Marvell as libertin: Upon Appleton House and the Legacy of Théophile de Viau

Abstract

This paper argues for a ‘libertine Marvell’ as heir to a line of intellectual and poetic influence stretching from the atheist philosopher Lucilio Vanini, through the poets Théophile de Viau and Marc-Antoine Gérard de Saint-Amant, via their English translators Charles Cotton, Thomas Stanley, and Thomas Fairfax, to Marvell’s poem Upon Appleton House. It argues that Upon Appleton House captures the libertine spirit of Théophile more faithfully than Stanley and Cotton’s largely sanitised versions. Conversely, French libertine poetry and thought of the 1610s and 1620s are seen to provide the best context for understanding the ‘vitalism’ of Marvell’s garden poems, as well as their unusually divagating observational style.     

War and peace in the contemporary French film ecosystem: Valérie Donzelli’s La Guerre est déclarée

This article analyses Valérie Donzelli’s film Declaration of War (La Guerre est déclarée, 2011), in the context of the contemporary French film ecosystem. The article argues that Donzelli’s film exemplifies the French miniaturist mode of production; demonstrates the modern conceptual notion of applied cinephilia; highlights the idiosyncratic uses possible for French popular genres, particularly the comedy and the musical; and embodies the French film industry’s export mission by representing on-screen the French national healthcare system.     

Sur les traces de Cortés: L'expédition du Mexique d'après Le Monde illustré

Unlike L'Illustration, with which it competed under the Second Empire, the weekly Le Monde illustré, which first appeared in 1857 and which was protected by the imperial government, did not count among the political newspapers overtaxed under Napoléon the Third's repressive regime. For this reason, it made great strides thanks to its blind allegiance to a French imperialism that had asserted its authority during the Crimean war, but which spent itself during the war against Juárez and his republican partisans in Mexico. While the French liberal press criticized the Second Empire foreign policy, Le Monde illustré persisted in turning the Mexican war into an antijuarist pacification favorable to a new Latin colonial empire, as well as to an application of the Saint-Simonian doctrine on Mexican industry and economy. In order to achieve this, the illustrated reports on the expeditionary force, military operations, and French victories were a warmongering that aimed to place this campaign in the afterglow of the conquistadors' era, as well as to idealize the imperial army as a symbol of the French nation.     

The conférencier in the purple robe: Chen Jitong and Qing cultural diplomacy in late nineteenth-century Paris

ABSTRACT

The establishment of Chinese legations abroad in the late Qing coincided with the emergence of a number of learned societies and transnational knowledge communities in the late nineteenth century. To what extent did the Chinese diplomats residing in Europe engage with these organizations in their interactions with the West? This paper examines an understudied aspect of late Qing foreign relations by tracing the activities of the diplomat-writer Chen Jitong (1852–1907) in several learned societies in Paris during the 1880s and 1890s. While serving as a secretary at the Qing legation in Paris, Chen also became a member of several Parisian learned societies (sociétés savantes). By enthusiastically participating in the meetings of these societies, contributing to their official journals, and delivering speeches at international congresses organized by these groups during the 1889 World’s Fair, Chen established a presence for Qing China in several nongovernmental international organizations. While the intellectual foci of these learned societies ranged from folklore studies, to architectural preservation, to ethnography, Chen contributed his own unique perspective and sensitivity as a Qing literatus in his representation of Chinese society and culture, which he also successfully fused in his writings about China for a French audience. I argue that Chen’s participation in the French and international learned societies should be understood as a form of late Qing cultural diplomacy, where what was at stake was not political sovereignty but the right of Chinese self-representation and contending notions of civilization.     

Opération Amérique: Québec’s Soft Power Applied to French Language Teaching in the United States

ABSTRACT

Opération Amérique refers to the coordinated efforts of René Lévesque’s Parti Québécois government beginning late 1970s to promote Québec’s interests in the United States. The general goals and strategies of Opération Amérique suggest that it presents a case of soft power. However, the specific actions implemented as well as their effects have barely been explored. An analysis of original documents pertaining to Opération Amérique indicates that specific groups in the United States—namely, French professors—were targeted with the hope that they would improve perceptions of Québec in the United States. An examination of French textbooks used in the United States in the 1970s and 1980s shows an increase in Canada/Québec content, which may reflect the influence of Opération Amérique on French teaching practices.     

Reconfiguring the French nation: Public debates on the Left and national identity

Since the 1980s, neoliberal globalisation has shaped the fate of local and national cultural productions, from movies to music, from entertainment to food. How did French intellectual and political elites respond to this unprecedented challenge? What were the implications for the politics of nationalism and national identity? Two books respond to these questions, although in very different ways – the first directly and the second indirectly. Vincent Martigny's Dire la France explains how a new way of narrating French national identity emerged in the 1980s within an internationally oriented French Left, attentive of the coming challenges of cultural pluralism. Patrick Boucheron's (ed.) Histoire mondiale de la France advances into a more challenging direction by skilfully unsettling the ‘our ancestors the Gauls’ clichéd narrative. French history is thus redefined by moving away from the Frankish/Gallic myth of descent, thereby reconfiguring national identity along new lines. This article identifies how crucial debates on the cultural nation and cultural identity emerged in the wake of the May 1968 uprising, asking how much they contributed to the current shape and meaning of French national identity. It thus reviews what can be described as a new historiographical turn in French history.     

Rousseau's argument for property

Camille Desmoulins's Le Vieux Cordelier is one of the best known newspapers of the French Revolution. Yet, despite this, there has long been uncertainty over the intellectual content of the newspaper and, in particular, over Desmoulins's use of Tacitean passages to support his views. This article seeks to shed light on this important newspaper by setting it not just in the context of the debates of the winter of 1793–1794, but also in that of the ideas and arguments of the Cordelier Club. The article demonstrates that in drawing on English republican ideas in Le Vieux Cordelier, to assert classical democratic republicanism against the views upheld by the Hébertists and the Revolutionary Government, Desmoulins was writing firmly in the tradition of the Cordelier Club.     

Catholic resistance theory: William Barclay versus Jean Boucher

ABSTRACT

This article examines William Barclay's response to Jean Boucher's De Justa Abdicatione Henrici Tertii (1589) in view of the complexities of Catholic political thought in this post-Tridentine period. It argues that Barclay's famous category of ‘monarchomach’ is problematic for its avoidance of the issue of confessional difference, and that on questions of the relationship between the respublica and the ecclesia Barclay struggled to find an adequate response to Boucher in his De Regno et Regali Potestate (1600). His De Potestate Papae (1609) is treated as the intellectual extension of his battle with Boucher, and more broadly his confrontation with the position of the Catholic League and Jesuits on indirect papal power. By considering Barclay's works in the context of French Gallicanism and the Catholic League in the French Wars of Religion, this discussion aims to reposition Barclay in relation to other Catholic political theorists and thereby re-evaluate the category of Catholic resistance theory.     

Crossing the Great Divides: Hans Aarsleff's Lessons for Nineteenth-Century Intellectual Historians

SUMMARY

This essay discusses Hans Aarsleff's long battle to demonstrate the importance of the French and British thinkers of the mid-eighteenth century to the development of modern linguistic thought. Contesting claims that German scholars were the first to develop historicised theories of language, Aarsleff, along with his Princeton colleagues Lionel Gossman and Anthony Grafton, helped pioneer longue durée studies of the history of philology and of historiography that cross national boundaries as well as the so-called Sattelzeit (stretching from about 1780 until 1820). Although the importance of his work was, for a long time, little appreciated by modern intellectual historians, this essay argues that it is time that we fully learned Aarsleff's lessons.     

Contemporary French philosophy

Scholarship on the French Atlantic empire traditionally and uniquely focuses upon Africa as a source of slave labour for the American colonies. However, this article explores how, in the second half of the eighteenth century, Africa emerged as a viable alternative for colonial expansion. Uncertainties about a colonial future in the New World directed French expansionist attention away from the Americas and towards the African continent, expanding its role beyond a source of labour. The intellectual underpinnings for a transfer of empire first surfaced within the Physiocratic School of political economy. The article examines the emergence of such ideas and their reception within the colonial administration of the Ancien Régime. It also shows how expansion into Africa became central to the imperial agenda of the first French Republic. Exploring Africa as a substitute to colonial America helps expand the lens through which Africa is examined as part of the Atlantic World. It also reveals continuities between Ancien Régime colonialism and later French republican imperialism.     

The everyday poetics of gender-inclusive French: strategies for navigating the linguistic landscape

ABSTRACT

In recent years, the heightened debate surrounding gender inclusivity in the French language has been shaped, on the one hand, by the publication of guidebooks on inclusive writing and communication and, on the other hand, by the Académie française’s scathing critique of écriture inclusive in October 2017. This article provides an overview of this debate and the variety of gender-inclusive linguistic strategies currently in use. It gives particular attention to the expression of non-binary gender identities in French, notably through the growing usage of the third-person subject pronoun iel. Given the need for practical solutions, especially for educators working to support non-binary individuals learning French as a second language, the author argues for sustained engagement with everyday poetics. This approach draws on neologisms like iel (which stretch the boundaries of French grammar) and circumlocutions (structures that avoid gendering people while still remaining within the constraints of standard French). The author analyses Anne Garréta’s 1986 novel Sphinx alongside the 2015 English translation to reveal the possibilities as well as the limitations of circumlocution for the genderless/non-binary protagonists, while highlighting literature’s potential to activate language users to participate in alternative linguistic networks that contribute to a more just world.     

'The purity of the blood': Poncet de la Grave,pronatalism and empire

This article will analyze key publications of Guillaume Poncet de la Grave (1725-1803), formerly the monarchy’s representative to the Admiralty Court, who worked during the Ancien Régime to restrict immigration to France, particularly that of people of color. He was also a passionate advocate for French imperial expansion. After the Revolution, in his political tract Réflections on the Unmarried, he expressed his anxiety over a declining French birthrate and a desire to have the state monitor marriage, sexuality, and reproduction in order to increase legitimate births. In this work he identified threats to what he referred to as ‘the purity of the blood’ within and without France, and proposed to the Republic legislation designed to eliminate them. Poncet de la Grave’s career has been largely neglected but his former position merits a closer look at his political writing, which expressed significant, constant objectives that demonstrate thematic continuity over a tumultuous time. French fears of depopulation and national ‘degeneration’ were still strong at the turn of the century, and remain of great interest to historians eager to understand how they were discussed in the context of great historical change.     

Provocation Versus Performativity: Launching la littérature coloniale française in 1909

In 1909, the colonial newspaper La Dépêche coloniale launched an enquiry entitled La Littérature coloniale de la France comparée à celle d'Angleterre. It was through this initiative that the idea of a ‘French colonial literature’ first caught wider public attention and generated polemics in literary circles and beyond. The aim of this article is to study the aesthetic and ideological agendas driving the enquiry and the polarised reactions it produced, from a sociological perspective inspired by Pierre Bourdieu's work. The author argues that La Dépêche coloniale's questionnaire encoded a set of assumptions designed to guide the answers and impose a vision of colonial literature, rather than elicit debate. One of the respondents, Pierre Mille (1864–1941), preferred provocation: in a piece published in a high-circulation daily Le Temps ahead of the results of La Dépêche coloniale's enquiry, he proclaimed Rudyard Kipling to be the model colonial author, only to conclude that French colonial literature was inexistent. The ensuing debate marked a watershed in the conceptualisation and the institutionalisation of French colonial literature, by setting in motion a process that would be brought to completion in the interwar period.     

Ni Putes ni Soumises: A Republican Feminism from the Quartiers Sensibles

This article examines the activist movement Ni Putes Ni Soumises (NPNS), whose féminisme d'urgence offers a powerful reformist voice which articulates contemporary feminism with traditional Republicanism. NPNS map the quartiers sensibles as male-dominated spaces which have deteriorated since the 1980s. They do so because they campaign against the abuse of women, mainly sexual violence. We examine their claims, and rely on the few statistics available. We then outline the key ideas which inform NPNS's strategies of resistance to sexual abuse: thus, a second section focuses on victim support. Thirdly, we discuss NPNS's interventions in schools. These preventative measures nurture core values of French citizenship while stressing the need for the sexes to learn to respect each other and live together in harmony (mixité). We also examine NPNS's contentious stance on the voile musulman and laïcité. We note that the radicalism of NPNS reveals paradoxical tensions (in particular with regard to laïcité ) which are at the core of French politics, and is open to accusations of instrumentalisation.     

La Greffe Générale: the voice of French facially injured soldiers

Like the combatants on the frontline, the wounded soldiers of the First World War wrote and published newspapers during the sometimes lengthy periods of time they spent in hospital. La Greffe Générale is the journal written by and for facially injured combatants treated at the Val-de-Grâce military hospital in Paris. Throughout the eight issues released between December 1917 and July 1918, the voices of these men can be heard. While the surgeons’ perspective prevails in most remaining documents to do with French maxillofacial wards, La Greffe Générale gives an insight into the experiences of injury and treatment from the point of view of the wounded and convalescent combatants. The specific challenges faced by facially injured men are reflected in their writings, as this article shows. At the same time, their newspaper is in itself an attempt to respond to some of these issues. Ultimately, the patients’ publication reveals how gueules cassées, as French disfigured veterans came to be known, tried to collectively cope with their changed lives. The ethos reflected in, and fuelled by, La Greffe Générale played, this article argues, a significant part in the later constitution of the facially disfigured men’s organisation, the Association des Gueules Cassées.     

Performing Palestine in Contemporary France: Mohamed Rouabhi's Transcolonial Banlieue

Franco-Maghrebi reactions to the Israeli–Palestinian conflict have received much attention in the French media in recent years, particularly since the Second Intifada began more than a decade ago. Less well known is the longer genealogy of Franco-Maghrebi involvement with Palestine, starting with the comités Palestine formed by Maghrebi immigrants and the Gauche prolétarienne in the aftermath of May '68. This article begins to excavate the genealogy of Franco-Maghrebi representations of Palestine through a close reading of Mohamed Rouabhi's unpublished play El menfi (L'Exilé), which crosses the memory of 17 October 1961 and the question of Palestine. The author argues that Rouabhi's play mobilises Palestine in order to rearticulate the vexed relationship between the French Republic and its (post)colonial citizens, displacing the memory of colonisation through transcolonial identification with Palestine.     

Existentialist manifesto or conservative political science? Problems in interpreting Raymond Aron's Introduction à la philosophie de l'histoire

Raymond Aron's Introduction à la philosophie de l'histoire is often held to be a paradigmatic book because of either its rejection of positivism in the social sciences, or its anticipation of existentialism in philosophy. The common denominator in these paradigmatic interpretations of the work is its use of various German philosophical influences that, though relatively obscure in France at the time of its first publication in 1938, became prominent features of the postwar Parisian intellectual landscape. During the Cold War, however, Aron was not only a peripheral figure within the Parisian intelligentsia, but also one of its harshest critics. The apparent mismatch between the paradigmatic status claimed for the Introduction as the first French existentialist book and Aron's subsequent critical position towards the leading figures of existentialism in France forms the starting point for a critical re-examination of the book and its paradigmatic interpretations. After seeking an explanation for these interpretations of the Introduction in deeper trends of generational thought, this article suggests that the history of the idea of intellectual engagement offers a more useful angle from which to approach this challenging book.     

Constructing,promoting and controlling the littérature coloniale of interwar France: an anatomy of the Grand prix de littérature coloniale (1921–1938)

In creating the Grand prix de littérature coloniale (1921–1938) and appointing the award’s panel, the Minister of the Colonies, Albert Sarraut, endowed littérature coloniale with its first institution and ushered in new synergies between the political centre of the Empire and writers self-identifying as ‘colonial’. Pan-colonial in scope and bundling all overseas territories into a single entity that only made sense in relation to the metropolis, the form of literary colonialism that the metropolitan Grand prix promoted and its claim to universal authority over the textual representations of the Empire were contested by regional cultural awards mushrooming across French colonies and protectorates in the interwar period. The author argues that the fast-changing politics and policies of the Grand prix and the discourse surrounding its attribution were all weapons through which this battle for the ownership of colonial literature between the métropole and its periphery was fought, quickly outweighing discussions about aesthetic merit. They also show why metropolitan colonial literature and its regional variants gain from being analysed jointly, in their interrelatedness, by exploring understudied links between geographical space (both real and imagined) and the distribution of financial and symbolic capital across the French Empire during the interwar period.     

The Sartre–Camus Quarrel and the Fall of the French Intellectual

Over the past thirty years, the disappearance, if not the death, of the intellectual in France has been the focus of significant conversation and debate. Yet a good bit earlier, two writers who epitomized that very figure of the intellectual, Jean-Paul Sartre and Albert Camus, in works written after their bitter break, seemed to have already sensed this decline. The present essay explores what Camus's novel La Chute [The fall] and Sartre's autobiography Les Mots [The words] share thematically and, in particular, how both works anticipate the fall of the French intellectual.