Roman Interaction in North-Western Iberia

The Iron Age in the North-West of Iberia is characterized by settlement patterns in which small hilltop enclosures or castros were dominant. Recent field-survey work has revealed more about the distribution of rural settlement sites in part of this area, and an analysis has been made of the pattern of rural site distributions in relation to the castros. This confirms the continued focal role of castros into the Roman period. An explanation for the settlement pattern in this region and the absence of typically Roman features like developed villas is sought in the nature and extent of Roman military recruitment from the region.     

The Upper Paleolithic Rock Art of Iberia

Nearly 200 rock art sites of Upper Paleolithic age are currently known on the Iberian Peninsula, in both caves and the open air. Over half are still concentrated in Cantabrian Spain and they span the period between c. 30–11 kya, but–tracking the course of human demography in this geographically circumscribed region–many of the images were probably painted or engraved during the Solutrean and, especially, Magdalenian. Dramatic discoveries and dating projects have significantly expanded the Iberian rock art record both geographically and temporally in recent years, in close coincidence with the growth of contemporaneous archeological evidence: cave art loci in Aragón and Levante attributable to the Solutrean and Magdalenian, many cave art sites and a few open-air ones in Andalucía and Extremadura that are mostly Solutrean (in line with evidence of a major Last Glacial Maximum human refugium in southern Spain), the spectacular Côa Valley open-air complex in northern Portugal (together with a growing number of other such loci and one cave) that was probably created during the Gravettian-Magdalenian periods, and a modest, but important increase in proven cave and open-air sites in the high, north-central interior of Spain that are probably Solutrean and/or Magdalenian. Despite regional variations in decorated surfaces, themes, techniques and styles, there are broad (and sometimes very specific) pan-Iberian similarities (as well as ones with the Upper Paleolithic art of southern France) that are indicative of widespread human contacts and shared systems of symbols and beliefs during the late Last Glacial. As this Ice Age world and the forms of social relationships and ideologies that helped human groups survive in it came to an end, so too did the decoration of caves, rockshelters and outcrops, although in some regions other styles of rock art would return under very different conditions of human existence.     

Socio-economic status and religious identity in medieval Iberia: The zooarchaeological evidence

This paper synthesises faunal data from medieval archaeological sites in the Iberian Peninsula, aiming to identify zooarchaeological evidence that can improve our understanding of socio-economic status and cultural identities. The main zooarchaeological indicators for social differentiation are explored: food procurement and cuisine (taking into account different types of sites – high status, urban and rural), and different socio-political systems (Islamic and Christian regions), from a diachronic perspective.     

Garden plants in medieval Iberia: the archaeobotanical evidence

Of all the plants that were used in early medieval times, many were grown in gardens and orchards and contributed to the subsistence of medieval communities. Archaeobotany provides direct evidence of the range of species used either for food or for other purposes. In this contribution, we explore the evidence of garden produce in early medieval Iberia focusing on archaeobotanical data. First, we will analyse the available data, taking into consideration different types of preservation. Second, we will examine the diversity of species, trying to establish the uses and purposes of the taxa identified. Finally, we will discuss results within the better‐known wider European context.     

Cross-cultural Links in Ancient Iberia: Socio-economic Anatomy of Hospitality

This study is concerned with hospitality in central Spain during the Late Iron Age. First the main characteristics of this Indo-European institution are presented, paying especial attention to the background of indigenous tesserae hospitalis (small epigraphic plaques referring to social links among different communities). An attempt is then made to juxtapose hospitality with the economic basis of Celtic Hispania and with other possible systems of regional interaction, such as transhumance.     

The Greek Neolithic: A new review

The Greek Neolithic, here divided into five phases, is the oldest in Europe. Geographically, it is the closest to the Near East and has thus long been seen as an impoverished derivative of the latter. However, recent research has tended to emphasize the autochthonous nature of Neolithic development in Europe, including Greece. The Greek Neolithic economy, which was based almost entirely on domesticates, and its densely packed, long-lived villages strongly recall the Near East, as do also the early emphasis on fine, decorated, nonculinary pottery and the wealth of figurines. On the other hand, the evolution of stylistic patterns is specifically Greek, although generally related to trends in the Balkans. Originality in the development of the Greek Neolithic is also seen in its latest phase, with apparent decreases, rather than increases, in site density, social differentiation, and, to some extent, long-distance trade. At the same time, however, the dichotomy became much sharper between the rich agricultural plains of northern Greece and the more pastoral(?) regions of the Peloponnese and Cycladic Islands; this presages similar contrasts during the Bronze Age.     

Returning Heroes: Greek and Native Interaction in (Pre‐)Colonial South Italy and Beyond

The cultural interaction between the native population of south Italy and the first immigrants from Greece and the Levant in the early first millennium BC has been exhaustively discussed in recent years. In most cases the debate has been focused on the native side of the encounter, on imports and imitations of Greek and Levantine products found in Italy and on the effects that these foreign goods and the ideologies attached to them had on the local population. Only rarely, however, has the question been asked of how the encounter affected the Greek and Levantine participants. New evidence from the necropolis of Francavilla Marittima, a pivotal point in the early trade and exchange network across the Mediterranean, reveals the adoption of Greek drinking and dining customs based on the notion of ritualized guest‐friendship by the local elite as early as the third quarter of the eighth century BC. As Greek xenia functions on the basis of equal rank of the participants involved, it follows from this discovery that Greek aristocrats must have been present in the pre‐colonial world from a very early time. In the second part of the paper the question is raised of the material evidence in Greece and the Aegean world for these early contacts with the native Italic population, focusing in particular on the evidence from Eretria, one of the leading powers in the early Greek exploration of the West.     

Greek Workers in the Intermountain West: The Early Twentieth Century

Abstract

The Greeks were among many national and racial groups to inundate the Intermountain West at the turn of the century and in many parts of it were the largest group of workers. Payrolls and newspaper reports, the many self-sufficient ‘Greek Towns,’ large chapters of Panhellenic Unions, and the early establishment of Greek Orthodox churches give us cause to believe that the 1910 Census represented only a portion of Greek immigrants. The men were constantly moving and census-taking was haphazard.     

Perfectly absent: the emergence of the Modern Greek perfect in Early Modern Greek

Abstract

This paper traces the emergence of the Standard Modern Greek perfect ?χω + infinitive in the Early Modern Greek period. It shows that the construction appears in written sources towards the very end of the seventeenth century. Special attention is given to ‘phantom’ perfects, which can be found in editions of sixteenth- and seventeenth-century literary and non-literary texts as well as in the bibliography and which distort the picture of its emergence.     

Polis and Oikos: The Art of Politics in the Greek City-State

ABSTRACT

The Greek city-state has traditionally been viewed as an entity that was divided into two distinct spheres (oikos and polis) and governed by two distinct arts (oikonomia and politikê technê). The aim of this article is to show that this image of the Greek city-state is not very accurate. The relationship between the oikos and the polis was not exclusive in classical poleis. Particularly in Athens during the democratic period, the polis was depicted as a family writ large, and to the extent that oikos was seen as an entity of its own, it was a part of the polis, not excluded from or opposed to it. My aim is to show that the art of the household and the art of politics were not distinct arts as has been claimed in modern political theory. Furthermore, although the collapse of the classical city-state during the Hellenistic era entailed a privatization of the household, it was not until modern times, from the late eighteenth century onwards—when the concept of the natural right to life and property became firmly established in juridical and political discourses—that the private sphere attained genuine autonomy.     

The Interplay of Spirit in Greek Island Dancing

Values of honourable courtship are expressed in dance and this paper is an ethnographic reconstruction of a Greek island dance called the sousta practised on the Dodecanesian island of Rhodes during the interwar period (1925–1940). Its performance was a dynamic interplay of gender roles that mediated romance and moved the performers toward the resolution of marriage. The aim of the paper is to elaborate on values ascribed to men and women during the occasion of dancing at a village wedding in southern Rhodes. The interplay of grace (hari) and honour (timi) will locate why and how men reveal through hari and why women are concealed through timi during the dance performance.