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1.
Gellner redux?     
The work of Ernest Gellner continues to be an influential part of nationalism studies. A recent appraisal has raised questions about the argument that Gellner offered in his central text on nationalism, Nations and Nationalism. This article takes up other issues in Gellner's work on nationalism. The article examines Gellner's influential definition of nationalism and the interpretation that he placed on that definition, as well as his treatment of ‘political cohabitation’. It also pays more attention to Gellner's later work, namely, Gellner's discussion of ‘the time zones of nationalism’. The paper draws on secondary literature but its primary purpose is to assess the coherence of Gellner's arguments.  相似文献   

2.
This article considers how Eric Hobsbawm (1917–2012) connected the concepts of revolution and nationalism, analysing this in relation to his biography, his politics and his work as a professional historian. It traces major changes in Hobsbawm's understanding of revolution and nationalism as he, the political world and the ways of writing history all changed over the course of his long life.  相似文献   

3.
Ernest Gellner's work on nationalism continues to draw a mix of both admiration and criticism. In a recent article, Riga and Hall find fault with a new line of criticism of Gellner's theory of nationalism that I introduced in a series of articles in this journal. They claim that I have merely repeated a well‐known criticism of Gellner – that his work is functionalist. This would be convenient for their arguments if it were true. While I would agree, and have explicitly acknowledged, that there is nothing new in the charge of functionalism, I do not take a functionalist line on Gellner. Functionalism is not the issue. My work shows that his theory of nationalism is plagued with problems that have little or nothing to do with functionalism.  相似文献   

4.
Ernest Gellner's work on nationalism is situated in a larger social metaphysic and philosophical anthropology. This paper investigates some of these overarching intellectual commitments and their implications for his arguments about nationalism. Two main issues are examined. Does the method of ‘philosophic history’ provide any philosophical or methodological support for his treatment of nationalism? What are the implications of the common culture of industrial civilization for his arguments about nationalism? Addressing these issues together contributes to the continuing evaluation of Gellner's work, particularly to recent discussion of his arguments about necessity and nationalism.  相似文献   

5.
Historians around the world have sought to move beyond national history. In doing so, they often conflate ethical and methodological arguments against national history. This essay, first, draws a clear line between the ethical and the methodological arguments concerning national history. It then offers a rationale for the continued writing of national history in general, and American history in particular, in today's global age. The essay makes two main points. First, it argues that nationalism, and thus the national histories that sustain national identities, are vital to liberal democratic societies because they ensure the social bonds necessary to enable democratic citizens to sacrifice their immediate interests for the common good. The essay then argues that new methodological and historical work on the history of nations and nationalism has proven that nations are as real as any other historical group. Rejecting national history on critics' terms would require rejecting the history of all groups. Instead, new methods of studying nations and nationalism have reinforced rather than undermined the legitimacy of national history within the discipline.  相似文献   

6.
This article seeks to highlight the significant contribution of Latin American scholarship to the further promotion and understanding of more ‘global’ approaches to International Relations. It focuses on the immediate post-independence period and explores the internationalist perspective of Andres Bello, an enormously influential continental scholar, publicist, and political figure, whose work is little known outside South America. It argues that his contribution to International Relations broadly conceived, part of a wider regional contribution, cannot be neatly accommodated within either accounts of the expansion of international society or revisionist post-colonial thought. As such it is neither fully ‘Western’ nor ‘non-Western’. Analysing his contribution under three interrelated headings - international law, the problem of order and international co-operation - it argues that Bello's work needs to be examined on its own terms. Above all it provides an illustration of why we need to take more seriously Latin American thought as part of a wider movement to internationalise International Relations.  相似文献   

7.
Brazilian-born artist Eduardo Kac’s (Rio de Janeiro, 1962) work has raised eyebrows especially for his ‘transgenic art’ projects, among others: Genesis, 1999; GFP Bunny, 2000; The Eight Day, 2001; Natural History of the Enigma, 2003/08. In all of these, Kac and his scientific collaborators realize genetic interventions into living organisms at the same time as they trigger audience reactions to these from playful kinds of interaction that is integrated into the works’ open and dynamic creative process. Yet whereas the ethical and political challenges Kac’s work poses have sparked lively debates within and beyond the realm of the arts – can and must art engage with the ‘creative’ potentials of biotechnology and genetics? Do these not in fact (as Vilém Flusser and others have suggested) hold the key to realizing the vanguardist dream of merging art and life? Or should the artist, from the vantage point of his own creative practice, not rather warn us against the ethical and political risks involved in genetic engineering? – much less attention has been paid to the way Kac’s art also continues and transforms a particular legacy of post-concretist, ambient and performance art in Latin America.

Kac himself has referred to Brazilian artists Flávio de Carvalho, Hélio Oiticica and Lygia Clark as informing his interest in open, participative forms, which characterize both his transgenic and his earlier ‘tele-presence’ art projects. Other Latin American artists of the late twentieth and early twenty-first century have been producing intriguing engagements with living materials, multispecies habitats and organic remains, including such diverse names as Luis Fernando Benedit, Nicola Constantino, Nuno Ramos, or Teresa Margolles. In a conversation with Jens Andermann and Gabriel Giorgi at the University of Zurich’s Center of Latin American Studies on March 12, 2015, Kac addressed the way in which his work might be seen as continuing or challenging long-standing representations of the New World as a repository of ‘nature’, from colonial chronicles of discovery to contemporary discourses of biodiversity and conservation. To what extent is bio art – and the questions it raises about the Anthropocene as a threshold of radical biopolitical convergence between ‘history’ and ‘nature’ – necessarily ‘transcultural’ and planetary in its extension?  相似文献   

8.
The aim of this academic obituary is to briefly consider Fred Halliday's (1946‐2010) contribution to nationalism studies. The article will first discuss Halliday's understanding of nationalism, which he defines as a set of ideas that asserts that the world is divided into distinct peoples with a particular history and various entitlements, and his position in the theoretical debate on nationalism. It will then focus on Halliday's combat with the ethical doctrine of nationalism, more specifically the tension between the moral claims of the latter and what he loosely terms Enlightenment principles. The article will conclude by a brief discussion of Halliday's political commitments and his internationalism.  相似文献   

9.
This article examines the historiographical debate concerning the origins of Arab nationalism as postulated by George Antonius in his book, The Arab Awakening: The Story of the Arab National Movement and the theory of historical construction. After establishing the theoretical framework of the study with an overview of Hayden White's views on how history is written, it progresses into a study of the historiography of Arab nationalism. Here, the scholars Sylvia G. Haim, C. Ernest Dawn, Rashid Khalidi, and Fruma Zachs and their writings are chronologically dissected, with each academic analyzed via White's theories of historical construction. Through studying their respective positions, it is shown that these texts are culturally relative according to the era in which they were written. It is argued that no work of scholarship can be fully removed from outside influences. Specifically, politicization of academics and the consequences of such endeavors are shown as inextricable from the created narrative. Because of the need for culturally relative knowledge so that it can be applicable to audiences outside of academia, scholars who write for an express purpose (such as answering a question for the benefit of others) should not be considered inherently biased. This article poses that academics have a moral obligation to disseminate knowledge to their respective societies due to their assumed removed status as academics. By doing so, human error is acknowledged and room is made for improvement within the field of history. Knowledge does not need to be created for its own sake, but rather so that it might be utilized by society at large. It is suggested that to foster a deeper understanding of a scholar's relationship with society, there should be an increase in academics' civic engagement. This additionally requires serious reflection and enquiry into the standards that would consequently need to be implemented to maintain the integrity of the produced scholarship.  相似文献   

10.
The conservative German publicist and political theorist, Constantin Frantz (1817–1891), occupies an ambiguous place in German intellectual history. Some, such as Friedrich Meinecke, located him within the rich intellectual tradition of German federalism, highlighting his hostility to the idea of the “nation-state” and the traditions of nationalism, Realpolitik and militarism. Others, by contrast, have situated him within a long genealogy of German fascism, identifying his remarkable 1852 work, Louis Napoleon, as a kind of precursor or antecedent of twentieth-century fascist ideology. This interpretation raises broader questions about the historiography on Bonapartism and Caesarism, which has often been motivated by an interest in the intellectual origins of modern fascism. The present article supplies a reinterpretation of Frantz’s thinking about Bonapartism (Napoleonismus) and Caesarism by focusing on a much broader range of his intellectual output and by tracking the development of his view of Bonapartism’s significance between 1851 and the early 1870s. The main outcome is not just to question Frantz’s place in the “prehistory” of fascism, but also to show how deeply nineteenth-century debates about Bonapartism were connected to concerns about liberalism, democracy, nationalism and imperialism.  相似文献   

11.
This article examines the global travels and anti-colonial thought of the Indian revolutionary Manabendra Nath Roy. It focuses particularly on his little explored stay in revolutionary Mexico, where he became a founder of the Mexican Communist Party in 1919. Drawing on archival sources from various countries and Roy's own writings, the article situates Roy's exploits somewhere between a global anti-colonialism, transnational solidarity and diasporic nationalism. It explores particularly the possibilities and the limits of an image of Asia and Latin America as regions united in their oppression by imperialism, and warranting shared anti-colonial strategies in the framework of international Communism.  相似文献   

12.
Academic research on contemporary Dutch nationalism has mainly focused on its overt, xenophobic and chauvinist manifestations, which have become normalised since the early 2000s. As a result, less radical, more nuanced versions of Dutch nationalism have been overlooked. This article attempts to fill this gap by drawing attention to a peculiar self‐image among Dutch progressive intellectuals we call anti‐nationalist nationalism. Whereas this self‐image has had a long history as banal nationalism, it has come to be employed more explicitly for political positioning in an intensified nationalist climate. By dissecting it into its three constitutive dimensions – constructivism, lightness and essentialism – we show how this image of Dutchness is evoked precisely through the simultaneous rejection of ‘bad’ and enactment of ‘good’ nationalism. More generally, this article provides a nuanced understanding of contemporary Dutch nationalism. It also challenges prevalent assumptions in nationalism studies by showing that post‐modern anti‐nationalism does not exclude but rather constitutes essentialist nationalism.  相似文献   

13.
ABSTRACT. The telling and re‐telling of national history has long been recognised in studies of nationalism as one of its key legitimising and mobilising strategies. In this article I illustrate how a rhetorical approach can effectively explore this dynamic and emotive dimension of nationalist ideology by examining the rhetorical strategies in the Irish liberal intellectual, Seán O'Faoláin's, attempts to reconstitute the popular canon of Irish history in the 1930s and 1940s. More specifically, I show that contrary to depictions of O'Faoláin as a European liberal who employed rational argument to undermine and encourage the rejection of Irish nationalism and its emphasis on rhetorical narratives of the past, O'Faoláin's challenge to the Irish national canon reveals that he himself mobilised historical narrative to promote his own modernist version of Irish liberal nationalism and demonstrated in the process that he was one of the most skilful rhetors of his day.  相似文献   

14.
This article examines the history and recent pro-immigrant installations of the postcolonial Museum of the Americas in Madrid. It critically relates the Hispanist “White Legend” regarding the benevolence of Spanish colonialism to both the “pact of silence” following Spain’s Civil War and the current Spanish orientation towards immigrants from Latin America. Despite significant recent reconceptualization, the museum continues to put forward a narrative in which Spain is represented as a benevolent and civilizing contributor to Latin America. The museum’s more recent inclusionist turn to welcoming and serving Latin American immigrant communities in Spain does not complicate the pro-colonialism stance but rather, through a strategically neutral curatorial style, further serves to insist on a positive framing of the past. The exhibit analysed in this article highlights the innocence of Latin American children in order to frame immigration as positive while simultaneously supporting the “White Legend”. Contemporary Spanish tendencies towards forgetting or silencing the past have a deeper history than is usually recognized, and in this case study, these tendencies work to occlude not just the violence of the colonial period but also the inequities of today’s immigration.  相似文献   

15.
My article replies to Allen Carlson's critique of the existing literature on Chinese nationalism (Carlson's article was published in Volume 15, issue 1 of Nations and Nationalism, 2009). I address Carlson's criticisms and proceed to evaluate his proposal to move away from an allegedly unhelpful focus on nationalism towards the allegedly more illuminating framework of national identity construction. My approach to the existing literature on Chinese nationalism acknowledges efforts made within it at grappling with issues of theory and definition and builds on this acknowledgement to operate a selective appraisal of its strengths and weaknesses. I argue that while some of the problems identified by Carlson do indeed plague the literature, his advocacy of abandoning nationalism as a focus of research is unwarranted. There is continuing validity in using nationalism as a lens for understanding how China sees its place in the world.  相似文献   

16.
The paper focuses on the problematic relationship between Talmon's liberalism and Zionism. My argument is that Talmon's nationalism (Zionism included)—historicist, romantic, visionary—lived in permanent tension with his liberalism—empiricist, pluralist, pragmatic. His critique of totalitarian democracy, reflecting his British experience, emerged independently from his Zionism, grounded in Central European nationalism. The two represented different worlds. Talmon lived in both, serving as an ambassador in-between them, without ever bringing them together.

The essay's first section describes the political education of the young Jacob Talmon (née Flajszer) and the making of The Origins of Totalitarian Democracy. It demonstrates the independence of Talmon's Cold War liberal project from his Zionism. The second section places Talmon in the context of Cold War liberal discourse, showing how integral his critique of revolutionary politics was to contemporary liberalism. The third illustrates the tensions between Talmon's view of Jewish history and his liberalism, between his Zionism and his critique of revolutionary politics. Focusing on Talmon's analyses of nationalism, it highlights the ambiguity of his Zionism.  相似文献   

17.
ABSTRACT

This article focuses on the little-known Jewish writer Paul Cohen-Portheim (1880–1932) and his notions of nationalism and Zionism. Born in Berlin to Austrian parents of Sephardic origin, Cohen-Portheim was interned during the First World War in various English prison camps. This experience profoundly affected his intellectual outlook and he dedicated much of his effort to the fight against nationalism. It was in the English prison camps that he developed an eclectic theory of nationalism which combines a quasi-evolutionary progress towards global justice with a messianic notion of Zionism. The Jewish people play a crucial role in Cohen-Portheim’s vision of a world devoid of nationalism, whose absurdity is disclosed in the arrival of Zionism. Juxtaposing Europe’s crisis of culture and Asia’s spiritual vitality, Cohen-Portheim ascribes to Zionism a bridging of the gap that separates Europe and Asia, and fragments modern nationalistic man. This article follows Cohen-Portheim’s intellectual development and highlights shifts and continuities in his writing, arguing that he shows two different types of nostalgia, namely a longing for the East as developed in his early works and a longing for the past as displayed in his last major work.  相似文献   

18.
Abstract. This essay attempts to place the contributions of the sociologist Kazimierz Kelles-Krauz (1872–1905) within the history of the scholarship of nationalism. Though absent from present scholarly literature on the question, Kelles-Krauz's contribution to the study of nationalism was outstanding. The article advances three arguments: that Kelles-Krauz was among the first to treat modem nationalism as an object of serious study, that his approach was more typical of our day than his, and that his arguments anticipated many of the major positions of today's scholars. In order to defend the first claim, the article briefly considers the contributions of scholars who preceded Kelles-Krauz. In order to defend the second and third claims, the article briefly characterises Kelles-Krauz's sociological method and presents his answers to some of the central questions of today's scholarly literature on nationalism.  相似文献   

19.
George Woodcock was anarchism's most influential historian and an important public intellectual in Canada. This article focuses on his engagement with Canadian nationalism in the 1960s and 1970s. It argues that a ‘philosophical anarchism’ was at the heart of his intellectual project, and this informed his reading of Canadian cultural development and subsequent political challenge to Pierre Elliott Trudeau's civic nationalism. Woodcock decoupled the concepts of ‘nation’ and ‘state’ in order to develop a radically different model for Canada—the ‘anti-nation’—defined by regionalism, federalism and direct democracy. His reading of Canada's cultural history supporting this position was therefore part of a strategy to repurpose nationalist rhetoric towards anti-state ends.  相似文献   

20.
More than seventy years after its publication, Hans Kohn's 1944 The Idea of Nationalism is still regarded as a ground‐breaking contribution to the study of nationalism. This essay is aimed to highlight a significant theme in this work which has largely gone unnoticed, namely, the pivotal role of religion and secularism in Kohn's account of nationalism, and especially, in his persistent struggle for a ‘perfect’ nationalism. Kohn's conception – and personal experience – of the relationship of nationalism and religion will be examined through several stages of his turbulent life. First, as a young Zionist in Prague, when he parlayed Martin Buber's Zionist creed into an ethnic concept of nationalism. Then, in Kohn's journalistic writing in the 1920s and in his first theoretical works on nationalism in the years 1929–1942. Finally, Kohn's more mature and crystallized account of nationalism in his 1944 book will be revisited from the perspective of the nationalism–religion relationship.  相似文献   

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