What's in a Name? The Practice and Politics of Classifying Māori Textiles

Abstract

Textiles form an important part of Māori culture, of interest to Europeans since contact with New Zealand in 1642. The need to describe Māori textiles in English has determined the terminology chosen to describe them, and also affected understandings of Māori weaving. Ethnographic observation and recording of Māori textile production by European non-weavers, inaccurate translation of Māori words, as well as incorrect use of terms have all contributed to difficulties in understanding Māori textile structures. The development of current terminology for describing Māori textiles is discussed, highlighting how it arises as a result of temporal, cultural and political factors, and the consequent importance of names. The values implicit in names given to Māori textiles then affect knowledge, scholarship and communication of their attributes. One Māori textile form, rāranga, illustrates how basing classification on structure alone could clarify understanding, remove implicit value judgements, and enable accurate communication of the properties of artefacts.     

Omniscience in the Mahāyānasūtrālankāra and its commentaries

I am indebted to Charles Hallisey, Matthew Kapstein, John Keenan, and J. W. de Jong, each of whom read an earlier draft of this paper and gave me useful criticisms. I have adopted some of their suggestions, and this paper has benefited considerably therefrom. I alone am responsible for deficiencies and errors that remain.     

Daryā-ye Nur: History and Myth of a Crown Jewel of Iran

One of the most exceptional among the world renowned historical treasures is the repository of valuables of the olden shahs of Persia found in the Jewels Museum in Tehran. The outstanding jewel among those kept there is the diamond called Daryā-ye Nur, weighing about 182 carats. The history of this stone, according to the literature on the subject, starts in seventeenth century India, in the city of Golconda. Analysis of primary sources, however, allows for the supposition that this stone may have a longer history.     

On a quotation of the Skandapurāna in the Tīrthavivecanakānda of Laksmīdhara's Krtyakalpataru

Indo-Iranian Journal -     

Rhetoric,Narrative, and the Remembrance of Death in ʿAttār's Mosibat-nāmeh

This paper examines the anecdotes of ?Attār’s Mosibat-nāmeh as temporal phenomena from the perspective of a reader moving progressively through the text; it is argued that that these anecdotes do not function primarily as carriers of dogmatic information, but as dynamic rhetorical performances designed to prod their audiences into recommitting to a pious mode of life. First, the article shows how the poem’s frame-tale influences a reader’s experience of the embedded anecdotes by encouraging a sequential mode of consumption and contextualizing the work’s pedagogical aims. Next, it is demonstrated that these anecdotes are bound together through formulae and lexical triggers, producing a paratactic structure reminiscent of oral homiletics. Individual anecdotes aim to unsettle readers’ ossified religious understandings, and together they offer a flexible set of heuristics for pious living. Finally, it is argued that ?Attār’s intended readers were likely familiar with the mystical principles that underlie his poems; he therefore did not use narratives to provide completely new teachings, but rather to persuade his audience to more fully embody those pious principles to which they were already committed.