The Ambivalent Thematics of Commodity Fetishism in Contemporary Latina/O Narrative Fiction

One of the chief cultural dynamics in the contemporary United States is the omnipresent commodity fetishism that drives its consumer society, so it comes as little surprise that this figures prominently in the attempts of much contemporary U.S. Latina/o fiction to come to terms with the social milieu of the late twentieth- and early twenty-first-century United States. This essay argues that Helena Maria Viramontes’s Miss Clairol, Sandra Cisneros’s Barbie-Q, and Junot Diaz’s The Brief Wondrous Life of Oscar Wao each manifest a deep-seated ambivalence towards commodity fetishism: an awareness of how the agency to break with traditionalist modes of being and some measure of cultural assimilation might be achieved through engagement with fetishized attributes commodities place on offer, yet one that is tempered by an appreciation of the dangers such as alienation and cultural homogenization that also proceed from immersion in a world defined by commodity fetishized relations.     

Fertility Decline and Increasing Gender Imbalance in India,Including a Possible South Indian Turnaround

Birth rates in India have been in a definite decline since about 1985. However, contrary to our assumption that fertility declines in this region hinge on improvements in the status of women, declining fertility seems to be going hand in hand with worsening population sex ratios. This article examines the evidence for a causal connection between fertility decline and increasing gender imbalance by looking at differences in fertility and in gender inequalities between North and South India in the past, and their increasing convergence in gender inequalities in recent years. It pays special attention to the southern state of Tamil Nadu which has been in the forefront of the country's fertility decline but is nevertheless moving towards a North Indian pattern in many aspects of women's status. The Tamil Nadu example is a particularly striking way of studying the country-wide trend because it represents a break from the past, in contrast to North India, where increasing gender differentials may be seen more as an accentuation of long-existing trends. The main problem seems to be that pressures to lower fertility are occurring independently of a change in underlying son preferences and falls in fertility are being aided by technologies which allow one to manipulate not just the sex composition of living children, but also that of children as yet unborn. Some policy implications of this last situation are discussed.     

Intersections of Gender/Sex,Multiculturalism and Religion: Young Muslim Minority Women in Contemporary Bali

This article examines the experience of Muslim female students in high schools in Bali. Since the religion of the majority of the population of Bali is Balinese Hinduism, these young women are part of a Muslim minority – unusual in Indonesia. Data were obtained through interviews and ethnographic fieldwork conducted in 2010. Interviewees were mainly Muslim students, but teachers and Muslim parents were also consulted. Some of the students are a minority within a state senior high school, and some attend a private Islamic school in Denpasar. Interviewees identified choice of school and the wearing of the jilbab (Islamic head-scarf) as issues for them in their everyday lives. The Islamic school is (mis-)perceived as a morally safe environment by parents. The state school does not allow the wearing of the jilbab, showing the limits of multiculturalism in Bali. While the jilbab should express piety and morality, there is some hypocrisy among some young jilbab-wearing women. Some young women have internalised the Balinese objection to poor Muslim immigrants, and feel inferior when they wear the jilbab. The data suggest that their female sex/gender flags their unequal Muslim-minority status in ways that Muslim-minority men do not experience.     

The Unveiled Apple: Ethnicity,Gender, and the Limits of Inter-discursive Interpretation of Iranian Contemporary Art

In the past two decades, Iranian contemporary art has been eagerly embraced by international art venues. The transportation of artworks from Tehran to mostly western European and North American cultural centers entails inter-discursive translations that will render them legible for their reception in a new context. This paper argues that bound up in these translations are performative acts of language that label these artworks as markers of ethnic alterity, unexplored localities and most of the time associates them with issues of gender and femininity (and therefore limited to the vocabulary of “veil,” “plight of women” and “sexual inequality”). Looking at a seven-minute piece of video-art by Ghazaleh Hedayat entitled Eve's Apple (2006), the article examines this predicament and the possibilities for the artists to circumvent it. It argues that Hedayat's video enables an observation of the performative dominance of Western discourses of art history that mark the limits of inter-discursive interpretation in disciplines such as art history and art criticism.     

古代小说中棋戏描写的艺术功能

古代小说中具有大量关于棋戏的描写,其不仅具备娱乐的实用价值,而且被赋予独到的文学艺术功能,成为小说的一个有机组成部分。概而言之,不仅能够借以展开矛盾冲突,推动情节发展,并能刻画人物性格,塑造人物形象,还能展现社会风尚,创造典型环境,更能体现出作者的批判意识与价值取向。