The Medieval lead-glazed pottery from Nogara (north-east Italy): a multi-methodological study

The present work focuses on the archaeometric characterisation of 10th–11th-century lead-glazed pottery from Nogara (Verona, north-east Italy), with the main aim of defining the production technology of both glaze and clay body, through a multi-methodological approach.     

The palaeo-Christian glass mosaic of St. Prosdocimus (Padova,Italy): archaeometric characterisation of tesserae with antimony- or phosphorus-based opacifiers

The present paper reports the results of archaeometric characterisation of the opaque tesserae, intentionally coloured with antimony- or phosphorus-based opacifiers, coming from one of the two only palaeo-Christian glass mosaics known in the Veneto region (Italy), i.e., the mosaic which decorated the votive chapel of St. Prosdocimus in Padova. In particular, 55 tesserae belonging to glass types “White”, “Blue”, “Yellow”, “Green” and “Brown” are examined here. The multi-methodological approach (SEM-EDS, EMPA, XRPD, imaging spectroscopy coupled, in some cases, with XAS) gave valuable insights into the complexities of palaeo-Christian glass mosaic production technologies. Two main groups are identified, one characterised by glassy matrixes and opacifiers (calcium or lead antimonate) typical of the Roman period and comprising all “White”, “Blue”, and “Yellow” tesserae and some “Green” ones, and the other characterised by glassy matrixes and an opacifier (calcium phosphate) typical of the 6th century AD, composed of “Green” and “Brown” tesserae. This suggests that, during that century there was a gradual change from older to “new” production technologies: although new opacifiers such as calcium phosphate started to be used, the frequent use of antimony-based ones (43/55 samples) supports the hypothesis that their systematic use was extended until the 6th century, although re-using old tesserae cannot be completely excluded. In addition, comparisons with compositional groups already identified in the “gold” tesserae of the same mosaic and tesserae from Ravenna demonstrate that both the same “base compositions” of the glass were used to produce transparent and opaque glass. This evidence, coupled with the results of the historical-artistic study, suggests technological connections between Padova and Ravenna, the capital of Byzantine mosaics in Italy. Micro-structural observations and chemical analyses of the Paduan antimony-based opacified glass demonstrate that different processes and raw materials were used in their production. Both in situ and ex situ crystallisation can be identified for calcium and lead antimonate in Paduan tesserae, whereas the production of tesserae opacified with calcium phosphate generally appears to be highly standardised. Although the opacifiers used in the Paduan tesserae support technological transitions, the colouring elements identified here, i.e., iron and manganese for white, yellow, brown and some green tesserae, cobalt for blue, and copper for blue and green, suggest continuity, because their use is widely testified in the production of both transparent and opaque glass artefacts dating from the Bronze Age until Medieval times, from whichever archaeological site the samples come. Peculiar relationships among the oxidation states of colouring elements, their contents in the glassy matrix, the types of opacifiers used, and the final colour of tesserae were identified. In addition, the correlations of cobalt and/or copper with other elements, together with identification of relics of colouring and “metallic” droplets, allow us to speculate on possible sources and production technologies. Lastly, identification of newly formed crystalline inclusions in tesserae also yields information on kiln temperatures, which ranged between 900 and 1150 °C, a range easily reached in the furnaces of the 6th century AD.     

Chemical characterisation of glass mosaic tesserae from sixth-century Sagalassos (south-west Turkey): chronology and production techniques

Little is known about the origin, supply pattern and production technology of Byzantine glass mosaic tesserae. In this study, we have analysed forty-eight glass tesserae from Sagalassos (Asia Minor) of different colours and from two archaeological contexts that were stratigraphically dated to the sixth century CE. The main aim was to identify the raw materials, colourants and opacifiers as well as secondary working practices that are reflected in the composition (EPMA, LA-ICP-MS analyses) and the microstructure (XRD, SEM-BSE) of the tesserae. The set of samples retrieved from the Roman Baths complex at Sagalassos is compositionally very homogeneous, representing possibly a single commission, and can be tentatively dated to the late Roman period. In contrast, the assemblage associated with the construction of a Byzantine church around the turn of the sixth century CE is more diverse, suggesting that these tesserae were produced from more than one silica source. This highlights a diversification in the supply and manufacture of glass tesserae during the Byzantine period.     

The first archaeometric data on polychrome Iron Age glass from sites located in northern Italy

A large sample set of transparent and opaque glass artefacts recovered from Etruscan contexts in northern Italy (Bologna and Spina (FE) necropoleis) and dated to a period between the 6th and 4th century BC are analysed in this paper. Samples of highly decorated beads, spindle whorls and vessels of the ‘Mediterranean Group I’ (Alabastron, Oinochoes, Amphoriskos) were selected in order to determine whether these different glass artefacts were produced at the same manufacturing site. While the vessels almost certainly originate from Greece, the beads could derive from a more ancient local production ascertained at the site of Frattesina (Rovigo, Italy) and dated to the Bronze Age.     

Glass from the Archaeological Museum of Adria (North-East Italy): new insights into Early Roman production technologies

In the present study, the first archaeometric data on an ample selection of intentionally coloured (or decoloured) Early Roman glass (1st–2nd centuries AD) from the Archaeological Museum of Adria (Rovigo, Italy) are reported. The analysed samples are 61 in total, both transparent and opaque, and were characterised from the textural (SEM-EDS), mineralogical (XRPD) and chemical (XRF, EPMA, LA-ICP-MS) points of view. This combined approach allowed us to identify the raw materials and production technologies employed in the manufacture of glassware. Results for the transparent samples show that they are all silica-soda-lime glasses. Most of them, independently of colour, have compositions close to those of typical Roman glass, produced with natron as flux. No relationships were identified among chemical compositions, types or production techniques, but a dependence on bulk composition was identified for some particular colours, revealing the careful and intentional selection of raw materials. This is the case of Sb-colourless glass, produced with sand of high purity, a group of intensely coloured objects, mainly emerald green and black, produced with soda ash as flux, and some blue examples produced with various sources of sand or soda ash as flux. Two main types of opacifiers were identified for the opaque samples: calcium antimonate for white, mauve and blue glasses, and lead antimonate for the yellow ones; in one case, a yellow lead-tin antimonate was also identified. As regards the opaque glasses, most of the samples opacified with calcium antimonate are silica-soda-lime in composition, similar to the typical Roman glass. Instead, samples opacified with lead and/or lead-tin antimonates are lead glasses, suggesting different production technologies.     

Integrating archaeology,archaeometry and geology: local production technology and imports at Paola (Cosenza,Southern Italy)

This paper documents a comprehensive study of coarse wares for table use, serving, washing and cooking, found at the archaeological site of Paola (Cosenza, southern Italy). Major aims of the study were to group local products and imports and to determine technological features of local products. Results were obtained through a combination of archaeological (stratigraphy and ceramic typology), chemical and mineralogical–petrographical techniques (ICP-OES, ICP-MS, INAA, XRF, OM, SEM-EDS and EMPA). Data integration revealed that the coarse wares found at Paola were produced locally or imported over short (Calabria region), medium (Campania, Pantelleria, Sicily) and long distances (Greece and Africa). The local production focused on basins, stewpots, pitchers, bowls, pans, casseroles and lids, sometimes imitating African, or Pompei (Campania) or San Foca (Puglia) typical shapes. The production technology of local ceramics used a sandy–clayey blend of materials collected in the immediate vicinity of the archaeological site, fired at intermediate (about 800 °C) to low (around 650–750 °C) temperatures and used a Fe-rich clayey compound as a red ceramic coating. From a technological perspective, the Paola example arise new questions about table wares produced with clay bodies typical of cooking wares.     

Evidence of early medieval soda ash glass in the archaeological site of San Genesio (Tuscany)

The early medieval period marks an important turning point in the history of glassmaking, since it comprises the transition period between the mineral-based silica-soda-lime glass of the Roman tradition and the plant ash-based glass. With the aim of expanding the knowledge on the glass recipes and technologies of this period, 37 glass samples were analyzed, originating from the archaeological excavations of San Genesio (Tuscany) and dated from the fourth to the eleventh century. The major and minor element concentrations were measured with SEM-EDX, while the trace elements were quantified with LA-ICP-MS. The results were compared with published compositions of glass samples of similar age in order to highlight differences and similarities. The results offer a very interesting view on the glass circulation in the religious/residential/manufacturing center of San Genesio in the early medieval period. Most of the glass has a typical late-Roman composition, but some glass fragments are identified as soda ash glass. These are among the earliest medieval ash-fluxed glasses ever found in the Italian peninsula.     

Opacifiers in Late Bronze Age glasses: the use of ToF-SIMS to identify raw ingredients and production techniques

Time of Flight Secondary Ion Mass Spectrometry (ToF-SIMS) is applied to the study of four samples of opaque glass of Late Bronze Age date. The technique is uniquely capable of identifying compositional heterogeneity at a sub-micron resolution within the crystalline opacifiers dispersed through homogeneous glass matrices. It is shown that this provides crucial information on the possible raw ingredients of the opacifying inclusions used, and has the potential for highlighting regional variations in the production technology involved in creating different colours of opaque glass.     

The production technology of Iznik pottery—a reassessment*

Previous research has established that Iznik pottery differs from other Islamic stonepaste pottery in that its stonepaste bodies contain lead oxide as well as soda and lime, and that a significant proportion of the tin oxide in its glaze is present in solution rather than as tin oxide particles. In order to better understand these distinguishing features, the chemical compositions and microstructures of Iznik pottery and tile samples, together with those of lumps of glass found in association, were investigated using both scanning electron and optical microscopy. These data have been supplemented by the study of replicate lead–alkali glazes produced in the laboratory with a range of different compositions. The results demonstrate that separate soda–lime and high‐lead glasses were used in the production of Iznik stonepaste bodies, and that the total glass contents of the bodies were significantly higher than those quoted by Abū’l‐Qāsim, who was writing in about ad 1300. The very high purity of the lead–soda Iznik glazes indicated that the alkali flux used was either a purified plant ash or an as yet unidentified mineral source of soda. Replication experiments established that the high solubility of tin oxide in the glaze was due to the high purity of the glaze constituents. Furthermore, it is suggested that tin oxide was added to the glaze in order to give it a very slight opacity and thus obscure any blemishes in the underlying body.     

Cultural production in peripheral urban spaces: lessons from Barriera,Turin (Italy)

Practices of cultural production within a peripheral urban neighbourhood can contribute to foster the sense of place, community belonging and local collective action. Starting from a critical perspective on the interconnections between cultural practices and urban regeneration, and developing on the concept of place-making, the paper has two main purposes: to investigate the nature of embeddedness of these practices and explore the ways of self-organization of cultural actors and their relationships with public policies. The case study concerns ‘Barriera di Milano’, a large peripheral area in Turin (Italy), formerly one of the most industrialized zones of the city. Over the past few years, and particularly after the real-estate bubble burst of 2007–2008, in Barriera a lively concentration of initiatives of culture has been taking place, redefining the urban and social space. These initiatives seem to be innovative for many reasons: firstly, while demonstrating a peculiar but significant embeddedness in the neighbourhood, they are mostly self-generated; secondly, the institutional assets, the economic self-sufficiency and the low degree of connection among initiatives support new forms of citizenship and place-making based on a ‘not-for-profit entrepreneurship’.     

Intrasite features distribution as a source of social information: The case of Djaba-Hosséré (Northern Cameroon)

The spatial organization of Dìì settlements has been considered as the reflection of the peculiar social organization of Dìì chiefdoms: a model based on an association of several lineages, most of them being necessary for the working of the whole. The distribution of thousands of surface remains (features and ceramics) located on the eastern foot of the Djaba massif, the site of the eponymous chieftaincy in the early 19th century, together with stratigraphic data, is likely to provide information about the age and the foundation process of a Dìì chiefdom. Following the spatial analysis, we will see that, locally, the growth of political complexity began about the 18th century and that this process may have resulted in the arrival of ‘foreigners’ among one or more of the autochthonous communities, one of what appears to have been strongly involved in metallurgical activities. Archaeological data seems thus to indicate that the foundation myth of the ‘generous foreigner’ shared by most of the Dìì chieftaincies was based on historical events.     

The Mediterranean Group II: analyses of vessels from Etruscan contexts in northern Italy

A large number of Mediterranean Group vessels were recovered at the Etruscan site of Spina in northern Italy and dated from the 6th to the 3rd century BC. In this work a number of vessels belonging to the so-called “Group II” were analysed. The samples are mainly Alabastra, Oinochoai, Amphoriskoi, and Hydriai, in general opaque and deeply coloured. The aims of this study are: 1) to characterize these samples since there is a lack of data in literature regarding Mediterranean Group II; and 2) to compare the data obtained with that of glass for previous centuries (Mediterranean Group I) recovered at the same site in order to establish whether they could have the same origin. The chemical analyses of major and minor elements were carried out by electron microprobe and the nature of the opacifying and colouring agents was determined by X-ray diffraction. The sample set is relatively homogeneous and most of the samples can be classified as Low Magnesium Glass produced with natron and a calcareous silicatic sand. The XRD analyses proved the use of lead antimonates in the manufacture of yellow decorations and of calcium antimonates in the white and light blue decorations. The consistency of the chemical compositions of Mediterranean Groups I and II samples makes it possible to hypothesize a common origin.     

The composition of late Romano-British colourless vessel glass: glass production and consumption

One hundred and twenty-eight colourless glass tablewares from settlement contexts throughout the British Isles, dating from the mid-3rd to 4th century AD, were analysed by ICP-AES spectrometry. Three distinct compositional groups were identified based upon the use of different decolourisers and primary raw materials, with possible sub-groups within these. These compositions have distinct, but overlapping chronological ranges, suggesting colourless glass production in at least three, possibly more, centres in the late Roman period. The compositional analysis highlights the high degree to which recycling of glass was taking place during this late period. The chronological distribution of some of these compositions is more restricted within the British assemblages than is observed in other published assemblages from Western Europe. This distinction may indicate different supply patterns of glass to the Western provinces.     

Combined archaeomagnetic and thermoluminescence study of a brick kiln excavated at Fontanetto Po (Vercelli,Northern Italy)

A combined archaeomagnetic and thermoluminescence study was carried out as part of a rescue archaeological excavation on a kiln discovered during the installation of methane gas pipelines beneath a rice field, along the southern border of Fontanetto Po village (Vercelli province, Italy). A total of 23 independent brick samples have been collected, oriented in situ with an inclinometer; the use of magnetic and sun compass was not possible due to the existence of metallic tubes beneath the kiln and a plastic cover above it. Standard archaeomagnetic procedures have been used for the determination of the archaeomagnetic inclination and absolute geomagnetic intensity. Stepwise thermal demagnetization shows a very stable characteristic remanent magnetization and the calculated mean inclination of the 23 samples is I = 65.3° with α₉₅ = 2.4° and k = 156. Archaeointensity experiments have been performed using the classical Thellier method as modified by Coe, with regular partial thermoremanent magnetization (pTRM) checks. The cooling rate and remanence anisotropy effects upon thermoremanent magnetization (TRM) have been investigated in all the specimens. A total of 19 archaeointensity determinations (at specimen level) that correspond to linear NRM–TRM plots were used for the calculation of the site mean archaeointensity that is 46.4 ± 2.9 μT. Archaeomagnetic dating results show two possible dating intervals for the last 1000 years, calculated at 95% confidence interval: a first one from 1511 to 1614 AD, and a second one from 1768 to 1872 AD. Thermoluminescence (TL) study has been also performed on two brick samples from the kiln's internal wall, using conventional laboratory procedures. According to the thermoluminescence results the kiln's last usage lies between 1796 and 1914 AD. This age is in good agreement with the second dating interval obtained by the archaeomagnetic analysis. The combined archaeomagnetic and thermoluminescence results suggest that the last firing of the kiln could have occurred between the end of the 18th century and the beginning of 20th century.     

From “refugee” to “migrant” in Calais solidarity activism: Re-staging undocumented migration for a future politics of asylum

The framing of issues of migration and clandestine travel in the European Union are tied up with a historically-specific ethos towards the outsider, which, after philosopher Jacques Rancière, I term a “count”. The count shaping the interventions of contemporary advocacy and humanitarian groups derives from conceptions of ethics rooted in political modernity, and – for Rancière – are also responsible for foreclosing disruptive appearances of equality. In practice, postures of compassion towards the refugee convert expressions of vocal dissent into matters for moral sympathy. In this paper I explore the implications of this claim for a future politics of asylum, focussing on moments of interruption to an underlying count. I suggest that the staging of the situation of undocumented migrants in Calais through the figure of the migrant rather than the refugee demonstrates a recasting of activism as a form of political listening rather than political speech – in this sense the interventions of anarchistic network No Borders reflect a call for a continuous “recount” of the situation, over an affirmation of a particular framing of the situation. In some ways this call remains problematic, sometimes reframing the voices of local people and migrants according to an external vision of politics. Nevertheless, I hold that this denaturalisation of compassionate hospitality as the only ethical response to asylum is useful in the broader terrain of political dissent, and points to the importance of embodied habit as a locus for enduring social transformations.     

Ground stone tool production and use in the Late Upper Palaeolithic: The evidence from Riparo Dalmeri (Venetian Prealps,Italy)

Abstract

The site of Riparo Dalmeri yielded numerous flint, bone, and shell artifacts, as well as faunal and botanical remains, which are evidence of the Late Upper Palaeolithic (or Late Epigravettian culture, ca. 16,000–12,000 cal b.p.) occupation of the Alps region. The importance of the site is related to the discovery of 267 stones painted with anthropomorphic, zoomorphic, and geometric designs. Here we report on ground stone tools from Riparo Dalmeri investigated by means of an integrated technofunctional and experimental approach to reconstruct their production and use. The results support the hypothesis that the ground stone artifacts were employed in specialized activities (e.g., hide treatment, flintknapping) as well as in the production of some of the painted stone artifacts.     

The Limits of Public Policy Intervention in Urban Logistics: Lessons from Vicenza (Italy)

For over 15 years, the subject of urban logistics has preoccupied many stakeholders, including both private and public decision-makers. The purpose of this paper is to present a study of the limits of public policy regulations restricting vehicle access to limited traffic zones to promote the use of urban consolidation centres (UCCs). After examining the main technical and economic aspects of implementing an UCC, we present the case of Vicenza (Italy), which has implemented very restrictive regulations. We study the municipal regulations and their legal consequences, by analysing court rulings issued between 2006 and 2009, following a lawsuit brought by an association of freight transport carriers due to these restrictions. Although this case seems applicable to a specific context, we identify several lessons that can be extrapolated to other cities. Therefore, the lessons drawn for other urban areas in Europe are presented, and their advantages and possible transferability studied.     

Temporal nature and recycling of Upper Paleolithic artifacts: the burned tools from the Molí del Salt site (Vimbodí i Poblet,northeastern Spain)

Recent research in Paleolithic archeology has stressed the importance of temporal issues in assemblage interpretation. Archeological assemblages are temporal constructs, formed by the addition of an unknown number of depositional events. This temporal dimension is also evident at the artifactual level, since single artifacts may undergo different events of modification and/or uses over time. The recycling of previously discarded blanks for tool production is one of the best examples of the temporal nature of artifacts. The aim of this paper is to evaluate the importance of recycling in a Late Upper Paleolithic site, examining a type of artifact – burned tools – that has up to now been little used to approach this issue. Our results suggest that recycling was probably a significant component of Upper Paleolithic provisioning behavior, with important implications in site formation processes and the typological variability of assemblages. The expedient or curated character of recycling is also discussed.     

The Festival of St John: Norm and Change in Civitella Roveto in Abruzzo (Italy)

This essay describes the festival of Saint John (24 June) at Civitella Roveto in the province of Aquila, Italy. The ritual is analysed as it was at the beginning of the twentieth century and in its contemporary form, in order to reconstruct the norm of the festival and thereby to show the main transformations of the event, and its shifting social context. In addition, the research highlights the connection between the festival and the ritual cycle, investigated in terms of its interaction with the productive cycle of the community and with the cosmic cycle. Finally, the new social and symbolic meanings assumed by the figure of St John and his festival are brought to light.     

The technology Of the yamnaya (pit grave) ceramic production And its relevance to the population history Of the volga-ural region in the early bronze age

Based on ceramic assemblages from the Yamnaya (Pit Grave) culture burials, the technology of pottery manufacture practiced by the Early Bronze Age people of the Middle Volga–Southern Ural region is described. The analysis follows the methodology developed by A.A. Bobrinsky. The results are used for reconstructing the origin and evolution of the Pit Grave culture. The role of ceramics in Early Bronze Age funerary ritualism is discussed.