Emotion,Identity, and Death in the Greek Tradition and Beyond

The article examines emotion and identity in the Greek death cult to clarify certain contemporary political phenomena in the Mediterranean where the cult of the dead is a common cultural pattern. Why is this cult so persistent? What is the death cult and how does it manifest itself? The article delves into its importance in Greece, where the author has had several periods of ?eldwork. To illustrate the persistence of this cultural pattern, its characteristic aspects are discussed. Festivals which are dedicated to deceased persons and domestic death rituals are compared with ancient sources. Based on this, a survey of the relationship between the death cult dedicated to deceased mediators, as it is manifested through laments, burials and the ensuing memorial rituals is made. Modern domestic rituals in? uence of?cial rituals, and vice versa. A study of modern cult practices reveals many parallels with the of?cial cult of the ancients, and suggests ways in which modern rituals can illuminate ancient rituals. The article seeks to demonstrate how new ideologies must be adjusted to older rituals and beliefs and how public and domestic rituals are connected. The article ?nally suggests how these similarities might represent a common way of expression within a larger geographical context.     

被遗忘的曼陀罗：唐代初传的金刚界曼陀罗

本文探讨了金刚智、不空师徒初传于唐代的金刚界曼陀罗(即《金刚顶经》所述的金刚界大曼陀罗),作者一反过去成见,试图阐明以拟人化的形式表现的金刚界三十七尊的曼陀罗并非唐代初传期的金刚界曼陀罗,而最可能是由不空的弟子,即惠果等辈于8世纪末或9世纪初所完成的。证诸史料,金刚智、不空忠实于根本经典《金刚顶经》的指示,大日如来的四亲近,即四波罗蜜是以三昧耶形的形式出现。但此种金刚界曼陀罗,在9世纪初的中国似乎被以菩萨形表现的四波罗蜜完全取代,消失于历史洪流之中。反观藏传的金刚界曼陀罗,数百年来波罗蜜形与拟人化的四波罗蜜图像并行不悖,在一定程度上反映了汉藏传法演教历史的歧异。     

Translating the Self: Language and Identity in Iranian-American Women's Memoirs

In recent years, a number of Iranian American women have written and published memoirs of a return to Iran. One motif that these memoirs share is their concern with language as a key element of cultural identity. The article examines these memoirs as negotiations of identity through language. Relying on Joshua Fishman's anthropological definition of language and ethnicity as being, doing, and knowing, and on Taghi Modarressi's notion of “accented writing,” this article examines these writers in terms of their relationship to Persian as a key component of the self. As these memoirists narrate their journeys between Iran and the United States, they perform a translation of self across the boundaries of language. Some narrate an “accented identity” that celebrates hybridity; others acknowledge their assimilation into American society and into the English language. All attempt to reclaim Persian as an artifact, if not a medium of cultural belonging.     

民俗的表演性:表演理论、活态传承与公共文化实践

表演理论是20世纪美国民俗学对于学界的重要贡献,其核心是"表演"和"语境"。在表演理论提出以后,民俗学经历了从关注文本向强调语境的转向,使得以差异性为基础的本真性再次成为学术研究的中心议题。然而,在随后以"语境"为中心的研究实践中,研究者们逐渐开始质疑本真性问题存在的逻辑合理性以及在实际民俗活动中的可操作性,研究重点也由此从辨析民俗事象的真伪,转变为讨论本真性背后的权力关系和文化政治。正是基于对"本真性"的祛魅,在当代非物质文化遗产保护的具体实践中,学术话语所追求的本真性与实际操作中的共享原则之间的矛盾,便因此而消解,这为当代公共民俗学实践提供了去语境化和再语境化的理论支撑和实操可能。在此,以行动认同为旨归的"表演"(形式)在"语境"(意义)的"式微"中重新凸显,实现了民俗传统的实践回归。     

Narrating the Self among Arab Americans: A Bridging Discourse between Arab Tradition and American Culture

This article expounds the nature of Arab American identity through an exploration of discourses and practices related to traveling and movement at global and local levels, with a particular emphasis on personal narratives of both men and women of different ages and socioeconomic backgrounds. Travel is dealt with here in its broad meaning and connotes migratory travel, and immigration. It also indicates traveling back and forth between the homeland and new land. Despite the fact that cross‐cultural studies of travel are scant, population movements and transnational migration are currently the focus of broad academic debates and surround such issues as transnational cultural relations, the renovation of migrants' social cosmologies, ¹ and the dynamics of identity reconstruction ( Axel, 2004 ; Clifford, 1988 ; Cohn, 1987 ; Coutin, 2003 ; el‐Aswad, 2004, 2006a ; Euben, 2006 ; Hall, 1990, 1992 ; Julian, 2004 ; Kaplan, 1996 ; Kennedy & Danks, 2001 ; Mintz, 1998 ; Tsing, 2000 ). This inquiry is contingent on ethnographic material gathered from 20 case studies addressing various experiences of Arab Americans living in the community of Dearborn, in the metropolitan Detroit area of Michigan. ² These case studies reveal some important and comparative theoretical insights that help us understand core features of the unity as well as the multiplicity, diversity, and plasticity of Arab American identity. The study concentrates on narratives of personal experience, defined as verbalized, visualized, and/or embodied framings of a sequence of actual or possible life events, through stories, narrations, diaries, memoirs, and letters ( Herman & Vervaeck, 2009 ; Ochs & Capps, 1996 ). Although personal narratives encompass a wide range of daily experiences, they are prototypes that express people's views of other cultures generated by travel or direct contact. Travel is used here to mean a range of material and spatial practices that generate knowledge, stories, traditions, books, and other cultural expressions ( Clifford, 1997 ; Euben, 2006 ). Cultures are understood by studying sites of dwelling, the local ground of collective life, and the effects of travel ( Clifford, 1997 ). Travel and migration or Diaspora ³ are prototypical rites of passage involving transition in space, territory, and group membership. They transform people's sense of themselves and others. For instance, migrants experience profound changes in their outlook and orientation as they move from the state of belonging to the homeland to that of belonging to the new land, generating a unique sense of multiple identities. The article aims to answer these questions: To what extent have travel and migration of the Arabs transformed their worldviews, including images of themselves, of others, and of new and old homelands? To what extent have these experiences of movement been incorporated into Arab American identities and articulated in their narratives as well? Do they view themselves as having one unified transnational identity, as being “Arab American,” or multiple identities? Is there a conflict of having multiple identities and maintaining one encompassing identity? And to what extent can Arab Americans be viewed as cultural mediators or agents bridging the West and the East (the Middle East) as well as the north and the south? These questions are examined within the perspectives and views of both Arab American writers and ordinary Arab immigrants of the Detroit metropolitan area. ⁴     

Trade and the Construction of Bahamian Identity: A Multiscalar Exploration

Using ceramic data, we explore how a multiscalar approach, framed within Giddens' Theory of Structuration, can lead to a more complete understanding of the construction of New World Creole identities. The two scales of analysis serve to inform one another. We draw upon archaeological and historical data from five plantation sites located on three islands of the Bahamas. On the macroscale level, we demonstrate how regional trade networks limited or facilitated access to ceramics and shaped the ways that individual planters used these goods to construct statements about wealth and prestige. A microscale analysis of ceramics recovered from six slave households demonstrates how families with complete market access used ceramics as a means of creating a sense of community identity and mediating tensions within the quarters.     

“石匠村”的意义——窦村的石工传统与南京传统建筑地方性的关系

当前保护古都风貌成为南京城市发展的重要工作,这主要是指保护和利用各个历史时期遗留下来的建筑遗产。而我们在传统建筑遗产保护工作中往往只重视对建筑物本身的保护,采取的方法也只局限在测绘、图纸分析、按图纸施工等层面,却忽视了其最初建造过程中传统工艺的保护。针对传统建造工艺与建筑地方性的关系的问题,对南京郊区的被称为“石匠村”的窦村所特有的石工传统与南京传统建筑地方性的关系进行的讨论。     

The Gender of the Cosmos: Totemism,Society and Embodiment in the Sepik River

This article contributes to recent research on the foundations of society in Melanesia, both in terms of local representation and actual social practice, as well as body imagery and gender. I have three interrelated objectives. First, I present new data on the symbolism and politics of Eastern Iatmul cosmology and totemism (Sepik River, Papua New Guinea). Second, I engage Harrison's distinction between magical and material, or realist and nominalist, polities in Melanesia. Eastern Iatmul society is represented by totemic names and categories. Yet society also requires human agents to embody named entities: men rarely assert the existence of cosmological categories that are divorced entirely from the realm of human action. This is a key difference between Eastern Iatmul and other Sepik societies such as Manambu. Finally, I argue that there is a symbolic homology between the gendered human body, the body politic and the cosmos, an important perspective that has been lacking in Melanesian comparative studies. Totemism for Eastern Iatmul is largely a realm of male ritual-politics. Nevertheless, an idiom of maternal fertility and reproduction is salient in the local cosmology. For this reason, the gender of the cosmos, to invoke Marilyn Strathern, is androgynous.     

Self-Citation in Archaeology: Age, Gender, Prestige, and the Self

Citation analyses in archaeology have detected prestige tactics, shifts in research agendas, and patterns of gender differentiation. This paper focuses on self-citation in archaeology and systematically analyzes the factors that affect rates of self-citation. Self-citation rates in archaeology are significantly higher than in socio-cultural anthropology but are average for a social science with interdisciplinary ties to the physical sciences. Self-citation correlates weakly with the gender of the citing author and the geographic and thematic focus of research, but correlates strongly with the age of the author. Additional analyses reveal partial evidence for the use of self-citation as a prestige tactic. The paper concludes with a discussion of citations to writers close to the author (mentors, friends).     

论新农村文化建设中的现代与传统

农村文化是指与农村区域的生产方式和生活方式相联系、适应当地群众需要的思想观念、道德伦理、法律意识、科学文化、知识教育、文娱活动的统称,是农村经济、政治、社会生活发展变化的反映。农村文化的发展反映着农村社会文明程度的提高,农村文化的发展推动着新时代农民的全面发展。发展繁荣农村文化,既是农村经济社会发展的内在动力,更是满足广大农民群众精神文化需求的有效途径,     

Celticity and Storyteller Identity: The Use and Misuse of Ethnicity to Develop a Storyteller's Sense of Self

This paper looks at the self-representation of contemporary or revival storytellers claiming “Celtic” identity for themselves as storytellers, largely based on imagined traits of generic “Celtic” storytellers and storytelling styles, and content, which are conveyed via commercial images, suppositions about the Romantic era, and other mediated, second-hand or even erroneous sources. At the same time, such representations are compared with the self-representations of three traditional storytellers from Ireland and Scotland.     

Judgment,Tradition and Reason: A Response

Abstract

The author of The Desire of the Nations (DN) and The Ways of Judgment (WJ) responds to the criticisms and questions of the eight other contributors, defending his concept of government-as-judgment and exploring questions about international law and contemporary pluralism.     

Divination as a Way of Knowing: Embodiment,Visualisation, Narrative,and Interpretation

Divination, which is a way of exploring the unknown, has been practised worldwide for millennia. It involves complementary modes of cognition associated with representational and presentational symbolism. Wherever a theory of divination has been carefully elicited from practitioners of the art, there is a recognition of overlapping inductive, intuitive and interpretative narrative techniques and ways of knowing. In any society in which mechanical divinatory procedures are combined with visualisation or bursts of intuition, researchers should be able to empirically investigate this cognitive-embodied field of practical mastery. This investigation, in turn, ought to enable them to develop meditative empathy towards acts of divination as well as a sophisticated theory of divinatory practice.