The Wizard War

Abstract

This review examines some little known aspects of historical garden design, dealing especially with meanings and complex allusions to ideas beyond the mere notion of an agreeable, shady, cool garden with plants to give pleasure. The author discusses some eighteenth century gardens in which mnemonic devices played a major role, and reveals some unusual themes of the Enlightenment.     

Historical Vernacular Gardens Beyond Norway's Arctic Circle

Abstract

This study examines the historical vernacular gardens of North Norway, and is mainly based on a survey done in the county of Troms in the 1980s. The study shows that traditions for the design of gardens and the use of garden plants reflect climatic conditions, geographical location and current fashions. It is a general feature that main trends in the gardens of the affluent work as models for more simple vernacular gardens, and this is also the case with the surveyed gardens of Troms. We find here the proto-garden, a simple garden with beds and plantings controlled by a straight line. This is influenced hardly at all by style, trends or availability on the market. It may have been established during the last century or it could be older. Yet we also find the vernacular cottage garden influenced by a style developed from the Renaissance gardens of southern Europe. In the most carefully made gardens the proto-garden and the impulses from the Renaissance garden are fused together – it makes a type of garden which is genuinely northern. The fenced garden located by the wall of the dwelling house was most common. With the house situated on sloping ground, a stone-built retaining wall was constructed and the ground filled up in order to make the garden as level as possible and to create a terrace. It was mainly native trees fetched from the woods, as well as old “exchange and give away perennials” and flowers and vegetable annuals, all locally available, which characterized the plant material of the historic farm and cottage gardens of the north.     

Aberglasney: the theory,history and archaeology of a post-medieval landscape

Abstract

Printed and documentary sources, archaeological excavation, dendrochronology and geophysical survey are employed to investigate the history of Aberglasney, a small country house near Llandeilo, Carmarthenshire (SN 5815 2213). Traditions about its garden layout, parapet walkway, a gatehouse and a yew ‘tunnel’ are examined. Circa 1600, Bishop Anthony Rudd (1549–1614) probably built a ‘cwrt’ enclosure aligned north-south. The gatehouse belonged to this or a later house. In 1770 or later, the Dyer family rebuilt the house, probably redesigned and rewalled the entire estate layout, when an earlier farm building was converted into the parapet walkway and stock pens, in an area later known as the ‘cloistered court’. In Victorian times this feature, originally a farmyard, became a pleasure garden, part of a typical Georgian-Victorian complex including a kitchen garden, glasshouses, orchards and fishpond. A yew grove was established, most likely c. 1805, when the Philipps family began planting in a Picturesque style. Abandoned c. 1950, house and garden became dilapidated. The site is now the object of a radical development programme, involving inter alia the stabilization of all buildings fabric, and imposing 16th-/17th-century style formal gardens over the 18th-/19th-century kitchen garden and orchard.     

Gardens and the Bush: Gardeners’ Attitudes,Garden Types and Invasives

Garden plants that invade native vegetation can be a threat to native ecosystems. The species composition of gardens near the bush in Hobart, Tasmania, Australia is shown to relate to environmental variation and the attitudes of gardeners to their recreation, to native plants and to the bush. Four types of gardens are discriminated: the species‐poor shrub garden; the local native garden; the woodland garden; and the gardenesque. A group of gardeners who valued functional gardens, and the hard work in creating a garden, largely produced gardenesque outcomes. A strongly conservationist group of gardeners had native, woodland or shrub gardens. A group of gardeners who valued romance and privacy largely had woodland gardens. A small group of gardeners who liked gardens to create themselves, and preferred to minimize the act of gardening, tended to the shrub garden outcome. Plant species that invade the bush are least frequent in the more manicured shrub and gardenesque styles of garden than in the more informal local native and woodland gardens, in a dissonance between expressed attitudes and outcomes. Most of the most invasive weeds in the bush are shown to be independent of their occurrence in adjacent gardens, suggesting that integrated control programs involving both all gardeners within dispersal range, and bush managers, are necessary. The existence of a small number of respondents who see benefits in environmental weeds in their gardens, suggests that such programs would be ineffective without regulation, a solution offered by no respondent. However, regulation might be ineffective without community understanding, the raising of which was the main solution suggested by the interviewed gardeners.     

Gardens and gardening in early medieval Spain and Portugal

This is an overview of the range of gardens, garden plants and garden work in early medieval Spain and Portugal, and of the kinds of relevant source material available. There were different kinds of garden, from the architectural gardens of Andalusī rulers and officials to peasant plots in the countryside. Fine gardens were closely associated with an elite and were southern rather than northern. Productive gardens could be found all over the peninsula; vegetables were clearly grown in them, with the emphasis on pulses, but they constituted a small proportion of produce. Fruits were exceptionally important as a source of vitamins, sugar and mineral salts.     

Gardens, Legitimation, and Resistance

Eighteenth-century garden design has been interpreted in terms of legitimation, a tool with which elites attempted to maintain power and authority over marginalized groups. But most acts of aesthetic landscaping, it can be argued, were primarily directed not towards the poor but to rival groups within the propertied. Similarly, any opposition to the dominant ideology expressed in the design of landscape was mainly mounted by disaffected groups within the ranks of the franchised. In so far as the poor in this period inscribed their mark upon the land, it was in acts of vandalism or reappropriation which have left little direct trace in the archaeological record.     

People,plants and performance: On actor network theory and the material pleasures of the private garden

Actor network theory has received considerable attention within geography. In this paper I suggest that geographers have looked at these ideas in a particular way and that this can be productively complemented by an excursion into the contemporary private garden. Through exploring the ways in which people and plants live together there, some geographical criticisms of a defined actor network theory no longer seem to necessarily apply to a more diffuse set of actor network ideas. Furthermore, these ideas can also provide a productive means of engaging practically with the material presence of things, insofar as this materiality is important in the constitution of human cultural experience.     

Conceptual Mediation: Philosophy between the History of Physiology and Contemporary Neuroscience

Summary

In the 1780s the anatomist Vincenzo Malacarne discussed the possibility of testing experimentally whether experience can induce significant changes in the brain. Malacarne imagined taking two littermate animals and giving intensive training to one while the other received none, then dissecting their brains to see whether the trained animal had more folds in the cerebellum than the untrained one. This experimental design somewhat anticipated one used 180 years later by Mark R. Rosenzweig at the University of California, Berkeley. This paper explores some methodological aspects of the case study just outlined by pointing out that our grounds for being interested in it are neither merely neuroscientific (for, strictly speaking, Malacarne's proposal was false) nor narrowly historical (for there is no causal chain linking Malacarne's ideas to Rosenzweig's experiment). Rather, the really interesting point here is to what extent Malacarne's ideas are similar to Rosenzweig's, a point that we can better investigate by employing certain conceptual tools borrowed typically (but not exclusively) from (a certain kind of) philosophy. If we do not handle the analogy with care, we run the risk of ‘discovering’ nothing but void platitudes or anachronistically misleading common features.     

Papadiamandis and Homer: A Note

Abstract

Meaningful allusion to the classics in Papadiamandis's work is not a matter of the text's being stuffed with overt classical references. In his early novels we find a large number of, as it were, classical one-liners: essentially undigested – or at best opportunistic – allusions. The technique is a less focused form of Roidis's in Pope Joan; perhaps a closer comparison is Kalligas's Thanos Vlekas, which is replete with Homeric allusions and puns, none of them integral to the narrative. Similarly, we find in early Papadiamandis a disorderly collection of allusions: Byron, Milton, Aesop, Sophocles, Juvenal, Homer et al.; and sometimes we see his allusiveness to be a mere tic of style rather than fully purposive. In other words, .it is as true here as elsewhere in Greek literary tradition that we need to sift meaningful from more or less chance allusion.     

读《洛阳伽蓝记》论北魏洛阳的寺院园林

北魏洛阳的寺院园林是中国园林的重要组成部分,其树种开始呈现出驳杂的 气象,因花草的种植,使寺院园林呈现出庭院的特色。寺院园林的构成有两种形式,其一为园林 与寺庙建筑融为一体;其二因达官贵人的佞佛,往往舍宅为寺,使寺院园林也具有了达官贵人 园林的特色。寺院园林的昌盛与北魏的精神风貌和价值取向是密不可分的。     

Cultivating belonging: refugees,urban gardens,and placemaking in the Midwest,U.S.A.

In the aftermath of failed urban renewal projects and the decline of central cities, community gardens have become increasingly popular in urban planning, public health, and environmental circles. However, gardens still occupy a tenuous and contradictory position in the city. While urban gardens are bounded spaces, they are also dynamic places where different understandings of (agri)culture, land use, and belonging are enacted and contested. In this paper, we identify three distinct ways in which gardens in a small Midwestern city are used and experienced by refugee gardeners and local officials: the material garden, the imagined garden, and the community’s garden. The material garden, embodied in the biophysical aspects of the soil, seeds, and resources needed to cultivate plants, shapes what can grow in the garden and the transformations by refugee agricultural practices. While planners tend to see urban gardens as temporary spaces that can promote limited pathways of migrant incorporation, gardeners practice, and imagine gardening differently through social, cultural, and economic interactions. We argue that these practices challenge traditional understandings of nature and urban planning, and can promote inclusive understandings of agriculture, cities, and sustainability, embodied in the ideal of the community’s garden.     

从“文化标本”到“文化生活”——以苏州古典园林为资源的社区旅游发展模式研究

苏州古城区现存的古典园林作为明清时期私家园林的典型代表,如同文化标本一般,体现了明清园林文化和风格。本文从苏州古城区的居住街区空间构成入手,通过重新评价古典园林作为街区空间资源的价值定位,探索居民生活和园林文化相互融合的途径,在此基础之上,构建了以苏州古典园林为资源的社区旅游发展模式,其特征为：旅游者和居民的利益统一在街区生活环境改善之上;以古典园林为平台形成旅游者和居民间的交流;园林资源保护的旅游者和居民双方参与。     

The affordable housing,transportation, and food nexus: Community gardens and healthy affordable living in Calgary

This study examining community gardens in Calgary was initiated in collaboration with the non-profit organization, Sustainable Calgary, as part of their housing-transportation-food nexus initiative. The main research objectives were to determine the socio-economic demographics of neighbourhoods that support community gardens and the proximity of community gardens to active transportation and public transit. Methods included the use of GIS visualization and quantitative analyses to investigate relationships between demographic variables of neighbourhoods that support community gardens, as well as the accessibility of active transit routes and Light Rail Transit stations. Findings show that community garden neighbourhoods are located in neighbourhoods with significantly fewer visible minorities, higher levels of educational attainment, and more attached dwellings such as apartments and townhomes. The average distance of community gardens from a major bike lane is 330 m, while the average distance from a Light Rail Transit station is 1.78 km. This study suggests potential inequities that may be present within the proliferation of public community gardens based on socio-economic factors other than economic capital. This paper concludes with a discussion surrounding implications and recommendations to further the equitable expansion of community gardens.     

Cosmopolitan translation and patriotic sensibilities in German garden art

ABSTRACT

My focus in this article is on a small group of German theorists, designers and patrons who thought extensively about the relationship between national identity and garden design: Christian Hirschfeld, Prince Franz von Anhalt-Dessau and his wife Luise, Johann Wolfgang von Goethe, and Prince Pückler. These garden enthusiasts knew one another through personal contact or their writings, and they responded to and developed their ideas in relation to the newly framed creative enterprise in German lands of “garden-landscape-art”. What they shared was a conviction that garden forms affect feelings, with the role of the garden artist to determine paths that would alter and diversify the visitor’s experience of place. This essay explores how spontaneous emotions, elicited by movement through the garden, were linked with a growing sense of patriotism that contrasted with cosmopolitan judgments in the writings of Hirschfeld, Pückler, and Goethe.     

Poetry,Cosmology, Cosmogony

Abstract

This reflective essay investigates the relationship between, on the one hand, the author’s own creative practice and, on the other, cosmological discoveries, both old and new. A series of poems from his collection, Musicolepsy (Shoestring Press, 2013), is presented, contextualized and discussed. All the poems, in very different ways, negotiate and explore the linguistic boundaries and overlap between poetry and cosmology. Specifically, the poetry provides a space in which the sometimes casual, sometimes deep-rooted analogies, metaphors and allusions of popular scientific discourse can be probed, dissected, stretched or exploded. In this way, poetry itself might be seen to embody a kind of pseudoscientific sphere of experimentation, when applied to scientific language.     

Sculptures in captivity and monkeys on megaliths: Observations in zoo archaeology

Abstract

This paper reconsiders some aspects of displays at archaeological open-air museums and heritage sites by looking in some detail at how wild animals are presented in zoological gardens. Topics discussed include the historic and current functions of collecting ancient artefacts, the various appeals of different artefacts and displays, trends in attracting visitors, the significance of systematics and typology, narratives reflected in the overall exhibition design, and the role of displaying artefacts in a specific ‘culral’ context. I argue that we should learn from zoos by placing a stronger emphasis on sensory experiences and visitor satisfaction in order to convey the ‘magic’ of the past.     

Wissen in Geschichten. Zur wechselseitigen Erhellung von Literatur,Medien und Wissenschaft

Knowledge in Stories. On the Mutual Lucidation of Literature, Media, and Science. What are science studies for? The article faces this question by arguing, 1. that they can help to improve literary criticism, and 2. that such an improved criticism allows to recognize how knowledge, whether scientific or not, is linked with history and culture respectively. Both aspects are demonstrated by some remarks on Theodor Fontane's most famous novel, Effi Briest, and its allusions to the then newly discovered microbes on the one hand as well as to mediumistic phaenomena on the other hand.     

圆明园新证——万方安和考

万方安和是清代皇家离宫圆明园中独具特色的园林景建筑之一,其主题以万字房为重心,十字亭为结点,一字长楼山高水长为回应,形成山环水聚、万年如意的园林宫殿形局。其经营意象援引佛教宇宙图式、兼及禅宗沩仰宗风"圆相"奥旨,同时溯源汉地明堂,既是对"圆明主题"的进一步深化,又是雍正皇权极度膨胀在造园理念方面的突出表现。     

从园林起源谈六朝时期的皇家宫苑及其它园林形式

从我国古代神话及有关文献记载中探索中国古典园林的起源,以及早期园林构景要素的基本形式,并由此追溯作为六朝都城－建康城中皇家园林及佛寺园林、私家园林形式,尤其对当时著名的皇家宫苑－华林园、乐游苑的建园与盛衰过程的考释作了一定的分析与阐释。     

Connecting to food: cultivating children in the school garden

School gardens are widely celebrated as spaces to promote health and sustainability by connecting children with their food. While scholars have assessed the effects of gardening in practice, media discourses play a key role in constituting this site. This paper examines how the school garden is discursively constituted within American and Canadian newspaper coverage. The analysis reveals specific forms of connection that are said to flourish in the school garden: between food production and consumption, between bodies and knowledge, and between the urban child and nature. While all children are said to benefit from connecting with their food, these connections are articulated differently in relation to particular bodies and spaces, evident in racialized and classed narratives of stewardship and salvation. As children’s relationship to food is invested with the hopes and fears of collective futures, the discursive construction of the school garden provides crucial insights into contemporary understandings of childhood.