The future of US–Brazil relations: confrontation,cooperation or detachment?

US–Brazilian relations sunk to one of their lowest points ever following last year's exposure of the US government's massive surveillance of the South American giant—including the correspondence of President Rousseff and the business operations of Brazil's national oil company, Petrobras. Brazilian authorities responded angrily. The Brazilian president called off a highly valued state visit to Washington, denounced the US for violations of sovereignty and human rights, and proceeded to bypass the US to purchase nearly $5 billion worth of fighter aircraft from Sweden. In fact, US–Brazil ties have not been constructive for more than a generation. Yes, relations are mostly amiable, but with limited cooperation, considerable discord and some open clashes. Washington views Brazil primarily as a regional actor, and wants its cooperation mainly on inter‐American issues. For Brazil, regional collaboration means working with other Latin American nations—not the United States. Brazil usually wants the US to keep a distance from the region. The US is no more enthusiastic about Brazil assuming a global role; differences over some of the world's most dangerous political and security challenges have made Washington uneasy about Brazil's engagement in international affairs and critical of its foreign policy judgements. Relations will probably improve, but they could get worse. The two governments need to acknowledge that their relationship is fragile and troubled, and take steps both to rebuild trust and to avert further deterioration and new confrontations. They have to be more careful with each other.     

The Brazilian Green Revolution

This article analyzes the critical geopolitics of knowledge production in Brazil during the 20th century. It offers a critical appraisal of recent calls to decolonize political geography by locating the role played by actors and institutions in the Global South within the broader narrative of the Green Revolution. Historical accounts of the Green Revolution have only recently started to incorporate perspectives of and attribute agency to actors in the Global South. However, Brazil has largely been left out of the geographical scope of the Green Revolution. This article focuses on U.S.-Brazilian geopolitical relations behind an effort to reproduce the U.S. model of higher education, rural extension and agricultural research in Brazil. I argue that the confluence of Brazil's geopolitical importance with opportunities for foreign investment in its agricultural sector brought together U.S. and Brazilian experts and expertise to modernize Brazilian agriculture. The case of transnational soybean research illustrates the importance of this relationship in transforming Brazil's agricultural sector and limiting alternatives. This article offers an account of how the geopolitics of knowledge production shape the long-term institutional legacies of national research institutions.     

The 1908 Pankhurst Medal: Remembering the Campaign for Votes for Women in Parliament

The house of commons has recently acquired the medal awarded to Emmeline Pankhurst (1858–1928), founder of the Women's Social and Political Union (WSPU). This acquisition provides a timely reminder in 2008 that it is only 90 and 80 years respectively since women in Britain were granted the vote as well as marking the centenary of the ‘rush’ on the house of commons for which the medal was awarded. The ‘rush’ was just one of many occasions when members of the WSPU brought their campaign and protests to the Palace of Westminster. The palace was a site, both physically and ideologically, of suffragette protest, evidence of which remains on the building itself and, increasingly, as the acquisition of the medal suggests, in gestures of marking and remembrance of women's fight for the vote by parliament.     

Indian Lands,Environmental Policy and Military Geopolitics in the Development of the Brazilian Amazon: The Case of the Yanomami

This article examines the realignments of the developmentalist discourse and strategy of the Brazilian military for the Amazon during the civilian government of the ‘New Republic’ (1985–90). It focuses on a case study, i.e. the official expropriation of the lands of the Yanomami Indians in the states of Roraima and Amazonas along the Brazil/Venezueta border. The analysis brings to light how, during this period, the military aimed at neutralizing both the pressure of environmental NGOs on Brazil's international creditors and the emergent democratization of decisions on land use in Amazônia. It shows how such attempts involved manipulating environmental legislation and ecological rhetoric in order to perpetuate military hegemony over the development of Amazônia to the benefit of mining interests. Finally, the paper traces the roots of these man?uvres to a geopolitical and economical model for Amazonian integration still inspired by the national security doctrine drawn up in the 1950s and 1960s by the Escola Superior de Guerra.     

Roman Billericay

Excavations in the courtyard at the east end of Lambeth Palace chapel, and standing fabric recording of the east elevation of the chapel and its undercroft revealed a sequence of structures. The earliest foundations, incorporating the lower levels of the chapel undercroft, probably date to 1199–1200 when the building of a Premonstratensian house of canons was started under Archbishop Hubert Walter. The remainder of the undercroft and the chapel above is part of Archbishop Stephen Langton's work undertaken in the 1220s. Alterations were made to the undercroft during subsequent centuries, including the means of access and the addition of partitions. The final major phase of work was Blore's rebuilding in the residential section of the palace in 1830.     

Lathom House: The Northern Court

Abstract

Thomas Stanley is credited with the creation of a fine new house at Lathom when he was made earl of Derby in 1485. This house, according to the poets and writers if the 16th and 17th centuries, was a sumptuous and well-defended place surrounded by moats and with as marry as eighteen towers. Indeed, it was claimed that Henry VII, stepson if the first earl if Derby, based his design for Richmond Palace on Lathom. After the house had fallen to the Parliamentarians it is usually accepted that the place was razed to the ground and, since the latter years of the 18th century, there has been considerable debate regarding its location. Recent archaeological work at the site if a later house, designed by Giacomo Leoni, is now providing evidence to show that Leoni's building probably lay on the site of the earlier structure and that some if the medieval masonry was incorporated into the rubble fill if the 18th-century walls. This study now examines the evidence for the first earl of Derby's house and argues that Lathom should be considered amongst the most important late 15th-century houses in England and Wales.     

Mercosur and Brazil: A European Perspective

Brazil is the core state of South America and sustains an alliance called Mercosur. Mercosur was the focus of much European attention during the 1990s, both politically and economically, attracting large amounts of investment to the region. Brazil has difficulties pursuing the Mercosur integration process to its logical end, with resistance coming from both developmentalist visions of the past and industrial interests in the present. Mercosur has drawn Brazil closer to the European Union, functioning well as an instrument of Brazil's external ambitions, though also exposing it to the risk of free trade with Europe. For both Mercosur and EU‐Mercosur relations to remain useful to current Brazilian ambitions, they must remain short of achieving their final goals and linger in a prolonged state of negotiation. Some EU states also prefer this solution. After four years of preparations Mercosur entered into negotiations with the EU in 1999, and since then EU‐Mercosur negotiations have passed through several dramatic phases, often influenced by international political and economic developments, both in Europe and in Mercosur itself. The current Mercosur economic crisis impedes further progress in integration and also delays the EU‐Mercosur process. The election of Lula da Silva as president of Brazil is not expected substantially to change the course of Brazilian policies towards Mercosur and the EU, though, faced with the challenge of reviving Mercosur, the president might have to make difficult choices with regard to Brazil's own interests. Through an EU‐Mercosur agreement Lula could resuscitate the Argentinian and Uruguayan economies, though this might be at a cost for Brazil. Will Brazil be willing to pay this price in order to preserve Mercosur?     

The Armada Paintings in the New Palace of Westminster

In June 2008 a team of artists began the gargantuan task of creating the series of Armada mural paintings for the house of lords. They were embarking on a two-year project, which would bring to completion the original decorative scheme planned for the prince's chamber by the Royal Commission on Fine Arts ¹ during the 1840s. This, in turn, would reconnect the original historical association, which the Armada tapestries had held with the house of lords since the mid 17th century until their destruction by fire in 1834. This article places these Armada mural paintings within the historical context of this project at the Palace of Westminster and documents some of the methodology behind the programme of work to re-create this celebrated series for the walls of the house of lords.     

The origins of the Brazilian nuclear programme, 1951–1955

In the early years of the atomic era, several developing countries attempted to establish a nuclear programme, yet Brazil's case is less well-known. As new documents show, from 1951 Brazil aimed to acquire the nuclear fuel cycle capability in spite of legislation imposed by the United States to limit the emergence of new nuclear powers. This article will analyse the origins of the Brazilian nuclear programme from 1951 to 1955 and will explore its cooperation in the atomic field with international partners.     

Inappropriate object: Warsaw and the Stalin‐era Palace of Culture after the Smolensk disaster (Respond to this article at http://www.therai.org.uk/at/debate)

This article is about the shifting relationship between the city of Warsaw and the Palace of Culture and Science – a gigantic Stalinist skyscraper which dominates the city centre – in the aftermath of the 10 April 2010 plane crash that killed the Polish president and 95 others (mostly very senior military and political figures) in the woods outside Smolensk in western Russia. The crash's victims had been on their way to a ceremony commemorating the 70th anniversary of a massacre in the Katyń forest, near Smolensk, during which thousands of Polish army officers were shot on the orders of Stalin. Despite its status as Warsaw's most obvious material relic of Russia's historical domination over Poland, the Palace of Culture has in the last two decades been gradually reappropriated into the city's own landscape and everyday life. In fact, since the fall of communism, the Palace has eclipsed the city's traditional emblems and monuments to become regarded as the most identifiable marker, or ‘symbol’, of the contemporary city. Further, the Palace has consolidated the tangible and powerful impact it exerts on the city's architecture and urban layout, on its political, bureaucratic, ‘cultural’, commercial and educational life, and on the bodies and minds of its citizens. The very word ‘palace’ is normally understood in Warsaw to refer to the Palace of Culture. For a time after Smolensk, however, the word acquired a new association with the Presidential Palace, where crowds gathered to lay flowers, light candles and stand vigil. The markedly muted presence in Warsaw of the Palace of Culture during the mourning period after Smolensk demonstrated that the happy interaction between post‐socialist Warsaw and the rehabilitated Palace does not extend into every domain. The topography of mourning in Warsaw in the days after 10 April seemed to highlight the abject dimension of the Palace's uncanny presence in the city. This article explores why, how and for how long the Palace withdrew and was withdrawn from the life of the Warsaw after Smolensk.     

On the Primeval Antiquities of the Channel Islands

Bishop's Waltham Palace, one of the most important residences of the bishopric of Winchester, was transformed by two of the most powerful of its later medieval bishops, Wykeham and Beaufort (1367–1447). The exceptional quality of the bishopric records enables us to trace the chronology of the progress of work with considerable accuracy and requires revision of the conventional dating of the buildings. The records also provide a great deal of information about the craftsmen and architects involved and about the building materials and their sources. Beaufort's new lodgings range still possesses much of the original timber framing of its eastern chambers, and this together with its accurate dating has warranted separate treatment.

Note on dating The accounting year ran from Michaelmas to Michaelmas (29 September), and I have dated work by the year in which this closed. Most of the building season would therefore be recorded in the account for the same calendar year, but any late autumn work would be found in the following year's account.     

What is a museum for? The Magüta Museum for the Ticuna people,Amazonas, Brazil

Abstract

After working for several years in the Ethnography Section of Brazil's National Museum, Maria JussaraGomes Gruber helped found the Magüta Museum in the town of Benjamin Constant, in Amazonas (close to Brazil's border with Peru and Colombia). Jussara Gruber believed that an ethnographic museum, with objects selected, displayed and explained in ways that made sense to the Ticuna Indians of the area, would help them to sustain social and cultural values in the face of continuing colonization by non-Indian society. The Ticuna are one of Brazil's most populous indigenous groups, with some 95 villages mainly scattered along the banks of the Upper Solimões River and its tributaries. Ticuna efforts to establish land boundaries and reclaim their own territory have met substantial opposition from non-Indian loggers, landowners and storekeepers. In this article (compiled from a letter and subsequent telephone interview translated by Maria Renata Franco Peters and edited by Bill Sillar) Constantino Ramos Lopes explains his role as director of the museum and its significance for the Ticuan people.     

Reading Comte across the Atlantic: Intellectual Exchanges between France and Brazil and the Question of Slavery

Summary

This article looks at a specific case of intellectual exchange by approaching Luís Pereira Barreto (1840–1923), a Brazilian medic who, having studied in Brussels in the 1850s, came into contact with Comte's positivism and with the ideas of his disciples. While in Europe, Barreto established a long-lasting friendship with Pierre Lafitte, and became a convert to Comte's Religion of Humanity. Upon his return to Brazil in 1864, Barreto sought to apply Comte's principles to Brazilian society and politics. Although Barreto's use of positivism extends beyond the issue of slavery and slave work, I will focus on this priest of humanity's considerations about positivism, social evolutionism, and Brazilian slavery. This will allow me to extrapolate some qualified conclusions about the nature of the intellectual exchange that occurred between Barreto and the French positivists, and the development of Brazilian positivism as a political philosophy and social theory which had to address the problem of slavery in the 1870s and 1880s.     

Multi‐analytical Studies of the Lime Mortars from the Yanxi Hall in the Yangxin Palace of the Palace Museum (Beijing)

For centuries, the architecture of the Palace Museum represented the highest standard of Chinese architecture. The Yangxin Palace of the Palace Museum consisted of 18 masonry buildings built using bricks, wood, roof tiles and various mortars. In 2016, a five‐year project was initiated to work on the maintenance and restoration of the Yangxin Palace buildings. The characterization of the construction materials has become of primary importance, in order to obtain information about the raw ingredients and building technology of the mortars, and the history of possible previous restorations. In this paper, 12 different samples representing three types of mortar‐based materials—namely, jointing mortars between the bricks on the wall, and surface plasters as well as mortars used on the roof—were collected for analysis from the Yanxi Hall of the Yangxin Palace. Analysis into the composition, grain‐size distribution, organic and fibre additives and testing of the mortar density and water absorption were performed. Starch, protein and plant fibres were identified in some of the samples. Brucite, mullite and ettringite were detected within most mortars on the roof, possibly originating from the furnace slag added into the raw materials for restoration purposes. The analytical results will serve as a critical reference for the maintenance and restoration of the buildings in the Yangxin Palace.     

‘Brazil,Tell Me How It Feels’: Soccer,Music, Narcissism,and the State,or Mascherano’s Failure

During Brazil's 2014 World Cup finals, Argentine fans popularized a chant that stated “Brazil, tell me how it feels”. The chant became viral, and produced a Brazilian response, “Argentina, me diz que se sente”: both discussed relationship of rivalry by joking at the other's expenses. But it was surprising that the chant was based on the melody of a very old song from the American rock band Creedence Clearwater Revival, recorded in 1969, possibly before the birth of those who sang the melody in Brazil (“Bad Moon Rising”, a very popular song recorded many times). This paper discusses several topics derived from that fact: the relationship between popular music and football chants; the uses of popular music and global pop at the World Cups from 1962 to our days; the self-presentation of the “local” (national) fans before a globalized media scene; and, last but not least, the role of sport icons and heroes for the fans but also for the construction of national epics (the icons and heroes invoked in the chants included, obviously, both Maradona and Messi, two of the most important football heroes from the ‘80s until today). The core idea is to show how contemporary football culture must be described and interpreted in the continuous intersection of local texts -and fans’ practices- and global events.     

In the Palace of the Fallen king: The Royal Residential Complex at Aguateca,Guatemala

Abstract

The Aguateca Archaeological Project extensively excavated two structures (M7-22 andM7-32) in the Palace Group of the Late Classic Maya (A.C. 600–830) center of Aguateca, Guatemala. Multiple lines of evidence, including site layout, architectural features, soil chemistry, objects stored in a sealed room, and abandonment processes, suggest that these were the buildings where the ruler and his family lived and worked. The use of space in these structures shows some similarities to those of the rapidly abandoned elite residences at Aguateca and of palace-type buildings at other Maya centers. The occupants of this royal complex retained a certain level of visibility, indicating the importance of the ruler’s body as the focus of theatrical display. After the royal family evacuated the center, an invading enemy ritually destroyed these buildings, attesting the symbolic importance of the royal residences. The center was almost completely abandoned after this incursion.     

The Armada Tapestries in the Old Palace of Westminster

The tapestry series of the ‘Defeat of the Spanish Armada’ was a national artistic treasure which hung in the old Palace of Westminster from the mid 17th century until the fire of 1834. This article outlines the creation of the tapestries in the 1590s and covers the major treatments of them in illustrations of parliamentary interiors and in John Pine's 1739 engravings; it ends with a short account of the curious episode of the tapestry which escaped the conflagration. In the absence of any known historical record of how the tapestries were displayed, suggestions are offered about how many and in what order they hung in the two chambers occupied successively by the house of lords (before and after 1801), and about how they were physically supported on the walls of the Parliament Chamber.     

The Medieval Pottery of Paris

THE CELEBRATED TIMBER aisled hall of the Bishop's Palace, Hereford, is reassessed in the light of contemporary stone halls and of new evidence for its original plan. Bishop William de Vere (1186–98) is identified as the most likely builder. In contrast to a previous interpretation of the Palace as a traditional building reflecting ancient forms, it is assigned to a group of sumptuous late 12th-century halls, products of a new fashion. Recently-discovered plans of c. 1840, in conjunction with other evidence, make possible a reconstruction of the complete original plan: a four-bay hall, a side porch, and an end chamber-block of three floors over a basement. A building demolished in the late 18th century is interpreted as a detached main chamber-block. The Palace complex was separated from the cathedral by a stone wall; its main front faced west to what may then have been the main N.-S. route through Hereford.     

In Memoriam: Philip Mainwaring Johnston,F.S.A., F.R.I.B.A.

Abstract

It is increasingly recognised that religion was the mainspring of pre-Reformation domestic ritual in royal as well as episcopal and archiepiscopal households. This article sets out to examine the architectural consequences of this. It argues that from the mid-15th century a small group of high-status residential buildings was planned around the need for lavish liturgical display, particularly the introduction of a cloister. The patrons of such buildings were churchmen of the highest rank such as Henry Beaufort and Thomas Wolsey who, it is argued, had special requirements for their principal residences. These requirements subsequently went on to influence the plans of early Tudor royal palaces, culminating in the reconstruction of Whitehall Palace by Henry VIII in the 1540s.     

An archaeometric contribution to the characterization of Renaissance maiolica from Urbino and a comparison with coeval maiolica from Pesaro (the Marches,central Italy)

The results of an archaeometric trial study performed on an important finding of Renaissance maiolica (mid‐15th to early 16th century) from the Ducal Palace of Urbino are presented. Mineralogical–petrographic data (XRD, OP, SEM–EDS) and chemical characterization (ICP/AES–MS: major and trace elements) of both ceramic bodies and glazes were compared with similar data provided on coeval maiolica found in archaeological excavations in Pesaro, now stored in the city's Municipal Museum, in order to verify an origin of the potteries from common (Pesaro) or different (Pesaro and Urbino) production centres. The results indicate that ceramic bodies were produced with quite similar illitic–calcareous clays, most probably taken from the same local Pliocene Formation. Similarities were also found concerning the glaze's glass (silica–lead), colourants (cobalt, copper and manganese) and pigments (lead antimonate and cassiterite).