The ages of man. A study in medieval writing and thought

It has often been repeated that Wollstonecraft was not read for a century after her death in 1797 due to the negative impact of her husband William Godwin's Memoirs of the Author of a Vindication of the Rights of Woman (1798) on her posthumous reputation. By providing the first full-scale reception history of Wollstonecraft in continental Europe in the long nineteenth century—drawing on rare book research, translations of understudied primary sources, and Wollstonecraft scholarship from the nineteenth century to the present—this article applies a revised Rezeptionsgeschichte approach to tracing her intellectual influence on the woman question and organised feminism in Europe. Although the Memoirs and post-revolutionary politics everywhere dampened and even drove underground the reception of her persona and ideas in the first decades of the nineteenth century, Wollstonecraft's reception in nineteenth-century continental Europe, like the United States, was more positive and sustained in comparison to the public backlash she faced as a ‘fallen woman’ in her homeland of Britain through the bulk of the Victorian era.     

AN IMPERIAL SYLLABUS

Ten Books That Shaped the British Empire, edited by distinguished historians Antoinette Burton and Isabel Hofmeyr, brings together ten essays on individual books with a substantial methodological introduction. Covering the full geographical expanse of the Empire, the volume seeks to unify book and imperial history through careful accounts of the circulation, recycling, and uptake of each of the books under consideration. The upshot is an invaluable overall work with important individual contributions. At the same time, the project's methodology and mode of presentation raise questions for the writing of history, particularly at the nexus of the histories of empire and of the book, that are reiterated but never queried within the volume itself. Specifically, in its focus on the moment of the circulation of texts, Ten Books That Shaped the British Empire reflects a general condition in the human sciences: a resistance to narrative, to causality, and to critique, which this essay attempts to describe and briefly explain.     

The stories rocks can tell: Marie Stopes' evolutionary narratives of plant sex in New Brunswick's Fern Ledges

This article discusses British pioneer in birth control and palaeobotanist Marie Stopes' visit to Saint John New Brunswick's ‘Fern Ledges’ as an important historical episode for feminist geography. By considering the relationship between Stopes' inquiries into plant sex and human sex, this article explores feminist and queer studies' constructions of ‘natural’ bodies alongside environmental constructions of ‘natural’ environments. Stopes' work is useful in showing how early twentieth century plant-breeding and human sexual politics intersected through understanding sex as a perfectible technique for producing better bodies across plant, animal and human boundaries. This argument is developed along three significant sites that show how dynamic relationships between bodies and places are mutually constituted. The first site focuses on early twentieth century evolutionary thought which made it possible to conceive of linkages between plants and humans in their sexual lives. The second site is Stopes' experience of place in the ‘Fern Ledges’ through a palaeobotanical investigation of plants, which were read ‘backwards’ through human social categories of kinship, family, race and nation. The final site is an examination of Stopes' popular sex manuals as ecological texts that give specific attention to plant agency in shaping narratives of human sexual politics.     

Samuel Clarke’s Lives and husbands’ remembrances of their wives

ABSTRACT

Among the narratives of eminent divines and Christian worthies that Samuel Clarke derived from published sources and included in his many publications are the lives of fifteen early modern women, three of them written by their husbands. Humphrey Gunter’s funeral memorial of his wife Mary, Samuel Clarke’s life of Katherine, and Richard Baxter’s of Margaret have a personal immediacy and an affectionate detail often absent from the other biographies. In the contexts of both the original publications and Clarke’s texts, their depictions of spousal relationships reflect the tension between traditional commemoration and individual expression apparent in seventeenth-century narratives of women’s lives. The bonds each husband recalls celebrate the virtuous wife, though none of the recollections is as forthright as Baxter’s insightful recognition of Margaret’s complex character and her significant role in their marriage.     

Black sisterhood: The situation of urban aboriginal women and their relationship to the white women's movement 1

The article argues that Aboriginal women in urban aboriginal society experience very different oppressions than do white women in urban white society. Aboriginal women believe that their greatest oppression is racism not sexism. When their objective conditions are examined it becomes obvious that this is indeed so. In fact Aboriginal women are statistically better educated and better employed than are Aboriginal men. Other economic and societal factors combine to produce a situation whereby a black woman's status within her own society is very different to that of her white sisters. Black women are more likely to be heads of household; more likely to be political leaders and less likely to be child‐burdened than their white counterparts. Consequently women's movement demands such as abortion, child‐care, the right to work and sexual liberation are not given high priority by the Aboriginal women's movement. Aboriginal women's demands stem from the politics of poverty and discrimination. These are caused by racism not sexism.     

Medbh McGuckian's source texts and the challenge to authorial identity in “The Good Wife Taught her Daughter”

This article contends that Medbh McGuckian's “The Good Wife Taught her Daughter”, from her 2006 volume The Currach Requires No Harbours, offers an example of the poet's direct engagement with and rejection of negative commentary regarding her opaque style and incorporation of material from source texts. This article first presents a contextualising overview of the main strands of criticism of McGuckian's work. Following this, two detailed readings of this poem are offered. The first of these readings foregrounds McGuckian's challenge to the possibility of stable meaning in any linguistic act. The second reading identifies McGuckian's source texts and examines how their content and nature underline her deliberate destabilisation of identity and meaning.     

Emplacing Current Trends in Feminist Historical Geography

In this article, the authors assess some of the major trends within anglophonic feminist historical geography appearing in the decade since Rose & Ogborn called for the development of an explicitly feminist approach to the subfield. In examining the 'geography' of feminist historical geographies, three main categories of scholarship are evident: a 'new' historical geography of North America, portions of which are informed by feminist theories and methods; a British school of feminist historical geography with a focus on the discipline of geography, geographical knowledges and colonialism/imperialism; and feminist historical geography interventions in cultural politics of space and place. A diversity of feminist methods and epistemologies appears across the literature. In an attempt to avoid a reading of these trends as better or worse approximations of historical 'progress', the authors conceptualize them as emplaced within a number of specific social and spatial contexts. Most recent work is concerned with the production of gender differences as they are worked through economic, political, cultural and sexual differences in the creation of past geographies. The continued need simply to write women into historical narratives and geographies, however, is also evident. The work of feminist historical geography questions and challenges geography's masculinist historical record.     

Poison and romance: Oscar Wilde and the strange case of Edith Thompson

Oscar Wilde considered crime and sin no impediment to art or culture, as the case of the poisoner-artist-critic Thomas Wainewright (1794–1847) allowed him to demonstrate. English society of the time, as George Orwell famously declared, was as fascinated by poisoning as was Wilde. One of Orwell's cases was that of Edith Thompson who, along with her young lover, was convicted in 1922 in London of conspiracy to murder her husband whom it was alleged she had tried to poison. She and her lover were hanged in early 1923. Thompson's preoccupation with poison was entangled with her preoccupation with popular romance fiction of the day which she read copiously and discussed perceptively with her lover in the letters that helped to convict her. Her favourite novelist was Robert Hichens, the acquaintance, imitator and caricaturist of Wilde. She quoted Hichens's novel Bella Donna (1909) in letters to her lover, including on the practical matter of poison, which helped convince the jury of her guilt. Her trial, like Wilde's trials – all involving sexual transgression – raised the difficult question of whether literature could poison and influence for the worse its readers or whether it lay outside both morality and the world of action. Moreover, were Thompson's own letters literature and fantasy or were they oblique discussions of practical intent, including the intent to murder? As in the case of Wilde, a larger question supervened. In part through her reading, in part through her own experience, Edith came to believe, even before the murder, that freedom is an illusion, fate an inescapable reality.     

Spatial Displacements: Transnationalism and the new social movements

This paper looks at connections between transnationalism and the new social movements in the USA. Drawing on feminist and 'queer theory' critiques of totalising 'lesbian-feminist' and 'radical feminist' arguments, as well as on the neo-Marxist analyses of transnationalism, I argue that it is possible to theorise transnational 'flexible accumulation' in terms of gender, race and sexuality as well as class. I analyse David Harvey's argument about the role of the 'spatial fix' and 'temporal fix' in post-modernity. I compare Harvey's approach to the analysis of post-modernity with Mike Davis's more local/global analytic. I contrast their approaches with the ways that the notion of displacement can be applied to the deconstructive reading of narrative and representational texts. I conclude with an analysis of the way transnationalism is displaced, as multiplanetary capitalism, in C.J. Cherryh's science fiction. Cherryh links the construction of spatialities to ways of constructing gender, species, and sexualities, as well as to changes in the mode of production. Her heroines, too, as translators, knowledge brokers and political intriguers, are centrally involved in the crisis of accumulation in the novels' fictive universe. In this way, Cherryh's fictions, and her heroines' actions, produce an implicit theorisation of accumulation, based on gender, and sexuality, as well as class.     

‘Disgusting acts of shamelessness’: sexual misconduct and the deconstruction of royal authority in the eleventh century

That the sexual misconduct of a king had political ramifications is clear from a large number of texts from throughout the entire Middle Ages. At no point, however, was royal sexuality more salient in political writing than in the second half of the eleventh century. This was not simply a reflection of contemporary efforts to reform sexual morality. Neither can charges of sexual immorality be dismissed as mere rhetorical devices, intended to blacken a king's character (although they certainly did that). On the contrary, sex was doing important ideological work in political texts from this period. This article focuses on the particularly savage set of sexual accusations made against King (after 1084, Emperor) Henry IV of Germany (1056–1106). It argues that the long‐standing association between sexual desire and privacy, shame and disorder worked powerfully in the eleventh century to justify rebellion, and to separate the king, as libidinous individual, from the ‘majesty’ of the office he held.     

Narratives of success and narratives of failure: representations of the career of King Hugh of Italy (c.885–948)

Hugh of Arles, king of Italy between 926 and 947, has come to be regarded as one of the more successful kings of Italy in the tenth century. The evidence of his charters supports this conclusion, showing how effectively he managed to insert members of his own Provençal family into the existing political fabric of northern Italy. Contemporary narrative sources tell the same story, but as one of failure. For Rather of Verona, Liutprand of Cremona and even Flodoard of Reims, Hugh and his family were suspect and their sexual mores questionable. Their texts intervened in contemporary politics not simply as records of Hugh's inadequacies but as real political actors that helped to make that failure happen.     

Body Shopping: Reconfiguring geographies of fitness

This article critically interrogates the representational politics implicated in the metaphorical and material production of geographies of embodied fitness. It is intended as a contribution to the growing critical appreciation of the ways in which humans and non-humans are worked together in the production and reproduction of cyborg or hybrid geographies. It therefore mobilises the word fitness in the literal sense of a bodily state, but also in the metaphorical sense of how diverse 'things' come to fit together, how collections of bodies and machines come to be intelligible as inhabitable worlds. But, importantly, this article also argues that this sort of analysis is inadequate if it fails to engage with the ways that the production of human-machinic hybrids is also bound up in the enactment of geographies of ontological purity, a purity that is diffracted, at least in part, through categories such as gender and race. To illustrate this, the paper briefly outlines the ways in which the fitness equipment manufacturer NordicTrack attempts to produce geographies of fitness. Specifically, it suggests that while these geographies muddy the clarity of the boundaries between categories such as male/female, human/non-human, nature/culture, at the same time they work as forces of purification, subtly and not so subtly reinforcing these very same dualisms.     

John Burton versus international relations: the costs of criticism

This article explores the intellectual legacy of John Wear Burton, who died in June 2010. Widely lauded as a pioneer in the fields of conflict resolution and peace studies, Burton's legacy in the broader study of international relations (IR) is more ambiguous. The author argues that Burton is best remembered as a critic of IR rather than as a contributor to the discipline, particularly as it evolved from the mid 1980s to the present. Burton's most trenchant criticisms of IR in the 1960s and 1970s were really directed against a superficial version of realism. Burton's work on human needs and conflict resolution, in contrast, has had a more enduring legacy.     

Confronting Contradictions: Genre Subversion and Feminist Politics in Agnès Varda's L'une chante,l'autre pas

French filmmaker Agnès Varda's career has been largely defined by contradiction. She is acknowledged as influential, yet often discussed independently from the advanced filmmaking practices and intellectual debates of her New Wave generation. Her musical, L'une chante, l'autre pas, was particularly misunderstood: film critics and feminist scholars praised the film's feminist storyline, but found that the unexpected musical numbers undercut the seriousness of the feminist message, resulting in a film that is ultimately incongruous. Through archival excavation of Varda's sources, I argue that the film's incongruity was in fact intentional, an expansion of advanced filmmaking theories and strategies, in dialogue with influential Brechtian texts and contemporary feminist debates. This essay reveals specific social and economic factors that influenced the production and reception of the film and reconsiders apparent contradictions in Varda's career.     

LESTER GRABBE AND HISTORIOGRAPHY: AN APOLOGIA

This response to Lester Grabbe's review of Th.L. Thompson's The Bible in History marks out substantial differences in their approach to history. It argues that Grabbe appears to overlook the book's intention to offer a critique of historicism and its rhetoric of objectivity. Particularly, Grabbe's understanding of the Bible as historiographical is disputed, and the understanding of social-historians and their concentration on Tendenz critique - a commonplace in ''second temple'' studies - is not shared by the author. Accepting a loss in both detail and accuracy, he rather recommends an approach which uses anthropological and archaeological insights, supplemented by the unwritten implications of texts, geo-political trends and intellectual history. Against Grabbe's strong objections, the necessity of caution in accepting the historicity of specific unconfirmed kings in the synchronisms of Judean and Samaritan kinglists, implied by 2 Kings, is re-asserted. On the other hand, Grabbe's charge of casting greater doubt on biblical texts in contrast to his treatment of extra-biblical texts is falsified by the author's Historicity of 1974 and subsequent known practice. He corrects Grabbe's misunderstanding of his treatment of the deity Yahweh, and, after objecting to the personally derogatory innuendoes of Grabbe's presentation of his understanding of early Judaism, he addresses the question of whether stories lie by addressing the rhetoric of story. In closing, a brief exegesis of Mark 7, 31-37 is offered as an illustration of how historicism has distorted biblical scholarship.     

The Iron Butterfly and the Political Warrior: mobilising models of femininity in the Australian Liberal Party

Australian Foreign Minister Julie Bishop and former Prime Minister Tony Abbott's Chief of Staff Peta Credlin have experienced very different political fortunes. Once the two most powerful women in the Australian Liberal Party, Credlin's political demise was mired in controversy, while Bishop continues to enjoy the support of her Party and the public. While there are many reasons for this, the article focuses on the gendered politics surrounding their experiences. Based on analysis of the media representations of Bishop and Credlin between 2011 and 2015, we argue that Bishop successfully negotiates gender politics by deploying the Iron Butterfly model of conservative femininity, while Credlin's fierce Political Warrior persona saw her pilloried.     

‘There Is Graite Odds between A Mans being At Home And A Broad’: Deborah Read Franklin and the Eighteenth‐Century Home

From 1764 to her death in 1774, Deborah Franklin lived in ‘their’ new house without husband Benjamin. The correspondence between them reveals several ambiguously gendered constructions of that house – ideologically, materially, and architecturally. Deborah was ‘homeless’ legally and conceptually. Her household variously consisted of her mother, her adopted son, her daughter, relatives, guests, boarders and servants – she permanently assumed the role of head of the household. His household consisted of his landlady, Widow Margaret Stevenson, and her daughter Polly – he could not assume his role as head of household. Moreover, as Deborah wrote to her husband about turning the house into a fortress during a raid on it during Stamp Act crisis, he wrote to her about the household goods; as she talked about politics, he discussed familial matters. Their permeable, even ambiguous, masculine and feminine roles reconstructed the meaning – and thereby symbolised the gendered complexity – of the early American white middling and elite eighteenth‐century home.     

Competing Traditions and the Birth of Texts

Doctor Ingrid Hjelm's new book, Jerusalem's Rise to Sovereignty: Zion and Gerizim in Competition. Ingrid Hjelm . T&T Clark International, New York: 2004, raises a number of interesting issues concerning the relationship between the Samaritans and the inhabitants of Judea during the Hasmonean period. Though her intention is to demonstrate the conflict origins of the literature treasured by those respective communities, and the divergent paths taken by those tradents, her ideas have further reaching implications for interpretation of the Hebrew Bible and the dates to be assigned to those materials. This essay probes Hjelm's new book, enquiring after its wider implications, especially for those interested in the rise of Biblical texts.     

The Veil and Urban Space in Istanbul: Women's dress,mobility and Islamic knowledge

The issue of veiling marks an ideological fault line in urban Turkey. Based on focus groups conducted with migrant women to Istanbul in the spring of 1999, this article aims to show how veiling, as a form of dress, is a spatial practice that gains its significance through women's urban mobility and their construction of Islamic understandings in the city. At the same time, both urban mobility and Islamic knowledge are structured by wider relations of power, such as the struggle between the secular state and resurgent Islamic politics. In order to situate the practice of veiling within these structures, the author argues that Istanbul is marked by a pattern of shifting 'regimes of veiling,' and that these spatialized norms of dress affect the meaning and enactment of women's veiling choices. This concept is particularly useful to draw out the ways in which veiling, despite providing some protection from urban harassment, may actually constrain women's urban mobility in the context of Istanbul. The focus group analysis illustrates these points and demonstrates how women's views on Islam provide a basis for their attitudes towards veiling, mobility and space. The author suggests that among the participants, two main trends in Islamic understandings related to veiling can be observed: one towards the 'privatization' of religion along secularist lines, accompanied by a flexible attitude towards veiling, and another towards the public contestation of formal anti-veiling regimes justified in terms of knowledge gleaned through direct, textual engagement with Islam. In this way, this study aims to link veiling, as a socio-spatial practice, to the local, gendered production of Islamic knowledge in Istanbul.     

The Queen and the City: Royal Female Intervention and Patronage in Hellenistic Civic Communities

In 196 bce , Queen Laodike III issued a decree (I.Iasos 4, I) to Iasos in Caria, Asia Minor, announcing that she was giving the Iasians a ten‐year supply of grain to alleviate their penury after her husband's conquest of their city, and she specified that the grain ought to be sold and the income used to provide dowries for the daughters of poor citizens. This and other donations were part of rebuilding efforts in the wake of military violence by Laodike's husband Antiochos III. For her beneficence, Laodike was honoured by cities with foundations of festivals, priestesses and sacred areas dedicated to preserving her cult. This reciprocity of goodwill was gendered, not only in the establishment of priestesses, but in the nature of the honours given; for example Iasos celebrated Laodike III's birthday with a procession of a maiden priestess and couples who were about to wed (I.Iasos 4, II), and the people of Teos dedicated a fountain in their city centre to Laodike and required that all brides should draw from it the water for their baths (SEG 41, 1003). Laodike's patronage and the cities’ responses to her bring to light the role of female citizens within the structures, perpetuation and ceremonial of the civic body. At the heart of honours given Laodike and her own self‐promotion was the identity of sister and mother, roles shaping her own queenship and the civic participation and power of the women she assisted.