The (un)promised land: queer identity and South Africa’s post-apartheid urban landscape

Abstract

In this article, I explore the intersection of photography and contemporary urban topographies in the production of queer identity in post-apartheid South Africa. To do so I examine Thebeautifulonesarehere, a contemporary photo-collage portrait series by Kelebogile Ntladi, which attempts to queer representations of South African cityscapes to reveal the entrenched homophobia and the systematic rejection of queer subjects. Ntladi, inspired by their own experiences of counter-normativity and the omnipresent threat of violence they face as a result, took to the streets to walk through their home city of Johannesburg to photograph the urban and cultural landscape; these photographic prints were then used as the building blocks in the assembly and fabrication of imagined spaces in which they and their fellow queer citizens would be able to live without fear of violence, where they could move freely and without repercussion. Using the trope of the flâneur as a starting point, I draw on Walter Benjamin’s paradoxical experience of Paris: his writing of Paris as the ‘capital of the nineteenth century’ and ‘the promised land’ of the flâneur exists in stark juxtaposition with his own complex experience of anxiety, dislocation and impending doom while living in the city while in exile during World War II. Ntladi’s personal experience of post-1994 Johannesburg echoes the paradoxical experience.     

Researching ‘gay Cape Town’ finding value-added queerness

An initiative to market Cape Town as a premier gay and lesbian tourist destination has steadily gathered steam over the last decade. I set out to study this phenomenon thereby adding to conversations about the normalization and globalization of queerness. Rather than straightforwardly presenting my findings, however, this paper considers queer theorizing as an inductive process by detailing the answers I did not find in the field and the questions I did. Based on my close readings of queer theory, I went looking for resistance and therefore queerness in the normalized space of ‘gay Cape Town’. I was disappointed. But I did not instead find outright capitulation. Rather, in this process of queer's commodification, I found anxieties, cracks and fissures beneath a veneer of assured mainstreaming. I found an undetermined process that did not represent either ‘un-African-ness’ or ‘global queer homogeneity’ or ‘African-ness’ and ‘local queer heterogeneity’. I found not an un-queering through commodification, but a queer commodity struggling to gain a foothold in a nation in which the terrain for gay and lesbian politics has drastically changed in such a way that the market cannot be ignored. To grapple with these findings, I argue for a more ambivalent approach to queer theorizing.     

Soweto nights: making black queer space in post-apartheid South Africa

In this article, I examine black queer nightlife in Soweto and its relationship with the making of black queer space in South Africa. Through an in-depth examination of the microgeographies of a Soweto stokvel party, I reveal the complexities of post-apartheid formations of race, class, gender, and sexuality. Employing the idea of usable space, I highlight quotidian practices of leisure as an important site for understanding cultural creativity within the marginalized spaces occupied by black South African queers. Performance and performativity are central to organizing nightlife spaces and reveal both the possibilities and limits encountered by black queers as they try to construct livable lives.     

Telling Stories to Hear Autoethnography: Researching women's lives in northern Pakistan

Stories about sewing machines are not usually the stuff of geographies, although stories and narratives offer potential as a geographic method. In this article, I examine the ways that story telling is a reflexive representational strategy, becoming a text for analysis that can be complemented by field research methods. I examine a story about sewing machines to suggest how it can be an analytical tool for postcolonial research, conveying what may be called the ‘real’ effects of colonialism, imperialism, and globalization in the lives of the women I researched in northern Pakistan. This method of representation makes more transparent the extent of women's participation in constructing ‘my’ narrative and research.     

The politics of rebirth in Colm Tóibín's ‘Three Friends’ and ‘A Long Winter’

This paper explores the compatibility of Catholic and homosexual identities. Because the language of Catholicism is so deeply entrenched in the popular imagination, I aim to show that not only does it provide a vocabulary for oppression but also for change. For the contemporary Irish novelist, the latter means conferring new meaning onto formerly oppressive language. In ‘Three Friends’ and ‘A Long Winter’, two short stories from Tóibín's Mothers and Sons (2007), the protagonists undergo a ‘baptism’ that signals their emergence into a new world, one tolerant of homosexual desire. Fergus, in the ocean, and Miquel, in the bathtub, experience moments at once erotic and cleansing. I outline their participation in the traditional world – the time before their bathing rites – in contradistinction to a re-imagined, modern, ‘queer’ world. I argue that Tóibín appropriates a Catholic, and therefore heteronormative, rite in a way that includes homosexuals. Thus, he reworks an oppressive framework in order to allow for the formerly excluded to participate and celebrate their non-heteronormativity, or queerness.     

The ‘rights’ (and ‘wrongs’) of articulating race with sexuality: the conflicting nature of hegemonic legitimisation in South African queer politics

Much work has recently explored the remarkable legislative achievements that have benefited queer groups in South Africa. Less well understood has been an appreciation as to how the links between histories of racism and histories of sexuality deployed to legitimate such legal challenges may also have directly helped to entrench the ability of others to argue against queer rights. Drawing on the work of Stuart Hall, this article will explore how queer activist's association with an ideology of ‘equality’ (and the link between racism and sexuality-based discrimination) has not simply concluded discussion about the rights (or wrongs) of queer rights. Instead that association has helped align the issue of sexuality within a far broader debate as to what the ‘New South Africa’ should mean after a racist past. This may help us appreciate a so far little understood and yet key reason why homophobia remains such a pervasive problem in the country.     

The matter of displacement: a queer urban ecology of New York City's High Line

This paper critically queers gentrification through an ecological analysis of the redevelopment of New York City's High Line. Taking the abandoned-queer-ecology-turned-homonormative park as a novel form of gay and green gentrification, I argue that the ‘success’ of the project must be critiqued in relational ecological terms. Intervening into the literature of gentrification, I begin to account for the material and symbolic aspects of ecological gentrification with the help of innovations in plant geography and queer ecology. To ground my analysis, I look to the process of ‘succession’, focusing, in particular, on one of the most established and successful plants growing on the abandoned High Line, Ailanthus altissima or the Tree of Heaven. Drawing on empirical insights, this account of the High Line's redevelopment tracks relations between queers and plants. Through layers of sexuality, ecology, and geography, the matter of displacement becomes central to a consideration of ethico-political possibilities for a queer ecological critique of urban space. In conclusion, I argue for an ethics and politics of responsibility to and for abandoned spaces that calls us to pay closer attention to the queer, the ecological, and their ongoing entanglement.     

The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory

This article offers a new perspective on Victorian freakery and prehistory by reading the career of Krao Farini, the ‘Missing Link’, through lenses of queer theory and archival studies. Born in Laos with hypertrichosis, a condition that produces an abundance of body hair, Krao transformed into living proof of the ‘Missing Link’ upon migrating to London in the 1880s. I contextualize Krao’s exhibition by situating her show within contemporaneous visual, textual, and performed examples of the ‘Missing Link’. Reading Krao alongside these other ‘Missing Links’ illuminates inconsistencies in their representations of gender and sexuality that nullify firm distinctions between ‘pre’ and ‘history’. I argue that the freak show’s ‘Missing Link’ materializes rhetorical and epistemological connections between Victorian prehistory and contemporary queer historiography to provide a valuable framework for accessing queer archives otherwise buried in the historical record. Though the correlations between prehistory and queer history are not necessarily explicit, locating their similarities reveals how persistent notions of Victorian time inform contemporary queer scholarship. Presaging recent queer archival interventions, Krao’s remaining archive demonstrates how prehistory breeds alternative models of evidence that disorder the archive’s relation to time: evidence of the ‘Missing Link’ unravels the language of stability, family, and presence on which archives typically rest. Resisting the implicitly heteronormative logic of the archival document, prehistory makes possible new ways of narrating Victorian histories of freakery, imperialism, and gender and sexuality.     

White gloves,feminist fists: race,nation and the feeling of ‘vintage’ in femme movements

This article raises the question of how the cultural politics of race and nation manifest within contemporary queer femme movements, performances and aesthetic practices. Focussing on the feeling of ‘vintage’, I specifically examine symbols, icons and aesthetics used in projects to queer femininity that invoke ‘the 1950s’. Grounded in femme-inist multi-sited ethnographic research in a movement to which I also belong, I draw on interviews and participant observation in queer subcultural spaces and analyse two examples of ‘vintage’ iconography within contemporary femme organizing where ‘vintage’ is a form of archival activism that also relates to a broader cultural imaginary of racialized femininity. Then I turn to an example of queer performance where ‘vintage’ is used as a critique of imperialism and whiteness. In closing, I discuss how the feeling of ‘vintage’ relates to whiteness and to a form of imperialist nostalgia.     

Negotiating gender dynamics in heteronormativity: extramarital intimacy among migrant Filipino workers in South Korea

This article examines the liminal space that exists both as a structural condition engendered by transnational migration and as a state that is self-consciously carved out by migrants. It demonstrates that this space provides the grounds for migrants to develop ‘deviant heterosexuality’, such as extramarital relationships while simultaneously causing dilemmas and contestation of gender dynamics in conjugal and familial relationships. Drawing on ethnographic research and in-depth interviews, I elucidate the extramarital relationships among migrant Filipino workers in South Korea. By incorporating discussions of ‘queer heterosexualities’ and Hubbard's geographical engagement of sexuality into analysis, I argue that migrants' extramarital practices are shaped not only by dominant discourse, but also through the particular social and spatial positioning of individuals. First, I demonstrate that the liminal space gives migrant Filipino workers a certain degree of autonomy from the power and ideological interventions of both sending and host societies. Second, I highlight the liminal space that is extended by migrants themselves, especially through the increasing economic ability and mobility of migrant women, which can reconfigure the modes of heteronormativity and gender structure in conjugal, familial and extramarital relationships. In the end, I argue that transnational migration results not only in provisional liminality but also prolonged liminality through migrants' initiative in pursuing their desired heterosexuality and their endeavour to convert extramarital relationships into long-term intimacy. This study contributes to the discussion of the interplay between heterosexuality/heteronormativity and gender in recent human migration.     

Introduction: towards trans geographies

Gender geographies have focused on normatively gendered men and women, neglecting the ways in which gender binaries can be contested and troubled. Trans people question hegemonic conventions that link sexed bodies, gender roles and lives. This collection spans a range of theoretical fields in this context, including trans theories, queer engagement, feminist geographies, gender geographies and sexualities geographies. It offers empirical investigations of trans lives, while addressing the often theoretical use of ‘trans’ to render gender fluid, incoherent and unintelligible. As a whole this themed section questions geography's presumption of man/woman and male/female.     

Stories of fracture and claim for belonging: young migrants' narratives of arrival in Britain

This article brings an anthropological approach to bear on the question of ‘children's voices’ and, particularly, on the stories told by some young migrants about their recent arrival as asylum-seekers in Britain. Young migrants' narratives are examined as situated and self-conscious claims to a certain identity as child refugee. The question of why a particular narrative of ‘arrival in Britain’ was offered by a diverse group of young migrants and asylum seekers is discussed. These stories present a view of their tellers as alone and irreconcilably detached from past lives and relationships. These narrative repertoires as well as their telling draw from and elaborate certain views of the ‘proper refugee child’ that circulate through various regimes of immigration, welfare and emancipatory community work that all involved these young people. An approach to the stories as accomplished as well as situated performances that collapse the ordinary division between stories as ‘facts’ or ‘fictions’ is introduced. In this sense, the ‘children's voices’ heard in this study are recognised as situated and interested products of a research relationship.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

The Continuity of Victorian Traces: A.S. Byatt's The Children's Book

Both King Solomon's Mines (1885) and Allan Quatermain (1887) pursue a quest to regenerate the authority of the English gentleman as ‘the highest rank that a man can reach upon this earth’. The present essay focuses upon Haggard's construction of this ideal of masculinity through the combination of the qualities of the gentleman with those of the barbarian. The discussion follows both Laura Chrisman and Bradley Deane in attending to the relationship between the ideological structures of metropole and colony. This article, however, situates Haggard's masculinist ideology in relation to the wider cultural poetics of late-Victorian material culture, particularly as manifested in the imperial souvenir – a complicated category of thing that comprises artefacts, hunting trophies and human relics. Attention to their thingness entails reflection upon the complexity of textual representations of objects and practical encounters with them as constituent elements of late-Victorian material culture. In addition to examining the significance of hunting and battle trophies in Haggard's fiction, close attention is also paid to the keynote spectacle of the Colonial and Indian Exhibition at the South Kensington Museum in 1886, Rowland Ward's habitat diorama, ‘The Jungle’, and to Ward's subsequent forays into ‘animal furniture’. Through reflection on such formations of objects, the thingness of the imperial souvenir illuminates the ideological formations within which hegemonic masculinity and imperialism were articulated at this key moment in the mid-1880s.     

Using an awakening narrative to leave behind a former national‐identity: an investigation of the conversion of national‐identity in Taiwan

National‐identity has become a civil religion and a major source of how people define themselves. Changing one's nationality thus is a salient event/social process in today's society; therefore, people's nationality conversion deserves more academic attention. Treating the convert as a social type and regarding people's self‐reports (or converts' accounts) as topics for analysis, this article examines the Taiwan case to illuminate how people tell their stories of converting nationality. ‘Converts’ usually employed an awakening narrative to leave their former national‐identity behind: For example, the ‘awakening’ plot is readily apparent, a huge contrast between a previous ‘wrong’ self and a current ‘correct’ self is mentioned, and the ‘awakening’ is delineated as an achievement. The symbolic awakening is harnessed as a strategic tool to create discontinuity autobiographically, to justify one's major change, to ensure that one's cognitive security remains intact, and to call for more awakenings. This article further notes that, since narrative itself is a practice, people always have ‘a self in the making’ which determines (and is determined by) how people (re)tell their life stories. Moreover, in Taiwan's case, we see that ‘awakeners’ usually admired early awakeners but blamed late awakeners (which constitutes an interesting triadic group relationship); people may also describe their experience of having multiple awakenings before the ‘grand’ awakening (‘Awakening’). © The author(s) 2015. Nations and Nationalism © ASEN/John Wiley & Sons Ltd 2015     

Circulating sadness: witnessing Filipina mothers' stories of family separation

I reflect upon a collaborative research project with activist groups at the Kalayaan Centre in Vancouver, in which we collected stories of family separation, loss, grief and traumatic returns to more fully trace the impacts of the Canadian temporary work visa program (the Live-in Caregiver Program), which brings mostly Filipino women to Canada as live-in domestic workers. Our hope is that these stories of maternal loss will find an audience and evoke an affective response among policy-makers and a wide public beyond the Filipino community in ways that earlier critiques of the program have not. The article draws upon critical literatures on trauma and testimony to consider some of the risks of circulating these kinds of testimonials, and the possibilities of moving the audience from the position of spectator to witness. I then work closely with two mothers' testimonies to experiment with ways of establishing a ‘more difficult contract’ between those who give testimony and those who receive it, one that creates a complex ethical and political space in which the audience is required to register their own complicity in the other's loss or grief. I consider of the possibilities of assembling stories that tell a collective history without reducing the complexity of individual's lives into the same sad story of victimization, and of telling these stories so that the categories of ‘good’ and ‘bad’ mother are exhausted and the listener/reader is forced to listen/read more closely, just beyond the expected story line or cultural cliché.     

Making space for queer youth: adolescent and adult interactions in Toledo,Ohio

Queer youths and queer youth-related issues are under-researched in geography. I contribute to the existing literature by investigating how adultist practices can both constrain and empower queer youth within the context of schools. Issues involving adolescence and sexuality are complex, and these nuances become more pronounced with regard to nonnormative sexual identities and expressions. Using interviews with adult queer youth advocates in Toledo, Ohio, I look at the ways in which adults construct uncertain, anxious and contradictory ‘safe spaces’ that can work to constrain/restrict queer youth but also to empower and/or facilitate queer youths' negotiation and navigation of other, predominantly heterosexist social spaces.     

Zapiro and Zuma: A symptom of an emerging constitutional crisis in South Africa?

In September 2009 The Sunday Times (South Africa) published a controversial cartoon depicting Jacob Zuma preparing to rape the figure of Lady Justice. This image precipitated a barrage of complaint and criticism surrounding issues of race, gender violence and freedom of speech. The cartoon represents a critical geopolitical moment through which to analyse the entrenchment of democracy in South Africa. I argue that careful analysis of the image and the responses generated provides insights into a series of constitutional challenges in South Africa and provides an entry point for those researching and teaching about political geographies outside of the traditional ‘core’ of the discipline. Problems with colonial legacies and the strategic depoliticisation of race are highlighted as key concerns for post-apartheid nation-building. Opposition to the cartoonist's freedom to criticise political leaders highlights the continued deployment of race in political ways while reminding us of the transitional challenges facing the state and the African National Congress party. The cartoon also provides a moment to address threats to the independence of the judiciary from political bodies through inflammatory and intimidatory rhetoric and protest. Questions over gender equality and security are highlighted through the rape motif of the image and responses to the cartoon. It is argued that the challenges made visible through this cartoon are critical to the consolidation of democracy in South Africa. The potential for political cartoons to be used by political geographers to engage with issues beyond the discipline's geographic ‘core’ is also stressed.