Gendered viewing,childbirth and female authority in the residence of Alice Chaucer,duchess of Suffolk,at Ewelme,Oxfordshire

ABSTRACT

This article examines the visual culture of the late medieval great residence from the perspective of the female gaze. In 1466, the widowed Alice Chaucer, duchess of Suffolk (c.1404–75), moved several items from her London and East Anglian houses to her principal residence at Ewelme, Oxfordshire. A unique set of inventories reveals that the move anticipated the birth and baptism of one of Alice’s grandchildren at that manor house. Focusing on the tapestries displayed in the main rooms of Alice’s residence, this article argues that the rituals surrounding the birth of Alice’s grandchild – and their occurrence within a female-headed household – provided a gendered viewing context, which both informed, and was informed by, their iconography. It considers how the mutually constitutive relationship between space, iconography and ritual would have authorised an event centred on female bodies, whilst also articulating Alice’s authority as household and family matriarch.     

Reconstructing Kilmainham: the topography and architecture of the chief priory of the Knights Hospitaller in Ireland,c.1170–1349

ABSTRACT

For almost 400 years the Knights of St John of Jerusalem – the Knights Hospitaller – maintained a priory in Kilmainham, Co. Dublin, as their principal residence in Ireland. Nothing survives of it above ground. The priory's early history and topography are mainly shrouded in mystery, but a fourteenth-century registrum illuminates the workings of its community and the character of its members, and provides valuable evidence relating to the appearance of its architecture and layout when it was at the peak of its prosperity. Yet the registrum has never been subjected to detailed scrutiny. Recent research on the Hospitallers in Ireland on the one hand, and on the organisation of domestic space in medieval contexts in Ireland on the other, has prompted this comprehensive appraisal of the evidence in Kilmainham's registrum.     

‘There Is Graite Odds between A Mans being At Home And A Broad’: Deborah Read Franklin and the Eighteenth‐Century Home

From 1764 to her death in 1774, Deborah Franklin lived in ‘their’ new house without husband Benjamin. The correspondence between them reveals several ambiguously gendered constructions of that house – ideologically, materially, and architecturally. Deborah was ‘homeless’ legally and conceptually. Her household variously consisted of her mother, her adopted son, her daughter, relatives, guests, boarders and servants – she permanently assumed the role of head of the household. His household consisted of his landlady, Widow Margaret Stevenson, and her daughter Polly – he could not assume his role as head of household. Moreover, as Deborah wrote to her husband about turning the house into a fortress during a raid on it during Stamp Act crisis, he wrote to her about the household goods; as she talked about politics, he discussed familial matters. Their permeable, even ambiguous, masculine and feminine roles reconstructed the meaning – and thereby symbolised the gendered complexity – of the early American white middling and elite eighteenth‐century home.     

State Ceremonial,Court Culture and Political Power in Early Modern Denmark, 1536-1746

In early modern Europe the court of a prince was many things: the household of a prince, a point of contact between the ruler and the elites, a cultural trendsetter, a focal point of patronage and an important institution of regional and international politics. In short, the court had many functions. In this article the focus is on the main lines of development in the court culture of early modern Denmark, from the Reformation (1536) until early Absolutism. Certain structural changes are highlighted and an attempt is made to explain them in political terms. As a prelude, I offer some theoretical reflections on the meaning of court culture in general and ceremonial culture in particular. Let me say from the outset that I have found my inspiration mainly in German and American historical scholarship, which for the past twenty years or so has witnessed a continuous and fruitful debate on the early modern court.     

Crimson,Scarlet, Murrey and Carnation: Red at the Court of Henry VIII

Abstract

Red, in all its various shades, was a colour with many associations at the court of Henry VIII. This article presents a thematic analysis of the key circumstances when red clothing was worn at Henry VIII's court, namely the robes worn at sessions of parliament by the nobility and secular clergy, the livery issued at coronations, as well as livery given to members of the king's household and his army in 1544. In addition, the king wore red for key days in the liturgical year as his medieval predecessors had, while it also formed part of his everyday wardrobe. Red was also significant for others at the Henrician court, including the secular and ecclesiastical élite. As such, it was a colour that was associated with wealth, status and parliamentary authority.     

Lucy Hutchinson,Lucretius and Soteriological Materialism

Abstract

This article examines Lucy Hutchinson's pervasive materialism, arguing that her use of corporeal imagery – in part shaped by her early translation of Lucretius – contributes to the soteriological purposes of her later works in multiple ways. Criticism on Hutchinson has tended to divorce the materialist imagery of her translation from the Calvinistic themes of her other writings. I argue, however, for the lasting presence of a materialism constructed from the vocabularies of Lucretian Epicureanism, Neoplatonism and John Owen. Focusing especially on the poem Order and Disorder and Hutchinson's theological tract to her daughter, I show how she uses materialism as a “means” to achieving assurance and grace. I suggest that these various responses to physical experience are part of Hutchinson's enduring investigation into the ontology of “Order” and “Disorder”, and her quest for stable spiritual being.     

The margin to act: a framework of investigation for women's (and men's) medieval art-making

ABSTRACT

One of the challenges faced by medieval art historians is to recognise the diverse roles women played in matters of medieval art, while seeing also the impact of society on their artistic choices. By tracing how one work of art can open new critical insights into another, and how disparate objects and buildings – if thought through together – can illuminate our understanding of the Middle Ages overall, we can discern the multi-layered stages of the creative process. The term ‘makers of art’ is proposed as a shift away from the commonly used words – artist, patron, recipient – and the preconceived notions about the individuals who fulfilled those roles. The paper also lays out a framework – ‘the margin to act’ – for the investigation of the multi-levelled interactions of women with medieval art and, ultimately, the writing of history.     

The occluded role of royal women and lost works of pre-Norman English and Irish art (tenth to twelfth centuries)

ABSTRACT

Medieval women's involvement with artworks and building campaigns can sometimes be hidden, particularly when, as with architectural patronage, that involvement is familial and multi-generational; it is also likely to be routinely underestimated by scholars in the absence of the artworks themselves. This paper discusses various interactions between royal women, art and architecture from the turn of the tenth century to the arrival of the Normans in England and the Anglo-Normans in Ireland. Moving to portable objects, the analysis of two lost artworks – Edith of Wilton's alb, described by Goscelin, and Derbforgaill of Mide's chalice given to Mellifont – suggests that historical sources can be more revealing of iconography and meaning than is often assumed. Finally, a brief examination of the Ælfflæd/Frithestan/Cuthbert embroideries shows that these fit the same paradigms as the lost works, and that they may offer some further insight into Ælfflæd's status and fate.     

Captivating thoughts: nocturnal pollution,imagination and the sleeping mind in the twelfth and thirteenth centuries

ABSTRACT

Medieval attempts to understand nocturnal emissions – involuntary bodily excretions during sleep which were identified as morally ambiguous – became extensive explorations of the unique and problematic features of sleep and the mental state it produced. During the twelfth and thirteenth centuries, nocturnal pollutions became the object of an intensive scrutiny of sleep as a site of moral concern. Causal explanations often centred on human psychology, in particular the unusual status of the sleeping mind, in an attempt to understand the intricate ways in which mind, body and soul were uniquely bound together in sleep. The mental states before, during and after sleep were understood to interact with one another in complex ways which centred on questions of culpability and its lack. A comparison of medical, natural-philosophical, theological and canon law materials discussing nocturnal pollution reveals a preoccupation with the sleeper’s mind as exceptional, uncontrollable and problematic.     

Transcending Gender Roles,Crossing Racial and Political Boundaries: Agnes Hill’s Fight for her Inheritance in German Southwest Africa

ABSTRACT

Agnes Hill, the unmarried daughter of a British landowner and farmer and his mixed-race wife, was living a ‘white’ farmer’s life in the colony German South West Africa. In 1908, she was suddenly classified as ‘native’, due to the enforcement of radical racial legislation in the German colony degrading the offspring of mixed-race people as ‘bastards’. The new classification would have had dire consequences for the whole family, especially in respect to their landownership. However, Agnes fought for her family, with the support of solicitors and – as a daughter of a British father coming from the Cape Colony – with the help of the British consul residing in the German colony. She finally succeeded in securing the estate for the family, even if she was an unmarried woman in a predominantly patriarchal settler society. Using mainly material from the court cases, the article traces Agnes Hill’s fight for the Hill inheritance, thereby investigating various crucial issues of colonial societies. It points at the changing boundaries between ‘white’ and ‘non-white’ and the ambiguity of racial classifications. The article argues that women such as Agnes Hill could play a significant role in colonial settler societies and were able to transcend gender-role boundaries.     

Alienated Outsider or Integrated Courtier? Edward Stafford,Third Duke of Buckingham, 1498–1521 and the Royal Court

Edward Stafford, third duke of Buckingham (d. 1521), is a key example in the historiographical interpretation of relations between crown and nobility as difficult and in conflict under the first two Tudor kings, not least because of his execution for treason in 1521. In particular, he has been seen as an outsider at the Tudor court, playing little role there except perhaps on great set-piece occasions. He was, in this interpretation, unable to adapt to the new role demanded of the nobility by the crown. Yet, drawing on the evidence of his extant and unpublished household accounts, Stafford can be seen to be very regularly at court under both Henry VII and Henry VIII, playing far more than just a ceremonial role, and it was only shortly before his execution that his relationship with Henry VIII soured. The duke's purposes in his attendance at court – service to the king, furtherance of his own business and leisure interests – can be teased out from the accounts, as can relationships with others at court. The study concludes by examining the extent to which the higher nobility expected to be at court and to be influential with the king in the period between 1485 and 1529. An appendix constructs a full itinerary for the duke for 1 April 1506 – 31 March 1507 from the evidence of a household account.     

Excavations on Brightstone and Bowcombe Downs,Isle of Weight,Made in August 1854

Abstract

Not a single English Romanesque great cloister arcade survives in situ. Despite this, the existence of a number of 11th- and 12th-century rear walls, and the discovery of quantities of stonework likely to have originated in cloister arcades, make it possible to recover something of the likely appearance and character of the cloister in Anglo-Norman England. The following paper considers that evidence, and assesses how our understanding of the underlying topography and archaeology of Anglo-Norman cloisters might enable us to reconstruct their lost walks. It concludes with an appraisal of the chronology of English cloister building.     

The Changing Exploitation of Oysters (Ostrea edulis L. 1758) in Late Medieval and Early Modern England: A Case Study from Dudley Castle,West Midlands

ABSTRACT

Analysis of over 4000 complete left oyster valves from late medieval and post-medieval Dudley Castle reveals the changing role of this perishable luxury over a 700-year period. Throughout the occupation, it seems that oysters were used as ingredients rather than served raw in the shell. A greater reliance on oyster consumption is apparent in the later fourteenth century, perhaps reflecting a more diverse diet amongst the aristocracy in the wake of the Black Death. An increased preference for mussels and whelks is also attested in the Tudor and early modern periods, reflecting changing perceptions of these foods.

Overall, it is likely that natural beds were exploited throughout the time that oysters were being brought to Dudley Castle; however, the evidence demonstrates a shift from limited exploitation of natural inter-tidal sources in the eleventh century towards the dredging of sub-littoral beds in later periods, with some possible translocation of oyster stock. Changes in the shape, size and appearance of the oyster shells suggest the source locales from which the oysters derived changed through time. A notable shift occurred in the fourteenth century, which could reflect changes in supply brought about by altered tenancy at Dudley Castle and/or disruptions to trade brought about by the Black Death. Future biochemical analyses are recommended to provide greater clarity on the origin of those sources.     

Millinery and Old Lace: Miss Jane Clarke of Regent Street

Abstract

Jane Clarke (c. 1794–1859) of Regent Street, London, was well-known as a lace merchant and milliner at prestigious addresses and as an exhibitor at major exhibitions, but her means of livelihood has became a cultural interest which has survived the woman herself. After summarising what is known about Jane Clarke’s family, this biographical article describes the context and the development of her London business and its expansion into Lancashire. It then focuses on Clarke herself — her awards and honours, her lace and antiques collections and her new suburban home. Comparisons are made between Clarke and other London merchants. Jane Clarke’s achievements are of interest to historians considering the careers of Madame Elise, court dressmaker, and Anthony Blackborne, lace merchant, each of whom took over a part of her business in 1859.     

Agnes C.P. Watt and Melanesian Personhood

Abstract

Analyses of Melanesian personhood recently have taken the person to be ‘dividual’, partible or fractal – different in significant ways from the Western monadic, coherent and unitary individual. Melanesian persons, however, have experienced global forces for more than two hundred years, and these encounters certainly modified personal practice. Published letters of Agnes C.P. Watt – who with husband William served as a Presbyterian missionary at Kwamera and Port Resolution, Tanna (New Hebrides, today Vanuatu), from 1869 to her death in 1894 – offer insight into Islander personhood during the first decades of foreign settlement of that island. Christian missionisation, spreading mobility, commodity exchange and increasing numbers of Western persons themselves were reworking Tannese partible, relational personhood. Agnes's dissenting and communitarian womanhood complicated her own Victorian personhood. In particular, her letters document personal innovations in naming practice, mobility, respect, character building and spirituality.