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In the mid-twentieth century American architectural journals, including Architectural Forum, Architectural Record, and Progressive Architecture, routinely ran features on the state of contemporary church architecture in the United States. Rapid suburban expansion and the revival of religious life in the post-Depression, postwar era generated tremendous amounts of construction, with a great deal of work available for architects. This article examines the concerns and hopes of modernist editors in the 1940s–1960s, as they sought to stabilize a “direction” for church architecture. Specifically, it examines the role of the architectural press as the self-established gatekeepers for acceptable church design, and their relationship with theologians, liturgists, and building commissions within the Catholic Church. Questions of authority (who was competent to determine whether a church design was successful?) and expertise (whose theological knowledge should be weighted more heavily?) lay behind the stark assertions commonplace in these discussions. Editors, generally not themselves Catholic, used their professional positions to weigh in on hot debates within the Catholic Church over the purpose of a church building, the relationship of the Church to modernity (and modernism), and the appropriateness of new materials and engineering techniques.  相似文献   

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《Public Archaeology》2013,12(2):109-124
Abstract

The development of archaeology in Italy during the first decades of this century led to a partial rejection of positivist principles of experimentation in favour of a historically-based idealist philosophy. Under the Fascist regime archaeology was used to create and sustain the political mythology of Romanità. Excavations in central Rome sought to highlight the physical connections between the Rome of Augustus and that of Mussolini as well as emphasising the links between the chain of ‘great men’, who had created and sustained the Roman state.

The Italian archaeological mission to Albania was established against this background, with the aim of reinforcing Italian hegemony to the east of the Adriatic. The means of achieving this varied from reinforcing Albanian historical preconceptions to emphasising the mythological connections and traditional civilising mission of Rome in the Balkans. Within these political objectives, the mission was able to follow a serious scientific research programme, although full publication was prevented by the outbreak of war. Thereafter, the changed political situation enforced the abandonment of the project.  相似文献   

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Between the end of the Great War and the start of the Second World War, various Italians living in London, who for the most part had migrated there around the start of the twentieth century, started their own particular determined opposition to Fascism. Their initial aim was to counter Fascist monopolisation of London’s Italian community, contesting control of the community’s main associations, institutes and cultural bodies by the Fascio, which had been established in London in 1921. Subsequently, these anti-Fascists also sought contacts outside London’s Little Italy, on the one hand with British political bodies and the British press, and on the other with anti-Fascists in other countries. While strong links were formed with the latter, British society showed only a muted interest. This is in part explained by the positive response to the Fascist experience by the Conservative press and various eminent British politicians, at least until the mid-1930s.  相似文献   

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