Civitatis Ghaniensis Conditor: Kwame Nkrumah,symbolic nationalism and the iconography of Ghanaian money 1957 – the Golden Jubilee

ABSTRACT. During his tenure as premier from independence in 1957 until he was ousted by a military and police coup in 1966, Kwame Nkrumah was the living personification of the Ghanaian nation‐state. As the self‐proclaimed Civitatis Ghaniensis Conditor– Founder of the State of Ghana – his image was minted on the new national money and printed on postage stamps. He erected a monument of himself in Accra, changed the national anthem to make references to himself, customised the national flag to match the colors of his CPP party, made his birthday a national day of celebration (National Founder's Day), named streets and universities after himself, and amended the constitution whereby he became Life President. Since the coup, many of the symbols of nationhood that Nkrumah constructed have been debated, demolished, reconsidered and reengineered by successive governments to rewrite the Ghanaian historical narrative. This article analyses the contentions of one of Nkrumah's first expressions of symbolic nationalism – that of the national coinage.     

Translating relics: Victricius of Rouen and fourth‐century debate

This article uses a little‐known sermon by Victricius, bishop of Rouen, as an approach to the fourth‐century debate on the translation of relics. In the last third of the fourth century, the cult of martyrs and their relics was promoted by Damasus of Rome, Paulinus of Nola and Ambrose of Milan, but remained controversial in the western churches. Roman law forbade the disturbance of dead bodies, especially where magic was suspected. Christians as well as non‐Christians were repelled by the veneration of bone, bloodstains and dust, and by the extreme asceticism that was often associated with relic‐cult. The sermon Victricius preached, welcoming to Rouen a gift of relics from Ambrose, is here interpreted as an attempt at cultural translation. Victricius deploys a late‐antique education in rhetoric and philosophy to make relic‐cult and asceticism acceptable. Like many others, he uses the adventus, the ceremonial reception of a visiting emperor or his deputy by local aristocracy and officials, as an analogy for the reception of relics by ascetics and clergy. Exceptionally, he equates corporeal relics with the presence of God; but his unique theology of relics was lost to view.     

We are never alone: a conversation on bio art with Eduardo Kac

Brazilian-born artist Eduardo Kac’s (Rio de Janeiro, 1962) work has raised eyebrows especially for his ‘transgenic art’ projects, among others: Genesis, 1999; GFP Bunny, 2000; The Eight Day, 2001; Natural History of the Enigma, 2003/08. In all of these, Kac and his scientific collaborators realize genetic interventions into living organisms at the same time as they trigger audience reactions to these from playful kinds of interaction that is integrated into the works’ open and dynamic creative process. Yet whereas the ethical and political challenges Kac’s work poses have sparked lively debates within and beyond the realm of the arts – can and must art engage with the ‘creative’ potentials of biotechnology and genetics? Do these not in fact (as Vilém Flusser and others have suggested) hold the key to realizing the vanguardist dream of merging art and life? Or should the artist, from the vantage point of his own creative practice, not rather warn us against the ethical and political risks involved in genetic engineering? – much less attention has been paid to the way Kac’s art also continues and transforms a particular legacy of post-concretist, ambient and performance art in Latin America.

Kac himself has referred to Brazilian artists Flávio de Carvalho, Hélio Oiticica and Lygia Clark as informing his interest in open, participative forms, which characterize both his transgenic and his earlier ‘tele-presence’ art projects. Other Latin American artists of the late twentieth and early twenty-first century have been producing intriguing engagements with living materials, multispecies habitats and organic remains, including such diverse names as Luis Fernando Benedit, Nicola Constantino, Nuno Ramos, or Teresa Margolles. In a conversation with Jens Andermann and Gabriel Giorgi at the University of Zurich’s Center of Latin American Studies on March 12, 2015, Kac addressed the way in which his work might be seen as continuing or challenging long-standing representations of the New World as a repository of ‘nature’, from colonial chronicles of discovery to contemporary discourses of biodiversity and conservation. To what extent is bio art – and the questions it raises about the Anthropocene as a threshold of radical biopolitical convergence between ‘history’ and ‘nature’ – necessarily ‘transcultural’ and planetary in its extension?     

‘Be Not a Copy if Thou Canst Be an Original’: German Philosophy,Republican Pedagogy,Benthamism and Saint-Simonism in the Political Thought of Gioacchino di Prati

Summary

Born to a noble family in the Italian Trentino, Prati studied philosophy in Austria and Germany. Returning to Italy, he joined the carbonari, a network of revolutionary secret societies. Forced into exile in Switzerland, he worked as an educator alongside Pestalozzi. Following his expulsion from Switzerland, Prati sought refuge in Britain, becoming acquainted with Coleridge, the Benthamite utilitarians, and the Owenites. Following the July Revolution, Prati went to Paris, where he became a Saint-Simonian. Returning to Britain, he sought to convert the British to Saint-Simonism, before undertaking a series of other literary projects. He eventually returned to Italy, where he entered into correspondence with the Roman Catholic philosopher Antonio Rosmini. Prati left behind him a trail of letters, newspaper articles, pamphlets, and books, written in four different European languages. These have been hitherto neglected by scholars, and constitute the basis of the current article.     

John Banville’s “monstrous child”: freedom and inheritance in Shroud

ABSTRACT

John Banville has described his novel Shroud (2002) – a fictionalised re-imagining of the 1988 scandal of Paul de Man, whose war-time publications for a collaborationist journal were discovered after his death – as his “monstrous child” that only he could love. This essay turns to Derrida’s thoughts on monstrosity, and in particular his framing of the future-to-come as an unforeseeable reckoning between Nietzsche and Rousseau, whose approaches to human freedom and authenticity remain philosophically irreconcilable. Shroud engages with these two inheritances on a thematic level, bringing them into conversation through the characters of Vander and Cass. The interruption of intergenerational love and the prospect of a child between them, however, makes Derridean monstrosity – that more properly deconstructive trope that opens to the future by unearthing traumatic inheritances from the past – into a structuring principle, and the means by which we might best understand the novel itself as a “monstrous child”.     

Lex: A Study on Medieval Terminology for Religion

Medieval Christian authors frequently employed the Latin word lex (“law”) and its vernacular cognates to mean something akin to the modern notion of “religion.” Like a religion, a lex was the collection of observances that marked a particular people‐group, such as Christians or Muslims. This article examines the category of lex in its historical context revealing both its similarities and differences from modern “religion.” It argues that the category of lex borrowed on Roman ethnography and Patristic exegesis and was inseparable from larger Christian ideas about society, human nature, and political order.     

“Did that play of mine …?”: James Connolly,Cathleen Ni Houlihan and staging revolution

Abstract

Despite the crucial position he occupies in Irish history as one of the leaders of the Easter Rising, and the political – and emotional – impact of his subsequent execution, while wounded, by the British Army on 12 May 1916, the writings of Edinburgh-born James Connolly have often been overlooked in both Irish and Scottish studies, and not just in accounts of the Rising but also in the wider context of cultural connections, including cultures of commemoration. In particular, Connolly’s surviving literary work, including Under Which Flag?, the drama staged on the eve of Easter 1916, as well as poems and songs, has had limited attention. This article reconsiders Under Which Flag? in comparison with Yeats and Gregory’s Cathleen ni Houlihan in order to demonstrate the central place the drama holds as a continuation – and complication – of Connolly’s political and journalistic writings. If Connolly is a neglected figure as a writer – as opposed to a political leader and martyr – then the play he left behind (once thought to have been lost, like another of his dramas, The Agitator’s Wife) affords us an opportunity to reassess his contribution to the struggle for independence as part of its literary wing.     

Conference report: 'L'età dei totalitarismi. Silone e la cultura letteraria e politica degli anni venti-trenta'

Giovannino Guareschi, author of the immensely popular Don Camillo stories and editor of the weekly newspaper Candido, spent 14 months in a Parma prison from 1954 to 1955 for having libelled the former Prime Minister Alcide De Gasperi. To this day, he is the only Italian journalist since the founding of the Republic ever to have served actual, behind-bars jail time for libel. This study examines several aspects of Guareschi's life in prison – the ways he coped with boredom and loneliness, the attempts he made to understand his fellow inmates and how he defiantly tried to buoy his spirits. In particular, it focuses on both his correspondence with his wife Ennia, a collection of 44 letters, and his personal musings kept in two prison diaries – all documents that have never been published. The analysis rectifies common misinterpretations as to why Guareschi purposely refused to appeal his guilty verdict and chose to go to jail, considers how Guareschi presented himself in his writings and contemplates Guareschi's place in the history of Italian prison writing.     

A Father,a Daughter and a Procurator: Authority and Resistance in the Prison Memoir of Perpetua of Carthage

The prison narrative attributed to the early third‐century Christian martyr Perpetua of Carthage has long attracted attention because of its dramatic portrayal of a Roman father's failure to extract obedience from his adult daughter as he tries to dissuade her from allowing herself to be punished as an enemy of the Roman state. This study explores the alignment between paternal authority and the authority of the Roman procurator Hilarianus in Perpetua's narrative, considering how the civic spaces of forum and arena became theatres for both filial and civil disobedience.     

Polemic,Parliament and History: Michael Foot versus David Owen

Michael Foot had good reasons for resenting Dr David Owen, who played a prominent role in the formation of the breakaway Social Democratic Party (SDP) while Foot was Labour's leader. In Loyalists and Loners (1986), a book of political pen‐portraits, Foot duly delivered a blistering attack on Owen, focusing on two charges – that Owen was consumed by personal ambition from an early stage of his career, and that he was an ideological turncoat who had wilfully misused the word ‘socialism’. The present article examines Foot's allegations in the light of various historical sources, including the private papers of both protagonists. It is argued that, though Foot's charges seem devastating at first sight – and have never been refuted by Owen or his admirers – they cannot be sustained after an impartial review of the evidence. This reappraisal provides new insights into Owen's remarkable and controversial career at two pivotal stages – his initial rise to ministerial office, and his decision to leave Labour.     

George Woodcock and the Doukhobors: peasant radicalism,anarchism, and the Canadian state

For the British-Canadian writer and intellectual George Woodcock, the Doukhobors – a persecuted radical Christian sect, many members of which emigrated from Russia to Canada at the turn of the twentieth century – were a continual source of fascination. A cause célèbre for a host of nineteenth-century thinkers, including Leo Tolstoy and Peter Kropotkin, the Doukhobors were frequently portrayed as the exemplars of the viewer’s particular ideological beliefs. The present article examines Woodcock’s shifting interpretation of the Doukhobors, mapped onto the development of an intellectual career that saw him emerge as a leading anarchist thinker, and his broader transition from a British writer to a Canadian public intellectual. Where once he saw the Doukhobors representing anarchism in action, as his politics matured his view of the sect became more complex. Rather than living anarchists, he came to see the Doukhobors’ experience as a powerful reminder of the forces of assimilation at work in modern democracies that threatened the liberties of dissenters. Reflecting Woodcock’s revised anarchist politics, the Doukhobors’ story now became a key component of an intellectual vision that cast a probing light on Canadian history and Canadian cultural politics.     

‘There Is Graite Odds between A Mans being At Home And A Broad’: Deborah Read Franklin and the Eighteenth‐Century Home

From 1764 to her death in 1774, Deborah Franklin lived in ‘their’ new house without husband Benjamin. The correspondence between them reveals several ambiguously gendered constructions of that house – ideologically, materially, and architecturally. Deborah was ‘homeless’ legally and conceptually. Her household variously consisted of her mother, her adopted son, her daughter, relatives, guests, boarders and servants – she permanently assumed the role of head of the household. His household consisted of his landlady, Widow Margaret Stevenson, and her daughter Polly – he could not assume his role as head of household. Moreover, as Deborah wrote to her husband about turning the house into a fortress during a raid on it during Stamp Act crisis, he wrote to her about the household goods; as she talked about politics, he discussed familial matters. Their permeable, even ambiguous, masculine and feminine roles reconstructed the meaning – and thereby symbolised the gendered complexity – of the early American white middling and elite eighteenth‐century home.     

CROSS‐CHANNEL CONNECTIVITY: WEALDEN WHETSTONE IMPORTS FROM ROMAN BRITAIN TO THE CONTINENT

The purpose of this paper is to demonstrate cross‐Channel exchange of calcareous sandstone‐type whetstones derived from the Weald (Sussex, UK) in the Roman period. The presence of this particular type of whetstone at several Roman sites on the Continent – more specifically, in Belgium, France and the Netherlands – is reported for the first time. The morphology, geological provenance, petrographic characteristics and distribution patterns are discussed, based on a comparative analysis with archaeological and geological reference material. The geological analysis identifies a common geological source for the Continental finds: the very fine‐grained, thin‐bedded, flagstone‐like calcareous sandstone beds of the Lower Cretaceous Wealden Clay Formation. These sandstones were, most probably, extracted in the north‐western part of the Weald area. The distribution pattern of the archaeological material implies the importance of personal mobility, with potential military affinities.     

Review articles/Besprekingsartikels

Abstract

Swiss missionary Henri Alexandre Junod has been widely recognised for his extensive entomological, botanical, linguistic and anthropological contributions regarding southern Africa. However, shortly after publishing his most acclaimed work, The Life of a South African Tribe, Junod wrote a little-studied novel, Zidji: étude de m?urs sud-africaines, in which he endeavoured to give a detailed portrayal of South African Society. Interestingly, he chose fiction as the best vehicle for conveying what he saw as the 'truth' of the situation. As the only novel written by Junod this is a unique piece of writing in relation to his other work and its study shows that it is essential to an understanding of Junod. In Zidji he attempts to give a complete picture of South African society at the beginning of the twentieth century by recounting a black convert's experiences of what Junod considered to be the three main influences acting upon black society of the time, that is, tribal life (paganism), the mission station (Christianity) and white society (civilisation). By considering his depiction of South Africa, in particular his presentation of 'civilisation', further light is shed on his sentiments and perspective of the missionary encounter, social change and race relations in South Africa.     

Law,memory, and priestly office in Rome,c.500

This essay sets the development of Christian thinking about law and clerical office in the wider context of the discussion of office in the later Roman empire. It offers a reassessment of the work of Dionysius Exiguus, a well‐known translator from Greek into Latin of the Acts of the fourth‐ and fifth‐century church councils, and a compiler of papal decretals. The essay attempts to place Dionysius’ work in its immediate Roman context, in the context of fifth‐century canonical activity, especially in North Africa, and in the more general context of the political culture of office‐holding in the late Roman polity. Central here is the tension between bureaucratic regulation and autocratic room for manoeuvre. Dionysius did not attempt fully to resolve this tension, though he did attempt to contain it.     

Gibbon’s second trilogy: an introductory survey

This essay is speculative in character. It is the work of a historian who has completed a study, written on certain principles, of the first three volumes of Gibbon’s Decline and Fall of the Roman Empire and does not intend to advance to a similar study of the second three. He does, however, believe that such a study would differ profoundly from that he has constructed of the first trilogy and wishes to offer hypotheses as to why this should be so. All hypotheses invite falsification, and he will make statements about the second trilogy and its hypothetical construction which invite research with results to which they may or may not stand up. To do this will be an exercise in the history of historiography, a sub-discipline still in progress of establishing itself. It will also give the author the opportunity of extending certain generalizations he was led to advance in writing and completing his study of Gibbon’s first trilogy, and of enquiring whether they remain valid in the light of a study of the second – given that this study is still at a hypothetical stage.     

A Matter of Judgment: Politics,Law and the Trial of Bishop Thomas Watson

Thomas Watson's controversial expulsion from the bishopric of St David's – and hence from the house of lords – after a long and bitterly‐fought series of legal actions, raised fundamental and difficult questions about the right to control membership of the house of lords and about the relationship between politics and the law, as well as between church and state. This article explores both the local and the national political contexts that prompted Watson's ordeal, suggesting that subsequent demonisation by Gilbert Burnet has obscured the extent to which Watson was the casualty of William III's determination to cow his political opponents. It concludes that Watson was marked out for opprobrium precisely because, like Sir John Fenwick, his political and social insignificance enabled him to be victimised without risking a backlash of opposition from the social and political elite.     

On the Trail of the Oldest Domestic Cat in Poland. An Insight from Morphometry,Ancient DNA and Radiocarbon Dating

It is believed on the basis of archaeozoological research that the domestic cat appeared in Central Europe during the Roman Period. In Poland, the domestic cat is a common species in medieval deposits. Only a few finds of cat remains of pre‐medieval age have been reported from Poland to date, including several specimens from deposits older than the Roman Period, dated to the pre‐Roman Period and even the Bronze Age. To clarify the earliest history of the domestic cat in Poland, the paper presents a review of the available published cat remains and adds some data about newly discovered remains. Combined methods of morphometry and ancient DNA were applied to enable distinction of wildcats and domestic cats. The domestic cat remains were radiocarbon dated. In six cases of domesticated cat reported in the literature, five were positively taxonomically verified, both by morphology and by genetic analysis, and one was recognised as a European wildcat. According to radiocarbon chronology, the oldest studied find is dated to the fourth–third century bc and represents a wildcat. Only two individuals of domestic cat – skeletons from Łojewo and Sławsko Wielkie, both from Kuyavia region (central‐northern Poland) – represent the Roman Period (first–third century ad ), and they are the oldest confirmed domestic cats in Poland. Copyright © 2015 John Wiley & Sons, Ltd.