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A Door of Hope was the manifesto of the Fifth Monarchists’ desperate uprising in London in January 1661, a few months after the Restoration of Charles II. While the rising itself is well known, its manifesto has never been examined in detail. Probably based on a sermon to Venner's congregation, it displays a defiant conviction that the Restoration could be understood as part of God's providential plan, the next step towards the imminent kingdom of Christ on earth. But it also reaches out to a much wider constituency, all the supporters of the “Good Old Cause,” offering a programme that might appeal to many radicals. And the author draws on secular, republican discourse to buttress his apocalyptic claims, revealing close links between even the most extreme Fifth Monarchists and wider currents of interregnum radicalism.  相似文献   

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Tampere, the second largest city-region in Finland, has been accustomed to continuous change throughout its history. First, it developed from a small village into Finland's leading industrial town. When traditional industry fell into crisis, Tampere once more had to recreate itself and has since risen to a position in which it is among the top cities on the cutting edge of utilizing the possibilities of new knowledge-based technologies. The objective of this article is to recognize the internal and external forces that have had an impact on the development of Tampere, Finland, as well as the dynamics of the relationships between them. The objective is thus to identify those factors and forces that have laid the foundation for economic change and the development of the new knowledge economy. This article first frames the core concepts used in the analysis, and then, describes and analyses the development of Tampere from a small village into the leading industrial town in Finland, and further, into one of the pre-eminent cities of the knowledge economy.  相似文献   

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David Parsons 《考古杂志》2013,170(1):465-466
This paper collates some examples of nineteenth-century church ‘restoration’, with special reference to their effect on medieval wall-paintings, and seeks to trace the motivation behind them. Their hitherto insufficiently recognised influence on prevailing views about the subject-matter of medieval wall-paintings is also suggested.  相似文献   

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