Histoires de Lectrices en Italie au Début de L’époque Moderne

The connection between the history of reading and gender is made using a range of methodological perspectives, each illustrated by analysing concrete examples from the early modern Italian area. The significance of the circulation and reception of texts as well as the various attempts to control knowledge and behaviour via censorship and availability of reading material will be considered. In fact, since the XVI ^th century, written texts seem to play an increasingly influential role in defining the relationship between men and women. The figure of the early modern woman reader appears in literature sources as both a consciously constructed and easily influenced addressee, who nevertheless may still behave in a way different to that intended by the authors. This double approach facilitates the reading of normative texts from a new perspective that takes into account the possibility of creative adaptation and enables the question of interdependence between the production and reception of the written word to be reconsidered.     

Du ‘géant remueur de terre’ à ‘Monsieur jardine’: valorisation et dévalorisation des images de la terre à la Belle Époque

Images of the Earth in Belle Époque fiction are frequently called upon to express an author's view of what defines an individual's relationship to self, history, and society. This article focuses on two examples whose significance is highlighted by the fact that the authors have radically opposed ideologies. In Diary of a Chambermaid (1900), Octave Mirbeau uses the provincial backyard garden satirically, as a site where society's repressed, sadistic and anal impulses are let loose. By contrast, René Bazin's highly conservative Donatienne (1903) illustrates the author's Catholic belief in the biblical sanctity of the relationship between a man and his native place. How uniquely relevant to the representation of the fictional Subject these images are is further demonstrated by the fact that women are unapologetically excluded from them. As it happens, these novels' female protagonists are both domestic servants, whose defining relationship is not to the Earth where they were born, but—second in the order of Creation—to the home where they live.     

Guy D’Arezzo et « Notre Notation Musicale Moderne »

In his Sociology of music, Max Weber stressed the importance of the invention of notation on lines by Guido of Arezzo (c. 990–1035). This article traces the beginnings of musical notation. Although Guido of Arezzo proposed a system of lines in which each note is always in the same place, he also placed the neumes invented before him on these lines. The first annotators sought to note with precision the rhythmic nuances and ornaments of the melodies; but those subtle indications disappeared little by little from the notation, betraying an inflexibility of the tradition, which contributed to the orientation of western music towards paths which did not know other music of oral tradition.     

L’articulation du scepticisme religieux et du scepticisme profane dans l’Histoire du scepticisme d’Érasme à Spinoza, de Richard H. Popkin

The History of scepticism from Erasmus to Spinoza by Richard H. Popkin is not just an account of various sceptical doctrines of the 16th and 17th centuries: a thread gives the whole a coherence. In fact, a general conception of modern philosophy underlies his analyses. According to Popkin, philosophy, from the Renaissance to the Englightenment, was faced with the difficulty of overcoming the sceptical crisis which was born in the context of a religious quarrel and which quickly spread to all other intellectual fields. Thus, Popkins gives an original interpretation of modernity, an interpretation that can be questionned nevertheless in so far as he does not make a clear enough distinction between modern and ancient scepticism and does not take into account the specificity of fideism.     

Civilisation Versus Civitas? La Cité Grecque à L’Épreuve de la Civilisation

How does the Greek city-state attain its position as the cradle of European civilization? Such a position became possible only since civilization was conceived as a homogenous, irreversible historical process, identified with the historical progress of Europe. This is what concerned Guizot’s era. Yet, in the xix ^th century, civilization referred to a plethora of historical processes that permitted one to regard the course of the different people of Antiquity and modernity, ranging from the primitive to a state of refinement. My hypothesis is that civilization functions in this case as a differentiating concept: it makes possible the distinction between the Ancients and the Ancients, between the Moderns and the Moderns, between Antiquity and modernity as a whole. In this article, I focus on the desiderata and risks concomitant with the integration of Greece into the history of European civilization.     

« Techno-Esthétique » de L’Économie Smithienne Valeur et Fonctionnalité des Objets dans L’Angleterre des Lumières

From The Theory of Moral Sentiments to his essay on The Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts, Adam Smith offered a vision of aesthetics combining beauty and utility. An echo of exchange value as the “ability to buy other goods” — the “power” to organize and achieve one’s goals — his definition of beauty was premised on the “aptness” of things, that is, the fact that they were also useful. Sustained by the commodification of products, a kind of “techno-aesthetics” thus emerged in England in the 18^th century, one that implied designing, adapting, reducing and showcasing the means of production.     

Vasile Tonoiu et l’Esprit Scientifique Moderne une Approche Roumaine de Gaston Bachelard

One of the Romanian scholars who studied extensively the work of Bachelard in Romania is Professor Vasile Tonoiu from the University of Bucharest. We analyze in this article some of his thoughts regarding the epistemology of the French philosopher. Even though he lacks a historical vision of the epistemological works of Bachelard, Tonoiu did not fail to understand the spirit of the French neo-rationalism, which he compared to the field of Anglo-American epistemology.     

L’animal, entre personne et chose?

The contemporary call for a respect of nature finds one of its concrete applications in the theme of animal rights, either understood as a «natural right» applied to the living or as a positive right describing new relationships between the members of the community of all natural beings. Law, defined as an emanation of some possessive «humanism», is urged to acknowledge a newscala natur? and to give a fresh look upon living beings, by throwing into confusion its own notion of Subject, getting rid of anthropocentric and metaphysical norms. In such a debate, what is involved behind the appearance of a plastic and instrumental concept of Subject, is the very banalization and finally, in different ways, the destruction of the Subject. The conflict between Human rights and the right to live is not a social problem, but clearly appears as one of those which show the urgency of the neverending question of man’s essence in relation to the confused and contested specific difference between man and animal.     

Réalisme et mythologie de la raison d’État

Sans résumé Laurie Catteeuw, née en 1974, est actuellement attachée temporaire d’enseignement et de recherche à l’école des hautes études en sciences sociales. Elle a récemment soutenu sa thèse, Censures et raisons d’état aux origines de la modernité politique. Dialogues franco-italiens des XVI ^e et XVII ^e siècles. Ses recherches portent sur l’histoire de la pensée politique des époques moderne et contemporaine. Elle a notamment codirigé avec Fran?ois Bordes, le Cahier Kostas Papa?oannou. L’amitié, les travaux et les jours (Paris, Acedia, 2004) et publié plusieurs articles dans différentes revues. ? Censure, raison d’état et libelles diffamatoires à l’époque de Richelieu ? vient de para?tre dans les Papers on French Seventeenth Century Literature (vol. XXXVI, n^o 71, juin 2009).