A ‘German Invasion’? Irish Rural Radicalism,European Integration,and Irish Modernisation, 1958–73

Land hunger was a pervasive feature of Irish rural society which had not disappeared with the attainment of national independence. Rural agitation for land redistribution was conducted by many small indigenous farmers and it acquired an extraordinary anti-German tone after 1960. This was partially fuelled by a wave of international media speculation about Ireland as a base for Nazis eluding justice, but it was also driven by the notable success of Irish agencies in attracting German investment to Ireland. Consequently, the land question spilled into Irish efforts to attract Foreign Direct Investment (FDI) and Ireland's application to join the European Economic Community (EEC). Governments were slow to respond to the demands of the rural radicals: heavy-handedness against foreign landholdings might endanger Ireland's international reputation at the very time that the country was seeking to shake off an anti-progress and insular image. Militant republican involvement in land agitation stirred additional concern. When the Irish Land Commission compulsorily purchased the properties of a handful of West Germans in 1969, the Bundestag of the Federal Republic of Germany (FRG) debated the matter. This ostensibly served as the rationale for vandalism, arson, and bomb attacks against foreign-owned farms and properties at a critical point: Northern Ireland was careering out of control and Dublin's priority was to join the EEC. The government defended the right to private property and it could not halt the EEC's liberalisation of agricultural land purchases after 1970: membership of the EEC was the overriding strategic objective. In sum, land ownership had formed part of the bedrock of Irish nationalism since at least the nineteenth century and Irish adaptation to the liberal international economy generated predictable resistance. The linkage between land ownership and national citizenship was not unique to the Irish, as the Danes, the Dutch, and several countries bordering West Germany experienced comparable difficulties in the 1960s and the 1970s.     

For ‘emotional fieldwork’ in critical geopolitical research on violence and terrorism

In recent years, there have been exhortations for scholars working in the area of critical geopolitics to be more committed in initiating ‘primary fieldwork’. These appeals are predicated on the belief that the subdiscipline's apparent over-reliance on secondary (re)sources neglect the ways in which political processes and dynamics ‘play out’ on the ground. Not denying the validity of such observations, I further argue that critical geopolitics needs to take into account the fieldwork process which can arguably shape the progression and outcomes of research. Drawing on my ‘field’ research on violence and terrorism in the Philippines, I propose that thinking critically about how emotions are intertwined in the conduct of fieldwork can provide a pathway to appreciate the unpredictable nature of the research process and the wider contexts/agencies that shape research outcomes and knowledges produced. Crucially, the witnessing of violence/terror is emotionally demanding, often bequeathing the researcher with fully embodied experiences of the ‘real’ situation on the ground. It opens up the researcher to different emotional engagements and connections with his/her respondents, which in turn allows for critical reassessments of issues pertaining to danger, ethics and responsibility. In this sense, ‘emotional fieldwork’, as I term it, has much to offer to critical geopolitics if incorporated as part of the subdiscipline's methodological consciousness. It not only provides researchers with useful navigational guidelines to traverse the tricky research terrains of working in ‘dangerous’, conflict-plagued regions but it also provides the basis for weaving more accurate and situated narratives that complements and advances deconstructivist critiques of dominant geopolitical discourses in and around certain locales.     

‘Now’, ‘now’, ‘even now’: temporal deixis and the crisis of the present in some Northern Irish poems of the Troubles

The problem of how to describe and account for the present can be identified as a particular preoccupation of poets of the so-called Northern Irish renaissance. This article examines how the temporal deictic ‘now’ functions in some well-known poems by Seamus Heaney, Michael Longley and Derek Mahon. All three poets explore how to combine the plausibility of lyric derived from an individual consciousness with the authority of narrative derived from social interactions. This article will do three related things. First, it will argue that discussing ‘now’ as a temporal deictic enables us to appreciate the full ambiguity and complexity of some poems written at the height of the Northern Irish Troubles. Second, the article will argue that these poems reveal that ‘now’ actually functions in poetry more complexly than some theorists of deixis have allowed. Finally, the article will suggest newly fruitful ways of combining literary stylistics with more conventional close reading.     

‘Stepping into history’: reading the Second World War through Irish women's diaries

This article examines two very different wartime diary accounts by Irish women, Romie Lambkin, a driver in the Auxiliary Territorial Service, and Mary Morris, who nursed in England, France and Belgium. Both texts assert the legitimacy of the Irishwoman's wartime story through consciously placing themselves in history, affirmed by the difference between their ‘real’ existence as participants in the war, and the ‘unreal’ Eire, outside history and reality, a ‘fairyland’, as Lambkin calls it, of lights and food set against a blacked out and bombed out Europe. More broadly, drawing on theoretical perspectives on life-writing and identity, the discussion focuses on these accounts as dynamic, vividly written contributions to our understanding of the war experience, showing how the subjective experience narrated in a diary has an important place in the collective historical narrative of the Second World War.     

‘For the Honor and Glory of the Jewish People‘: Arendt’s Ambivalent Jewish Nationhood

Observers of German-Jewish political theorist Hannah Arendt often disagree on her politics, yet many view her as a staunch early critic of Zionism. Whereas her criticism of Israel rendered her unpopular in the American-Jewish and Israeli communities for many decades after 1948, commentators more recently have come to see her perspective as a prescient assessment of the ills of Jewish nationalism. This interpretation, however, fails to grasp the complexity of Arendt‘s political views of Zionism in particular and of Jewish nationhood in general, which evolved over time and remained ambivalent from her early to her late works.     

‘The Old Woman as Hare’: Structure and Meaning in an Irish Legend

This paper looks at the St Kitts and Nevis Mummies' plays as published in Folklore by Roger Abrahams (1968). It demonstrates that the texts were originally taken from a play published by the Victorian children's author Mrs J.H. Ewing. This play appeared in several editions, most notably in two series issued by the Society for Promoting Christian Knowledge. Mrs Ewing's text was itself compiled from three northern English chapbook texts and a version from Silverton, Devon. The relative contribution of these texts to Mrs Ewing's play, and the way she put them together, are both explored.     

Joyce Family Values: Treason,Nationality and the Case of ‘Lord Haw-Haw’s’ Irish Cousin

The conviction and execution of William Joyce (‘Lord Haw-Haw’) for treason to the British crown remains controversial to the present day. He was not, however, the only wartime traitor in the Joyce family. His first cousin, the Irish-born Sergeant Michael Joyce, RAF, also volunteered his services to the Nazis while a prisoner of war in Germany, and arguably compromised himself even more seriously than his more notorious relative. In contrast to the avidity with which William Joyce was pursued, however, Michael Joyce’s crimes — which came to light as the trial of ‘Lord Haw-Haw’ opened at the Old Bailey — were efficiently concealed by prosecutors. The difference in the treatment of the cases of the two Joyce cousins not only sheds new light on the determination of the British authorities to secure a conviction against ‘Lord Haw-Haw’ at all costs, but also reveals the ambiguity and instability of ‘Britishness’ at a moment when, paradoxically, patriotism and national self-confidence were at their twentieth-century zenith.     

‘Immigrant games’: sports as a metaphor for social encounter in contemporary Irish drama

This paper explores the use of sport and sports matches in recent Irish plays that feature migrants. Sport and sports matches are recurring tropes in films, prose and theatre works that feature migration to and from Ireland. A form of popular culture and ‘one of the most pervasive social institutions in our society’, sport acts as a catalyst for social encounter and at the same time it can reflect subtle forms of social discrimination. It allows both for inclusion and exclusion of the other: it can be ‘a site for racial tension’ and it can ‘provide the opportunity to exercise a right that does not have to be officially granted by bureaucracies or public administrations and can be engaged in relatively freely’. Through sports, migrants can acquire ‘an opportunity for self-determination and control that may well be lacking in other areas of their lives’, hence the recurrence of sports on the Irish stage.     

‘They’ll never understand why I’m here’: British Marxism and the Irish Revolution, 1916–1923

The Irish Revolution of 1916-1923 posed a huge challenge to Marxist organizations in Britain. Although Marx and Engels themselves had supported Irish independence, later British socialists were not able to frame a consistent response to the Irish national question. Few organizations supported the Easter Rising in 1916 and although attitudes changed markedly during the Irish War of Independence, most British Marxists, with some notable exceptions, did not seem to view the Irish struggle against British imperialism to be connected to their own struggle for revolutionary change in Britain.     

‘If I was Irish I'd be crying by now’: Irishness and exteriority,Doyle's Deportees and the Irish plays of Martin McDonagh

While variations on the relationship between Irishness and exteriority resound throughout Irish literature and Irish studies, the implications and applications of the version offered by Roddy Doyle's short story ‘Home to Harlem’ remain underdeveloped. This article explores the particular paradigm of Irishness derivable from Doyle's work, and is motivated by it to revisit and re-examine the Irish plays of Martin McDonagh and the question of audience relation to them. I argue that the constituents of the overly rehearsed ‘McDonagh enigma’ – his reliance on stereotypical representation and his highlighting of artifice – ensure a dynamic of recognition and exteriority in the Irish-identifying audience, which, in turn, enacts an extreme version of the process of Irishness extrapolable from Doyle.     

Honorary Secretary’s Report For 1966

Abstract

Wooden Madonna tabernacles from c.1150–c.1350 are today scarce, and it is therefore difficult to get a complete understanding of their original appearance and variations. Nevertheless there are still preserved at least fifteen Madonna tabernacles, or substantial fragments of them, in Scandinavia, which can give us a picture of the variety of appearance and form these large tabernacles had in this period. The surviving Scandinavian Madonna tabernacles have, like the southern European ones, quite a lot of variation in types and appearance, both in their closed and open positions. The largest group consisted of niches with relief-figures on the interior when open, but the scenes could also be painted, or painting and sculpture combined on the same surface. A neglected aspect of these tabernacles is their appearance in the closed position. Often the wings of the tabernacles have their original painting preserved on the exterior, even if the reverse has been overpainted or the wings have been restructured. Many of these original surfaces had non-figural decoration, such as foliage, monochrome surfaces in red or green, or a combination of simple patterns of red and green.