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古史辨派的史学遗产与中国上古史体系的建设 总被引:1,自引:0,他引:1
以顾颉刚为首的古史辨派是我国20世纪20-40年代古史研究的主要派别,对我国史学尤其是上古史研究影响深远。疑古精神、对进步史观的积极追求与接纳的态度、对古史资料考信而后用之的原则、注重历史与考古研究结合的治史方法,以及建设新古史体系的设想,是古史辨派留给我们的史学遗产。新古史体系的建设道路并不平坦,搞好新古史体系建设较为根本的对策就是在总结和继承古史辨派优秀史学遗产的基础上,坚持理论创新,切实加强考古学家与历史学家的沟通与合作。 相似文献
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在20世纪70年代,受叙述史学、新社会史和计量史学的启发,美国历史学家伯纳德·贝林对历史学研究主题和史学方法进行了反思。一方面,他把研究兴趣从政治思想史转向社会史;另一方面,他先后使用中心-边缘模式和大西洋视角来解释17世纪和18世纪北美移民史。详细考察贝林的移民史研究有助于国内学者加深对贝林史学思想的认识,了解美国移民史的新进展,并采用大西洋视角来研究美国早期史。 相似文献
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德国史学在世界历史学领域占有重要的一席之地,也因此固守传统很难有所改变。20世纪50年代,走出战争阴影的德国百废待兴,历史学研究也有了新的起点。德国近代史学家们逐步接受法国年鉴学派提出的结构史学的研究方法,为德国传统史学引入了新的元素。20世纪60年代末,以创新改革为宗旨创建的比勒菲尔德大学为历史学的创新打造了一个平台,以韦勒和科卡为首的近代史历史学家们在创建历史学系的过程中注重以结构史学的方法论解析社会演进,跨学科地分析政治、经济、社会和文化各因素的相互作用和影响对社会历史进程的推进,以研究“整体的历史”为宗旨,形成了以德国社会史为主要研究领域的比勒菲尔德学派。 相似文献
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20世纪80年代以来,在法国社会对知识分子问题的讨论和政治文化史学兴起的背景下,法国史学界诞生了一门新的史学分支学科———知识分子史,作为这门新兴学科的主要代表人物,让-弗朗索瓦·西里奈利运用“历程”、“社交性”和“代”三种独特概念方法,对法国知识分子的历史成功地进行了开创性的研究,对我们具有借鉴意义。 相似文献
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Dario Migliucci 《Journal of Israeli History》2018,37(1):87-111
To date, scholars have not examined the representations of the Middle East conflict in the 1940s and 1950s by the Spanish anti-Francoist movements. This work analyzes media narratives concerning Arabs and Israelis produced between 1947 and 1957 by the communist, socialist and anarchist press. Through a critical analysis of the articles published in those years, it is possible to demonstrate that the coverage of the Spanish left-wing periodicals was not rooted in the realities of the Middle East, but rather in the political and ideological interests of their parties. 相似文献
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Although the Belcher affair was one of the biggest cases ofpolitical corruption in twentieth-century Britain, the scandaland resultant judicial inquiry have received little attentionin political histories of the 1940s due to their lack of electoralimpact. This outcome was not apparent to contemporary politicalcommentators. The allegations were serious and elements of theConservative Party were willing to use them to smear the Labourgovernment. The government successfully defused the scandalby appointing a judicial inquiry to investigate the allegations.They hoped this would dispel rumours of widespread corruption.However, it had the unintended effect of scotching public debate.The allegations became sub judice, hindering the activitiesof the scandalmongers. Tedious press coverage of the tribunalhearings bored many voters, who interpreted the scandal in linewith their existing beliefs. 相似文献
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BENJAMIN ALDES WURGAFT 《History and theory》2010,49(3):361-383
Many authors, both scholarly and otherwise, have asked what might have happened had Walter Benjamin survived his 1940 attempt to escape Nazi‐occupied Europe. This essay examines several implicitly or explicitly “counterfactual” thought experiments regarding Benjamin's “survival,” including Hannah Arendt's influential “Walter Benjamin: 1892–1940,” and asks why our attachment to Benjamin's story has prompted so much counterfactual inquiry. It also explores the larger question of why few intellectual historians ask explicitly counterfactual questions in their work. While counterfactuals have proven invaluable for scholars in diplomatic, military, and economic history, those writing about the history of ideas often seem less concerned with chains of events and contingency than some of their colleagues are—or they attend to contingency in a selective fashion. Thus this essay attends to the ambivalence about the category of contingency that runs through much work in intellectual history. Returning to the case of Walter Benjamin, this essay explores his own tendency to pose “what if?” questions, and then concludes with an attempt to ask a serious counterfactual question about his story. The effort to ask this question reveals one methodological advantage of counterfactual inquiry: the effort to ask such questions often serves as an excellent guide to the prejudices and interests of the historian asking them. By engaging in counterfactual thought experiments, intellectual historians could restore an awareness of sheer contingency to the stories we tell about the major texts and debates of intellectual history. 相似文献
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Thunnis van Oort 《European Review of History》2018,25(6):999-1017
AbstractInvestigating a cultural industry such as the cinema exhibition sector allows insights in the dynamic intersections between economic, social and cultural history. One of the central questions in the debates about the history of movie-going in the Netherlands centres on why the size and number of cinemas and cinema visits per capita has been significantly lower than the average in Western Europe throughout most of the twentieth century. This article monitors the restoration and repositioning of the Rotterdam cinema exhibition sector in the new city centre arising after the devastation of the bombardment of 1940. An analysis of the trade press and the archives of the influential business association ‘NBB’ suggests how effective local exhibitors were in fending off outsider entrepreneurs and regulating internal competition. Alternative networks of socio-cultural or religious or organizations were successfully prevented from setting up a viable operation exhibiting films. 相似文献
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世界近代史断限问题新探 总被引:9,自引:0,他引:9
历史时期的划分不同于社会形态的演变。世界近代史不能同资本主义史画等号。划分历史时期,应以社会经济发展为主要依据.同时也要考虑到政治和思想文化方面的情况。世界近代史是人类进入工业社会和工业社会发展的历史。它的上限可以定在18世纪60年代.下限可以定在20世纪40年代。 相似文献
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Julia Nordblad 《European Legacy》2014,19(6):711-729
Imperialist and collaborationist conceptions of Europeanisms have generally been excluded from mainstream historiography with reference to their alleged un-Europeanness. However, by discussing the ideas and writings of two French Europeanists—Louis Le Fur’s and René Viard’s—in the years 1940–41, I argue that it is precisely their Vichyite and imperialist conceptions of Europeanness that underpin their political ideas of a united Europe. Their works therefore call into question a prevailing historiographical narrative of Europeanism as a benign counterpoint to a dark European past. Since, as demonstrated in this article, French Europeanist visions have often been bound up with both collaborationist and imperialist interests, I argue for the need to develop a more inclusive and critical historiographical perspective on the history of Europeanism. 相似文献
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试析20世纪40年代中国马克思主义史学家对史料和历史考证方法的重视 总被引:2,自引:0,他引:2
20世纪30年代,经过中国社会史论战而迅速扩大影响的中国马克思主义史学,存在着明显的教条化和公式化、轻视史料与考证的缺失。40年代的中国马克思主义史学家对此进行了积极的反思和纠正,而且还从理论上论述了史料及考证方法在历史研究中的重要性,阐述了理论观点与材料方法间的辩证关系,极大地促进了马克思主义史学的中国化和学术研究的中国化。 相似文献
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Lisa Pollard 《Gender & history》2009,21(3):647-669
This article traces the transformation in the symbolic role of the modern, bourgeois Egyptian home and the political and personal relationships it allegedly engendered, showing that what had originally appeared as promising became the potential site of treason and deceit. The article relies on archival materials, political caricatures and articles from the popular press. Beginning with an assessment of the political discourse of 1919, it then illustrates how, by the 1930s, home life and marriage appeared as zones of crisis rather than promise. By the late 1940s, as a stand‐in for political commentary, the domicile appeared as a space from which men had to escape at all costs, presaging a revolution in which a new political order would restore the household to its previous order and centrality. 相似文献
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Catherine R. Osborne 《European Legacy》2017,22(3):278-292
In the mid-twentieth century American architectural journals, including Architectural Forum, Architectural Record, and Progressive Architecture, routinely ran features on the state of contemporary church architecture in the United States. Rapid suburban expansion and the revival of religious life in the post-Depression, postwar era generated tremendous amounts of construction, with a great deal of work available for architects. This article examines the concerns and hopes of modernist editors in the 1940s–1960s, as they sought to stabilize a “direction” for church architecture. Specifically, it examines the role of the architectural press as the self-established gatekeepers for acceptable church design, and their relationship with theologians, liturgists, and building commissions within the Catholic Church. Questions of authority (who was competent to determine whether a church design was successful?) and expertise (whose theological knowledge should be weighted more heavily?) lay behind the stark assertions commonplace in these discussions. Editors, generally not themselves Catholic, used their professional positions to weigh in on hot debates within the Catholic Church over the purpose of a church building, the relationship of the Church to modernity (and modernism), and the appropriateness of new materials and engineering techniques. 相似文献