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Most studies of President Theodore Roosevelt address his “southern strategy” to revive the Republican Party’s fortunes in a region where it was effectively shut out by 1900. This essay revisits Roosevelt’s approach to the South between 1901 and 1912 and argues that wooing white southerners away from the Democratic Party, more than any other approach, represented Roosevelt’s overriding strategy for the revitalization of the southern GOP.  相似文献   

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This paper will demonstrate that spiritualism became a significant element of popular culture in New York City between 1865 and 1870 because it catered to the “operational aesthetic” so prevalent in urban entertainments. The historian Neil Harris invented the term “operational aesthetic” to denote the spirit of playful inquiry common to the urban culture of mid-nineteenth-century America. By the 1860s, urbanization had undermined the social transparency so integral to the American Republic, causing cultural anxiety about the fraud and deceit, which was thought to thrive on urban anonymity. Several cultural genres, including detective fiction and urban guides, not only reflected, but also invited the investigation into, the divorce between the “superficialities” of the city and the “processes” driving criminal behavior. Spiritualism featured regularly in these genres, particularly the urban guides, as it was appealing to people eager to uncover another instance of urban deceit. Similarly, spiritualists attracted skeptical and agnostic audiences who shared this interest in investigation. Apparent “exposés” of spiritualism, therefore, as well as the mediums themselves, reached out to skeptical audiences, drawn to the “operational aesthetic” inherent in spiritualist demonstrations.  相似文献   

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《Political Geography》2002,21(3):373-392
The controversy surrounding the New York City St. Patrick’s Day parade suggests that Irish ethnicity in the United States is still an important site of identity formation and fragmentation. In this paper I examine the New York City parades between 1990 and 2001 where a conflict has developed between the organizers of the parade, the Ancient Order of Hibernians, and the Irish Lesbian and Gay Organization, who want a place in the parade but have been denied entrance. The identity politics that surround the St. Patrick’s Day parade controversy suggest that for diasporic communities, ethnic and national identities are highly contested and that boundaries—some hard and fast, others more permeable—are constructed along any number of axes. For the construction of Irish identity in New York City within-group identity is disputed across a number of these axes with the most important difference being sexual identity, particularly when it is being performed in a public space.  相似文献   

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This article situates Charlotte Brontë’s writing within the context of mid-nineteenth-century discourses of gender and travel, and posits that Brontë contributes to the discursive construct of the flâneuse through her writing about women walking the city in her letters from Belgium and in the novel Villette (1853). Through a critical framework drawing together literary historicism on women in the Victorian city and mobility theories of embodied and sensory movement, the analysis reveals how Brontë foregrounds the experience of the body in her writing of women walking, and uses this as a mode through which to explore gendered discourses of mobility, and especially women’s urban walking. It argues that Brontë offers a new model of female urban spectatorship which privileges the body of the flâneuse as the prime site of knowing the city; this positively reconfigures the possibilities for autonomy and agency that urban walking affords, while at the same time making the body a site through which ambivalence about women’s mobility is expressed. The article reveals Charlotte Brontë to be a writer actively engaged with discourses of mobility and modernity that have been overlooked in her work, and situates Brontë as a significant contributor to debates about women and the city. It advances literary histories of city walking by locating Villette as a key participant within the field, and contributes to Brontë studies by revealing new perspectives on the significance of women’s travel in her works.  相似文献   

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Muhammad Iqbal and Mohd. Kamal Hassan respectively wrote “To the Holy Prophet” and “SMS to Sir Muhammad Iqbal” in the 1930s and in the 2000s – two extremely challenging times, as in the former most Muslim-majority countries were under European colonial rule and in the latter, Western global powers wove an all-pervasive web of domination and exploitation of them. They focus on the internal weaknesses of subjugated Muslims and lament that, since the attitude of many of them is characterized by inaction and reliance on others, domination by foreign powers became an inevitable corollary. A culture of self-indulgence, stagnation, and complacency precipitated their decline and facilitated their exploitation by powerful outside interests. In their pursuit to understand the reasons for Western domination over Muslim societies, they studied the “moral paralysis” of colonized Muslims in order to reform them. Accordingly, their analysis of the subordinate position of Muslim peoples and countries can clearly be viewed through the lens of Bennabi’s notion of “colonizability,” as Iqbal’s and Hassan’s complaints in the poems mostly involve exposing several of their weaknesses that prevented them from playing their actual role, and hindered them from realising their potential, in the world.  相似文献   

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The work of Eugene Romer, founder of Polish geography, was framed by his involvement in the national cause. The Atlas of Poland, a key tool in his political activism, was completed during the First World War under the uncertain circumstances prevailing on the Eastern Front. It focused more on the issue of unification than on boundaries. Skilled in physical geography, Romer made use of a cartographical technique rarely applied to ethnographical maps, that of isopleths. In this article, we address the reasons for this daring innovation and consider Romer’s training in the Austrian and German schools of cartography before examining the reception of the atlas by geographers from the different academic backgrounds.  相似文献   

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In this article, the author analyzes how Salvador Espriu in La pell de brau (re)builds the myth of Sepharad that refers to the Hebrew name of the assembly of the medieval Hispanic kingdoms. La pell de brau is a work that opens the "collective cycle" toward a "we" framed within a specific historical context. The poet criticizes the unified vision of the Spanish nation and of the Catholic religion. The (re)construction of the myth of Sepharad not only reflects the crisis of the subject in search of an identity in an intolerant Spain after the civil war but also subverts the myth of the Spanish nation as created by the doctrine of National Catholicism under Franco.  相似文献   

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Survey data play a fundamental role in studies of social complexity. Integrating the results from multiple projects into large-scale analyses encourages the reconsideration of existing interpretations. This approach is essential to understanding changes in the Indus Civilization’s settlement distributions (ca. 2600–1600 b.c.), which shift from numerous small-scale settlements and a small number of larger urban centers to a de-nucleated pattern of settlement. This paper examines the interpretation that northwest India’s settlement density increased as Indus cities declined by developing an integrated site location database and using this pilot database to conduct large-scale geographical information systems (GIS) analyses. It finds that settlement density in northwestern India may have increased in particular areas after ca. 1900 b.c., and that the resulting landscape of de-urbanization may have emerged at the expense of other processes. Investigating the Indus Civilization’s landscapes has the potential to reveal broader dynamics of social complexity across extensive and varied environments.  相似文献   

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The article has a double focus: explaining the so-far obscure origins of children’s fashion in the later eighteenth century and putting its emergence in the context of the ‘grand narrative’ concerning the ‘discovery of childhood’ during this pivotal period. Contrary to Rousseau’s famous dismissal of the hussar suit, the role of ‘fancy dress’ inspiration in the development of children’s fashions for the first time purposefully meant to distinguish the (male) child from the grown-ups and, concurrent with the Enlightenment’s ideas on childhood, emerges as central rather than marginal. The repertory of styles adopted for boys’ wear is shown to have been inspired by various ethnic and historical dress traditions rooted in the fascination with masquerade characteristic of the Rococo culture but harnessed to express the emerging new attitudes. Among them, special attention is given to inspirations by Polish national dress.

Second, the article takes on the argument presented by Daniel Thomas Cook in his inspiring article in Textile History, 42, no. 1 (2011). Having acknowledged the foundational role of fashion history in the emergence of childhood studies, Cook regards its present status as peripheral. He dismisses the underlying premise of its principal ‘grand narrative’ as based on a fruitless distinction between utility (and functionality) and fashion rather than the invention or discovery of the ‘child’ and ‘childhood’. While partially accepting Cook’s criticism, the article argues that the ‘grand narrative’, thus modified and expanded, retains its usefulness. In the nineteenth century, the ‘fancy dress’ and ‘playfulness’ theme continued, reflected in the most popular children’s styles (sailor suit, Little Lord Fauntleroy suit) and a range of others, temporarily or locally prominent, and intertwining with multifarious cultural, artistic, social and commercial developments.  相似文献   

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