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Miceal Ross 《Folklore》2013,124(1-2):83-88
This paper discusses the May Day celebrations of the “Sons of Saint Tammany,” an American holiday fraternity under the patronage of an historical Lenape (Delaware) Indian chieftain, which incorporated many Native American performative elements. Beginning in Philadelphia in the colonial period and quickly becoming a vehicle for republican sentiments, the Tammany idea spread to many other east coast cities. The May Day revels of the Society reached their heyday in the early years of the new nation (Federalist period). Two trends in the use of Native materials are identified, the “vaudevillian” and the more serious ethnographic. The latter led to incidents of what can be called “carnivalesque diplomacy,” with native American delegations to the U.S. capital. Dr Samuel Mitchill's elaborate mythopoetic oration for the New York chapter in 1795 is taken as an end point for the creative appropriation of Native American elements. New York's Tammany Society would eventually evolve into the famous political machine of the Democratic Party, leaving behind the original May Day idyll and Indian masquerade. 相似文献
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LIAODONGFAN 《中国西藏(英文版)》2005,16(3):44-47
In the first part of the 20th century, Wuxi in Jiangsu Province saw the birth of a blind musician named A Bin. 相似文献
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《中国西藏(英文版)》1998,(1)
QingkeWineandToastSongsLamaismbansdrinking.AndTibetantsampokingshadatemptedtoprohibittheirpeoplefromdrinking.However,drinkin... 相似文献
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José-María Esteve-Faubel Rosa-Pilar Esteve-Faubel María-Teresa Botella-Quirant 《Folklore》2017,128(4):329-353
Agricultural work in many cultures has been accompanied by a series of songs used to break the monotony of work and to give rhythm to the activity. Furthermore, certain facets of life in each society are reflected in their words. The objective of this study is to look at the role of songs relating to farm labour in the social and cultural context of the Valencian Community, through analysis of the accounts of participants and of the significance they attribute to these songs as part of their cultural heritage and community identity. 相似文献
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《中国西藏(英文版)》1996,(3)
WineSongsAndCulture¥KANGCOTibetansresorttodrinktokeepwarminthebittercoldTibetanwinters.Qingke(highlandbarley)wine,brewedwithh... 相似文献
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六十年来,土乡兴盛,指日富强。看古城旧堡,莺歌燕舞;高楼新居,柳绿花香。山欢水笑,物阜民强,人世果然胜天堂。心舒畅,靠科学牲,共建小康。 相似文献
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GELEG 《中国西藏(英文版)》2006,17(5):22-27
When guests came to visit Diya people in Ngari,the hosts would ask the young girl in the family to toast them with songs. Holding a wine cup, the girl would stand in front of the guests in turn, and after singing one song, would invite the guest to drink one cup of wine; each guest was serenaded with a different song, although all centered on blessing. From many different people, I have received details of the different songs that now fill my notebook. One song goes like this: In the azure a… 相似文献
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《中国西藏(英文版)》1999,(5)
EDITOR'SNOTE:BelhamoreferstoatypeoffoIksongottenheardinLhasabeforethe1960s.Thoughithadreligiousovertonesandwasspreadbymonks,italsohassecularandpoliticalcontent.Beforethe1960s,theGrandSummonsingCeremonywasheldintheJokhangMonasteryonanannualbasis.Forthispur-pose,thelocalgovernmentofTibetgathered20femaleserfsfromtheestatesaroundLhasatocarrywaterfortheJokhangMonastery,whichhadtoprepareteaandporridgeforabout10,000monksparticipatingintheceremony.Whileperformingtheirduty,thesewomensangsongst… 相似文献