Art That Makes Itself and other generative beginnings: Paul Brown interviewed by Bronaċ Ferran

ABSTRACT

In an interview with Brona? Ferran, Paul Brown recalls his involvement with people and places formative in shaping important countercultures of the 1960s and his long-term interest in generative art processes. He describes his interests since childhood in art and technological thinking which was further inspired by the Cybernetic Serendipity exhibition at the ICA in 1968. Shortly before seeing this, he had left art school, discouraged by a tutor who, on seeing a system-based drawing he had made, told him he would never become an artist. This exit proved liberating as Brown swiftly went on to forge an autonomous route working on light-shows and other multimedia events particularly at The Blackie in Liverpool, which had links to Drury Lane Arts Lab and other centres of radical experimentation. He returned to college in the early 1970s to study art and computing which became the basis of his successful art career.     

The Baimoral Bridge of I. K. Brunel

Abstract

A considerable number of I. K. Bruner's railway bridges are still operational, varying in size from the great Royal Albert Bridge over the Tamar to a host of small masonry bridges for accommodation roads over or under his broad-gauge main lines and subsidiary routes like the Taff Vale Railway. There were, however, few bridges built by him apart from his railway works, and it could have been safely assumed that all such bridges which survive would have been clearly recognized as having been built by him. Yet this has not been so with one particular road bridge, for which Bruners responsibility has been either doubted or ignored, even though it survives in excellent working order. The bridge in question is that over the River Dee at Balmoral.     

‘The Epitheatrical Cartoonist’: Matthew Somerville Morgan and the World of Theatre,Art and Journalism in Victorian London

This article examines the vibrant cultural milieu inhabited by one of Victorian Britain's most famous cartoonists, Matthew Somerville Morgan. Morgan is well-known as the cartoonist who attacked Queen Victoria's withdrawal from public life (and her associations with John Brown), and the lifestyle of Albert, Prince of Wales, in the short-lived rival to Punch: the Tomahawk. Likewise, his post-1870 career in New York as cartoonist of the ‘Caricature War’ over the 1872 Presidential elections, and involvement with ‘Buffalo’ Bill Cody have been well-studied. However, his involvement with the world of the 1860s Victorian stage – and the social circles in which he moved – have not been given close attention. This broader social, cultural, and economic context is essential to understanding Morgan's role as a cartoonist-critic of politics, class, gender and art in Victorian Britain. Special attention is given to the ways in which Morgan's work as a theatrical scene-painter informed his other pursuits, including his political cartoons for Fun, the Comic News and the Tomahawk. So central was the theatre to Morgan's life story that he may be appropriately described as an ‘epitheatrical’ figure. Indeed he is one of the most spectacular exemplars of the interconnected worlds of journalism, high art and theatre in Victorian London. The theatre provided him with the artistic and journalistic connections needed to raise himself above his lower-class origins; to move in ‘clubland’ and fashionable bohemian society; and to win an influential place in the key political and cultural debates of his age.     

‘Seeing in the Dark’: Franz Joseph Thun and his Encyclopedia

Abstract

In the late 1790s the extravagant Bohemian aristocrat Franz Joseph Thun (1734–1801) composed a massive encyclopedia containing his wide-ranging and esoteric knowledge, which was not discovered until 2009. In this article I discuss the contents of his encyclopedia and investigate Thun’s place within the broader intellectual climate in Central Europe. I argue that Thun was an exceptional case in the Habsburg context, where scientists generally rejected outright the sort of excesses his encyclopedia contains. None the less, he became famous for his experiments with a spirit named ‘Gablidon’ and for his sessions in Mesmerism. His encyclopedia focuses on three topics: human ethics, man’s place in nature, and the sins of the French Revolution. He saw man as the middle link in the ‘great chain of being’, whose morality must be based on submission to God. Although he distanced himself from the Catholic Church, he rejected the French Revolution as an attempt to establish a state without religious basis.     

The long road to religious toleration: Emeric Crucé predecessor of the enlightenment

ABSTRACT

Le Nouveau Cynée has been neglected and little cited by Anglo-American historians of political thought, and its author, Emeric Crucé, considered a secondary figure and nearly forgotten. Why is he largely ignored if his book offers the broadest notion of toleration of its time, along with new and original proposals to make peace and organize the world without distinction as to religion and race? Indeed, his peace plan compared with Sully’s, Saint-Pierre’s or Leibniz’s was the only one not addressed exclusively to Christians, but which incorporated all kinds of people, no matter what their religion was. And he did so at a time when the Turks were considered by Christian kings to be their natural enemies, since their threat to Christianity was constant. Besides, his concept of toleration goes beyond that of the so-called champions of toleration of the seventeenth and eighteenth centuries such as Locke, Pierre Bayle, Voltaire, Rousseau or Kant. Thus, he can be regarded, along with Spinoza, as one of the most tolerant authors prior to Enlightenment.     

Constant Desjardins,Peripatetic Cartographer

ABSTRACT

The French-born, nineteenth-century commercial cartographer, Constant Desjardins (1787?1876) remains a rather obscure figure, despite a productive career of more than four decades and his creation of a precociously designed atlas of Europe. Desjardins was a typical mapmaker of his age in his interest in thematic mapping, his use of the new technology of lithography, and his publication of materials primarily for the growing educational systems of Europe. Yet he was unusual in the increasingly nationalistic era of nineteenth-century Europe in that he produced multilingual as well as monolingual maps. He also crossed many state borders, working in France, Bavaria, Austria, Hungary and Serbia. Indeed, this cosmopolitanism may explain his relative obscurity.     

Albert Einsteln as Seen by Artists

Abstract

To commemorate the 80th birthday on 9 December 1980 of Dr Joseph Needham – a Member of our Editorial Board – we are here publishing a somewhat condensed progress report of what has been rightly called ‘the greatest single act of historical synthesis and intercultural communication ever attempted by one man’. After describing its contents, Dr Needham gives a preliminary outline of his methodology, how he has quarried Chinese literature and iconography, how he has immersed himself in China's living tradition to interpret correctly her past and how he has mastered the often century-old technical terminology of Chinese science – only thus could he build his oecumenical university. He concludes here with the hope that this vast study, so felicitously begun, will continue ‘as limitless as is all history’.     

A Russian Before and After the Revolution: P. P. Efimenko,a Pioneer of Levantine Prehistoric Research

ABSTRACT

This paper offers a reappraisal of the Levantine prehistoric chronological sequence constructed by Pyotr Petrovich Efimenko (1884–1969). As a young Russian prehistorian, Efimenko visited Palestine in 1913, collected material from several sites and, in 1915, published a synthesis in which he compared the prehistory of Europe with that of the Near East. This was part of his comprehensive monograph on the Prehistory of Eurasia which was also based on his work at the sites of Mezin and Kostenki and the Palaeolithic of Russia. The current paper also attempts to evaluate the career of Efimenko particularly in light of the unfamiliarity of his work among prehistorians working in the southern Levant.     

George Thomson and the Dialectics of Hellenism

Abstract

When I think of G. Thomson one question which immediately springs to mind is: why was he, and why is he still, so popular in Greece, a country he visited only four or five times? Was it his scholarly work, his Marxist beliefs or his emphasis on the continuity of Greek culture that bestowed on him respect and acclaim among Greeks? It seems to me that it was a combination of all these three factors which resulted in the fact that Thomson is one of the few classical scholars whose major studies have been translated into Greek and enjoyed wide publicity. He is now considered in Greece not only an exception among classicists but an exception among those who have studied the historical development of Greek culture and vehemently stressed its continuity. Despite the fact that his views were largely ignored during the debate of the 1960s and early 70s concerning the question of continuity, and which centred around Byzantium, Thomson's views on the subject must seriously be taken into account.     

Approaching Personality through Style: The Seriously Perplexing Figure of Dezső Szabó

Abstract

Dezs? Szabó (born 1879, Klausenburg/Kolozsvár/Cluj, Austria-Hungary, died 1945, Budapest) was a towering figure of his generation. Literary critic, social pamphleteer, satirist, and novelist, he aroused strong passions on all sides with his rhetorically freighted prose and his fluid, yet forceful, political views. All accounts of his work concentrate on its intent, content, or consequences, and it is widely agreed that Szabó’s ‘style’ was his most prominent trait. And yet it is as if the political and ideological impact of the man has all but eclipsed the writing itself: with the exception of one brief monograph of 1937, we have no study devoted to the detailed examination of the ways in which he used Hungarian. Such a study is what is attempted in this essay. The method is primarily linguistic: all pertinent features of Szabó’s use of Hungarian are discussed, from the submorphemic (alliteration and other sound-patterning) through his immoderate derivational morphology, overstuffed noun phrases, and idiosyncratic lexis.     

Dionysios Solomos: The Tree of Poetry

Abstract

Dionysios Solomos is a poet of contradictions. The fact is not often admitted either by his supporters or his occasional detractors. But there is a puzzling ambiguity about the poet which is only exacerbated by the labels that have been tied round his neck. Solomos, we are told, is one of the European Romantics, he is the father of modern Greek poetry, an epic poet manqué.     

Acknowledgements

Abstract

Flinders Petrie was one of the earliest excavators to recognise that all archaeological material had research potential, and pursued a whole range of artefact types as the key to understanding past cultures. But what impact did the way in which he excavated have on the rate at which objects were discovered, and the condition in which they were found? And how important was it to him that the objects he acquired were closely linked to the physical and chronological landscape of his sites? This article looks at Petrie's field practices to try and answer some of these questions, with particular attention being paid to the relationship between Petrie and his workforce, his object collection policies, and some of the failings experienced in recording object provenance. These issues are critical to those who wish to make use of these objects to answer current questions about the ancient Near East—because it is only by understanding the way in which this material was recovered that we can begin to judge how it should be used in the present day.     

Marinus of Tyre's place in the Columbus concepts

Summary

Thomas Jefferys (died 1771) was one of the most significant London mapsellers of the mid‐eighteenth century. He enjoyed an international reputation and apparent prosperity as a publisher of American and European maps during the Seven Years War. Yet in 1766 he became bankrupt. The paper offers an interpretation of Jefferys’ bankruptcy in the light of his business activities. After reconstructing the main phases of his career, the conclusion is reached that the causes of bankruptcy only operated in the period after 1765, when he became involved in the production of a series of English county maps based on original field survey. Hitherto, his maps had been compiled from inexpensive secondary sources; the field surveys involved a new set of costs which led to his failure.

The bankruptcy explains an otherwise puzzling change of ownership in some of his maps after 1765—especially the acquisition by Robert Sayer of a substantial share in his enterprises. These events may have wider implications in the history of eighteenth‐century cartography. Many map‐publishers were under‐capitalized and had to survive on low profit margins. These, in turn, may have retarded cartographical progress; the conclusion reached is that plagiarism was frequently an economic necessity for many mapsellers.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

Naked wax and necessary existence: modal voluntarism and Descartes’s motives

ABSTRACT

Descartes’s commitment to modal voluntarism was one of his most notorious and controversial doctrines. The reaction of contemporaries was hostility and incredulity; the reaction of modern scholars has been little different. Yet, though the issue has fomented considerable discussion and disagreement in the literature, the overwhelming majority of scholarly output has focused on questions of whether Descartes actually upheld the doctrine, or what he was committed too if he indeed did. Surprisingly, the underlying question of why Descartes would have upheld such a doctrine in the first place has gone almost entirely unnoticed and unasked. This paper proposes several possible answers to this question, each of which provides at least a partial explanation for Descartes’s attraction to modal voluntarism. The ultimate motive, however, was likely not one of positive attraction, but driven by Descartes’s anxieties over the thorny and deeply heretical implications of his conception of matter.     

Milton’s Euripides and the superior rationality of the heathen

ABSTRACT

If arguments have always been made either that Milton maintains the primacy of the Bible over classical literature, or that he often presents classical sentiments as congruent with the biblical, one claim that has rarely been made is that Milton is willing to assert the truth of classical literature over that of the Bible. This article argues that there are moments in the canon that show him capable of doing precisely this, with particular reference to the invocation of his favourite Greek dramatist, Euripides. The article considers Milton’s reading and interpretation of Euripides in his early poetry and prose, before examining more closely the citation of Euripides in two of the prose works which bear heavily on the question of how politically and religiously radical Milton was: The Tenure of Kings and Magistrates and De Doctrina Christiana. The turn to Euripidean authority over the biblical reveals Milton’s willingness to subject Scripture to the test of pagan wisdom, if he judges that wisdom to have superior claims to rationality. This willingness derives from the development of his ethical thought in the 1630s and early 1640s, and from his understanding of classical, patristic and contemporary authorities, including John Selden.     

The Thesaurus Exemplorum Medii Aevi (ThEMA): An Introduction

Abstract

Johannes Borquardi was a priest-brother at Vadstena Abbey from 1428 until his death in 1447. He was a renowned preacher and has left three extant volumes of sermons. At the end of many of his sermons, he writes suggestions for yet another sermon on the same theme or for the same day. There are some 60 such short texts, some mentioning only one or two suitable sources, others listing many books; sometimes they even give a Vadstena shelf-mark. These texts are invaluable for our knowledge of the Abbey library in many aspects. In some cases, we can check how Johannes himself used his own suggestions, since we also have his next product for the same feast. In this paper, I have studied how Johannes used one of his 'endnotes' to compose a sermon for St Matthias by cribbing from Peregrinus de Oppeln and Guilelmus Peraldus. I hope to show just how skilfully he uses his sources and how elegantly he pastes in his quotations, so that the sermon becomes a new, consistent and homogeneous text.     

Harry Holland's ‘Samoan Complex’

ABSTRACT

‘Harry’ Holland, one of the early leaders of the parliamentary Labour Party in New Zealand, was an anomalous figure in early 20th-century New Zealand politics. In addition to a principled adoption of militant socialism, he stood apart from the rest of the House of Representatives due to his pronounced interest in Samoan affairs. This interest was so acute that one of his Labour colleagues, John A. Lee, remarked that he possessed a ‘Samoan complex’. This paper addresses the lack of critical attention paid to this facet of his career. Even though Holland's attitudes towards Samoa were sometimes couched in the same vocabulary as the coloniser, he always stood on the side of the colonised. His endorsement of Indigenous self-government was ahead of its time, and his campaigning played a key role in the Samoan struggle for independence. At a broader level, Holland was possibly the most significant of a cohort of colonial critics who questioned New Zealand's right to govern Pacific Islanders and who sought to rein in New Zealand's more overbearing Pacific Island administrations.     

“Did that play of mine …?”: James Connolly,Cathleen Ni Houlihan and staging revolution

Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.