‘Immigrant games’: sports as a metaphor for social encounter in contemporary Irish drama

This paper explores the use of sport and sports matches in recent Irish plays that feature migrants. Sport and sports matches are recurring tropes in films, prose and theatre works that feature migration to and from Ireland. A form of popular culture and ‘one of the most pervasive social institutions in our society’, sport acts as a catalyst for social encounter and at the same time it can reflect subtle forms of social discrimination. It allows both for inclusion and exclusion of the other: it can be ‘a site for racial tension’ and it can ‘provide the opportunity to exercise a right that does not have to be officially granted by bureaucracies or public administrations and can be engaged in relatively freely’. Through sports, migrants can acquire ‘an opportunity for self-determination and control that may well be lacking in other areas of their lives’, hence the recurrence of sports on the Irish stage.     

Fitting into a New Place: Irish Immigrant Experiences in Shaping a Canadian Landscape

Escaping one heritage of British colonialism for another, Irish immigrants to Canada in the nineteenth and early twentieth century helped to shape the image of Canada and Canadian nationalism. In this paper, I compare the diversity of Irish immigrant experiences in Canadas urban and wilderness landscapes. The Irish immigrant experience in major urban centers is well documented. Community neighborhoods, Church activities and domestic and manual labor constitute just part of the stories of urban Irish Canadians in cities such as Toronto. The popular conception of the Irish as strictly city people is strengthened by the lack of discussion of the Irish immigrant role in taming (and ideologically shaping) the wilderness of Western Canada. It is argued that this has to do with the colonial image of the Irish from which British imperialist Canada sought to distinguish itself.     

Stand(ing) up for the immigrants: the work of comedian Des Bishop

This article examines the work of white Irish American stand-up comedian Des Bishop in the context of Ireland's changing demographics. In particular, it situates Bishop within current and controversial debates on ‘undocumented Irish’ in the USA versus ‘illegal immigrants’ to Ireland, debates in which Bishop himself has explicitly intervened. A New York native who has been living in Ireland since the age of fourteen, Bishop's comedy draws upon the convention of the US stand-up as ‘ethnic’ outsider who exposes the foibles of the dominant mainstream, while he also self-consciously asserts his comic persona within the ‘returned Yank’ tradition in Irish American culture. In an increasingly multicultural Ireland, I contend that Bishop has established himself as a mediating figure between white (read: desirable) and non-white (read: undesirable) immigrants to Ireland, a strategy which, I argue, must be approached with caution.     

Social Polarization and the Politics of Low Income Mortgage Lending in the United States

ABSTRACT The structured inequalities of capital investment and disinvestment are prominent themes in critical urban and regional research, but many accounts portray ‘capital’ as a global, faceless and placeless abstraction operating according to a hidden, unitary logic. Sweeping political‐economic shifts in the last generation demonstrate that capital may shape urban and regional processes in many different ways, and each of these manifestations creates distinct constraints and opportunities. In this paper, we analyze a new institutional configuration in the USA that is reshaping access to wealth among the poor – a policy ‘consensus’ to expand home‐ownership among long‐excluded populations. This shift has opened access to some low‐ and moderate‐income households, and racial and ethnic minorities, but the necessary corollary is a greater polarization between those who are able to own and those who are not. We provide a critical analysis of these changes, drawing on national housing finance statistics as well as a multivariate analysis of differences between owners and renters in the 1990s in New York City. As home‐ownership strengthens its role as a privatized form of stealth urban and housing policy in the USA, its continued expansion drives a corresponding reconstruction of its value for different groups, and inscribes a sharper axis of property‐rights inequalities among owners and renters in the working classes.     

城市公共空间与移民跨群体融合研究——时空间行为视角的研究综述

大规模人口流动背景下的社会极化和社会排斥是全球城市普遍面临的挑战,移民的跨群体社会融合已成为中国城市研究关注的新议题。城市规划和地理学者长期重视公共空间的社会融合效应,强调通过公共空间的营造改善群体间的包容态度、促进群体间融合。然而,持续增强的移动性使得本就存在争议的公共空间跨群体融合效应更加复杂。本文从时空间行为的视角出发,从时间、空间、行为三个维度,构建围绕公共空间的移民—本地居民跨群体融合效应综合分析框架。此框架整合空间、行为和时间三个维度,考虑个体活动与移动的连续性,构建多重空间情境下的活动—移动链,揭示公共空间在不同时间尺度上的跨群体融合效应。在移动性增强的背景下,时空间行为视角的研究框架有助于理解人—地交互的社会融合效应,为包容性城市建设提供参考。     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

流动性视角下打工旅游者行为特征研究——以大理古城为例

打工旅游已成为一种新的人口流动现象,本文通过对大理古城32位打工旅游者进行深度访谈和观察,发现他们在\"工旅结合\"动机和有无薪资的工作特点上存在分异,据此将其划分为3种类型,研究其在大理的行为表现。结果表明,打工旅游的出现促使工作、旅游和休闲之间的界限变得模糊;打工旅游者在大理的日常活动中,一方面表现出类似游客的行为特征,另一方面又在大理过着悠闲懒散但与日常相似的生活,这种行为的双重性表明他们在日常交往中将不断表现出\"主\"与\"客\"的身份转换,并据此提出旅游发展的相关政策建议。     

Sanctuary Revisited: Central American Refugee Assistance in the History of Church-based Immigrant Advocacy

Abstract

Extant literature on the U.S. Sanctuary movement of the 1980s mainly facilitates an understanding of the movement as part of liberal religious resistance to the Reagan-Bush Administrations' policy in Central America. However, I argue that Sanctuary should also be understood as pivotal to church involvement in a longer lineage of social activism that can be called immigrant advocacy. Church-based immigrant advocates (CBIAs) were in short supply until the end of World War II, when Christian clergy and laity used biblical calls for hospitality to argue for the admission of thousands of displaced persons from Europe. Over the next quarter-century, many CBIAs provided services to political refugees admitted under State Department criteria. But as CBIAs grew frustrated with double standards in refugee admissions, they began to develop discourses legitimating hospitality work outside of a nation-state framework. In tracing the history of church-based immigrant advocacy, Sanctuary indexes the juncture at which many Christian organizations widened their operations beyond the standard of sovereignty to accommodate undocumented refugees as well as immigrants motivated by economic need.     

The Role of Wampum Production at the Albany Almshouse

This paper presents the archaeological and documentary evidence for wampum production at the Albany almshouse within its historical and cultural contexts and in light of Dutch notions of charity, while considering the continually shifting functions and meanings of wampum. It suggests that in the mid-eighteenth century, both the Dutch Reformed Church and private entrepreneurs were involved in producing wampum for trade on the northern and western frontiers.     

The Archaeology of Slavery at the Van Cortlandt Plantation in the Bronx,New York

Excavations at the Van Cortlandt Mansion, the central structure of an eighteenth-century plantation located in Van Cortlandt Park in the Bronx, New York, highlight the difficulty of using archaeological evidence to document the story of enslavement in early America. While the documents indicate the extent of the Van Cortlandts' involvement in the slave trade and in the reliance on enslaved labor to build and run their enterprise, the excavations carried out over several years have not yielded concomitant evidence.