Media,power and space: ways of constructing the periphery as the ‘other’

The article examines the representation patterns of the Israeli geographic periphery in the national media over a period of four decades. Its main goal is to analyse the role that the national press plays in constructing the periphery as the ‘other’ in public consciousness. Our analysis demonstrates how the press makes use of diverse strategies, all leading to the construction of peripheral locations as ‘unimportant’, ‘marginal’ or ‘negligible’, and all characterized by events, customs, culture, norms and behaviour patterns different from those characteristic of the ‘centre’. We will show how the national press glorifies the Israeli ‘centre’, defines who is included within its boundaries and who is not, and delineates between it and the periphery.

Les médias, le pouvoir et l'espace: les manières de construire la périphérie en tant qu’ «Autre»

centre–périphérie, images négatives, médias

Cet article propose un examen des schémas de représentation de la périphérie géographique d'Israël dans les médias nationaux au cours des quatre dernières décennies. L'objectif principal est d'analyser le rôle de la presse nationale dans la construction de la périphérie en tant qu’ «Autre» dans la conscience publique. Notre étude met en évidence comment la presse applique diverses stratégies qui, dans l'ensemble, permettent la construction de lieux périphériques «sans importances», «marginaux» ou «négligeables» définis par des événements, coutumes, normes et comportements distincts de ceux qui caractérisent le «centre». Nous allons montrer comment la presse nationale glorifie le «centre» israélite, détermine qui peut se trouver à l'intérieur de ses frontières et qui en est exclus, et trace une limite entre le centre et la périphérie.

Los medios de comunicación, el poder y el espacio: maneras de construir la periferia como ‘lo otro’

centro–periferia, imágenes negativas, los medios de comunicación

Este artículo examina representaciones de la periferia geográfica de Israel en los medios de comunicación nacionales durante un período de cuatro décadas. El objetivo principal es analizar el papel jugado por la prensa nacional en la construcción de la periferia como ‘lo otro’ en la conciencia pública. Nuestro análisis demuestra cómo la prensa hace uso de diversas estratégias que llevan a la construcción de lugares periféricos que son considerados ‘no importantes’, marginales’, o ‘insignificantes’. Estos lugares se caracterizan por acontecimientos, costumbres, cultura, normas y pautas de comportamiento siempre distintos de los del ‘centro’. Enseñamos el modo en que la prensa nacional glorifica el ‘centro’ israelí, define a quién se incluye y a quién no, y traza una línea entre este centro y la periferia.     

Between historical myth and ‘Inythohistory’: the limits of Ottoman history

Abstract

‘“Myth and reality“’ as Professor Gombrich has reminded us in an historical context apparently far removed from that of Ottoman studies, are, as he has defined the phrase, perhaps only ‘a more genteel formulation for the blunter title of “lies and truth”’.     

‘The realities of power’: David Stoll and the story of the 1982 Guatemalan genocide

ABSTRACT

In a short opinion piece published in late 2013, anthropologist David Stoll claimed that genocide did not occur in Guatemala under the military dictatorship of José Efraín Ríos Montt (1982–83), that the charges against the former general and his subsequent conviction were unsubstantiated, and that human rights conditions for the country’s Indigenous peoples, including the Ixil population of northern Quiché department, actually improved under his government. By looking at the definition of protected groups under the United Nations Genocide Convention, and such basic notions as perpetrator motives and intent in international humanitarian law, this article will address Stoll’s latest contribution to a ‘counter-narrative by Guatemalans who perceive that their side of the story [was] left out’ of the 2013 genocide trial.     

Tibetan livelihoods and the ‘Great Development of the West’:Modernization,pastoral resources,and the ‘urban future’ of the grasslands

1.Introduction Rural livelihoods in Tibet2 have,during the last fifteen years,undergone fast and profound processes of economic transformation and state-led modernization,both in the TAR and the Eastern parts of the Tibetan plateau.Local life styles have changed at a pace rarely seen in an area where people subsisted,until the late 1990s,almost entirely on nomadic mobile livestock production.New local socio-economic structures with peculiar characteristics have emerged.They include the decline of traditional livestock-based (mobile) pastoralism;the emergence of a ‘post-pastoral’ economy based on the extraction of medicinal fungi for Chinese and international markets;and the emergence,often from below,of new arrangements governing rangeland access and usage.     

The ‘Injunction of Jeremiah’: papal politicking and power in the Middle Ages

Throughout the Middle Ages, the ‘Injunction of Jeremiah’ (Jer. 1:10) was employed by countless ecclesiastical writers. Building on an established tradition, medieval contemporaries began applying the allegory of ‘uprooting and destroying, building and planting’ with an intentionally moral and political message. This article examines the Old Testament call narrative with a view to understanding how and why it served medieval popes and other high-ranked ecclesiastics as a political and rhetorical mechanism for legitimising ecclesiastical authority. It argues for a noticeable and deliberate shift in textual interpretation in the ninth century, after which period medieval popes and influential church figures alike marshalled the Injunction to help strengthen the centralising ideology of Rome and her bishop. The effect, it is concluded, contributed ultimately to reinforcing the papacy's claims to govern spiritual and temporal matters throughout Christian society.     

Anton Dumitriu,the ‘Axiomatic Culture’ and the ‘Crisis of the West’

Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.     

Museums and the ‘Death of Experience’: singularity,interiority and the outside

This paper discusses a number of well-known critiques of the museum that seek to identify it as a problematic space for experience. The key argument put forward is that we can find within that analysis a critical geography around the museum that help us to understand the work that it does in relation to experience. Three spatial motifs are drawn from this analysis and discussed: the singular, the interior and the outside. The paper argues that museums since the nineteenth century have established a topos for experience based on a mimetic realism around the experience of both culture and history through the first two of these spatial expressions. Through them museums produces a fabulation of culture and history that supplements for the lack of topos for experience found within modern society as a whole. The latter spatiality – that of the outside – is found in the form of the absent–presence of the event in relation to the archiving principle of the museum, thereby continually unsettling the first two expressions and calling them into question. This dynamic reveals the museum as a space to critically think about what it does with experience and the importance of spatial analysis for that.     

Integration and the negotiation of ‘here’ and ‘there’: the case of British Arab activists

Immigrant-receiving societies are increasingly emphasizing the need for immigrants to integrate into mainstream life. In Britain, this trend has manifested itself in ‘social cohesion’ discourses and policies. Discussions about social cohesion have often focused on the residential patterns of immigrant and minority groups in British cities, with the assumption that residential patterns are an indication of social integration. Integration, however, is also a socio-political process by which dominant and subordinate groups negotiate the terms of social membership. We explore the ways in which British Arab activists conceptualize their membership in and responsibilities to their places of settlement; we also consider how they reconcile notions of integration with their connections to their places of origin. Our study participants speak of the need for immigrants to participate actively in their society of settlement, but they reject the idea that integration requires cultural conformity or exclusive loyalty to Britain. Their definition of integration as a dialogue between distinctive but equal groups sharing a given place provides a normative alternative to social cohesion discourses.     

‘We are of the connections’: migration,methodological nationalism,and ‘militant research’

Abstract

If there were no borders, there would be no migrants – only mobility. The persistent reification of migrants and migration – even in critical migration studies –(re-)fetishizes and (re-)naturalizes the epistemological stability attributed to the (‘national’) state as a modular fixture of geopolitical space. In this regard, migration scholarship (however critical) is implicated in a continuous (re-)reification of ‘migrants’ as a distinct category of human mobility. Thus, the methodological nationalism that rationalizes the whole conjuncture of borders-making-migrants supplies a kind of defining horizon for migration studies as such. The dilemma of methodological nationalism has never been merely a problem of thought, however. It is indeed a manifestation of the veritable participation of researchers and scholars – whether consciously or unwittingly – in the very same sociopolitical processes and struggles through which the ‘national’ configuration of ‘society’ (or, the social field) is reified and actualized as the territorial expression of state power. Therefore, the questions of methodological nationalism and what might be called ‘militant research’ are deeply interconnected, indeed, mutually constitutive. As scholars of ‘migration’ – and above all, as practitioners of ‘militant research’ – we must attend to a self-reflexive critique of our own complicities with the ongoing nationalization of ‘society’. Hence, as researchers or scholars of migration, we are indeed ‘of the connections’ between migrants’ transnational mobilities and the political, legal, and border-policing regimes that seek to orchestrate, regiment, and manage their energies. We are ‘of’ these connections because there is no ‘outside’ or analytical position beyond them. The larger juridical regimes of citizenship, denizenship, and alienage configure us to be always-already located within the nexus of inequalities that are at stake in these conflicts.     

Pop-culture diplomacy in Japan: soft power,nation branding and the question of ‘international cultural exchange’

This paper critically examines the development of what is known as ‘pop-culture diplomacy’ in Japan. In the postwar era, the country’s cultural diplomacy was propelled by the necessity to soften anti-Japan perceptions, notably in Southeast Asia. In the late 1980s, the popularity of Japanese media culture in Asia began to attract the attention of policy makers, while subsequent globalized practices of soft power and nation branding gave greater emphasis to the use of media culture to internationally enhance the image of the nation, which has meant the promotion of ‘pop-culture diplomacy’ and, more broadly, ‘Cool Japan’. It is argued that pop-culture diplomacy goes no further than a one-way projection and does not seriously engage with cross-border dialogue. The Japanese case also shows that pop-culture diplomacy hinders meaningful engagement with internal cultural diversity and suggests the necessity of taking domestic implications of cultural diplomacy seriously.     

Masculinity,place and a binary discourse of ‘theory’ and ‘empirical investigation’ in the human geography of Aotearoa/New Zealand

This paper discusses a binary discourse of ‘theory’ and ‘empirical investigation’ in the human geography practised in Aotearoa (New Zealand)[1]. I attempt to illustrate the way in which such dichotomous thinking articulates with the social construction of a hegemonic masculinity to effect a specific geographic understanding of the world. I suggest that this theory/empirical investigation binary gives rise to at least three significant problems in geographic research: a gendered and hierarchical structuring of geographic thought, a devaluation of the feminised term in the binary, and unworkable ‘mobile positioning’ of the researcher.     

‘Now’, ‘now’, ‘even now’: temporal deixis and the crisis of the present in some Northern Irish poems of the Troubles

The problem of how to describe and account for the present can be identified as a particular preoccupation of poets of the so-called Northern Irish renaissance. This article examines how the temporal deictic ‘now’ functions in some well-known poems by Seamus Heaney, Michael Longley and Derek Mahon. All three poets explore how to combine the plausibility of lyric derived from an individual consciousness with the authority of narrative derived from social interactions. This article will do three related things. First, it will argue that discussing ‘now’ as a temporal deictic enables us to appreciate the full ambiguity and complexity of some poems written at the height of the Northern Irish Troubles. Second, the article will argue that these poems reveal that ‘now’ actually functions in poetry more complexly than some theorists of deixis have allowed. Finally, the article will suggest newly fruitful ways of combining literary stylistics with more conventional close reading.     

China’s soft power conundrum,film coproduction,and visions of shared prosperity

ABSTRACT

This paper looks at China’s soft power strategy in relation to the film industry, which since the early 2000s has opened to international co-productions and investment. Despite many coproduction projects being endorsed by government, results have not added significantly to China’s film-making reputation. The paper shows that coproductions have a diplomatic function, which implies a more conventional understanding of soft power. The paper also considers the tension between artistic freedom and censorship that impacts on all coproduction projects in China and which undermines the efficacy of China’s soft power strategy. The paper advances the proposition that coproduction with countries in Eurasia under the cultural template of the Belt and Road Initiative might present new opportunities to blend China’s stories into a narrative of shared prosperity. In doing this, the advance of China’s economic power is supported by cultural policies that evoke a historical past as much as a shared future.     

‘Hold the Heathen Hammer High’: representation,re-enactment and the construction of ‘Pagan’ heritage

Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.     

On the edge: ‘Community’ and ‘sustainability’ on the Isle of Harris,Outer Hebrides

Although scholars have recently begun to question the manner in which nationalist temporal narratives are constructed, a similar analysis of nationalist spatial narratives has yet to occur. Instead, scholarship often remains trapped within the territorial boundaries of the nation‐state; the only ontologically given container of nationalism. In order to advance theoretical understanding of nationalism, however, it is imperative that geographers break this sedentary spell, by beginning to map the interstitial historical‐geographies of nation‐building in the context of globalisation. Through an analysis of the transnational development of Irish nationalism in the second half of the 19th century in particular, this paper will illuminate the important role played by the diaspora and other transnational actors in the development of Irish nationalism in Ireland.     

Bakhtin,Boredom, and the ‘Democratization of Skepticism’

This article examines recent scholarly work on boredom by drawing on Mikhail Bakhtin’s account of modernity, irony, and mass skepticism. In The Arcades Project, Walter Benjamin noted that, beginning in the 1840s, Western societies had been gripped by an “epidemic of boredom.” He was referring to a peculiarly modern form of mass boredom, associated with the “atrophy of experience” in a mechanized and urbanized social life—a boredom Elizabeth S. Goodstein has characterized as the “democratization of skepticism.” Although Bakhtin says little about “boredom” directly, he probes the sociocultural conditions that give rise to it. Bakhtin, for example, celebrates the liberatory and egalitarian promise of modern vernacular speech, which displays a healthy suspicion of “monotonic” qualities of elite genres, and which springs not from the pulpit or the palace, but from the street, the marketplace and the public square. Bakhtin is concerned about the nihilistic implications of this disenchantment of the world and the threats it poses—indifference, reification and alienation—to the “participative” mode of social life he favours.