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《Public Archaeology》2013,12(2):98-115
AbstractThe period between World War I and World War II saw the development of several memorials commemorating African Americans in the Southern USA. The 'Good Darkie' is unique amongst these in being a life-size bronze statue. It was erected in Natchitoches, northwestern Louisiana in 1927, where it remained in a prominent position in the centre of the town until it was taken down in 1969, ending up in the Louisiana State University Rural Life Museum where it is displayed as the statue of 'Uncle Jack'. The various meanings and values given to the statue over the last 80 years, from acceptable paternalism to its politicization in the 1960s, to the criticism currently levelled at its use make this an important case study in public commemoration. This paper explores the various meanings given to the statue by different social groups, which reveal how the concept of race, and solutions to the 'race problem' of the Southern USA have evolved over time. 相似文献
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ARTHUR H. GARRISON 《Journal of Supreme Court History》2009,34(1):1-27
It is a truism that a nation must protect itself from internal enemies as well as foreign threats of aggression and invasion. But that is not the entire matter. Our American democracy has striven, with mixed success, to be careful that the justified ends of the American experiment—freedom, justice, and the rule of law—are not sacrificed on the altar of the means to protect these ends. 相似文献
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苏丹南北内战是北方的阿拉伯主义和南方的非洲主义之间的冲突。其原因在于苏丹国家民族主义意识成长不足及国家领导人试图同化苏丹南方黑人的阿拉伯化和伊斯兰化政策。该问题的最终解决取决于苏丹国家现代化的发展及当权者的民族平等政策。 相似文献