J.S. Bach’s St. Matthew Passion and intellectual history

ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.     

‘The Heavens are Telling’: Memetic– Calvinian Readings of a Haydn Chord Progression

Abstract

The climax of the chorus ‘The Heavens are Telling’ from Haydn’s oratorio Die Schöpfung (The Creation) employs a harmonic progression that Beethoven later adapted to conclude the first movement of his Symphony no. 2. An earlier (pre-Haydn) version of the progression might be found in a keyboard rondo by C. P. E. Bach. This harmonic unit is regarded as consisting of a sequence of musemes (musical memes): each is a replicated pattern serving as the cultural analogue to the gene. The neural encoding of such patterns is considered in terms of William Calvin’s hexagonal cloning theory, in order to adduce ‘memotypic’ (meme-encoding) evidence to support the ‘phemotypic’ (meme-product) evidence gleaned from musical score-analysis.     

The doubling of the self in the private diaries of Ion Dragoumis,George Seferis and George Theotokas

Abstract

The 'doubling of the self' is a phenomenon that appears in entries of private diaries and consists in the division of the diarist's self into two: the self that acts and the self that observes and writes. This phenomenon can be found in Dragoumis' ?υλλα ημ?ρολογιου, Seferis' M?ρ?ζ and Theotokas' T?τραδια ημ?ρολογιου. There are entries where the doubling of the self occurs in practice and entries where it is described, discussed or analysed. All these reveal the three Greek diarists' contradictory feelings about the doubling of the self, but also the latter's significance for the private diary.     

Change in Reputation as an Index of Genius and Eminence

Abstract

Many previous investigations have relied on entries in encyclopedias or similar sources (e.g., Who's Who) to quantify eminence and achievement. The premises in these earlier studies have been that eminence is a function of reputation and that reputation is accurately captured by encyclopedias and the like. In this article, the authors examine reputational changes from era to era. They expected that a comparison of encyclopedias from different eras would show significant changes, with some eminent persons having reputations (or at least biographical entries) that increase, some having reputations that decrease, and others having stable reputations. Can such change (or stability) be reliably assessed and predicted? To address these questions, encyclopedia entry length from 1911 was compared to encyclopedia entry length from 2002, using 1,004 individuals selected in a previous biographical study. Regression analysis indicates that biographical entries did in fact change significantly. The authors also explore implications for definitions of eminence and for the quantification of reputation.     

OCCUPATION AND ETHNICITY IN FIVE NINETEENTH-CENTURY CITIES: A COLLABORATIVE INQUIRY

Abstract

Literary critics and historians often interpret authors and authors' works as more or less significant, but are reluctant to quantify those works. The interdisciplinary field of creativity studies, however, poses methods of quantifying the eminence of an author's works. This study uses four measures from that field (anthology entries, scholarly citations, entries in books of quotations, and auction sale records) and one measure from the fields of computational linguistics and data mining (ngrams using millions of books digitized by Google) to assess the eminence of John Milton's thirty-one prose works1. For the purpose of this study, Milton's short “A Letter to a Friend Concerning the Ruptures of the Commonwealth” (1659) was not included in the quantitative analysis out of concern with possible conflations and confusions with letters in Milton's Familiar Letters. and their relation to his greater achievement in epic poetry. These measures indicate the singular eminence of Areopagitica, Milton's 1644 tract on the liberty of unlicensed printing.     

How the Romans got themselves into hot water: temperatures and fuel types used in firing a hypocaust

Abstract

The remains of hypocausts are noted as being widespread throughout the Roman Empire but, whereas the structure of hypocaust systems has been widely documented, primary knowledge of operating temperatures is limited. The petrographic technique of reflectance microscopy is used here to quantify cell wall reflectance values for charcoals from the hypocaust furnace of a bath suite forming part of small Romano-British villa complex at Groundwell Ridge near Swindon (Wiltshire, UK). The technique utilises material of archaeological origin to infer operating temperatures of the hypocaust furnace using established calibrations. The charcoals recovered from the furnace were identified as being predominantly Quercus (Oak) with some Populus/Salix (poplar/willow). Mean random reflectance of the samples indicated furnace-operating temperatures of 330–410°C. These temperatures fall below that of charcoal fuel production and hence suggest that it was wood that was used to fuel the hypocaust at Groundwell Ridge and not charcoal. Knowledge of the operating temperature of the furnace is a starting point in further calculations to understand, using primary evidence, the operating temperatures throughout the hypocaust system.     

Thinking with Excerpts: John Locke (1632–1704) and his Notebooks

In his “Méthode nouvelle,” an anonymous article in the Bibliothèque universelle of 1686, John Locke described his way of collecting excerpts in notebooks and retrieving relevant entries. The well-known practice of entering textual passages in commonplace books sits uneasily with Locke's criticism of received opinion and authority. Is it possible that he used any of these notes to think with? I suggest that the conditions for this were provided by Locke's interactions with some of his notes, including those which recorded observations, testimonies and experiments. As well as labelling excerpts and other notes with topical Titles, Locke sometimes added precise bibliographical citations, transferred material across notebooks, interpolated his own signed reflections and queries, and (eventually) dated entries.     

Les sermons sur saint Antoine et le bon usage de la prédication comme ‘vertu’

Abstract

One of the main reasons for Saint Anthony of Padua’s holy fame and reputation is his activity as a preacher. This article begins with a review of the hagiographical legends referring to preaching as a virtue or gift of divine grace, and the importance of Iulianus of Speyer’s works in spreading the concept of preaching as a virtue is hightlighted. Then follows a discussion of a series of texts written between about 1250 and 1350, which seeks to shed light on the identification of recta et fructuosa praedicatio (right and fruitful preaching activity) with Anthony’s wisdom (sapientia) or knowledge (scientia). It can be seen that this message was expounded over a relatively broad timespan from the 1280s onwards. There is also evidence of an interdisciplinary problem, which seems to involve not only the preachers belonging to the Order of Friars Minor, but also those who were called to preach to them from outside the Order itself. Three possible reasons for the appearance of preaching on the list of virtues are suggested. It may have originated from the attempt to assimilate contemporary preachers with the model of holiness provided by Anthony or from an effort to create a counterbalance to the vices of the tongue that were supposed to plague the preachers’ audiences. It may also be an indicator of a more general debate on praedicatio as a gift of divine grace in opposition to those who believed it was merely the result of a studied technique.     

X-RAY FLUORESCENCE ANALYSIS WITH SYNCHROTRON RADIATION ON THE INKS AND PAPERS OF INCUNABULA

Non-destructive X-ray fluorescence analyses induced by white synchrotron radiation (SYXRF) have been performed on a page of the Gutenberg Bible and 21 other different single leaves printed in the years 1470 to 1500. Absolute elemental areal densities for the papers and the inks are reported. The known high Cu and Pb content in Gutenberg's ink is confirmed. The elemental compositions of the other inks, if measurable by XRF at all, are in general very low, governed only by a few additional elements and found to be not distinctive for a known printer. This will render an identification of the printer or printing offices by ink composition analysis in the period after 1470 difficult.     

Mussolini's unofficial mouthpiece: Telesio Interlandi ‐ Il Tevere and the evolution of Mussolini's anti‐Semitism

Abstract

The Fascist newspaper Il Tevere was founded by Mussolini in December 1924 and directed by Telesio Interlandi from the first to the last issue (it ceased publication with the fall of il Duce on 25 July 1943). It was an object of controversy between those who maintained that it was subsidized by Hitler and those who argued instead that it was the unofficial organ of the Italian dictator, just as Il Popolo d'Italia was his official organ. In this article we examine the issue using Italian and German sources, both published and unpublished, with the result that we join the majority of scholars in favor of the second hypothesis.     

Nuts in the Netherlands: Attalea and other nuts from archaeological contexts,dating from the 16th to 19th century AD

Abstract

This paper describes the use of palm nuts for the manufacture of artefacts in the Netherlands. From the 17th to 19th century buttons were made of nuts of the Brazilian palm tree Attalea cf. funifera. Finds from 17th century shipwrecks suggest that the palm nuts of this species were directly imported from Middle or South America. Coconuts were used for carving, for example for the manufacture of coconut beakers. In the 19th century buttons were also made of 'vegetable ivory' or tagua nut.     

Probable Fibres from Hemp (Cannabis sativa L.) in Bronze Age Scotland

Abstract

Diameter measurements of bast fibres from cloth and string with a hoard of bronze age metalwork found in St Andrews, were different from those of flax (Linum usitatissimum L.) but comparable with those of hemp (Cannabis sativa L.) leading to the suggestion that hemp was used as a textile fibre in Britain much earlier than has been thought.     

Do we have any genuine works by Aristotle? Francesco Patrizi da Cherso’s discussion of the corpus Aristotelicum

ABSTRACT

This paper deals with the scrutiny, as found in the Discussiones Peripateticae 1, 2–4, to which Francesco Patrizi da Cherso subjected the works of the transmitted corpus Aristotelicum, and those attributed to Aristotle outside the corpus. It explains why Patrizi rejected most of the transmitted ?uvre as spurious, and shows what would have been the most radical consequence of his hyper-critical stance, had it carried the day. Particular attention is paid to contemporary (i.e. sixteenth-century) scholarship available to, and used by, Patrizi.     

The Conjectural Legacy in Editing Horace Exemplified by the First Epode

Addressing three well-known textual issues in Epode 1 (in this order: perdam/ perdat 34, the punctuation of 7–14, superne/superni 29), the author advocates some principles for editors concerning the large legacy of conjectures to Horace: An editor should divide these into four categories according to merit: (I) those adopted in the text itself, with information in the Apparatus criticus, (II) those in the Apparatus criticus only, (III) those in the Appendix critica – the majority, and (IV), if feasible, those found only in a separate repertory/data bank. Whereas the Apparatus criticus should be slim and highly selective, the Appendix critica can be all the more generous. – Strictly philological commentaries accompanying such an edition are seen as a great desideratum in today's classical scholarship.     

Rousseau's Discarded Children: The Panoply of Excuses and the Question of Hypocrisy

Summary

Although Rousseau's treatment of his children has provoked much controversy, sustained and scholarly discussions are rare. This study is the first to present the evidence comprehensively and systematically. It engages each of Rousseau's contentions about his children in order to carefully discern the significance of this episode for his life and work. It offers an analytical table of each rationale—nineteen different ones, of five major types. It discusses documents of 1751 and 1778 which strongly defend the actions, the ambiguous arguments in the Second Part of the Confessions (1769–1770), the oscillations in the period surrounding the Confessions (1764–1770), and finally the development of unqualified remorse in the middle period of Emile (1757–1762). It concludes by advancing a middle position between those who ultimately see his behaviour and associated excuses as demonstrating his unchecked individualism and subjectivism, and those who ultimately absolve this episode in order to find him a moralist in good standing.     

Identifying stone tools used in mining,smelting, and casting in Middle Bronze Age Cyprus

Abstract

Metallurgical production sites are often difficult to identify in the archaeological record because ore beneficiation and slag processing in the past involved the use of ground stone tools that were similar to those used in other contexts to prepare cereals and foods. Analysis of the ground stone assemblage from a Middle Bronze Age copper mining and production site at Ambelikou Aletri in Cyprus provided an opportunity to distinguish industrial and domestic ground stone tools and to identify the types of tools used in different stages of metal production. A comparison of tool morphologies, raw materials, and wear and breakage patterns from Ambelikou Aletri with those from contemporary domestic contexts, suggests that distinctions in the nature and structure of industrial and domestic tool kits do exist and those distinctions have an important role to play in identifying mining, smelting, and casting sites in the future.     

A Critique of the Metaphysics of Ontological Poesis : Responding to Theology and the Political

Abstract

A common set of metaphysical assumptions inform the theological proposals of many contributors to Theology and the Political: The New Debate. Those assumptions are orientated toward grounding the possibility of genuine ontological creativity (poesis) in a particular construal of nature's mediation of the supernatural. Applying the claims of Bernard Lonergan's early work on grace and freedom to those assumptions, the argument is made that this position repeats the most fundamental flaws of the Bañezian position in the de Auxiliis controversy: namely, a basic confusion of form with act, which gives rise to the misguided assumption that a "third" (i.e., physical premotion, causal influx, sophia) must be posited to mediate divine grace to the world and within it. It is argued that this confusion reveals that a competitive understanding of the God/world relation is presumed in this proposal, which itself is the result of a failure to affirm the absolute and immediate dependence implied by the doctrine of creatio ex nihilo.     

Exile and return in John Mauropous,Poem 47

Abstract

The author reads an epigram by John Mauropous as an engagement with epic and biblical traditions. Critical studies of exile and return from different eras of the Greek literary tradition by Émile Benveniste, Gregory Nagy and Nancy Sultan are used to provide a theoretical approach to the tradition with which Mauropous engages. It is suggested that Mauropous' wanderings in the territory of the xenos and return to the familiar world of the philos, and especially his personification of his home as a trophos (nurse), allude to Homer, and that epic language and motifs strengthen the poet's assertion of selfhood and make ancient literary themes relevant to Mauropous' life as a scholar and churchman.     

Valuing rock art: a view from Northumberland in North East England

Abstract

Since the turn of the millennium three rock art projects focusing primarily on Northumberland in the United Kingdom (Northumberland Rock Art: Web Access to the Beckensall Archive, Rock Art on Mobile Phones and Heritage and Science: working together in the CARE of rock art) have made information and images widely available to the public via the Internet. All three projects were strongly underpinned by the ethos expressed in the Faro Convention and the Ename and Burra Charters that the value of cultural heritage should be enhanced by interpretation. This paper investigates the responses to these digital media initiatives, showing that they have increased the reach of this ancient rock art resource to large numbers of people in United Kingdom and Ireland, and globally. In addition, it reveals that having made these heritage resources available online, they have created a further desire among people to engage with the rock art virtually with the increased possibility of following this up with an in situ visit.