建构主义视角下工业遗产的功能置换和意义诠释——广州红专厂的案例研究

从建构主义的角度,研究广州红专厂的空间功能置换和游客感知,空间功能的置换具体表现为物质载体工业建筑和机器设备的外观改造及用途变化,而游客感知则通过分析游客对工业遗产空间的感知情况,探讨空间置换后产生和传达出的意义。通过比较这些意义与工业遗产价值的关系,可以更好的理解工业遗产空间的消费主义改造方式,也可以更好的理解创意产业空间所体现的当今社会对工业遗产的态度。研究发现,游客将红专厂理解为一个文化艺术和休闲消费的场所,而不是工业文明的记忆空间。红专厂工业空间的创意产业园式改造,传递出的已经不是工业文化的内涵,而是新的消费意义,实际上是工业文化向消费文化转变的过程。这种再利用方式与真正意义上的工业遗产保护是有所偏离的。     

Restructuring of Sydney's Central Industrial Area: Process and Local Impacts

Since World War II Sydneys central industrial area has lost more than 80 per cent of its manufacturing workforce and no longer the dominant centre of manufacturing in Sydney, is now just one of a number of important centres. Unlike inner cities of the United Kingdom and United States, de-industrialisation in Sydney's central city has not caused a trapped population of displaced workers The first aim of this paper is to outline the restructuring of the central industrial area Two major periods of restructuring can be distinguished Up to the early I9 70s change in the industrial area was driven by intra- metropolitan forces. Since then international forces, and related major infrastructure developments, have substantially accelerated job bss. The second aim is to document the impacts which restructuring has had on the inner city workforce Jobs lost up to the early 1970s did not disadvantage inner city workers because employers as well as workers were moving to the suburbs Since then inner city workers in traditional blue collar occupations have been more strongly affected by de-industrialisation than the city as whole but the numbers involved have been too small to have been of much political interest Social problems in the inner city resulting from restructuring in the industrial area have been masked by strong gentrification.     

Independent creative subcultures and why they matter

Independent creative subcultures, in their various hybrids of music, theatre, art, and new and old media, are the primordial soup of cultural evolution. They have the capacity for a highly definitive influence on their participants – catalysing the transition from consumer to producer for instance – often conferring much broader cultural and social benefit. Creative subcultures make continuing, well-documented, contributions to established city cultures for relatively low outlay. Indie creative activities in particular do not make much money and they do not cost much to set-up. They tend to cluster in areas characterised by low rents and non-residential uses such as retail and industrial areas, but as third wave gentrification reaches into the dark pockets of many cities, cheap rental properties are becoming scarce. This article uses time-series maps of inner Melbourne to show a pattern of tighter and tighter clustering of indie cultural activities as alternative spaces disappear. It looks at where they are going and why, considers the implications of this pattern for the ‘creative city’, and suggests some policy initiatives to help maintain and nurture independent creative scenes. As Melbourne’s live music scene is particularly vulnerable to displacement from increasingly dense and contested inner-urban space, the article focuses on interventions relating to music venues.     

The cultural paradiplomacy of Barcelona since the 1980s: understanding transformations in local cultural paradiplomacy

This article seeks to explain the conditions for the emergence and institutionalization of the cultural paradiplomacy of the city of Barcelona and its local effects. The recognition of the city as an active participant on the international stage is based on its evolution from an industrial to a service economy. Against this backdrop, Barcelona’s city council, in common with many other city authorities operating in the world’s metropolises during the 1980s, initiated its own cultural paradiplomacy as a strategy for attracting capital and promoting local development. This policy became established as part of a new multilevel system of governance. This article analyzes the causes of the institutionalization of this activity from an intergovernmental perspective. It concludes that in the context of economic globalization, the emergence of cities’ cultural paradiplomacy is strongly related to the restructuring of the State and its external administration and to the intensification of the ‘cultural branding’ of cities as a tool for global competition.     

A ‘Europe of the regions’? A view from Liverpool on the Atlantic Arc periphery

The paper attempts to address recent debates surrounding the supposed emergence of a ‘Europe of the Regions'—from the perspective of a city situated at the core of a lagging region’ on the European periphery, Liverpool. After briefly exploring whether the social and economic regeneration of Liverpool makes sense in this European context, the paper attempts to explain why the city's political participation in Europe has hitherto been relatively limited, drawing upon a combination of economic, social, political and cultural factors. Some of the constraints and choices that the city is facing in its attempts at urban regeneration are used to throw light on broader issues surrounding local and regional development in the European context and political and policy lessons are suggested.     

沈阳市工业空间重组及其动力机制

在分析城市工业空间结构演进规律的基础上,对沈阳市改革开放以来工业空间结构的演变进行分析,发现沈阳市工业的空间扩散趋势明显,进入工业郊区化的发展阶段。城区传统工业企业外迁,优化了城区的土地利用结构。近郊工业化成效显著,成为沈阳市新的工业基地。指出工业发展和结构调整,城市土地使用制度改革,生态城市建设,跨国公司的FDI,文化观念的转变均是影响沈阳市工业空间重组的重要因素。     

略论昆明古城的历史沿革、文化特色及其底蕴

区,降及元初,虽“昆明”的族称在史籍中已逐渐被所谓“乌蛮”、“罗罗”取代,但很有可能在民间照常沿用而被官方采纳用作地名。其二是与唐初“昆州”、南诏“昆川”有明显的传承演进关系。对此,《元史·地理志》说:“昆明,中,倚郭。唐置(昆州) ,元宪宗四年,分其地立(昆明)千户二。至元十二年改鄯州,领(昆明)县。二十一年,州革,县名故。”从中不难发现,“昆州”与“昆明县”之间确有内在联系,而夹在其间的过渡性地名“鄯州”,则显然是从先前的“鄯阐府”转化而来。然而尽管这些解释已足够充分,且在边疆民族地区以当地少数民族的传统称谓用作…     

城市文化产业园区建设的区位因素分析

随着文化产业在我国的发展,城市文化产业园区的建设在各地日益兴起。本文在探讨文化产业园的概念、内涵、类型及目前我国发展现状的基础上,对城市文化产业园区在建设过程中的区位因素进行了探讨分析。认为现阶段影响我国城市文化产业园区建设的主要区位因素为:文化资源禀赋、制度因素、信息技术、人才智力资源。最后讨论了城市文化产业园区区位选址中应注意的问题。     

论西安历史文化名城的可持续性保护

保护历史文化名城已为人们所普遍关注,可持续发展理念是处理发展与保护过程中矛盾的基本手段,为克服城市诸多矛盾与问题提供了基本的思路。文章分析了西安历史文化名城保护中的主要问题,指出西安应从城市的发展战略、规划布局、城市设计等方面统筹历史文化名城的保护,综合协调城市社会经济发展和历史文化遗产保护的关系,现代城市建设有机承继城市的历史文化精神。     

学统观念与清初经学的转向

清代经学主流如何从理学转向汉学,仍然是需要探究的问题,其中道统和学统观念的消长无疑是值得注意的。当理学官员囿于道统、道学来诠释学统时,一些民间学者则重释理学,推动以经学取代理学,并逐渐自觉地皈依汉学。朝野学统观念相互影响,复杂递进,成为清初儒学的"内在超越之路",将独尊理学导向汉学复兴。     

肩负历史重任 延续古城文脉

山海关是秦皇岛市的一个分体式城市区,地处河北省东北隅,北依燕山,南襟渤海,八公里长城纵贯其间,雄关紧扼要隘。全区面积192平方公里,辖三镇四街,人口14万。     

‘Lockout’ laws or ‘rock out’ laws? Governing Sydney’s night-time economy and implications for the ‘music city’

‘Lockout laws’ are not new in Australia – variants exist and have been trialled or continue to operate in Newcastle (since 2008), Melbourne (abandoned in 2008), and Adelaide (since 2013) and Darwin (since 2007). In February 2014, the New South Wales O’Farrell Coalition government introduced 1.30 am lockout and 3 am last drink laws for the Sydney CBD (Central Business District), among a series of other measures. The subsequent controversies about the ‘lockout laws’ in Sydney have provoked a curious and vivid set of debates encompassing crime, medical, moral, social, libertarian, cultural and industrial discourses. In this paper I wish to assess the new regulatory landscape within historical and contemporary perspectives of nightlife economies increasingly privileging cultural and entertainment city uses. Beyond unpacking the ‘lockout’ debate in terms of ‘liveability’ and ‘cultural city’ meanings as practised by Australian cities, this article will focus on the implications for Sydney’s ability to maintain its national and global status as a music city.     

泉州老城区文化遗产保护对策研究

在21世纪,加快城市化、现代化建设与保护历史文化遗产的矛盾日益突出.历史文化名城是历史文化的重要载体,一个城市的历史文化遗产通常显示着这个城市既往文化创造的极致.泉州作为国务院首批公布的24个历史文化名城之一,是世界多元文化的汇合之地,而泉州老城区是泉州历史文化名城的最好见证.泉州高度重视历史文化名城保护工作,切实加强历史文化遗产的保护,成绩斐然,但也存在较多问题.研究采取相应对策乃是当务之需.     

Historicizing Edai Siabo: a Contemporary Argument about the Pre‐colonial Past among the Motu‐Koita of Papua New Guinea

ABSTRACT In the 1970s the Motu‐Koita, traditional inhabitants of what is now the National Capital District of Papua New Guinea, inaugurated a yearly cultural festival thematically based on traditional coastal trading voyages known as hiri. Contestation over the location and commercialization of the festival in the capital city developed in the new century as one distant village claimed to ‘own’ the hiri. The Motu‐Koita view of their past and their identity has been affected by their encounter with Christianity, colonialism and its aftermath, and the rhetoric of the villagers’ claims drew on criteria of authenticity, cultural purity, and exclusiveness which are arguably contemporary rather than ‘traditional’. This article reviews Motu‐Koita history, the story of the origin of the hiri, and the local politics of the cultural festival. It attempts to understand the way the past, which was formerly mythopoeically invoked, is being historicized and thereby fixed in new local discourses of cultural and heritage rights and ownership, as Melanesians come to terms with the effects of global processes on their traditions and other resources.     

From ‘Problem City’ to ‘Promise City’: Gentrification and the Revitalisation of Newcastle

The city of Newcastle is a complex and changing landscape. Once regarded as Australia's ‘problem city’, Newcastle's identity is being significantly transformed. This identity transformation draws significantly upon the emergence of more cosmopolitan landscapes within inner Newcastle associated with the gentrification of these areas. The discourse of gentrification is inherently post‐industrial, providing a cleaner and more positive identity as Newcastle seeks to erase the stigma of its’ industrial heritage. However, as landscapes are the amalgam of multiple identities, Newcastle's industrial heritage periodically re‐emerges to problematise the city's newly adopted cosmopolitan identity.     

安顺城市文化景观溯源及文化特色探析

安顺拥有丰富的城市文化景观,这些文化景观是安顺城市历史文化的载体,是安顺历史文脉的延续。本文对《贵州通志》、《安顺府志》、《续修安顺府志》三本志书所载"安顺八景"进行溯源,认为安顺城市文化景观具有历史的传承性和时代的更新性,这是一个城市文化进行延续和发展的内在力量。在此基础上,探讨了安顺城市文化的地域特色,希冀安顺在保护城市文化特色的同时,能在城市新区的建设中,延续安顺城市文脉和地域特色。     

全球化视角下的世界城市网络理论

城市诞生时就相互保持着联系,只有将城市纳入世界城市网络中才能正确把握城市产生和发展的本质。1980年以来在第三次全球化浪潮的背景下,世界生产要素和产品市场开始整合,世界城市的兴起是国际劳动分工在空间上的表达。Cohen、Friedmann、Sassen、Castells和Taylor等学者提出并发展了世界城市理论,世界城市网络理论已经成为研究城市问题的重要框架。联系数据的缺乏长期制约了世界城市网络的实证研究,二十世纪九十年代中期以来学者们创新性地解决了方法论的问题,对世界城市网络的各个层面进行了实证研究。     

从百期《人文地理》看中国文化地理学的发展脉络

《人文地理》从创刊至百期,一直关注中国文化地理学研究的发展。正是依靠《人文地理》所搭建的平台,在《人文地理》的扶持、关爱及帮助下,我国文化地理学的发展才取得今日尽管依旧弱小,但也能悄然展放、显现美丽的局面。从过往100期的历程可以明了的是,它作为一个温床、一片实验田和一个跳板,孕育了包括文化地理在内的众多中国人文地理各分支学科的发展,也鼓舞、扶持了众多年轻的莘莘学子从稚嫩、从恐惧、从胆怯到充满自信、到成长,进而走向成熟。从这样的角度看,《人文地理》不啻又肩负了导师、领路人的角色。本文通过百期《人文地理》中文化地理学研究的回顾,包括载文数量、文献作者和文献内容的分析,梳理了近二十年来国内文化地理学研究的发展脉络。文化地理学研究正处在蓬勃发展的重要阶段,在社会发展与学科发展的新形势下,有必要继续在《人文地理》的领航下,借助新的理论视角和方法,依靠与国际研究的接轨和对话,体现中国文化地理学研究的区域特色,促进包括文化地理学在内的中国人文地理学科的整体突破。     

喀斯特山区城市地域结构问题及其优化对策——以贵阳市为例

贵州喀斯特发育典型,碳酸盐岩出露面积占全省土地总面积的73%,全省主要城市都坐落在喀斯特地区,城市地域结构问题突出,并业已成为城市可持续发展的障碍。本文以贵阳市为例,在阐述贵阳城市地域结构现状问题的基础上,剖析了贵阳城市地域结构问题产生的原因,并据此提出了贵阳城市地域结构优化的对策措施。