In Search of an Invisible Culture in David Plante’s American Ghosts and Robert Cormier’s Fade

David Plante’s American Ghosts (2005) and Robert Cormier’s Fade (1988), autobiographical narratives about growing up in southern New England in French Catholic neighborhoods called Little Canadas, both employ the trope of invisibility to convey the ethnic community’s lack of presence, agency, or permanence within an englobing American culture that progressively erodes the foundations of its cultural otherness. Both texts hinge upon cultural erasure. In Plante’s memoir, in which he seeks to gain access to his cultural past, his childhood self is haunted by the ghosts of his Indian forebears and his adult self, by the ghosts of his parish. These supernatural beings who shuttle between absence and presence signal the loss of cultural memory and identity that assimilation engenders. Cormier’s novel chronicles the effects of invisibility on three “faders” representing first-, second-, and third-generation French Canadians in New England. A metaphor for the progressive loss of ancestral heritage in the adopted land, Fade offers a portrait of the gradual disintegration of Frenchtown from its heyday in the 1930s to its dissolution in the 1960s.     

Dream City, Plaster City: Worlds’ Fairs and the Gilding of American Material Culture

This article focuses on the “gilding” in the Gilded Age: the imitative finishes and faux fa?ades that made the artifice of the Gilded Age possible. By drawing from the history of international world’s fairs and results from the 2008 archaeological excavation of Chicago’s 1893 World’s Columbian Exposition, these imitative forms can be seen to have provided an authentically transformative experience to those who consumed them by virtue of their cheap and temporary materials. Finally, looking at the twenty-first-century “McMansions” of the Second Gilded Age shows a similar drive to sustain illusions of affluence and status through imitative material forms.     

Gender Bending and Exoticism in Japanese Girls’ Comics

Gender bending has been a staple of the medium of shōjo manga, Japanese girls’ comics, as best exemplified by cross-dressing “girl knight” characters and “Boys Love” stories, whose plots focus on romance between effeminate beautiful young men. The imaginary space created through the representation of these figures shares many traits in common with another typical feature of shōjo comics, namely their exoticisation of Europe. Both have been used as simultaneously escapist and subversive strategies, as a refuge from contemporary social norms and a platform for critical reflection. In this article, I aim to problematise our understanding of the connection between gender bending and exoticism in shōjo manga through an analysis of the representation of one specific aspect of European culture – namely, the Christian religion – in the genre of Boys Love manga.     

Not Like the US? Europeans and the Spread of American Culture

work reviewed:
Not like us: how Europeans have loved, hated, and transformed American culture since World War II . By Richard Pells     

Girls’ Carnival Morris Dancing and Contemporary Folk Dance Scholarship

Competitive, urban-centred and female-led, girls’ carnival morris dancing functions at a remove from the ‘traditional’ spaces of the English folk movement. However, it has a comparable history in north-western England where it retains great popularity. Perhaps this overlooked practice has the potential to unsettle dominant assumptions about contemporary folk performance in the United Kingdom.     

Women as Common Scolds in Law and Popular Culture: Pennsylvania, 1824–1972

Women faced prosecution as common scolds for their unruly speech in US jurisdictions until 1972, with Pennsylvania playing an outsized role in this history. Pennsylvania's treatment of common scolds reveals how the interplay of the law and the press perpetuated a construct of women's speech as gossipy, quarrelsome and disruptive of social order. Prosecutions occurred so frequently and continued for so long in Pennsylvania because of English common law's grip on the state's jurisprudence, reinforced by popular culture representations that stigmatised women's speech. Common law furnished formal legal precedents, while the press, driven by its own imperatives, readily propagated, amplified and validated the law's characterisation of scolds. Reports about scold cases, which fit easily into journalistic and cultural frames, often appeared as humorous vignettes that served as illustrations – if not warnings – about women's transgressive speech. Judges wondering about the continued legitimacy of this gender-specific offense could take comfort from stories about prosecutions of scolds across the state and around the nation. The ordinariness of common scold cases also sheds light on community rules that regulated women's everyday speech – evidence about a fleeting activity nearly invisible to scholars before the digitisation of newspapers and obscure legal texts.     

The Impact of the First World War and the Polish-Soviet War on the ‘Culture of Suffering’ in Post-1914 Polish Fiction

ABSTRACT

Using Jeffrey C. Alexander’s theory of cultural trauma, this article focuses on the three major types of narratives of suffering which appeared in Polish fiction, after Poland regained political independence in 1918, outside the strong myth-creating narrative of the Polish Legions’ role in the war for independence. It argues that Polish post-1918 fiction developed these three major paths in the face of suffering inflicted on Polish lands, during WWI and Polish-Soviet War. These paths were to: 1) continue the narrative of Polish suffering within the framework of heroic, and selfless, sacrifice for Poland that has been well established since Romanticism; 2) present suffering as the universal fate of humanity outside the notion of national identity, due to the monstrosity of modern bureaucratic systems wherein human beings are treated as objects; and 3) present suffering as the result of modern warfare, but told outside of “patriotic phraseology” – thus suggesting a growing need as to finding a solution to national conflicts outside narrowly defined identities.