The tyranny of gendered spaces – reflections from beyond the gender dichotomy

This article argues critically that the consequences of a binary system of gender norms is experienced as a kind of gender tyranny both for those who transgress gender in their daily lives, but also for those whose lives are lived within such constraints. Feminist geographers and urban theorists have argued that space is gendered and that gendering has profound consequences for women. This article extends this analysis and shows how rigid categorizations of gender fail to include the intersexed and transgendered populations, a small and highly marginalized segment of the wider population. This article uses autoethnographic methods to illustrate the ways that those who transgress gender norms experience a tyranny of gender that shapes nearly every aspect of their public and private lives. The nature of these consequences is explored using citations from the transgender and queer literature as well as the lived experience of this tyranny by the author in a continuum of public to private spaces, including: parking lots, public restrooms, shopping malls, the workplace and the home.     

'Gendered Exclusions': women's fear of violence and changing relations to space

This paper examines how women's fear of violence is realised as spatial exclusions. Quantitative surveys on fear are used to show the number of women who are afraid, and the nature of the most frightening places. However, it is argued that quantitative surveys are of limited value in approaching the mental and social processes behind fear and in understanding the fear-related production of space. Qualitative research methods are used to explain the matter in more depth. It may be argued that fear is a consequence of women's unequal status, but it also contributes to perpetuating gendered inequalities. The paper reveals multiple experiences that change women's relations to space. Experiences and attempts at violence, and incidents of sexual harassment produce a space from which women are excluded on account of their gender. Social and emotional aspects, such as increased feelings of vulnerability, lack of social support, and a feeling of not having control over what is happening to oneself, have spatial consequences. These feelings often increase along with ageing, injuring, bereavement or moving to another place, as well as pregnancy and motherhood. I argue that the spatial exclusions in women's lives are a reflection of gendered power relations. Women's subjective feelings contribute to the intersubjective power-related process of producing space. Urban space is produced by gender relations, and reproduced in those everyday practices where women do not-or dare not-have a choice over their own spatial behaviour.     

Trans youth,science and art: creating (trans) gendered space

This article is based on empirical research which was undertaken as part of the Sci:dentity project funded by the Wellcome Trust. Sci:dentity was a year-long participatory arts project which ran between March 2006 and March 2007. The project offered 18 young transgendered and transsexual people, aged between 14 and 22, an opportunity to come together to explore the science of sex and gender through art. This article focuses on four creative workshops which ran over two months, being the ‘creative engagement’ phase of the project. It offers an analysis of the transgendered space created which was constituted through the logics of recognition, creativity and pedagogy. Following this, the article explores the ways in which these transgendered and transsexual young people navigate gendered practices, and the gendered spaces these practices constitute, in their everyday lives shaped by gendered and sexual normativities. It goes on to consider the significance of trans virtual and physical cultural spaces for the development of trans young peoples' ontological security and their navigations and negotiations of a gendered social world.     

Public space and memories of migration: erasing diversity through urban redevelopment in France

This article examines the meaning of public space and impact of heritage-led urban redevelopment in a diverse neighbourhood in Montpellier, France. It traces the relocation of a North African market from a central city plaza in favour of French antiques, and the resulting contestation over what constitutes local heritage, who has the capacity to determine how public space is used, and the seeming erasure of migrant identities and memories from an important community site. The paper considers how urban areas are re-imagined through a change in the materiality of public space, and outlines the role of outdoor markets in defining the social function of such spaces. The paper examines the intertwining of physical erasure (urban redevelopment and the removal of a diverse food market) and cultural erasure (the loss of certain community memories), and how these processes speak to broader debates about French national identity, cultural heritage, and the meanings attached to public spaces.     

Interpreting urban space through cognitive map sketching and sequence analysis

Traditionally, analysis of sketch maps of urban areas has focused on the interpretation of hand‐drawn renditions of features that are most familiar to individuals. Few researchers have investigated the sequence that sketchers use to identify features on the urban landscape and how these features are linked together to form a coherent ‘picture’ of an area. This article builds upon previous research by exploring the sequential pattern of sketch map creation. Two research questions are proposed, namely, can a repetitive sequential order in element inclusion be identified for different individuals sketching the same urban environment? If so what features are mapped in which order to create the sketchers' image of the city? Findings suggest that three distinct groups of cognitive maps exist, namely, sequential, spatial and hybrid, and that the map elements of each group are organised in a distinctive manner with paths and landmarks as principal elements. It is suggested that insights into this process provide more substance to understanding how individuals interpret and structure urban space and use this information to navigate both known and new environments.     

Global Gay and Soviet Queen: Polish Transformation and Discourses of Homosexual Gender Variance

The paper discusses the ways in which gender variance of gay, male-bodied persons was positioned within the East/West divide after 1989. The critical media reading is based on gay press columns from the 1990s. While in Polish culture, as in the West, homosexuality was traditionally linked to gender variance, in the 1990s the new gay identity was established as gender-normative — a task much facilitated by the fact that in Poland the development of gay identity was preceded by a medicalized and heteronormative concept of transsexuality. The study shows that gay imagery was highly influenced by the ‘global gay’ capitalist ideal and the ‘chasing the West’ narrative of progress and liberation. After 1989, homosexual gender variance became a taboo that was only discussed in the gay erotic press in satirical columns in which the term ciota was used (queen, auntie). In the columns, cioty were ridiculed and degraded, but also positioned as more authentic and noble. Their femininity was framed in the misogynist discourse of flawed, uncontrollable physiology and emotional instability, which corresponds with the second meaning of the word ‘ciota’ in Polish — menstruation. Ultimately, the change from the Soviet queen to the respectable Western gay was legitimized by the use of nostalgic rhetoric and the fact that ciota was equated with the fallen communist regime and ‘gay’ with blooming capitalism.     

Sexualised productions of space

This themed section consists of articles that explore the intricate and complicated relationship between sexuality and space. The underlying premise is that space is never a homogenous, unified, neutral and a-priori entity that precedes subjects but emerges as the outcome of an ongoing production process which involves actors and material components. Heteropatriarchal understandings of space based on masculinist premises have largely ignored women and queer subjects who may subvert or alter normative spatial practices. The latter challenge established spatial typologies and their gendered associations, such as the house with women and the war zone with men. Furthermore, the practices of marginalized subjects point to alternative understandings of space based on fluid and porous boundaries between such dualities as materiality/representation, inside/outside and private/public. The contributors to this themed section analyze non-normative spatial practices by drawing from feminist and queer theories, postcolonial studies, architectural theory and geography. They focus on specific cases from a broad geographical span ranging from South Asia to Europe. Despite their different contextual foci, the following authors speak to each other by engaging in scholarship that resists disembodiment and by addressing the materiality of space as an arena of continuous production in relation to sexed bodies and sexualized identities. They all focus on strategies that counter hegemonic spatial practices and engage with the crucial question of how to think space differently.     

Culture-led urban regeneration policies in the Ibero-American space

ABSTRACT

This article examines cultural policy strategies supporting urban regeneration, focusing on its particular characteristics in the Ibero-American context. We start by developing a systematic contrast between the different circumstances that have led to the emergence of these strategies in the Ibero-American sphere and in other parts of the world. Our examination of the Ibero-American regenerative experience also includes a consideration of the paradigmatic cases that arose initially in the Iberian Peninsula and the typological analysis of subsequent Latin American experiences. The consideration of all these different elements ends up providing a global vision of the specificity of the phenomenon in its Ibero-American context.     

Gendering the city: the lived experience of transforming cities,urban cultures and spaces of belonging

Debates centred on ‘planetary urbanisation’ have raised questions over the adequacy of existing theories and epistemologies to explain the quantitative and qualitative transformations of cities. However, this theorization of the urban has met with opposition from post-colonial and feminist researchers amongst others. The comparative, empirical research in this collection, from Bolivia, India and Turkey, highlights that the city remains an important analytical and concrete framework, demarcated by contingency and cultural change through which residents must navigate. In particular we focus on the specificity of women’s lives and their capacity to problematise universalist theory, documenting their interrogation of simplistic binaries such as modern/traditional; their innovative approaches to informal settlement, housing and markets; their production of urban knowledge in order to negotiate the city; and processes and practices of mobility, experimentation, risk taking and aspiration that contest or support a myriad of urban imaginaries. Whilst not rejecting the need for theories that allow comparative perspectives on cities, our conclusions underscore the importance of recognising the multiple logics that generate city space and urban cultures, and the consequent need to parochialise the empirical basis of theories that claim to be global in outreach.     

A gendered practice of urban cultivation: performing power and well-being in M'Bour,Senegal

This article outlines how a theoretical approach that explores gender as ‘emplaced performance’ can improve the analytical value of gender by drawing attention to (1) the ways in which gender, as a socially and spatially contingent performance, is enrolled in the relationships that create the city, and (2) how the city, as a constantly evolving and dynamic field of interaction for economic, social, and political processes, (re)configures gender. Drawing on qualitative research carried out in M'Bour, Senegal, and through a case study of a form of urban cultivation called micro-gardening, this analysis explores gender as a socially and spatially contingent performance that produces, and is produced by, the city. The analysis brings together performativity studies with scholarship on place to fashion the analytical approach, and specifically draws attention to emplaced performances of well-being and power. Such an approach, because it draws attention to the contingent dimensions of gender, as well as the effects of gender on material worlds, has an improved analytical potential to inform locally relevant development interventions that recognize and consider the multiple ways in which men and women experience and create the city.     

Exploring guanxi from a gender perspective: urban Chinese women's practices of guanxi

This study explored guanxi from a gender perspective. It investigated how urban Chinese women build and exercise guanxi in their professional life and the related tensions involved in the process. Three main paradoxes were found to be predominant among the participants: (1) guanxi is believed to be important, yet controversial to them; (2) they tend to hold negative views toward social events, while acknowledging participating in such events is vital to maintain and enhance guanxi; and (3) women have more advantages than men in practicing guanxi, but the reputations of women who are good at practicing guanxi are controversial. The study also shows that urban Chinese women practice guanxi mainly for their careers, children, and for treating illnesses. These findings suggest the government should formulate policies regarding fair hiring and affordable, high-quality education and healthcare.     

The stage: a space for queer subjectification in contemporary Turkey

This article focuses on the role of the stage in complex modes of gender performativity in the work of three Turkish performers: Zeki Müren (1931–1996), Bülent Ersoy (b. 1952), and Seyfi Dursuno?lu (b. 1932) a.k.a. Huysuz Virjin [Cranky Virgin]. These three, I suggest, are the pioneers of contemporary Turkish queer performance. Their performances – both on- and off-stage – are validated through a reiterative absence of queerness in their everyday lives and stand in the midst of various negotiations between queers and the secular Islamic nation-state in Turkey. In the works of Müren, Ersoy, and Huysuz, the stage is suggestive of a space where queerness can be managed. It is a contested space that does at least allow for the communication of queer ideas to a wider audience. I discuss the works of these three performers as three variations of queerness in Turkey in relation to different eras and different political climates that are directly related to the nation-state's desire to perform modernity. While explicating complicated modes of gender performativity, I consider the stage as the primary space for a queer body to exist. Through this discussion, I aim to activate debates both within and against the context of secular Islam, on gendered political space, and on those overlooked sexualized spaces in which the nation-state produces powerful yet unstable values to manage queer subjectivity in contemporary Turkey.     

Escape into the City: Everyday Practices of Commoning and the Production of Urban Space in Dublin

In Dublin there are many needs and desires which are not met, or excluded, by the pattern of high rent, the commodification of social/cultural life, and the regulation of public space. Against this dynamic, Dublin has seen a number of experiments in urban commoning: people collectively finding ways of opening up space in order to do what they want. This might be as simple as wanting a space to work, to make food or to show films. Rather than trying to change this situation by appealing to existing institutions, these new urban commons are characterized by particular groups of people devising practical ways of escaping the forms of “enclosure” which limit what can happen in the city. This article takes a “militant research” approach to explore the potentials and limitations of these experiments in urban production and organization.     

Villagizing the city: turning rural ethnic heritage into urban modernity in southwest China

This paper examines the rural ethnic heritage-inspired transformation of the built environment of a relatively small county town in China. The paper explores the ways village-based ethnic heritage is being repositioned by local leaders as a resource for tourism-oriented revenue generation and for ‘improving’ the ‘quality’ and behaviour of town residents. Viewing heritage as a ‘technology of government,’ the paper provides an analysis based on three interrelated themes: the discourses by which town leaders and planners have conceived the heritage development project as one of improvement, the spatial practices by which those discourses have been realised in the built environment, and the ways residents themselves have appropriated and ‘inhabited’ this new ‘villagized’ city as they go about their everyday urban lives. Based on ethnographic field work, a survey, and extended interviews over a period of four years, the paper finds the town leadership’s faith in the ability of the built environment to shape and improve the conduct of citizens to be overstated. While the town’s transformation has generated a new sense of urban modernity among residents, their ways of inhabiting and using urban space have little relevance to the ‘heritagized’ environment in which they now live.     

Public religion and urban space in Europe

Conflicts related to demographic and cultural change in Europe regularly find their expression in struggles over the presence and visibility of religious buildings and groups. As this editorial argues, these conflicts can best be understood from a postsecular perspective that takes into account overlapping and diverging histories of state-formation and secularization. The papers collected for this special issue on public religion and urban space demonstrate that many of the difficulties that European societies face in accommodating religious diversity stem from historically formed relationships between national political identities and religious identities. In many European cases, secularization did not entail a fundamental separation between religion and politics but the formal establishment of one single national church or two competing ones, but territorially based national churches. One of the consequences of these types of establishments is that certain religious traditions are generally described and experienced as fitting with the nation and others are not. The contributors to this special issue show in detail that the struggles of contemporary religious movements in Europe to become present in the public domain are related to commonly accepted understandings of where and how religion should manifest itself in the urban environment, based on the public life of religious traditions that are considered part of the nation.     

Being seen in your pyjamas: the relationship between fashion,class, gender and space

Over the last decade class has re-emerged as a significant concept within British sociology, with prominent academics calling for a more Bourdieuian approach which focuses on class distinctions in cultural practices and tastes. Within this discussion, several note the important role fashion plays as a means of class distinction, though few have fully explored just how the fashion–class relationship operates. Based on empirical research, carried out as part of qualitative study into fashion practices and fashion discourse, this article examines the fashion–class relationship, by considering its links to both gender and space. It argues that the way in which women judge visibility and public space differs with class status and that this, in turn, has significant implications for women's fashion choices, and more specifically, dressing up. Indeed, whilst middle-class participants tend to view almost any space as public and one in which they are visible, for working-class participants neighbourhood and local spaces are seen to constitute semi-private spaces, whose audiences' opinions and judgements do not matter. As a result, being dressed in your pyjamas is not deeply problematic for these working-class women in the context of their everyday lives, whilst for their middle-class counterparts being seen in your pyjamas is something which should be avoided, at all cost. Moreover, as the article demonstrates, the wearing of pyjamas is often considered by middle-class respondents as indicative of working classness. And thus, being seen in your pyjamas is undesirable on two counts.     

Washing urban water: diplomacy in environmental art in the Bronx,New York City

Lillian Ball's art project WATERWASH creates a new ecological imaginary in the South Bronx. Building on a tradition of ‘maintenance art’, the work exhibits the power of soil, plants and microorganisms to clean water – in effect maintaining urban water. An overarching goal of WATERWASH is to educate local people about the metabolism of urban water, causes of river pollution, and to familiarize them with the capacity of soil and plants to respond to that problem. As part of its creation, the project provided diverse groups of people with opportunities to participate, including a group of Bronx youth who assisted in planting the wetland. Several of these apprentices will be involved in future monitoring of the effectiveness of the wetland in mitigating parking lot runoff. I use Isabelle Stengers' notion of ‘diplomacy’ to interrogate the efforts of the artist in negotiating and creating an occasion in which people with divergent interests can both recognize and maintain the relationships of care that sustain them. In effect, this effort extends the feminist discourse of maintenance work to include that undertaken by the ‘other-than-human’.     

Envisioning gender,indigeneity and urban change: the case of La Paz,Bolivia

La Paz, Bolivia, and its neighbouring city, El Alto, have been experiencing patterns of urban accumulation, dispossession and displacement that demonstrate the importance of social, cultural and historical logics to understanding the politics of urban space. A striking feature of these patterns is that the image of the person who has accumulated enough wealth to displace people, is that of an indigenous woman. The Aymaran woman, traditionally dressed in pollera skirt and Derby hat, who pays in cash for luxurious properties in the affluent, white area of the Zona Sur, is a trope that has entered popular culture and political discourse. In this article, I explore the development of this cultural trope from its emergence in the 2009 film named after the area in question, Zona Sur, and subsequent uses of images of this film in social media to describe and resist political changes in the city as related to space, property and belonging. My contention is that the trope of the rich Aymaran woman, and the reversal of expected patterns of urban development that she represents, places the colonial, cultural and gendered dynamics that structure how capital shapes urban space, into sharp relief. The rich Aymaran woman who has made her money in informal commerce transgresses ideas of propriety and belonging in La Paz, and also received ideas about urban processes and gender in critical geographical literature.     

Working women in the city and urban wage growth in the United States

Although the female labor force participation rate of women has been steadily rising in the United States, there is substantial variation across cities. Previous cross‐county studies find that gender inequality in employment reduces economic efficiency hindering growth. This result is examined in a regional context, across metropolitan areas in the United States. Throughout multiple model formulations including instrumental variables approaches, higher initial female labor force participation rates are positively related to subsequent wage growth in metropolitan areas between 1980 and 2010. Specifically, every 10 percent increase in female labor force participation rates is associated with an increase in real wages of nearly 5 percent.