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ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.  相似文献   

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Yasna 19 contains an Avestan exegesis of the Gāthic stanza Ahuna Vairiia, the most revered text in Zoroastrianism. The stanza is traditionally understood to be the essential statement of the religion of Mazdā. Thus, in Y 19 we have a unique opportunity to ask about the significance that the Gāthās of Zarathu?tra held for the later Avestan tradition. In what intellectual horizon did Zoroastrian priests place their founding text? Although Y 19 exegesis of the Ahuna Vairiia contains semantic obscurities, it is possible to establish the meaning of the commentary through syntactic and conceptual analysis of two key terms and the phrases where they occur. The article critically examines the earlier interpretations of the text. Having found these inadequate, it proposes a new reading and understanding of the Avestan exegesis. In particular, the article argues that the Avestan exegete understood the Gāthic stanza within an eschatological horizon.  相似文献   

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Some authors assigned the Indo‐Europeans a mirror‐like role which allowed them to understand their own position with respect to contemporary Christian values. After dealing briefly with the writings of J.G. Herder, I shall evoke a certain number of questions which oriented the research of E. Renan, F.M. Müller, A. Pictet and R.F. Grau. The works of the latter authors expounded fabulous genealogies, organizing them into explanatory systems that radically opposed Hebrew monotheists to Indo‐European polytheists. Thus, depending on whether they had used the Semites or the Indo‐Europeans as their starting‐point, they concluded that monotheism or polytheism, respectively, was the archaic source of human thought. The goal on their horizon was a ressuscitated West, forever in the forefront of progress, often simultaneously Christian and scientific. If this type of historiographic analysis is urgently needed at the present time, its purpose is not to provide a grid for distinguishing “truth”; from “falsehood,”; but rather to grasp a set of scholarly traditions within its own channels of transmission.  相似文献   

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In studying capitalism in general, Marx declares it his chief aim “to lay bare its law of motion”; and his main way of proceeding is to begin with its present state, and then move backwards into the past by uncovering its necessary preconditions, especially within the mode of production (asking essentially—what had to have happened earlier for the present to appear and function as it does?). After which, he reverses himself, and, starting with where he arrived in the past, he re-examines the same conditions and events—using whatever evidence is available—as they evolved up to the present. Finally, with the help of the contradictory tendencies (often referred to as “laws”) that are brought into view by combining these two steps, Marx projects in broad outline where capitalism seems to be heading. Human beings, divided into social classes, come into this analysis—as both causes and effects—every step along the way. The present article examines what the discipline of archeology can contribute to this project.  相似文献   

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This article reads Karel ?apek's R.U.R. through the lens of Hannah Arendt's critique of technology in The Human Condition. Arendt and ?apek share a suspicion that modernity's attempts to overcome labor through the use of technology undermines the human condition of natality. Indeed, the revolt of ?apek's Robots dramatizes Arendt's warnings of the dangers of a “society of laborers without labor” and “world alienation.” Both thinkers suggest that the dilemmas posed by modern technology cannot be resolved through “practical” means but require loving attentiveness to the fragile conditions in which genuine natality can emerge.  相似文献   

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This paper unearths the friendship between Samoan nationalist leader Ta‘isi Olaf Frederick Nelson and Māori politician Sir Maui Pomare during the early period of New Zealand's administration of Samoa. It examines the role this friendship played – especially as a line of communication between the Samoan protest movement or Mau, of which Nelson was a leader, and the highest echelons of the New Zealand government – in those years of fraught relations between Samoa and New Zealand. It also explores the significant historical connections that were made, or remade, through this friendship. The relationship between these two men brought Polynesian peoples together in new ways and also directly linked Parihaka, a 19th-century Māori community known for its non-violent resistance against European colonialism, with the later Samoan Mau.  相似文献   

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