backlash, with debates intensifying in the wake of the events of 11 September 2001.     

Disco and Democracy: Thoughts on Stillman's Film and Book

Abstract

Statesmanship can be exercised in a variety of situations, not all of which involve sitting in the Executive Office. This response examines three of the most impressive American efforts at statesmanship—that of Madison in his capacity as Founder (on how best to secure rights), Franklin as author of a new American Way of life (based on virtues freed from religious seriousness), and Lincoln as theorist of a political morality. All three examples, I argue, provide evidence that a statesman is more than just a politician who has been dead for some time.     

Muhammad Abd al‐Rahman (Phillip) Barker: Bridging Cultural Divides through Fantasy/Science‐Fiction Role‐Playing Games and Fictional Religion

“Muslims” and “Dungeons & Dragons” are rarely discussed in the same sentence. However, one of the earliest fantasy role‐playing games, which left a lasting impact on the industry, was the brainchild of Muhammad Abd al‐Rahman (Phillip) Barker (1929‐2012), a professor of South Asian Studies, an expert in Native American languages, and an American convert to Islam. Like Tolkien, Barker created an enormous fantasy world; however, unlike Tolkien, his world was redolent with Native American and South Asian cultural and religious influences. Through this world, he shared with his fans a nuanced understanding of non‐Western societies, cultures, and beliefs – the facets of the human experience that truly constitute multiculturalism. While fictional religion in role‐playing games has been feared and condemned, fictional religion (and occultism) plays a pivotal role in Barker's work; an exploration of his approach towards fictional religion also sheds more light on the question of why fantasy role‐playing games came across as competitors towards religion. Barker's fantasy world brought people of diverse backgrounds together in a beautiful demonstration of how fantasy and science fiction can bring about intercultural and interreligious tolerance in an otherwise intolerant world. Given the centrality of games such as Dungeons & Dragons to American popular culture, an exploration of Barker's legacy can also be seen in the light of the study of the history and contributions of Muslims in America.     

Socialism and democratic strategy in Italy’s Biennio Rosso: Gramsci contra Treves

This article examines the divisions in Italian socialism between revolutionaries and reformists against the backdrop of the Biennio Rosso (1919–20), taking the writings of Antonio Gramsci and Claudio Treves respectively as characteristic of the two traditions. The central focus is on their opposing accounts of how the socialist movement should organize the masses to achieve its objectives – referred to here as its ‘democratic strategy.’ I demonstrate how the key strategic elements of Gramsci’s and Treves’s positions developed in a dialogue centered on the place that violence, (il)legality, soviets, parliaments and compromise should play in effectively mobilizing the masses for socialism. The article concludes by arguing that in retrospect Treves’s reformism has been a more successful approach, and Gramsci himself conceded something to it in his prison writings. However, I also maintain that the popular character of Gramsci’s radical democratic strategy – first fashioned in the Biennio Rosso – can still contribute to debates on socialism and social democracy today.     

Handcraft as Cultural Diplomacy: The 1968 Mexico Cultural Olympics and U.S. Participation in the International Exhibition of Popular Arts

Mexican post-revolutionary cultural institutions excelled at implementing Mexican art and popular arts as key elements in cultural diplomacy. However, while there is abundant research regarding these arts and their inclusion in international exhibitions during the first part of the twentieth century, there is little research on their role in international cultural diplomacy during the second half of that century. In the first part of this article I present a historiographical appraisal of the 1968 Mexican Cultural Olympiad and the resolutions of the “First Latin American Seminar on Popular Arts and Crafts” sponsored by UNESCO in Mexico City in 1965. In the second, I examine the case of U.S. participation in the “Exposición Internacional de Artesanías Populares” (International Exhibition of Popular Arts), which was part of the 1968 Cultural Olympiad’s programme – largely neglected by the historiography of the XIX Olympics – to explain how popular arts were made to perform as agents of cultural diplomacy in Mexico and the U.S. during the Cold War. In addition, I argue that U.S. participation in this exhibition also reveals negotiations and redefinitions of the concepts of handcraft and arte popular, and the economic and social situation of their makers in the United States.     

An Archive of Difference: Syrian Women,the Peddling Economy and US Social Welfare, 1880–1935

Historians have scrutinised the racial classifications of Arab immigrants in the census, in immigration documents and in early‐twentieth‐century naturalisation cases. However, recent scholarship has shown that other archives – ones that do not focus on interactions with the law – reveal a different process of Arab‐American racialisation. This article contends that looking in other archival spaces, specifically the US social welfare archive, shows how ideas about gender, sexual and class difference constituted early Arab‐American racialisation. Social welfare reformers in institutional settings, including the International Institute of Boston, the National Conference of Social Work and the pages of the social work periodical The Survey, systematically linked Syrian labouring practices with notions of dependency, sexual and gender deviance, and Orientalist difference. Syrian women were racialised through their participation in the peddling economy – a network of peddlers, suppliers and domestic labourers that sustained a widespread profession of the early Syrian American community. Syrian women's labouring practices conflicted with white middle‐class femininity and posed a threat to Syrian claims of whiteness. This analysis demonstrates the centrality of gender, sexuality and class to studies of early Arab America and demonstrates how Arab migrant women's labouring practices affected their communities’ standing in the American context.     

Popular culture,post-truth and emotional framings of world politics

ABSTRACT

With the election of US President Donald Trump, the separation between high and low politics and the line between fiction and reality has become fundamentally blurred. Yet popular culture offers an important vector through which we might make sense of this political turmoil. The purpose of this essay is two-fold: conceptually, I examine how television provides opportunities for the insight into the visual and emotional registers of the post-truth era. I illustrate this empirically by examining two popular television series – Homeland and The Good Fight. I argue that the power of popular culture is derived from its visuality as the intersection of image and sound, through which emotional registers related to anxiety and outrage can be elicited and visually narrated. Even more so, the visual nature of popular culture has a strong affective component that shapes how we experience representations of reality and reveals the power and political significance of popular culture.     

Singers without borders: a performer’s rotulus and the transmission of jeux partis

The jeu parti – a debate in song weighing questions of love, sex, wealth, ethical behaviour – enjoyed popular acclaim across social classes in thirteenth-century France. Despite the appeal of these texts as historical sources, suggestive of the mentalité of a medieval community through frank discussion of taboo subjects, jeux partis have received sporadic scholarly attention. A rare scroll, copied by an Anglo-Norman scribe (London, Lambeth Palace Library, MS 1681) supplies new evidence of the genre’s transmission outside the pages of a codex and outside northern France. The only known document of its kind to contain jeux partis, it has been overlooked by scholars for a century, yet it suggests that the transmission of music and culture could be achieved textually, borne along the performance circuits of medieval Europe. This study investigates how jeux partis were composed, transmitted and refashioned for new audiences with the aid of text and improvisation.     

Marina Carr’s Hecuba: agency,anger and correcting Euripides

ABSTRACT

This paper focuses on Marina Carr’s 2015 adaptation of Hecuba for the Royal Shakespeare Company. Hecuba sees Carr return to a fascination with Greek tragedy, difficult female characters and reimagining foundational myths. Of all Euripides’ plays Hecuba has rarely been popular, yet the themes Carr prises open – of violence, desire, gendered experience and the politics of perspective – are acutely topical. Indeed, Hecuba seemed to anticipate the frustrations that erupted on 28 October 2015 in response to the Abbey Theatre’s “Waking the Nation” programme. Drawing on twentieth and twenty-first century debates around the politics of tragic form, Roland Barthes theorising of myth, and the tradition of Greek adaptation in modern Irish drama, this paper examines how Hecuba reorients its sources. It goes on to assess the outcomes of these reorientations in order to problematise the critical predisposition to find an inevitably progressive poetics/politics in her engagement with tragic myths.     

Ethics Ex Machina: popular culture and the plural futures of politics

ABSTRACT

The articulation of ethical responsibility can be conceived as a condition of ethical practice that brings into being a human subject to whom we owe consideration, and the reverse must also hold: we are brought into being – subjectified – through these relational connections. But can these connections exist between human and non-human subjects? In this short paper, we analyse the representation of artificially intelligent machines in the popular television series Westworld and the movie Ex Machina and elaborate on the boundary between human and non-human as a complex and contested ethical space. We argue that taking popular cultural representations of machine learning seriously can offer significant insight into how futures of human subjectivity and ethicopolitical responsibility might unfold. (117 words)     

Lincoln and Chiriquí Colonization Revisited

Abstract

This article looks at Abraham Lincoln's pursuit of colonization in the Chiriquí region of Colombia (now Panamá), conventionally known as one of just two places that he seriously considered with respect to his policy of relocating African Americans. Challenging the standard account of the scheme's demise around October 1862 due to vehement Central American protest, this piece questions whether such a development really took the president by surprise. The two weak threads running through the Chiriquí proposal were its scope for diplomatic upset and the embarrassment that might arise from its corrupt proponents’ links to the administration. The author argues that Lincoln was aware of both issues from an early date – even if they each became more complicated than he had initially realized – but that he made persistent attempts to address them. The administration was also more concerned about the ramifications of divisions within Colombia than the widespread isthmian outcry at colonization. Lincoln accordingly tried to place colonization policy on a sounder diplomatic and legislative footing as it became apparent that his contract with a domestic businessman also carried international implications. Yet ultimately, it was the Chiriquí venture's corruption that killed it when the president discovered that it went all the way to the cabinet.     

Exploring textures of Irish America: a new perspective on the Fenian invasion of Canada

Within an Irish nationalist history, for those at “home” and especially for members of the Irish American diaspora, venerating heroic rebels and recollecting attempted insurrections are quintessential narratives used to define Ireland's turbulent past. However, on the fringes in that regard has been the American-based Fenian Brotherhood's attempted invasion of Canada in 1866. Arguably a successful effort – although a very brief one, due to the American authorities' obstruction – its international camber and transnational implications may have kept this history apart from premier narratives of an Irish nationalist past. This paper suggests that although in the long term the Fenian invasion of Canada was largely expunged from the Irish/Irish American nationalist canon, initially it was retained, for a short time at least, in popular expressions of Irishness. By turning to “texts” that contemporaneously venerated the Fenians' efforts and uncovering transnational undertones in the process, this paper offers new suggestions concerning the changing textures of Irish America.     

HISTORIOGRAPHY: A FIELD IN SEARCH OF A HISTORIAN?

Richard Kirkendall's collection of essays, The Organization of American Historians and the Writing and Teaching of American History, examines the history of the Organization of American Historians (OAH) from its founding to the present, using that history to illuminate how the writing of American history has changed over the last hundred years. The book provides coverage of all the major dimensions of the Mississippi Valley Historical Association's (MVHA) and the OAH's activities, ranging from the work of its scholarly publications, the Mississippi Historical Valley Review and the Journal of American History, to its role in promoting the teaching of American history. Overall, the essays in the volume tell a story of the organization's progress toward greater inclusion and democracy, falling prey to a Whig interpretation of historiography. In doing so, the book is part of a larger tendency in the way that historians have approached historiography, which in turn reflects their ambivalence about their relationship to the historical process. Thus, even as the very enterprise of historiography is premised on the recognition of how historians are themselves the products of the historical process, historians have revealed the limits to that recognition in their approach to the subject. This essay shows how deeply rooted this duality has been in the study of American historiography and illuminates some of its sources by placing Kirkendall's book in the context of how the MVHA and the OAH have treated historiography over the course of the organization's history.     

Civil War Iron and the H.L. Hunley Iron Ballast

At the beginning of the American Civil War in 1861, the Union greatly outpaced the Confederacy in industrial manufacturing capabilities. The Confederacy's economy prior to the conflict was largely based on agriculture, and the Southern states lacked the facilities and skilled labourers to produce iron on the scale necessary to compete with the Union. The possibility of importing products was greatly diminished when President Lincoln instituted a naval blockade around major Southern ports, limiting the amount of cargo that could be imported from Europe. Consequently, the Confederacy was forced to adapt ironworks to wartime purposes. Despite these adaptations, the Confederacy suffered from iron shortages throughout the war. This paper uses the iron ballast found on the Confederate submarine H.L. Hunley as a case study for the manufacturing processes, labour relationships and social significance of iron production and usage in the Confederacy.     

Rethinking music geography through the mainstream: a geographical analysis of Frank Sinatra,music and travel

This paper brings a new perspective to music geography by focusing on how a particular mainstream musician helped to construct, subvert, and circulate meanings associated with travel. It asserts that Frank Sinatra, via his music and actions, engaged with travel in ways that frequently ran counter to how it has commonly been enacted in American music and popular culture. Particular attention is paid to the singer’s travel-themed album, Come Fly With Me. By the time of its release in 1958, Sinatra, via a public persona that encompassed performer, ‘playboy’ and businessman, was a central figure in promoting an alignment of leisured mobility with postwar economic success. The paper interrogates how Sinatra’s celebrity allowed him to embody travel in certain real and imagined ways. It also examines what the resulting representations revealed about performances of gender, ethnicity, and status, and the expected modes of behavior that were associated with them, in America’s postwar consumer-driven society.     

Wrestling with the Revolution: The Iron Sheik and the American Cultural Response to the 1979 Iranian Revolution

This paper maps how American popular culture came to terms with the 1979 Islamic Revolution in Iran through a study of Hussein Khosrow Vaziri. Vaziri, better known by his moniker, “The Iron Sheik,” was active in professional wrestling in the 1980s and remains to this day one of the most well-known Iranians in American cultural memory. Through an analysis of his character and how he has been represented in the popular media, I argue that he was chiefly utilized as a figure through whom Americans could cope with the devastating blow that the Revolution caused to American power. I argue that this reaction continues to this day, albeit focusing not on Iran but on the current political tensions involving the attacks of September 11, 2001.     

Moshe Dayan: “Israel’s No. 1 Hero” (in America)

This study explores how and why Moshe Dayan became the symbol of the modern Israeli hero in American culture. Through an examination of variegated evidence it is possible to discern patterns that illustrate the ways Dayan’s image crystallized, first, in the American Jewish arena, and then more broadly, in wider American public consciousness. With his trademark eye patch and irreverent personal style, Dayan, who more than any Israeli military-political figure captured the imagination of American Jewry, became not only the most recognizable sabra on the American scene but also a chief exemplar of the “new Jew.” Beginning with the War of Independence (1947–49) until roughly the Six-Day War (1967), Dayan symbolized Israel’s youthful, virile, and savvy hero struggling to build a home against all odds. From the Yom Kippur War (1973) to the Camp David Accords (1978) and his death, he came to exemplify a generation of Israelis who wrestled with the Jewish state’s existential geopolitical challenges. Investigating Dayan’s public persona enhances our understanding of his impact on the American arena – the man and the myth – and the ideational linkages so critical to the developing bond between the United States and Israel in the second half of the twentieth century.     

Cities are Alive with the Sound of Music: Saengerfest and the Transformation of Urban Public Music in Nineteenth-century America

This article examines the development of outdoor public music in American cities during the nineteenth century and develops three primary arguments. Organized and recreational forms of public music – such as musical festivals and outdoor band concerts – became commonplace and integral to city life during the second half of the nineteenth century. Second, German-American singing festivals (Saengerfests) were major public events during the mid-nineteenth century and helped create this recreational public music culture by demonstrating how organized and recreational public music could enhance city life and suggesting to commentators and public officials that it could serve as a tool of reform. Third, public music – such as occurred during Saengerfests – helped bridge social divisions and made American cities more socially fluid, even at a time when some aspects of civic life were becoming more divided and contentious.