J.S. Bach’s St. Matthew Passion and intellectual history

ABSTRACT

Recent thinking about Intellectual History has moved beyond studying only verbal texts, to encompass other kinds of visual and aural texts that can be vehicles for generative thought. Where might music fit into this expanded conception? If ideas are defined purely as concepts that can be expressed in words, music can be no more than an “epiphenomenon”, a consequence or representation of ideas that lie behind it, but not capable of embodying those ideas in itself. Yet to many musicians, it seems obvious that music can function as a way in which ideas are developed and worked out. What kinds of knowledge might be embodied in music, then, and how do its meanings change over time? In this paper, I examine some of these issues through consideration of one of the key texts of Western art music, J.S. Bach’s St. Matthew Passion, exploring how it was conceived in a liturgical context in Bach’s time, how its meaning changed when transposed to the very different milieus of concert performance in nineteenth-century Berlin and colonial Sydney, and as it has been re-imagined in a variety of recent staged and recorded versions.     

St. Winefrede’s Well at Holywell,Flintshire

This paper reviews the use of hair pins in Roman Britain and examines in detail the ones made of metal which are found in the south. These are divided into twenty-five distinct and two miscellaneous groups, and the dating and distribution evidence for each is briefly discussed. It is shown that there is a distinction between those of the early and late Roman periods. The later first-and second-century groups tend to have restricted, regional distributions whereas the late third and fourth century ones are found throughout the area. There is also a change in length associated with time which is likely to be related to the way in which they were worn. An appendix on microfiche provides summary details of all the pins discussed.     

Liverpool’s Cotton Importers c. 1700 to 1914

Liverpool’s first cotton importers dealt in a range of commodities and this pattern continued until the late eighteenth century. As the British cotton industry grew and new sources of raw cotton – particularly the United States – emerged, some merchants specialized increasingly in cotton in the early decades of the nineteenth century. By the end of the century, the largest importers of cotton dealt in little besides cotton. The growing prosperity of Liverpool’s cotton trade drew companies from elsewhere in the United Kingdom to Liverpool to participate in this trade. By the mid nineteenth century, several key cotton importing houses had originated in the United States; by the end of the nineteenth century the largest importers there. The manner of importing cotton changed. At first, importers had to send a ship out with a captain or supercargo with broad instructions about what to freight the ship with. As communications improved, importers were able to control their purchases of cotton more closely. In the nineteenth century, a significant amount of cotton was imported through Liverpool by merchants acting on a commission basis but this form of importing declined in the later decades of the century.     

‘It’s a different time. It’s a different era. It’s a different place’: the Legacy of Vietnam and Contemporary Memoirs of the Wars in Iraq and Afghanistan

Abstract

This article examines censorship of US journalists in World Wars I and II and the Korean War, Vietnam War, and Persian Gulf War, and from war to war, trends in types of censored information. This article also answers whether any censorship has avoided bloodshed or been legitimate, and concludes by examining how, in any future US wars, the government or military could most legitimately ensure safe reporting.     

Twenty-Sixth Annual Meeting,St. Alban’s, 1869

A round-headed window in the cathedral close at Winchester, drawn by John Aubrey on or before March 1669 for his Chronologia architectonica, may belong to a hitherto unidentified structure shown by John Speed on his Map of Winchester of 1611. The location suggests that this structure and hence the window may have been part of the royal palace built in the centre of Winchester by William the Conqueror by about 1069–70, said by Gerald the Welshman, writing about 1198, to have been second to the palace in London ‘in neither quality nor scale’     

Horace’s Archytas Ode Revisited: Is Carm. 1. 28. 32 Corrupt?

The author offers line 32 in a new form reading debita iura vicesque supernae (instead of the transmitted superbae): “due justice (debita iura) and heavenly retribution”.