Revolutionary responses to the Myanmar coup

While Myanmar's recent military coup has devastated many people in the country, particularly those from the Bamar majority, who had been enjoying a decade of quasi-democracy, it has also produced a massive uprising against the military's seizure of power that appears to constitute a revolution. This is because amidst protests, general strikes, and guerrilla warfare, this majority has also been grappling with the failures of the last 10 years: through conversations facilitated by social media platforms, some are not only demanding changes to their democratic leadership's authoritarian chauvinism but are acknowledging the structural inequalities and exclusions built into Myanmar society.     

Cultural actors as agents of generating social co-presences within the place: Istanbul’s contemporary art scene

This paper builds on the designation of cultural actors’ actions as a decisive factor in the emergence of urban patterns of art-driven social co-presences in Istanbul. It contributes to the creative city debate from the perspective of community development by incorporating the contemporary arts into urban social space making efforts. Methodologically, the locations of art organizations in the contemporary arts scene of Istanbul are approached as an urban pattern of art driven social co-presences that resulted from the ‘collective action’ in which a multitude of cultural actors are involved. We find that the clusters of art organizations serve as multidimensional social interactions among artist communities. There are, however, inefficiencies in spreading this interactive networking throughout different social segments. Research findings conclude that the cultural actors as agents of generating social co-presences within the place, are not effectively contributing to the society’s social coherence, particularly in terms of creating links with disadvantageous neighbourhood residents.     

Invisible Children fades away: What it means for the future of youth activism

The global reach of Invisible Children's viral video KONY 2012 supposedly established the efficacy of ‘spectacular humanitarianism’: sympathetic spectatorship of suffering others through the mediatization, commodification, and depoliticization of Western humanitarian action. However, their ‘brand’ of activism ultimately proved unsustainable, as Invisible Children announced in late 2014 that it was phasing out operations. Here I consider how Invisible Children, as a quintessential spectacular humanitarian movement, has shaped youth activists' subjectivities in the global North. Drawing on activism, media, and humanitarian studies critiques, as well as interviews with recent Invisible Children interns, I argue that though Invisible Children's approach can attract and launch young people into social activism, it can also hinder growth beyond the problematic confines of a spectacular humanitarian approach which reproduces, rather than transforms, global power relations. However, young activists can and do go on to cultivate a more critical and self‐reflexive approach to global social activism.     

Chinese Independent Documentary Films: Alternative Media,Public Spheres and the Emergence of the Citizen Activist

This article argues that contemporary independent documentary filmmaking in China has been used as a tool by Chinese citizens to intervene in the public sphere and to provoke social change. I therefore propose to look at the phenomenon of Chinese video activism under the umbrella of alternative media. In particular, I take into consideration the “rhizomatic” media approach, which focuses on the interaction of alternative media with authority, the market and civil society. The case studies I present consist of several documentary projects completed between 2004 and 2010 that opened up spaces of dialogue between filmmakers and local authority, mass media and civil society. The paper claims that documentary films have an impact on audiences, whose members are consequently motivated to engage in discussion and action. I argue that activist video-making in China is reshaping the identity of urban citizens: through filmmaking, urban citizens claim their right to access information and demonstrate their will to participate and intervene in social issues.     

Between Borinquen and the Barrio: Environmental Justice and New York City's Puerto Rican Community, 1969–1972

The last decade has seen an upsurge of both scholarly and popular interest in the US environmental justice movement. What is largely missing from this contemporary discussion is any sense of the historical roots of this new wave of environmental activism. This paper explores the emergence of a radical Puerto Rican organization called the Young Lords that was active in a number of US cities in the late 1960s and early 1970s. In New York City, the Young Lords successfully mobilized their community through a series of direct actions devoted to improving public services, the creation of new community spaces and the assertion of cultural identity. I examine the internal tensions within the organization as it sought to extend its role beyond community-based concerns such as sanitation and health care towards more abstract political goals, including demands for Puerto Rican independence. It is argued that the ultimate disarray of this radical phase of Latino political activism cannot be understood separately from a series of wider developments, including the gathering pace of urban decline, the marginalization of the US left and the dissolution of the New Deal era. Although the movement faded away in the 1970s, a legacy of diasporic environmentalism dedicated to the transformation of the urban environment has provided a powerful degree of political continuity with contemporary struggles for environmental and social justice.     

Collapsing contexts: social networking technologies in young people’s nightlife

In the latest discussions of children and young people’s new geographies of leisure and pleasure, one controversial issue has been how digital technologies co-produce and reconfigure young people’s everyday worlds. This article draws on semi-structured interviews with 40 young people who regularly use social networking technologies in their nightlife experiences in Zurich and Lausanne, two nightlife hubs in Switzerland. Informed by Danah Boyd’s concepts of ‘collapsing contexts’ and ‘imagined audiences’, this article enables a critical engagement with young people’s emerging understanding of their nightlife contexts, which are increasingly permeated by networking technologies. I show how social networking spaces facilitate the coming together, or collapse, of various social contexts which induce young people to imagine multiple audiences, including authority figures, in their nightlife practices. These collapsing contexts and imagined audiences, I argue, present new perspectives on debates about control and surveillance in young people’s contemporary urban nightlife.     

社交媒体时代的博物馆信息传播——以徐州博物馆为例

社交媒体时代下互联网与手机应用等新媒体技术的兴起,构建出覆盖全球的信息网络,以博物馆为锚点的连接,辐射向更广阔的文化景观与观众群体。社交媒体为一些鲜少涉足博物馆的潜在观众群提供了多种渠道互动沟通的可能。从社交媒体与受众群体的内容和特点入手,可将博物馆社交媒体的运营模式分为平台型、社群型和泛在型三类。从徐州博物馆与国内外博物馆在这一领域的实践探索来看,社交媒体在博物馆信息传播中已有一定的创新应用,收到较好效果,但也面临新的挑战。     

Trans youth and social media: moving between counterpublics and the wider web

Today’s trans youth grew up with the internet and online LGBTQ resources and spaces are important to these communities. This article focuses on conceptualising the digital cultural strategies that trans and gender questioning youth adopt both as social media users and producers in order to cope and thrive. Drawing on ethnographic data detailing a group of trans youth’s engagements with LGBTQ social media counterpublics and the wider web, and their movement between these spheres, in combination with close readings of online material identified as salient by the participants, this article argues that in the face of rampant transphobia and cis coded online paradigms, trans youth respond both critically and creatively. More specifically, I highlight how they resist prescribed user protocols of mainstream social networking sites as well as employ pragmatic strategies for navigating a binary gendered online world, staking out their own methods and aesthetics for self expression and community formation. Having examined the content and style of social media examples highlighted by the participants, the article contends that trans youth’s consumption and production of types of online and social media is significantly more diverse than research to date has recognised.     

Fiction ‘néo-réactionnaire’ avec Richard Millet

Omnipresent in the political and media landscapes, the neo-reactionary discourse has become a major discursive trend in contemporary France. Recent scholarship has started to theorise its mechanisms of production and circulation, with a particular focus on the visibility and posture of the celebrities who embody it. The importance of this discourse’s literary component has been pointed out, but also restricted to discussions pertaining to the role played by these public figures’ writings published for a mass audience such as essays and newspaper articles. The objective of this article is to highlight the need to take into consideration literary representations that echo but also complete the theoretical arguments developed in more popular outlets. Through the analysis of Richard Millet’s Province (2016), the potential of fiction, and more precisely the realist novel, will be explored in order to suggest that a thorough understanding of the neo-reactionarydiscourse can only be achieved through the study of the multiple platforms that disseminate and shape it.     

‘I am not a feminist but…’: women’s activism in post-1991 Albania

Abstract

This article examines the shape organized women’s activism took in Albania after the fall of the communist regime. It also analyses how gender and feminist studies have positioned themselves within the higher education system, the relationship between media and feminism and the new alternative spaces of women’s activism and feminist resistance to gendered power relations. The analysis follows the longue durée of the fraught relationship of debates around feminism during and after the fall of Communism starting with the communist top-down ‘women’s emancipation model’ as well as the lack of bottom-up women’s activism, the post-1991 neo-liberal frame and the generalized post-1991 stigma about ‘emancipation’, ‘equality’ or ‘feminism’, along with the need to resist post-1991 hierarchical gender regimes.     

Social media reconstructions of urban identity during the COVID-19 pandemic

The COVID-19 pandemic has profoundly affected people in urban areas. This article reports on a comparative empirical study of the pandemic in Guangzhou and Xi’an in 2021 and analyses how residents responded to social media during the crisis. Using Baidu’s hot search time machine to search for hot topics related to the spread of disease during each outbreak of COVID-19, we collected 35 and 41 hashtags for Guangzhou’s and Xi’an’s epidemics, respectively. Based on a thematic analysis of those hashtags, we considered how residents reconstructed expressions of urban identity in both cities. We found that China’s unique official accountability system in local anti-epidemic practices led to stricter forms of top-down urban governance and that urban residents deployed forms of bottom-up agency in response. Our work provides a refined agenda for geographers and other social scientists to examine the interconnections among urban resilience, urban social responses to major public crises, and urban culture.     

Front and Back Covers,Volume 30, Number 1. February 2014

Front and back cover caption, volume 30 issue 1 Front cover POO WARS Mandisa Feni of Site C, Khayelitsha sits on a portable toilet on the steps the provincial legislature. She is one of the many poo protesters who, in June 2013, dragged containers of human waste from the shanty towns on the urban margins to the provincial legislature in Cape Town's city centre. By collecting this shit from the urban periphery and dumping it at the centre of provincial political power, the protesters powerfully enacted their refusal to accept the portable toilets that the authorities had provided for people living in these informal settlements. Rather than accepting what they regarded as second‐class ‘portaloos’ for second‐class citizens, they demanded modern, permanent, porcelain toilets, just like those in middle class homes in Cape Town. Similar to the case of the Great Stink of London of 1858, the politically powerful could not ignore the stench aroound Parliament. In his editorial in this issue, Steven Robins argues that a lack of in‐house, ‘modern’ toilets in shanty towns continues to plague its inhabitants, who have taken to imaginative protest in various ways. His study on the politics of shit in Cape Town represents a form of public anthropology on a largely private activity. This politics of human waste is not popular in the mainstream media and is considered to be irrational and unruly by the wider public. But, as developments in Cape Town show, when human waste becomes matter out of place, it can also become a potent substance when deployed in popular protest. Back cover FACE VALUES Villagers in Kanga, northern Mafia Island, Tanzania, watch a screening of part of the BBC/RAI series Face values (1978) in 1985. The film (at that time on a reel‐to‐reel system) was projected onto the white‐washed wall of the village dispensary. Prince Charles, shown here on screen, was Patron of the RAI at the time and had studied anthropology at Cambridge. He encouraged the making of this series and acted as the interviewer of the five anthropologists involved. It was argued by the RAI that the presence of royalty would ensure a large TV audience for the series in the UK, and indeed, this seemed to be the case judging by the BBC's audience figures. However, the series was much criticized both by the newsprint media critics and by anthropologists. In this issue, in the second part of her article, Pat Caplan considers why the making of ‘educational’ material for a mass audience about people and societies in other parts of the world is problematic and probably rather unlikely to achieve the aims set out by the Prince: ‘If more people could have the advantage of information and knowledge about other people's behaviour, customs, religion and so forth, then perhaps some of the prejudice against immigrants in UK could be slowly reduced’. It also considers how local people have viewed this film material and how and why their reactions have changed over time.     

Making Space: Women's urban and rural activism and the Australian state

Recent discussions of political actions have emphasised the ways that strategic use of spaces, places and various spatial scales helps to constitute activist practice. Advancing their interests involves activists in spatial practices that seek simultaneously to achieve cohesion and identity for their group, and to negotiate the shifting 'opportunity structures' of their context. In this article, the authors use examples of Australian women's activism in urban and rural contexts to show (1) the spatial processes with which activist groups have negotiated their strategic identities, and (2) how activist groups have constructed their politics spatially with reference to the opportunities presented by the Australian state of the early to mid-1990s. The urban activism discussed is that of parents (primarily women) contesting the quality of children's services in an outer suburban Melbourne municipality; the rural activism is that of the national Women in Agriculture movement, seeking increased recognition of the roles of women in agricultural occupations and sectors. The article elaborates on how the groups have mobilised to develop their constituencies within the contexts of the Australian state of the time, using different spaces and sites, finding appropriate languages and bureaucratic targets, and making a space for their concerns politically, symbolically and materially.     

社交媒体对广州饮食文化空间的建构与重塑

研究选取国内四大社交媒体——新浪博客、新浪微博、豆瓣网和土豆网作为研究案例,通过文本分析的方法,探讨了社交媒体对广州饮食文化空间的构建与重塑,得出以下结论:①社交媒体构建了广州饮食文化空间的结构以及全球地方特征。社交媒体将广州饮食文化空间结构塑造为承载饮食内容、饮食文化及其相关社会活动的物质和社会文化空间,具有全球化和本地化交融的特征;②基于网民对社交媒体空间的生产,及其之间的社会互动,社交媒体消解了广州饮食文化空间原有的社会文化意义,并将其重塑为一个承载多元社会文化、消费文化、权力和情感的空间,而且这些空间意义具有流动性。研究结论丰富了现有媒体和饮食文化空间地理研究成果,同时为广州饮食文化发展和地方品牌构建提供了参考。     

Children’s agency in accessing for spaces of play in an urban high-rise community in Malaysia

ABSTRACT

This research explores children’s agency in negotiating for play spaces in Malaysia within the context of an urban high-rise community. Fieldwork was conducted with 31 children between the ages of four to 12 years old. A qualitative, child-centered approach to data collection was employed using participatory research methods. The study reveals how children gain access to play spaces and details their innovative strategies in maximizing play opportunities in a community with limited infrastructural and social support. It highlights how children claim the use of communal spaces within the housing compound, reinvent designated play spaces, resist adult rules around restricted spaces and embrace elements of global culture for meaningful play opportunities. The paper argues that children exercise agency in accessing play spaces, and by so doing, extend and expand their lived geographies which are not just spatial, temporal and social but also invented and imagined.     

Cultivating belonging: refugees,urban gardens,and placemaking in the Midwest,U.S.A.

In the aftermath of failed urban renewal projects and the decline of central cities, community gardens have become increasingly popular in urban planning, public health, and environmental circles. However, gardens still occupy a tenuous and contradictory position in the city. While urban gardens are bounded spaces, they are also dynamic places where different understandings of (agri)culture, land use, and belonging are enacted and contested. In this paper, we identify three distinct ways in which gardens in a small Midwestern city are used and experienced by refugee gardeners and local officials: the material garden, the imagined garden, and the community’s garden. The material garden, embodied in the biophysical aspects of the soil, seeds, and resources needed to cultivate plants, shapes what can grow in the garden and the transformations by refugee agricultural practices. While planners tend to see urban gardens as temporary spaces that can promote limited pathways of migrant incorporation, gardeners practice, and imagine gardening differently through social, cultural, and economic interactions. We argue that these practices challenge traditional understandings of nature and urban planning, and can promote inclusive understandings of agriculture, cities, and sustainability, embodied in the ideal of the community’s garden.     

Really shit work? Bodily becoming and the capacity to care for the urban forest

The urban forest has a significant impact on the city’s social and ecological performance. However, shrinking space and resources needed to care for trees means cultivating community care for the urban forest is an increasingly salient issue. To this end, the paper seeks to deepen our understanding of the powers shaping people’s capacity to care for trees. It identifies the body as one of these powers and turns to Deleuze and Guattari for a theory of corporeality that illuminates the body’s role in the process of becoming a ‘bushcarer’. This highlights the trans-corporeal practices and encounters that endow people with the skills and desire needed to care for the urban forest. With the ethical utility of the body being debated by social and cultural geographers, this article defends its potential by suggesting the body and its encounters are deeply implicated in the development of a dyadic capacity to care for the urban forest. For urban forestry, this means community engagement might be framed as an ethical event that facilitates experiments in bodily composition that might change our ways of thinking, feeling, and being with the urban forest.     

“Twitter Bodhisattva”: Ai Weiwei’s Media Politics

Abstract

This article investigates artist and activist Ai Weiwei’s media politics. In 1997 Ai Weiwei imagined a modernist movement that would practise a “non-compromising vigilance on society and power” and since 2005 he has embraced blogging and micro-blogging to enact such intent. We argue that his “communication activism” is part of a broader artistic and political program that long predates his online presence. The study examines how the artist has experimented with blogging and micro-blogging to spread his message of “awakening” in defiance of censorship and surveillance. It shows how Ai Weiwei’s communication strategy combines an international celebrity status, criticism, irony and a round-the-clock interaction with his netizen audience and the media. It also critiques the effectiveness and coherence of this mode of activism from two perspectives – namely, Jean Baudrillard’s analysis of “private telematics” and Jodi Dean’s “blog theory” – and finally assesses its impact. The study aims to enhance our understanding of the web-based communication strategies of Chinese activists, shedding light on cultural production and consumption in Chinese cyberspace as a socio-political barometer.     

Mobilizing Women,Mobilizing Gender: is it mobilizing difference?

This article examines political activism in the United States to evaluate the extent to which the mobilization of women involves a mobilization of difference, with an attendant goal of building a more inclusive polity and citizenship. The analysis is based on an extensive survey of political attitudes and behaviors in four medium‐sized cities in the western United States and on the political opportunity structures within the cities. While it appears that gendered experiences and an idea of difference may motivate women to become involved in community and political activism, the patterns of their activism do not differ dramatically from those of men and no separate ‘spaces of politics’ for women seem to have been constructed through their activism. I argue that political opportunity structures—the institutions, ideas, and organizations—within the four localities play an important role in channeling women's activism. These findings suggest the importance of considering the contexts in which political identities and activities are given meaning and through which political communities are constructed.     

China’s urban ideology: new towns,creation cities,and contested landscapes of memory

ABSTRACT

This paper argues that “the urban” has emerged as the most significant ideological realm in contemporary China. In developing this argument, I suggest an alternative approach to how we theorize urbanization in China. Seeking to avoid the dichotomized analyses that often characterize scholarship on China’s urbanization, the paper suggests reading “the urban” as an ideological device. Such a reading calls for an analytical distinction between the city as a technology of socialist party-state planning and government and urbanization as a messy social process over which the state struggles for control. It also calls for a recognition of the ways that ideology itself has shifted dramatically in China, from the Mao-era centrality and coherence of class struggle and its overriding goal of proletarianization to a much less coherent post-reform message of “stability”. The paper begins with a brief discussion of ideology and Gramsci’s notion of “common sense” in a Chinese register. It then considers the film 24 City, directed by Jia Zhangke, as a template for understanding urban spaces as sites of conflict between the city as an ideological device and urbanization as a social process. New urban spaces are then explored in an effort to tease out their complex and contradictory ideological renderings. I conclude with an argument about the openness and contradictions of China’s urban spaces and how an ideological analysis can resist the kind of theoretical closure that much work on urbanization in China seems to aim for.