Fighting for the Afterlife: Spiritists, Catholics, and Popular Religion in Nineteenth-Century France

This article examines the position of nineteenth-century French spiritism in relation to the Catholic Church. Spiritism offered an alternative "religion" to French Catholics dissatisfied with the church's traditionalism in a modernizing world. I begin by describing the spiritists' position on Catholic dogma and the movement's place as an urban popular religion. Spiritist critiques of heaven and hell incorporated liberal and republican values, thus making it appealing to these groups who were often hostile to the church. I move next to conflicts between the adversaries. Spiritists, unfettered by dogma or even logic in some cases, freely incorporated the supernatural into the nineteenth-century acceptance of Enlightenment values such as reason and science. The church, unable to deny the reality of supernatural phenomena claimed by the spiritists, limited itself to asserting the devil's hand in these phenomena. It thus could not fully address the challenge of spiritism. Spiritism as a popular religion complicates the assumption by many folklorists regarding the disappearance of popular beliefs in the face of the modern. The article concludes with a call to modify these theories in order to understand an evolving, often urban, popular culture which integrated "tradition" and "modernity" and continually created new forms of the marvellous.     

I Watussi

The article reflects on the ‘absent connection’ between the fictional Watussi of the Italian hit song of 1963 and the real Tutsi, many of whom had fled Rwanda at that time to escape violence from the ascendant Hutu majority in the last years of Belgian rule. It considers the song's long afterlife and the stubborn persistence, decades later, of comic stereotypes of ‘Africans’ in Italian popular culture despite the growing number of African migrants and their children in Italian society.     

"Days of Heaven on Earth": Presbyterian Communion Seasons in Nineteenth–Century Otago

Communion seasons were a distinctive and important part of nineteenth–century Presbyterian culture. This paper examines such occasions in the Presbyterian–dominated colony of Otago, New Zealand. Communion was a significant social event, and its preparatory fast days were holidays for the whole community. As a spiritual event, the communion season induced an experiential and emotive piety, belying common modern perceptions of nineteenth–century Presbyterianism as an ascetic and intellectualised faith. Over the period from the founding of the colony (1848) to the turn of the century, certain rituals of the communion season altered significantly. Some changes occurred in response to new ideologies such as temperance; others reflected a softening of traditional Calvinist theology in favour of a more inclusive religion, Presbyterians being invited to communion rather than having to prove themselves fit to attend. Such changes were not unique to Otago, and practice in the colony reveals a strong continuity with events in Scotland: the Presbyterian communion season proved a remarkably successful import to colonial Otago.     

Strathern's Melanesian ‘dividual’ and the Christian ‘individual’: a Perspective from Vanua Lava,Vanuatu

What happens to people's concept of the person when their ‘dividuality’ engages with the Christian concept of the ‘individual’? According to Vanua Lava kastom, when people die they go to sere timiat, the place of the dead. But do they still go there when the person had been a Christian during their life time? Where is the Christian heaven and hell? Is there a separate Christian ‘soul’? Will the dead be eternally separated from each other and their ancestors? Can kastom and Christian concepts be reconciled? Depending on denomination and degree of conversion (devout, nominal, or ‘back‐slider’) people have found multiple answers that help them conceptualise their final resting place. Their answers are of relevance for theoretical debates in anthropology about dividuality, individuality and engagement with modernity.     

堆塑长颈瓶上“天门”探论

堆塑长颈瓶是一类特色鲜明的随葬明器,主要流行于宋元时期,其本身不具备实用功能,主要通过造型、装饰、铭文、内盛物及摆放位置等因素构成组合,象征天门,整体上传达了引魂升天的象征意义。     

The Lives and Afterlives of Vis and Rāmin

This article is a review of the afterlife, or Nachleben, of the romance Vis and Rāmin, one of the first representatives of its genre in New Persian literature. In addition to providing readers with an extensive bibliography of sources and research concerning the poem, it also analyzes these materials to put forward two basic arguments: one, that moral or religious antipathy to the poem’s contents may not have played as great a role in its fortunes as did aesthetic taste; and two, that V&R proved to be a more widely circulated and durable work than is commonly supposed, but on the level of fragments, not the entire text. In light of these arguments, it is proposed that studies structured around the comparison of fragments—themes, ideas, ethics, and motifs, rather than whole texts—may offer more purchase in constructing models of analysis that situate V&R, and Persian literature more broadly, within a literary oikumene in which it connects and interacts with neighboring traditions.     

The sound of music heritage: curating popular music in music museums and exhibitions

A significant amount of previous academic research into popular music museums centres on critiques of the content, design and layout of predominantly authorised institutions. Throughout much of this research, authors consistently criticise the use, or rather, the perceived misuse, of music played within music museums, arguing that the music itself, rather than artefacts, constitutes the most significant part of popular music exhibition. This article seeks to counter this trend by exploring the challenges of incorporating recorded sound into popular music exhibits as understood by curators and exhibit designers. Utilising interviews conducted within 14 authorised and DIY museums devoted to popular music, the researchers demonstrate a distinct contrast between current academic critiques of music use in these museums and the attitudes of the people who create them. The result is a varied discussion surrounding sound in the museal space, including issues of sound bleed, technology and the creation of balance between artefacts and sound. This account draws attention to curators’ intentions of telling the story of popular music history by engaging with both the visual and aural memories of museum patrons, and suggests a new understanding of the purpose underpinning popular music museums in modern contexts.     

Middle-class childhood and parenting culture in high-rise Hong Kong: on scheduled lives,the school trap and a new urban idyll

This exploratory study seeks to understand childhood in Hong Kong in relation to the high-rise living environment and dominant parenting culture among middle-class professionals. The empirical results suggest that it is parenting culture rather than the built environment that creates children's busy, scheduled lives, high levels of adult supervision and limited outdoor play. Building on a strong portfolio is considered to be both necessary to enter the popular British educational system and to counterbalance a curriculum that is supposed to offer less structured learning compared to the local Cantonese schools. It is argued that this paradoxical situation must be understood in the context of parents' personal childhood histories and the highly competitive global labour market in Hong Kong. The paper ends with a reflection on new discourses of childhood that creates cities and its many consumption spaces as urban idylls for raising children.     

Hair today,gone tomorrow: Analysing potential mercury exposure in 19th-century New Zealand gold miners using Laser Ablation-Inductively Coupled Plasma-Mass Spectrometry

Toxic metal or element exposure has the potential to cause significant negative health effects in human populations. During the goldrushes of the colonial period, mercury amalgamation was one of the most common methods of extracting gold from alluvial deposits or crushed ore, and exposure to mercury was an occupational health hazard. In this study we examine mercury exposure in mining populations from New Zealand’s first major goldrush, which began in Central Otago in 1861. We explore mercury toxicity through laser ablation inductively coupled mass spectrometric analysis of archaeological hair and sediment samples associated with the Tuapeka goldfields. Our analysis highlights ubiquitous low-level mercury exposure on the goldfields, as well as one individual with such high mercury concentrations in their hair that we suspect direct mercury intake, perhaps medicinally, rather than from environmental contamination.     

颛顼“绝地天通”与凌家滩“龟卜”

颛顼"绝地天通"历来被视为原始宗教的重大改革,从文献学、民族学角度来解读具有丰富的内涵。根据考古材料论定龙山文化时期骨卜的普化暗合"绝地天通"所反映的巫觋功能的专门化。这就科学确定了"绝地天通"的年代学意义。而含山凌家滩玉龟和玉版"龟卜"的种种迹象,说明在接近颛顼时代之前",原始八卦"也已经基本定型。     

The forgiveness dilemma: emotions and justice at the Khmer Rouge tribunal

In post-conflict politics, forgiveness is as controversial as it is popular. Generally conceived as the overcoming of negative moral emotions such as resentment and anger, forgiveness is, on the one hand, credited with bestowing significant psychological benefits on its practitioners, contributing to processes of interpersonal and societal reconciliation, and avoiding revenge. On the other hand, however, critics warn that rather than helping to address the negative emotions, forgiveness actually helps to provoke resentments and grievances by heaping injustice upon injustice. Herein lies the dilemma with which this article is concerned. By examining the nature of the negative emotions and their relationship to the pursuit of justice, as well as the nature and consequences of forgiveness, it considers the role that victim participation in human rights trials plays in helping post-conflict societies to overcome the forgiveness dilemma. To do so, it focuses on Case 001, heard before the Extraordinary Chambers in the Courts of Cambodia.     

北朝隋唐入华粟特人死亡观研究——以葬具图像的解读为主

Miho、青州和史君墓围屏石榻或石椁上直接表现丧葬仪式的图像,为我们了解和研究入华粟特人葬俗和死亡观提供了丰富的实物证据和图像资料。结合粟特故地、丝绸之路及其它入华粟特人墓葬的考古资料与中外历史、宗教文献记载,可以看出入华粟特人死亡观主要体现在以下四个方面:从犬视尸毒到事死如生;从善恶二元观到钦瓦特桥审判;圣火与善神崇拜;灵魂不死与天国享乐。     

日本古代小说的佛学烙印与文化成因

日本古代小说大都具有浓郁的佛学色彩,净土、无常、果报是最典型的三个侧面。净土思想是日本佛教的主流且具有明显的现世特征：平安物语的净土信仰成为救赎宫廷贵族脱离苦难的精神支柱;中世战记物语的净土信仰多与死亡紧密相连,成为对战乱中人们渴求来世幸福的终极关怀。无常是日本小说尤其是中世物语中最浓墨重彩的一笔,无常既是对人间永无常住的感性叹息,也是对盛者必衰社会法则的理论解释,更成为武家社会切身感受的“生死观”。因果报应思想贯穿日本小说史的始终,它与宿世、轮回、转生等观念互为表里,成为孕育日本怪异小说流行的土壤之一,并表现出与儒家劝惩观念相结合的世俗化趋势。     

在希望与绝望之间--论古代埃及人来世观念的产生和发展

从古代埃及流传下来的物和遗迹多数都与当时人们的宗教信仰和来世观念相关。在几千年的历史过程中,古代埃及人始终没有放弃对来世的追求。他们把尸体制作成木乃伊、修建豪华的墓室并且给死去的人奉献祭品。从表面上看,古代埃及人的来世观念从古王国到王朝后期没有什么变化,不过,如果仔细阅读他们留下来的有关献,我们会发现他们对命运和来世的认识及其态度发生了深刻的变化。尤其值得关注的是古代埃及人生前刻写在墓碑和墓壁上的自传,它们充分表达了墓主人在探讨死亡这个人生重大命题时的企盼、恐惧和无奈的复杂心态。     

Build for the Living: Stone Buildings of the Yuan Dynasty

It is easy to find an association between stone architecture and the afterlife in pre-modern China, given that most architecture of brick and stone was used only for mortuary monuments. People in pre-modern China may have believed that timber architecture was for the living while stone architecture was for the deceased. The fact that stone architecture often was designed to imitate timber architecture further buttresses the dominance of timber, both structurally and aesthetically, in the architectural history of pre-modern China. This article focuses on several stone buildings that were built during the Yuan dynasty (1271–1368) for daily religious activities and were rare exceptions to the normative association of stone architecture with the afterlife. Through the study of the structure, decorative motifs and history of these stone buildings, I determine whether they were built to reflect the tradition of imitation timber architecture or were an exception to the dominance of timber architecture. I investigate how these stone buildings should be contextualized in the history of Yuan as well as the history of Chinese architecture.     

The children's crusade of 1212

The touching story of innocent children setting out to recover the Holy Sepulchre but suffering a tragic fate was becoming a popular legend within half a century of the actual expedition. Linguistic and social analysis, however, suggests that the crusaders of 1212 were not children, but rather were poor persons on the margins of rural society who were thoroughly imbued with the ideals of the cult of apostolic poverty. They believed that after the failure of the armed crusades, God had judged the powers of this world unworthy to rescue the holy places, and had instead made the poor a divine elect to accomplish this task.     

The children's crusade of 1212

The touching story of innocent children setting out to recover the Holy Sepulchre but suffering a tragic fate was becoming a popular legend within half a century of the actual expedition. Linguistic and social analysis, however, suggests that the crusaders of 1212 were not children, but rather were poor persons on the margins of rural society who were thoroughly imbued with the ideals of the cult of apostolic poverty. They believed that after the failure of the armed crusades, God had judged the powers of this world unworthy to rescue the holy places, and had instead made the poor a divine elect to accomplish this task.