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1.
The prison narrative attributed to the early third‐century Christian martyr Perpetua of Carthage has long attracted attention because of its dramatic portrayal of a Roman father's failure to extract obedience from his adult daughter as he tries to dissuade her from allowing herself to be punished as an enemy of the Roman state. This study explores the alignment between paternal authority and the authority of the Roman procurator Hilarianus in Perpetua's narrative, considering how the civic spaces of forum and arena became theatres for both filial and civil disobedience.  相似文献   

2.
The poetry of Venantius Fortunatus is a sadly neglected historical source for sixth-century Gaul. Amongst the literary material that has survived from that age, the works of Gregory of Tours loom large. Since Gregory provides us with the sole narrative history of Gaul for much of this century, we are forced to see Merovingian society through his eyes. Venantius wrote panegyric, and an age such as ours, which values sincerity of expression, finds little that is attractive in that genre. Despite this, Venantius' poetry affords us a vantage point from which to view the Frankish kings. It also provides important evidence for the nature of the cultural fusion of Germanic, Roman and Christian elements that was taking place in the Gaul of Gregory of Tours and King Chilperic. The poems written for the Merovingian monarchs suggest that Venantius sensed a Frankish hankering after the trappings of Roman imperial authority. He wrote, perhaps with didactic intent, to give full exposition to the traditional Roman conception of the just ruler, coupled with the more recent ideal of the orthodox Christian monarch that was still current in the Byzantine Empire. When Venantius Fortunatus journeyed to the courts of the barbarian kings, he brought with him his cultural baggage from Byzantine Ravenna.  相似文献   

3.
Gregory of Tours and his world have long been out of fashion; but despite modern neglect of his works, Gregory gives us access to an understanding of many important aspects of late antiquity, among which is the role of the saint as patron. Saints appear as patrons throughout Gregory's works; the focus of this study is his account of the miraculous deeds of St. Martin. The role of the saint as patron is best understood against the background of the recent work of Peter Brown on holy men in late antiquity; several other scholars have also emphasized the importance of patrons in the Roman world. Appeals to the saints in Gregory's world are to be understood as one manifestation of the Roman ritual of appeal to a patron. More important than their afflictions are the social circumstances of those who appeal to St. Martin and analyzing some others in detail, we can demonstrate that the most important elements in those appeals are the social weakness of the appellants, their need for a saintly patron, and Martin's role as a model saintly patron in Gregory's world  相似文献   

4.
Abstract

There are at least two options or approaches available to those who seek to evaluate Garibaldi's life in its entirety. The first option envisages Garibaldi as a revolutionary figure firmly devoted to the cause of the people and the advancement of human rights. The second sees him as putting his popularity in the service of a sovereign monarch, but managing nevertheless to salvage something of the ideals of his youth. There are indeed double aspects to Garibaldi, who was both republican and monarchist, simultaneously a rebel and a man of order. As a rebel he fought against kings, popes and emperors; as a man of order he relied on the effectiveness of temporary dictatorship (his own in Rome in 1849 and the king's dictatorship in 1860). He broke with Mazzini when he chose to pursue national unification in collaboration with the monarchy. That choice limited his freedom of action, and he felt betrayed when he became aware of the consequences in the last years of his life. Paradoxically, it is Mazzini's death in 1872 that released Garibaldi from his subjection to King Victor Emmanuel II, and allowed him to live out the last years of his life more or less at peace with himself as a socialist who put the well being of the people ahead of everything else.  相似文献   

5.
Pope Gregory the Great (590–604) was arguably the most important Roman writer and civic leader of the early middle ages; the Roman martyrs were certainly the most important cult figures of the city. However modern scholarship on the relationship between Gregory and the Roman martyrs remains curiously underdeveloped, and has been principally devoted to comparison of the gesta martyrum with the stories of Italian holy men and women (in particular St Benedict) told by Gregory in his Dialogues; in the past generation the Dialogues have come to be understood as a polemic against the model of sanctity proposed by the Roman martyr narratives. This paper explores Gregory's role in the development of Roman martyr cult in the context of the immediate social world of Roman clerical politics of the sixth and seventh centuries. Gregory's authority as bishop of Rome was extremely precarious: the Roman clerical hierarchy with its well-developed protocols did not take kindly to the appearance of Gregory and his ascetic companions. In the conflict between Gregory and his followers, and their opponents, both sides used patronage of martyr cult to advance their cause. In spite of the political necessity of engaging in such 'competitive generosity', Gregory was also concerned to channel martyr devotion, urging contemplation on the moral achievements of the martyrs – which could be imitated in the present – as opposed to an aggressive and unrestrained piety focused on their death. Gregory's complex attitude to martyr cult needs to be differentiated from that which was developed over a century later, north of the Alps, by Carolingian readers and copyists of gesta martyrum and pilgrim guides, whose approach to the Roman martyrs was informed by Gregory's own posthumous reputation.  相似文献   

6.
El mártir del sacramento, San Hermenegildo is an auto sacramental or Eucharistic play, written in the 1680s by the Mexican nun and literary superstar, Sor Juana Inés de la Cruz. The play centres on the story of a (purportedly Catholic) Visigothic prince who died in Seville in 586 by order of his Arian father, Leovigild. Contempary sources vary in their portrayal of Hermenegild, with most painting him as a traitor who rebelled against his father for political gain. Gregory the Great, however, championed Hermenegild as an exemplary martyr who died in defence of the Faith. One thousand years on, Spain saw a revival of its Visigothic ‘Golden Age’, and Hermenegild was among those to be venerated; he was canonised in 1585 and his memory was brought to life in various artistic forms; in poetry, paintings and even on the stage. This paper will examine the part that Sor Juana's auto played within this tradition, exploring the purpose of the play and the various historical and biblical sources used to create it.  相似文献   

7.
Although memory is not explicitly named in “Hades”, it nonetheless features centrally. Intertextuality is an example of memory, and in “Hades” Shakespeare’s Hamlet is remembered – specifically the Ghost’s relation to Hamlet, whom he bids to “Remember” and “revenge”. Derrida calls this relation “hauntological”: it is characterised by an uncertain gaze, the father telling his son what to do, and the son mourning for his father. In Bloom’s mourning for his father, Virag, hauntology might be expected. However, it is Bloom’s late son, Rudy, who hauntologises Bloom, thereby revitalising the latter; this adjusts Shakespeare’s original hauntology. While considering repeatable ways of maintaining this hauntology, Bloom jocularly reverts to new technology: the phonograph and photograph. His plan reveals his relish for liminality and poiesis: being and non-being at the same time. Bloom is thus remembered into the future, all the while Ulysses is haunted by Hamlet.  相似文献   

8.
劳伦佐·瓦拉的生平与思想   总被引:2,自引:1,他引:1  
苏伦佐·瓦拉是 15世纪意大利人文主义者 ,以撰写《君士坦丁伪赠礼考证》而闻名世界。他多次撰文攻击罗马教廷的主流哲学 ,因此曾被判处死刑 ,然而他不仅没有惨死于狱中 ,晚年还获得了罗马教皇的提拔、委任和宠幸。瓦拉“非圣”而不死 ,且为罗马教廷器重 ,主要原因在于意大利文艺复兴时代的社会价值观念以及罗马教廷倚重发展人文主义的政策  相似文献   

9.
《Central Europe》2013,11(2):91-107
Abstract

In the late 1790s the extravagant Bohemian aristocrat Franz Joseph Thun (1734–1801) composed a massive encyclopedia containing his wide-ranging and esoteric knowledge, which was not discovered until 2009. In this article I discuss the contents of his encyclopedia and investigate Thun’s place within the broader intellectual climate in Central Europe. I argue that Thun was an exceptional case in the Habsburg context, where scientists generally rejected outright the sort of excesses his encyclopedia contains. None the less, he became famous for his experiments with a spirit named ‘Gablidon’ and for his sessions in Mesmerism. His encyclopedia focuses on three topics: human ethics, man’s place in nature, and the sins of the French Revolution. He saw man as the middle link in the ‘great chain of being’, whose morality must be based on submission to God. Although he distanced himself from the Catholic Church, he rejected the French Revolution as an attempt to establish a state without religious basis.  相似文献   

10.
none 《Northern history》2013,50(1):155-159
Abstract

'Herbert Heaton and Five Principles of the Yorkshire Coal-Miners'. Herbert Heaton, born in 1890, was the son of a Yorkshire coal-miner. He obtained his schooling with scholarships from the age of twelve, including an undergraduate career at the University of Leeds. He went on to become a leading economic historian. He taught on three Continents, spending the last thirty years of his career at the University of Minnesota in the United States. His father was not only a coal-miner, but also a lay preacher in the Primitive Methodist Church and active in the governance of his local co-operative. Heaton wrote and lectured about five principles he had learned and adopted as his own, growing up in the Yorkshire coalfields. The five principles reflect how many coal-miners before 1914 believed economic and social justice could be achieved. While the miners changed their beliefs after 1918, Heaton, who never lived in Britain after 1914, retained the Yorkshire principles of his youth.  相似文献   

11.
Hildegard is regarded as one of the most important women of the Middle Ages. Her contemporaries from all over the world wrote letters to her searching for help and prayer. Universally working she wrote works about medicine, natural history, compositions of chants for the honour of God and his creation and more than three hundred letters to people all over the world including the popes and the emperor. Hildegard's work and the way she understood herself were strongly marked by vision and prophecy. Her works were of divine origin by vision and audition. Her aim was the religious interpretation of the whole universe and a Christian life in the sense of the bible. Heaven and earth, faith and natural science, medicine and religion, the human existence in all its facts and potentials, everything was a mirror of divine love to her. In her first work Scivias ("Know the Ways") she is considering on the history of creation and salvation, from the origin of the world and of man over Christ's salvation to the fulfillment at the end of times. In the centre is standing the human being as microcosm reflecting the whole world in all conditions and laws. Man is the main work of god, reflecting in his doing and thinking God's love. Man has to know the ways that means to live the life of love in all consequences including reproduction by creating a new human being for the praise of God.  相似文献   

12.
Gregory IX's crusade (1236–1240) to safeguard the Latin Empire was the last expedition sponsored by the papacy before the fall of the Latin state in 1261. Like his predecessors, Innocent III and Honorius III, Gregory believed that an expedition against his fellow Christians was necessary to safeguard the land route to the Holy Land and to protect the Latin Empire itself. Gregory also shared with Innocent and Honorius the belief that this was a divinely appointed policy, symbolized by God giving the Greek Empire into Latin hands in retribution for Greek schismstic beliefs. But Gregory's policy had another facet to its justification. He accused the supporters of the Greeks, in particular John II Asen, king of Bulgaria, of sheltering heretics and of allowing a climate in which heresy could flourish. Gregory evolved a method of justifying war against the Greeks and their supporters analogous to that used elsewhere in Europe against those who sheltered heretics. He threatened the guilty with the loss of their lands under the provisions of the Fourth Lateran Council canon, Excommunicamus. To make the theoretical concrete, Gregory tried to form two expeditions, one composed of Europeans, the other of Hungarians and even Bulgarians, against the emperor of Nicaea. But the expeditions failed and Gregory's rationale for warring against the Greeks was not utilized by his immediate successors to the pontifical throne.  相似文献   

13.
This paper relates the evolution of Gregory the Great’s reputation as creator of the Roman liturgy to the slow process by which the Rule of Benedict acquired authority within monasticism in the seventh and eighth centuries. It argues that Gregory composed the Dialogues to promote ascetic values within the Church, but that this work did not begin to circulate in Spain and then Gaul until the 630s, precisely when Gregory’s known interest in liturgical reform is first attested in Rome. The letters of Pope Vitalian (657-72) provide hitherto unnoticed testimony to the theft of Benedict’s relics by monks of Fleury c.660, marking a new stage in the evolution of monastic culture in Gaul. The paper also argues that the Ordo Romanus XIX is not a Frankish composition from the second half of the eighth century (as Andrieu claimed), but provides important evidence for the Rule being observed at St Peter’s, Rome, in the late seventh century. While Gregory was interested in liturgical reform, he never enforced any particular observance on the broader church, just as he never imposed any particular rule. By the time of Charlemagne, however, Gregory had been transformed into an ideal figure imposing uniformity of liturgical observance, as well as mandating the Rule of Benedict within monasticism. Yet the church of the Lateran, mother church of the city of Rome, continued to maintain its own liturgy and ancient form of chant, which it claimed had been composed by Pope Vitalian, even in the thirteenth century.  相似文献   

14.
茑屋重三郎是日本江户时代中后期的著名出版商。他从书店经营开始逐渐涉足书籍出版,在激变的时代浪潮中虽几经大起大落,但凭借着高瞻远瞩的策划能力和敏捷的才思,终于成长为屈指可数的出版界巨子。既是商人,同时又有很好的文学修养,两相结合使之具备了卓越的识人辨才的能力。他一生中发掘并培养了诸多浮世绘画师和通俗文学作家,出版发行了数目众多的浮世绘作品和文学作品,在江户中后期的文学史、艺术史上留下了浓墨重彩的印迹。  相似文献   

15.
Gregory IX's crusade (1236–1240) to safeguard the Latin Empire was the last expedition sponsored by the papacy before the fall of the Latin state in 1261. Like his predecessors, Innocent III and Honorius III, Gregory believed that an expedition against his fellow Christians was necessary to safeguard the land route to the Holy Land and to protect the Latin Empire itself. Gregory also shared with Innocent and Honorius the belief that this was a divinely appointed policy, symbolized by God giving the Greek Empire into Latin hands in retribution for Greek schismstic beliefs. But Gregory's policy had another facet to its justification. He accused the supporters of the Greeks, in particular John II Asen, king of Bulgaria, of sheltering heretics and of allowing a climate in which heresy could flourish. Gregory evolved a method of justifying war against the Greeks and their supporters analogous to that used elsewhere in Europe against those who sheltered heretics. He threatened the guilty with the loss of their lands under the provisions of the Fourth Lateran Council canon, Excommunicamus. To make the theoretical concrete, Gregory tried to form two expeditions, one composed of Europeans, the other of Hungarians and even Bulgarians, against the emperor of Nicaea. But the expeditions failed and Gregory's rationale for warring against the Greeks was not utilized by his immediate successors to the pontifical throne.  相似文献   

16.
This paper explores the different ways in which the career of Carthach – Carthagus in Latin, also known as Mochuda or Mo‐Chutu – was remembered in both Latin and Irish accounts, in particular his expulsion from Rahan, where he was abbot for forty years, and his re‐establishing that community at Lismore, where he died c.637. It argues that the Life of Carthach legitimizes his foundation at Lismore, by celebrating its initial establishment at Rahan, and by connecting him through a chain of prophecies to Íte, Brendan, Comgall, and above all Colum Cille. In this Life, Patrick is never mentioned, quite unlike the Life of Declán, which claimed Ardmore as the original bishopric of the Déise region. Carthach's expulsion from Rahan, provoked by loss of political support from local princes, took place just as other abbots of the region were hesitating to adopt the Roman date of Easter, in the manner of much of southern Ireland. Carthach, part of a group sympathetic to Gregory the Great and Roman practice, was perceived by his admirers as being connected to a line of saints that helped define the particular identity of the church at Lismore.  相似文献   

17.
In his Ars praedicandi sermones, in traditional yet rich metaphoric language, Ranulf Higden compares Christ to a fountain, a shepherd, a rock, a lily, a rose, a violet, an elephant, a unicorn, and a youthful bridegroom wooing his beloved spouse. Ranulf encourages preachers to use such metaphors while using them himself, rendering his text a performed example of what he encourages. This text is clearly linked to two others: Ranulf’s Latin universal history, the Polychronicon, and John Trevisa’s English translation of it. In the Polychronicon, Ranulf relates the life of Christ, utilizing some of his own rhetorical suggestions from his preaching manual. He also depicts a cross-section of good and bad preachers, including Gregory, Wulfstan, Eustas, St Edmund, and one William Long-Beard and his kinsman, who exemplify (in different ways) the wisdom conveyed in Ranulf’s instruction in the Ars praedicandi. This essay suggests that the literary relationship between the preaching manual and the Polychronicon supplies additional support for the idea that the audience of the latter was not noblemen exclusively, but also clergymen who preached and had responsibility for the care of souls (cura animae).  相似文献   

18.
王崇简是明清之际一个家庭观念浓厚、重视家庭生活的士人,在其《青箱堂诗文集》中留下了不少他与一妻六妾的生活记录。王崇简与妻妾在日常生活中自觉体认、践行当时社会通行的儒家礼法规范,夫妻琴瑟和谐、妻妾和美,但这样的夫妇生活状态却以女性单方面的无私付出为代价。希望籍王崇简夫妇生活个案的研究管窥明清之际士人夫妇生活的具体风貌及其家庭伦理观念。  相似文献   

19.
ABSTRACT

Irish hagiography displays considerable interest in communication between Ireland and Rome, particularly as this featured saints, popes and relics. While people and objects travel between the two places, there is also concern to circumvent the distance involved. This article discusses an episode of miraculous communication in the Irish Life of St Colmán Élo. Here messages and messengers travel from Rome, but time and space are also telescoped through aural and material means: the sound of the bell marking the death of Pope Gregory the Great and a gift from him of Roman soil to be spread on Colmán Élo’s cemetery. The article considers how the two elements function within their hagiographical context to connect Rome and Ireland, and how these places shaped the account. The roles of bell and soil both draw on their associations in Ireland and relate to papal communication as this was experienced and imagined more widely.  相似文献   

20.
ABSTRACT

Apse mosaics are a form of visual communication employed by popes throughout the Middle Ages, from the sixth through to the thirteenth centuries. This essay examines the nature of this visual mode and the means by which viewers could understand it. A theory of viewing widely attributed to Pope Gregory I (590–604) is shown to be especially pertinent to early medieval apse mosaics and to the twelfth-century mosaic in the apse of S. Maria in Trastevere. The apses of thirteenth-century popes display a new, more explicit approach to visual messaging that required less interpretive effort by the viewer. Two mosaics made at the end of this century were signed by the artist who made them. The emergence of the artist as a competing author of the image diminished the utility of this form of papal visual communication, which immediately fell out of use.  相似文献   

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