Formal ethnography at a distance

Michael Agar. Ripping and Running: A Formal Ethnography of Urban Heroin Addicts. New York: Seminar Press, 1973. xiv + 173 pp. Figures, glossary, appendixes, references, and index. $8.50.     

Gothic history and historical ethnography

It is difficult, for an Austrian, to pass judgement on the Goths. Anyone concerned with the history of the Goths must be resigned to being misunderstood, falsely praised, or rejected. This is hardly surprising, since the subject is so heavily laden with the ideological burden of an age-old tradition of identification with this people. It is almost impossible to separate Gothic history from the emotions aroused by the process once termed “The decline and fall of the Roman Empire”, and which is not yet universally known as “The transformation of the Roman world”.     

Gothic history and historical ethnography

It is difficult, for an Austrian, to pass judgement on the Goths. Anyone concerned with the history of the Goths must be resigned to being misunderstood, falsely praised, or rejected. This is hardly surprising, since the subject is so heavily laden with the ideological burden of an age-old tradition of identification with this people. It is almost impossible to separate Gothic history from the emotions aroused by the process once termed “The decline and fall of the Roman Empire”, and which is not yet universally known as “The transformation of the Roman world”.     

Fugitives and ethnography in Priscus of Panium

Abstract

Because the historical writings of Priscus of Panium survive only in fragments, we regrettably lack knowledge of the full complexity of this fifth century historian's concerns. Widely cited in Byzantine sources, the greatest part of Priscus’ work is found in the Excerpta de Legationibus, which was compiled from ancient texts by the emperor Constantine VII Porphyrogenitos in the middle of the tenth century as part of an encyclopedic collation of educational and practical information. The Excerpta, which dealt with international relations, found much of interest in Priscus, whose history included a detailed account of the struggle between the Romans and Attila the Hun. Of particular value is Priscus' first-hand account of an embassy to Attila in 449 to discuss the exchange of fugitives and other matters. On this journey Priscus served as an assistant to Maximinus, the leader of the diplomatic mission sent from Constantinople. Envoys to foreign lands regularly included in their reports detailed observations of the societies they visited, and in this tradition the fragments preserved in the Excerpta constitute an invaluable source of information about Hunnic life as well as diplomatic matters. Priscus later reworked his acute observations of the Huns made on the embassy and mixed them with other information in the larger framework of his historical treatise, adapting part of his diplomatic intelligence report to the needs of a different sort of literary enterprise. We cannot know with any certainty the thematic architectonics of this historical work, but its fragments make it clear that Priscus' treatment of the relations between Rome and the Empire of the Huns and his development of cultural issues implicit in those relations were more subtle than the tenth century editors' focus on diplomatics might suggest.     

The Indian as subject and object of Mexican ethnography

Pierre Durand. Nanacatlan. Société Paysanne et lutte des classes au Mexique. Montreal: Les Presses de 1'Université de Montréal. 1975. 257 pp. Tables, figures, maps, references, and bibliography. $14.50 Canadian, paper.

Judith Friedlander. Being Indian in Hueyapan. A Study of Forced Identity in Contemporary Mexico. New York: St. Martin's Press. 1975. 205 pp. Illustrations, references, bibliography, and index. $5.00 paper.     

Gender, representation, and power in San ethnography and rock art

Interpretation of San rock art has been heavily dependent on the various San ethnographies, particularly those of the /Xam, who inhabited the northern Cape Province, South Africa, until the early 20th century. A different reading of these ethnographies enables another avenue of interpretation: the interlinked themes of gender, sexuality, and rain appear to be as important in the art as shamanistic elements (reference to which has been a key development in understanding the art). While interpretation centering on the trance dance, recorded ethnographically from recent and contemporary San groups, has been most productive, many features of the art may be related to other aspects of San culture—to the female initiation ceremony, social organization, and the complex of notions and practices surrounding feminine gender and female sexuality.