A Voice in the Nation: Women Journalists in the Early Nineteenth‐Century South

Recent work on southern women and intellectual life in the nineteenth‐century South has focused on women novelists. Relatively little scholarly attention has been paid to literary periodicals as important vehicles through which women earned financial reward and often regional or national reputations as authors and editors. Perhaps most significantly, southern women viewed periodicals as opportunities to speak out boldly on politics and current events, much more so than in the novel. The wide availability after 1820 of magazines and newspapers, made possible by their low cost and portability, provided the perfect forum for women who wished to push against traditional gender boundaries. In examining southern women’s contributions to early nineteenth‐century periodical culture, one sees a vital part of the foundation being laid for later movements for women’s suffrage.     

Cordiform Maps since the Sixteenth Century: The Legacy of Nineteenth‐Century Classificatory Systems

The heart‐shaped, or cordiform, maps of the sixteenth century, including those by Oronce Fine, Peter Apian and Gerard Mercator, have long intrigued historians. Most writers have considered the heart shape a product only of mathematics, but some have recently offered other interpretations for the use of the heart. A classificatory system devised by d'Avezac in 1863, however, has impeded our understanding of the cordiform map, particularly in the matter of what is considered to be such a map. The nature of his classification and its reception by other writers since the late nineteenth century are examined in order to elucidate new directions for the study of the use of the heart shape in sixteenth‐century cartography.     

‘Science in the Hands of Love’: British Evangelical Missionaries and Colonial Development in Africa,c. 1940–60

During the era of colonial development, the Church Missionary Society (CMS) and the London Missionary Society (LMS) revitalised their work by taking advantage of the 1940 Colonial Development and Welfare Act to uplift British Africa. These evangelical organisations did not simply appropriate governmental ideas of development, but formulated their own concepts based on the incarnational theology of the ‘whole man’ with body and soul. In implementing their developmental policies, these evangelicals promoted Christ's example of a ‘servant’ to guide missionary conduct as they encountered increased African criticism of colonialism following the Second World War. Both organisations shifted to focusing more closely on souls rather than bodies when African independence movements strengthened during the mid and late 1950s in hopes that Christian ideology would steer Africans towards Christian democracies. By 1960, the CMS and LMS stressed their relationship within the ecumenical Church in their efforts to emancipate themselves from their colonial ties. Through examining missionary discourse on colonial development, this article reveals not only the complexity of development discourse, but also the various ways in which evangelical missionary organisations sought relevance within the context of the Cold War, the rise of the welfare and expert state, and decolonisation.     

Defining the Aesthetics of the Nyonyas’ Batik Sarongs in the Straits Settlements,Late Nineteenth to Early Twentieth Century

The Javanese way of decorating textiles using batik techniques was popular among the Peranakan in the Malay Archipelago, largely because the range of batiks produced by the Javanese Peranakan incorporated Chinese aesthetics. A whole new range of batik, known as Batik Peranakan or Batik Cina (Chinese Batik) was produced for a largely Peranakan Chinese market, including the Straits Chinese in the former British Straits Settlements. This paper examines the Peranakan Chinese aesthetic values that are revealed in these batiks, focusing on three different aspects – motifs, colour schemes and applications. Examination of the batik sarongs worn by the Straits Chinese women, or Nyonyas, however, shows different criteria in relation to these three aspects. The differences in aesthetic values made the batik sarongs used by the Nyonyas in the former Straits unique, and showcased their distinct identity.     

A Secular Australia? Ideas,Politics and the Search for Moral Order in Nineteenth and Early Twentieth Century Australia

This article argues that the relationship between the religious and the secular in Australia is complex and that there has been no simple transition from a religious society to a secular one. It argues that the emergence of apparently secular moral orders in the second half of the nineteenth century involved what Steven D. Smith has termed the “smuggling in” of ideas and beliefs which are religious in nature. This can be seen clearly in the economic debates of the second half of the nineteenth century in Australia in which a Free Trade based on an optimistic natural theology battled with a faith in Protection which had powerful roots in a secular form of Calvinism espoused by David Syme. The article concludes with an analysis of twentieth‐century historian W. K. Hancock's comparison of the medieval commonwealth and Machiavelli, concluding that Hancock found both the Free Trade and the Protectionist visions of moral order to be inadequate.     

“To Put into Complete Practice Those Hallowed Principles”: Edward Coles and the Crafting of Antislavery Nationalism in Early Nineteenth‐Century America

Edward Coles is famous for his decision to liberate his enslaved property and his political activities in Illinois during the 1820s. Few scholars, however, have recognized that this was merely the opening chapter in a life‐long struggle against slavery. His career in Illinois and his subsequent effort to promote emancipation in Virginia are arguably more significant because those struggles led him to construct an antislavery argument that united principle, prejudice, and the recognition of a shared antislavery past. Cast under the banner of antislavery nationalism, Coles’ approach to the problem of slavery was uniquely designed to appeal to Northerners and the Southerners alike.     

‘Her Cause Against Herself’: Margaret Fuller,Emersonian Democracy,and the Nineteenth‐Century Public Intellectual

Recent interpretations of Margaret Fuller's ideological significance have embedded her biography in an older understanding of Transcendentalism's history that imagines a post‐Brook Farm cleavage between ‘Emersonian individualists’ and more socially conscious communitarians. In late 1844, Margaret Fuller left New England for employment at Horace Greeley's New‐York Tribune, a moment that a number of biographers and critics have imagined as Fuller's own personal Brook Farm, her resignation from the ‘party of Emerson.’ Recent work in the history of Transcendentalism and romantic liberalism more generally, however, has been more careful about confusing romantic individuality with modern bourgeois individualism. This essay furthers the discussion of Transcendentalist ideology by arguing that Fuller's New York journalism was representative of the broad intellectual unity of the movement's democratic experiments – experiments that experientially, socially, and intellectually aimed to overcome the boundaries between the body and the mind, manual and mental labor, and the manual and mental classes.     

Dressing a City’s Demeanour: Ottoman Costume Albums and the Portrayal of Urban Identity in the Early Seventeenth Century

The costume album remains an invaluable tool in revealing how patrons organised and catalogued their constantly expanding world through dress. Considering the success of the costume book as a booming market product in early modern Europe and its response in the bazaars of Ottoman Istanbul in the early seventeenth century, the topic warrants further examination of how these books shaped literate society’s perceptions of other cultures. Two early costume albums illustrate a compelling dialogue concerning the population of Ottoman Istanbul, both commissioned in bazaars by foreign travellers: the Warsaw Album of the Muzeum Narodowe w Warszawie (BOZ 165), and the Peter Mundy Album currently residing at the British Museum (Add. 23880/1974-6-7-013). My paper assesses how these books create contrasting portrayals of power and social diversity in the Ottoman Empire by using depictions of dress as windows into cultural mores. I explore how each book attempts to form a city portrait through its compilation of characters and dress in the albums. With these sources, I highlight how the joint efforts of Ottoman artists and foreign patrons offer a surprising range of interpretation, despite their mass-produced reputation in scholarship. This study highlights the considerable role of the European compiler as a curatorial agent in this process.     

British Surrenders and the South African War, 1899–1902

Based on primary research, this article examines more than 1000 cases of surrender in the British Army during the South African War, 1899–1902. It concludes that the majority of surrenders were caused by five conditions: faulty leadership, the removal of effective leadership through injury or death, lack of necessary supplies, decisive disadvantage in terms of numbers and the use of questionable tactics by the enemy. An examination of surrender gives insight into morale, resource allocation, discipline, decision-making and military law.