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Comparatively little work has been done on how Abraham Lincoln has been represented in American cinema. Yet movies have been a major – and during the first half of the twentieth century probably the major – influence on how his memory has been constructed in American popular culture. This article analyzes changing representations of Lincoln on screen, showing that differing cinematic constructions of the sixteenth president were shaped by a range of factors, including popular biographies and the biases of directors. They also echoed salient issues of the era in which they were produced and more general changes in American attitudes.  相似文献   

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It is a privilege to speak in this, the house of the Supreme Court of the United States, of Abraham Lincoln, our supremely great President. His task, he said, was greater than George Washington's. In the United States’ gravest crisis and most terrible war, Lincoln saved the country, its democratic republic, and the republic's devotion to the equal rights of man. He did more than save. He renewed the republic and purified it of slavery.  相似文献   

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Lincoln In 1644     
Edward Peacock 《考古杂志》2013,170(1):167-177
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Abstract

Abraham Lincoln's presidency was defined and dominated by war, yet Lincoln himself had very little direct experience with warfare; nor had the American presidency been truly tested by war when he took office. Lincoln had to negotiate very difficult political and constitutional terrain as he waged the Civil War: issues of executive authority, constitutional powers and their limitations, and the nature of civil liberties during war constantly bedeviled him. His guiding principle in all these matters, and the greatest lesson we can learn from him today, was his flexibility and his pragmatism.  相似文献   

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Abraham Lincoln and Chief Justice Roger B. Taney may have met only twice—in 1849, when Lincoln made an oral argument before the Supreme Court, and in 1861, when Chief Justice Taney administered the presidential oath of office to Lincoln. The two men's roles in American history are inextricably bound nonetheless, as I will attempt to demonstrate in this essay.  相似文献   

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The purpose of this short article is to put on record the archaeological observations made between 1990 and 2002 during the decade of stonework conservation on the northern run of the frieze panels on the west front of Lincoln Cathedral. It is not concerned with the frieze sculpture itself but with its stones and the spaces behind the stones. Equally, this article is not an assessment of the sculpture and its dating but is an archaeological investigation which potentially has wider implications for the sequence of construction and carving of the Romanesque frieze now visible at Lincoln.  相似文献   

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