Oscar Wilde,Music, and the ‘Opium-Tainted Cigarette’: Disinterested Dandies and Critical Play

This article shows how the musical references in Oscar Wilde's novel The Picture of Dorian Gray are important to the identity of the dandy, especially in relation to the literary-critical work of Matthew Arnold, whose guiding presence in Wilde's oeuvre has traditionally been somewhat underestimated. Wilde's male characters, although famously fond of music, reveal ‘disinterestedness’ in earnest musical pursuits, similar to the ‘Indian virtue of detachment’ outlined by Arnold in his exploration of ‘The Function of Criticism at the Present Time’ (1864, in Arnold, Culture and Anarchy and Other Writings, ed. by Stefan Collini (Cambridge: Cambridge University Press, 1993), pp. 26–51). Furthermore, the critical attitude of the dandy–aesthete intersects with the implications that we can read into the posture of the lounging opium smoker. Extensive scholarship has already established the relationship between the East and opium in fictional works by Thomas de Quincey, Wilkie Collins, Charles Dickens and Oscar Wilde. Music is an essential ingredient to this literature, too, both in terms of its narrative presence and because it is a key element in an ongoing, nineteenth-century British exploration of how stylistic innovations could be represented as ‘music’. After disclosing the close connections between dandyism and those nineteenth-century composers whose lives and works were often represented as dandyish (Berlioz, Chopin and Schumann), the essay builds from the tradition of opium-inspired fiction. It suggests Wilde's debt to Dickens's The Mystery of Edwin Drood (1870), while also showing Wilde's innovations in making shifts in character and narrative voice into indicators of narcotic consumption.     

Idées and mentalités; the case of the catholic reform movement in France

The connection between Godwin and Fénelon has traditionally been restricted to the famous and controversial moment in the first edition of Political Justice (1793) in which Godwin presents an example of the interdependence of rationality and ethical action. This paper argues, however, that Fénelon, and particularly his political and educational treatise Telemachus (1699), plays a significant role in a number of Godwin's subsequent fictional works. Employing Telemachus to explore the theories of education presented by Godwin in the various editions of Political Justice and The Enquirer (1797), this paper explores the manner in which Godwin's version of the Enlightenment transcendence of pedagogical power comes up against its limits. Reading this issue in relation to Godwin's argument, in ‘Of Choice in Reading’, that literature remains outside of socio-ethical corruption, three of Godwin's major novels are shown to demonstrate that Telemachus provides the chance for meta-textual moments in which the appeal to reason (the reader's rational capacity or ‘private judgement’) is at once reflected upon and produced. Reading educational theories and problems into Godwin's major fiction in this fashion helps to clarify aspects of the Godwinian (or ‘Jacobin’) novel.     

Front and Back Covers,Volume 34, Number 1. February 2018

Cover caption, volume 34 issue 1 Front Cover Anthropologists have long ignored or criticized mainstream popular culture, so we have not always realized that something as seemingly mundane as a Hollywood film could contain valuable insights for teaching and thinking about the issues that matter to an anthropological perspective on the contemporary world. Given science fiction's intersections with anthropology in using other ‘worlds’ to gain perspective on our own, science fiction films could be particularly good resources for engaging wider audiences with anthropological insights. While there have been occasional examples of such cross‐fertilizations, such as the writings of Ursula Le Guin, the potential of science fiction as a source for anthropological thinking has been by and large neglected. In this issue, David Sutton shows how the recent film Arrival provides one striking example of the overlap between science fiction, anthropology and popular culture. Films such as this, offer much food for thought and for engagement with anthropological understandings of topics ranging from linguistic relativity to culturally constructed temporalities. At a time when anthropology itself has gained increased visibility in popular culture, it behoves us to think through, rather than reject out of hand, the ways that we might highlight these increased opportunities to promote anthropological understandings. Back Cover: ‘WE ARE ALL POLICE’ A scene from the taxi station at Ataturk Airport, Istanbul, December 2016, after several deadly attacks against police and military members. Turkish flag stickers read as: ‘We are all police; we are all soldiers’. Scholars across disciplines have recently expanded state‐centred understandings of security (i.e. national security) by looking at the human and non‐human elements of security, including everything from food and ecological systems, to political economy, poverty and even everyday life itself. What kind of critical tools do we need to develop in order to understand our increasingly ‘securitized’ world infused with a growing (and increasingly repurposed) police force that includes both human and non‐human agents of policing? In this issue, Hayal Akarsu focuses on the technicalization of police violence through reform and the expansion of police power into unconventional domains. She shows how the very practice of reforming expands the contours of not only policing practice but also the boundaries of police violence – ostensibly what such reforms are supposed to restrain. While her research remains contextualized within the specific histories of the Turkish police, it has relevance beyond Turkey, as many practices once considered as ‘harsh policing’ have increasingly enjoyed the support of the public in different parts of the world. In such a milieu, an ethnographically nuanced analysis can provide us with a more subtly attuned vantage point, enabling us to understand how technologies of security and policing with seemingly liberal genealogies like community policing or broad democratic police reform can coexist or be aligned with ‘non‐liberal’ and even authoritarian modalities of government.     

St. Leon and the culture of the heart

This essay reads Godwin's second novel, St. Leon (1799), as an attempt to counter the asperity he expresses towards the domestic affections in his political philosophy of the 1790s. In St. Leon, Godwin seeks to square his newfound interest in the affections as a topic for fiction with his commitment to an anti-establishment political agenda. Though it is presented as a ‘eulogium’ to ‘the affections and charities of private life’, the narrative persistently undercuts the potential for the affections to stimulate readerly curiosity. The focus of the novel constantly shies away from the domestic scene, and instead propels the momentum forwards to the alchemical adventures that precipitate the disintegration of the very affections the novel purports to eulogise. The novel thus plays out Godwin's complicated desire to embrace, and yet simultaneously to deny, the importance of private emotions in the pursuit of political justice.     

Notes on Contributors

The author contends that Leonardo Sciascia's L’affaire Moro is not a work of non-fiction, as Sciascia proposed, but of historical fiction, and that Sciascia's Moro is a literary character, more a spokesperson for Sciascia's political views than a reflection of the historical figure. Sciascia's Moro embodies the same qualities as many of Sciascia's other protagonists, such as a radical individualism and willingness to sacrifice all in order to protect their dignity and liberty. What emanates from the text is a ‘postmodern’ blend that interprets and imposes a narrative hierarchy on events, and conveys a mental reality that need not necessarily coincide with what can be proven with evidence. In fact, Sciascia combines factual information and his own ‘conjectural knowledge’ to convince his reader of the ‘moral truth’ of his argument. Sciascia's is indeed a strong narrative in that it succeeded in shaping how the Italian public views to this day a critical juncture in its recent history.     

Écrire la (non-)violence : le cas de Laëtitia ou la fin des hommes d’Ivan Jablonka

This article analyses Ivan Jablonka’s Laëtitia ou la fin des hommes, which garnered three major prizes in the fall of 2016 (Le Prix Littéraire du Monde, Le Médicis et Le Prix des Prix) while also receiving quasi-unanimous acclaim from French press and media. My purpose is to explain how Jablonka’s writing contributes to exposing, denouncing and even, as far as possible ex post facto and by means of a text, undertaking a kind of reparation of the masculine violence inflicted on the 18-year-old young woman not only at the end, but throughout her entire life. To this end, the paradigm of violence laid out by Lévinas and Derrida will allow us to explore the ethics and poetics of non-violence. If on the one hand Jablonka’s text reveals the subjective involvement of the researcher and writer, we will see on the other hand that his project carries social, political and human stakes: his writing of a ‘crime story’ constitutes a manner of understanding the tragedy in the context of French society, with its social, judiciary and political institutions.     

Masters of Healing: Cocaine and the Ideal of the Victorian Medical Man

This article offers a new perspective on the relationship between cocaine and medical practitioners in late nineteenth- and early twentieth-century Britain. Cocaine is often understood as one of a number of potentially addictive substances to which Victorian physicians and surgeons were regularly exposed, and tempted to indulge in. However, while cocaine has frequently been associated with discourses of addiction, this article proposes that it was also widely represented as a technological triumph, and that the drug was frequently used as a symbol for the scientific and moral virtues of the medical man. The argument draws on popular journalism, medical publications, and fiction to establish the cultural context of cocaine at the fin de siècle. In 1884, cocaine was revealed to be the first effective local anaesthetic, and this article traces the processes by which cocaine came to be regarded as the iconic achievement of nineteenth-century therapeutic science. This aura of innovative brilliance in turn communicated itself to the medical professionals who employed cocaine in their work, so that many patients and practitioners alike depicted cocaine as a most fitting emblem for the idealized selfhood of the modern medical man. This idea also informs portrayals of the drug in fiction, and I conclude with a detailed analysis of L. T. Meade’s 1895 short story, ‘The Red Bracelet’ (published in the Strand Magazine as part of Meade’s series, ‘Stories from the Diary of a Doctor’), as an example of the way in which cocaine functions as metaphor for the physician’s unassailable moral primacy and technical excellence.     

The Continuity of Victorian Traces: A.S. Byatt's The Children's Book

Both King Solomon's Mines (1885) and Allan Quatermain (1887) pursue a quest to regenerate the authority of the English gentleman as ‘the highest rank that a man can reach upon this earth’. The present essay focuses upon Haggard's construction of this ideal of masculinity through the combination of the qualities of the gentleman with those of the barbarian. The discussion follows both Laura Chrisman and Bradley Deane in attending to the relationship between the ideological structures of metropole and colony. This article, however, situates Haggard's masculinist ideology in relation to the wider cultural poetics of late-Victorian material culture, particularly as manifested in the imperial souvenir – a complicated category of thing that comprises artefacts, hunting trophies and human relics. Attention to their thingness entails reflection upon the complexity of textual representations of objects and practical encounters with them as constituent elements of late-Victorian material culture. In addition to examining the significance of hunting and battle trophies in Haggard's fiction, close attention is also paid to the keynote spectacle of the Colonial and Indian Exhibition at the South Kensington Museum in 1886, Rowland Ward's habitat diorama, ‘The Jungle’, and to Ward's subsequent forays into ‘animal furniture’. Through reflection on such formations of objects, the thingness of the imperial souvenir illuminates the ideological formations within which hegemonic masculinity and imperialism were articulated at this key moment in the mid-1880s.     

Death at St Bernard's: Anti-vivisection,Medicine and the Gothic

Displaying a Gothic fascination with the misapplication of science, Edward Berdoe's St Bernard's: The Romance of a Medical Student (1887) was one of a number of novels in the 1880s that repackaged the horrors of vivisection for public consumption. Although the novel can be dismissed as derivative, it departed from standard themes found in other anti-vivisection texts. Through the device of a hero struggling with the moral implications of science and the reckless treatment of patients, St Bernard's challenged the legitimacy of the teaching hospital. The present article moves debate about the Gothic, literature and science beyond well-known texts by Stevenson and Wells to examine how St Bernard's combined ‘the methods of science with the methods of romance’ and shifted the anti-vivisection narrative into the hospital. In locating the novel within anti-vivisectionist uses of fiction and late-Victorian anxieties about experimental medicine and the teaching hospital, the article explores the novel's relationship with other anti-vivisection texts and Gothic fiction, and examines what it says about scientific practices and mentalities. St Bernard's fashioned a very different hospital from existing representations to warn readers of how brutish students and cruel doctors tortured patients. In doing so, the novel recast the teaching hospital as an uncanny and dangerous place.     

Uncomfortable proximity. Literary technique,authorial provocations and dog whistles in Michel Houellebecq’s fiction

ABSTRACT

In 2002, following an interview with the magazine Lire where he described Islam as ‘la religion la plus con’, Michel Houellebecq was prosecuted, and eventually acquitted, for ‘injure raciale et incitation à la haine religieuse’. In discussions of Houellebecq’s case, supporters were quick to invoke the ‘special value’ of the literary space for the free discussion of ideas, however provocative or unpalatable. Houellebecq’s acquittal, and support from figures such as Salman Rushdie, have afforded the writer an unprecedented degree of literary freedom. Subsequent novels such as La Possibilité d’une île (2005) and Soumission (2015) show the author fully inhabiting this freedom in order to undertake a provocative critique of Islam. This article explores how both literary technique and authorial presence endorses the controversial ideas of his texts within Houellebecq’s writing and demonstrates how a movement from ambiguously undermining towards reinforcing those ideas can be observed. In particular, the framing of provocative ideas and assertions expounded in his fiction has become less robust throughout his career. This leads to, I suggest, a greater porosity between Houellebecq’s fiction and that of contemporary right-wing essayists such as Alain Finkielkraut and Renaud Camus.     

French Intellectuals and the Iraq War

Because of its representation of marginal and often violent milieux, the status of noir fiction has long been that of an ‘inferior’, less ‘literary’ genre. It could be argued that its frequent references to popular culture, and especially television and film, explain its appeal to a wide audience, one that does not necessarily read other genres. The intrigue and setting of the noir novel enables it to be perceived primarily as a ludic activity while often dealing with issues which are both political and ideological. Brigitte Aubert's work makes frequent references to film, TV and popular literature, and this article aims to examine the way these are used, how they play with notions of reality and fiction, how they can create an ironic distance which allows the writer both to create a sense of complicity with the reader and to criticise the society she presents.     

Rebellious Tigers,a Patriotic Elephant and an Urdu-Speaking Cockatoo: Animals in ‘Mutiny’ Fiction

British fictional representations of the 1857 Indian ‘Mutiny’ are consistently drawn to tigers. These charismatic animals function as an aspect of a romanticized colonial exotic and perform a symbolic role as embodiments of the limits of imperial power. Tigers often featured as a metaphor for Indian revolutionary activities so that the suppression of the rebellion becomes encoded as a hunt. Taking tiger symbolism as a starting point, this essay explores the relationship of images of animals to imperial authority in late nineteenth-century ‘Mutiny’ fiction. Following a discussion of tigers in G.A. Henty's militaristic accounts of the ‘Mutiny’, I examine G.M. Fenn's tale of an elephant's loyalty to the crown, Begumbagh (1879) and Flora Annie Steel's magnum opus On the Face of the Waters (1896). While Henty and Fenn endeavour to encode a narrative of British superiority in representations of authority over animals, Steel's novel by contrast displays a more ambivalent approach to the nonhuman, evoked most strikingly in the figure of an Urdu-speaking cockatoo that consistently evades the allocation of an over-determined imperial symbolism of power. Tensions between the animal and the human and between the wild and the domestic emerge centrally, therefore, to the key question of political authority in imaginings of this historical crux.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

Illusions of a Future: Ishiguro,Liberalism, Political Theology

ABSTRACT

This article explores the fate of political theology in Kazuo Ishiguro's speculative fiction Never Let Me Go (2005) and, by implication, in contemporary fiction more broadly. To pursue a reading of Christianity that extends from Hegel through Lacan to ?i?ek, the article argues that political theology’s future may perversely lie in a materialism emptied of all transcendental guarantees: political theology is the historically privileged master fantasy or illusion which reveals the fantastic or illusory status of our entire relation to the real in (neo-)liberal modernity. In conclusion, the article argues that Ishiguro’s fiction may thus be read less as a melancholic dystopian study in total ideological capture or surrender than as the representation of a state of immanent freedom beyond the power relations of (neo-)liberal subjectivity.     

Eating,serving, and self-realisation: food and modern identities in contemporary Indian women's writing

The ‘new Indian woman’ is often invoked in popular and academic discourse as the embodiment of a modern nation—the ‘new India’. Feminist studies of this figure typically focus on the body of the imagined ‘new woman’ as a site upon which modernity is inscribed, allowing little room for the agency of women who actively contest imposed identities and roles in the quintessentially modern project of self-determination. In this article I argue that narratives of food in contemporary fiction and fictionalised autobiographical writing by Indian women challenge both dominant feminist critiques of the ‘new woman’, and influential accounts of modernity as ‘rupture’ in masculinist theoretical literature. In these texts food, and particularly the practice of serving food to others, is used by women as a tool for gaining independence, as a weapon to combat oppression, and as a means of negotiating migrant identities, among other things. The texts thus demonstrate the importance of appreciating the gendered nature of modernity, recognising women's modernities to be genuinely transformative of the individual, as well as continuous with traditional and conventionally feminine practices rather than necessarily opposed to them.     

The rediscovery of ‘the national’ in the 1990s – contexts,new cultural forms and practices in reunified Germany

This article examines how and in which societal and political contexts nationhood is expressed and symbolised in reunified Germany. This ‘rediscovery’ of nationhood since the 1990s mixes new and old motifs of the cultural repertoire of ‘the national’ for different purposes. Three main contexts triggered a rediscovery of ‘the national’ after 1989: reunification, immigration and the retrenchment of the social state. I argue, by analysing ethnographic material and political discourses, that these contexts, on the one hand, rearticulate old forms of ethnic and cultural nationalism and, on the other hand, create new images and symbols of an open civic society and immigration country. There are ‘playful’ forms, such as campaigns of nation branding, that symbolically include the ‘productive’ and ‘useful’ immigrant into the national project. Moreover, such campaigns serve to legitimatise the downsizing of the national state that – according to a neoliberal attitude – relies on a new community spirit of entrepreneurial, ‘activated’ citizens who ‘help themselves’. Thus, focusing on these pluralised renationalisation processes makes evident how polyvalent ‘the national’ still is. It can be employed by those who attempt to ‘reunite’ the East and West Germans, by businesses to sell their goods and ideas and by almost any political orientation, be it right‐wing or left‐wing.     

Policing intercultural encounters: adventures in Beijing

This article reflects on the notion that China is viewed in the West as a site of absolute cultural Otherness, and contributes to debates around the manner in which Euro-Chinese intercultural interaction is imagined in European thought. Adopting a perspective inflected by Foucault's representation of disciplinary power, and by critical work pursued in the field of Contact-Studies, it scrutinises European cultural artefacts that map Beijingese space, and the adventures in that space of the European subject. These artefacts, which deal with different Beijings, are Victor Segalen's Rene´ Leys; Pierre-Jean Remy's Le Sac du Palais d'E´te´; and Christian Garcin's Le Vol du pigeon voyageur. The essay shows that the novels defy our expectation that variant ‘distillations’ of China—Imperial, Republican, post-Maoist—might invite different representations. And it concludes that the novels examined evince a European desire not to represent Beijing, and China, as a zone of transcultural contact.     

Cronies,economic crime and capitalism in Putin's sistema

The books included in this review article are essential for the understanding of what I call Putin's sistema—the governance model that originated in the Soviet system but has transformed and adapted to global change. Each book tackles, from a different angle, the issues of Russia's transition and suggests ways to describe its political consequences. The books all attempt to identify some underlying logic or organizing force in a Russian society that has emerged through weak institutions. Although I join the authors in their criticisms of the ‘transition paradigm’ and its ‘opening‐breakthrough‐consolidation of democracy’ formula, transformations of the Soviet sistema seem to resonate with the ‘opening‐breakthrough‐consolidation of capitalism’. Perestroika can be seen as an ‘opening’ in shaking the foundations of sistema; Yeltsin's era as a ‘breakthrough’; and Putin's regime as the ‘consolidation’ of capitalism but with its distinct characteristics.     

’When Men Are Weak‘: The Imperial Feminism of Frieda von Bülow

Frieda von Bülow was a colonialist woman author and activist who also engaged the bourgeois women's movement of pre-First World War Germany. She is of interest to scholars of German colonialism, racial thought, feminism, and women's literature. This article interprets her life experiences, including travel to German East Africa (mainland Tanzania) and her affair with Carl Peters, together with her feminist non-fiction and anti-feminist fiction, to argue that she developed an imperial feminism in which German women's emancipation was predicated on the subordination of racialised ‘others’.