以利津县博物馆藏品探究李佐贤生平

文章通过对利津县博物馆藏品的深入探究,旨在揭示清代著名收藏家李佐贤的生平及其在我国传统文化艺术领域的贡献。首先介绍了李佐贤的基本情况,包括其生平经历和文学成就。其次,通过对李佐贤所著《古泉汇》的探究,揭示了他对古代文献的研究与整理以及对中国文化传统的继承与发展。再次,对李佐贤的另一部重要著作《书画鉴影》进行了深入剖析,探讨了他在书画鉴赏领域的见解与贡献以及对艺术鉴赏的独特理解。最后,以李佐贤的生平轶事作为收尾,生动展现了他多才多艺、风趣幽默的一面,为读者呈现了一个全面而丰富的李佐贤形象。文章通过对李佐贤的生平与作品的分析,以期进一步弘扬传统文化,推动古代文化研究的深入发展。     

嵊州市文管处收藏的商笙伯书画

嵊州市文物管理处收藏有本土画家商笙伯作品18件,本文对这些作品及画家生平作简要介绍。     

张萱其人与《虢国夫人游春图》

本文就唐代仕女画家张萱的生平和绘画艺术特色作了述评,并着重就其名作《虢国夫人游春图》摹本作了深入研究和赏析。     

诸升生年的订正

清代画家诸升善画墨竹,兼作山水,《图绘宝鉴续纂》、《国朝画征录》均有记载,然而于其生平,画史向无明确记述。本文从《宋元明清书画家年表》、《中国美术家人名辞典》、《宋元明清书画家传世作品年表》等书中有关诸升的生年问题入手,结合诸升《雪竹图》(台北故宫博物院藏)、《墨竹图》(比利时尤伦斯先生藏)之署款“己巳”、“庚午”均署“七十三叟”,推定诸升的生年是1617年。     

通过《向日葵》走近梵高

如果说用一条河流来形容西方美术史,那么后印象派画家梵高就是这奔腾长河中一艘披荆斩棘的巨轮。梵高成就了伟大而独特的绘画艺术,虽然他的生命是短暂的、生活是坎坷的,但都无法阻止其炽热的艺术情感和坚定的艺术追求。梵高的作品画风鲜明,色彩浓郁纯真、充满激情,他把所有情感都融入笔触和色彩之中,用绚丽夺目的黄色描绘出了惊世之作《向日葵》,这可以说是他的化身,向日葵是最能表现梵高思想感情和精神世界的题材。梵高的一生就如向日葵花期那样短暂,忙碌而又孤独,他极其渴望如向日葵那般拥有绚烂夺目的人生,因此将他称作“向日葵画家”一点都不为过。文章从梵高生平出发,围绕他的作品《向日葵》,分析其诞生及艺术价值,最后探究梵高的绘画艺术风格。     

唐寅《秋风纨扇图》赏析

唐寅是明代著名的画家、文学家,诗文书画样样皆精。《秋风纨扇图》是其生平仕女画代表作。本文首先依据作者不同时期笔性特点,对作品创作时期进行分析。继而结合作者创作背景,从作品的创作构思、作品笔墨技法及表达意境等方面对画作加以赏析,以期探寻唐寅精微的艺术世界。     

情系乡梓 山水可鉴——周明鉴的山水画

画家周明鉴从贵州高等艺专毕业后,做了美术编辑,但这并不影响他的传统山水画创作。他从毕业作品“贵州风情组画”到后来“苗寨风情”、“高原魂”系列,都是对生长养育他的这块土地的倾情描绘。作品《山魂》和《贵州民居》分别入选全国第八、第九界全国美展。画家的乡梓情怀,山水可鉴。     

袁振西

袁振西：1962年出生于陕西宝鸡市,祖籍江苏睢宁．现居北京．水墨当代艺术家,致力于水墨前沿学术研究。现为北京大学、广西师范大学客座教授,江苏省国画院、陕西省美术馆特聘画家．《中国画家》、《神州风情》、《美术家周刊报》编委学术主持。作品曾被《美术》、《美术报》,《中国书画报》、《美术天地》、《中国画家》、《鉴藏》、     

几件姚绶书画作品的考辨

在姚绶存世及见于著录的作品中,存在着若干需要解决的问题。笔者通过对其中几件作品的考证、分析,得出结论,认为姚绶《行书诗笺》是从钱选《浮玉山居图》卷中散佚出去的一段题跋,《吴山归老图》卷是后人拼配之作。此外,本文还通过对姚绶生平部分内容的考察,确定了3件见于著录的姚绶作品为伪迹。     

胡术作品及生平刍识

清末画家胡术,史志记载甚少。杭州市萧山博物馆藏有胡术绘画作品7件,其中几件人物作品可谓其精品之作,体现出了其不凡的绘画技艺。本文根据胡术存世作品对其生平作初步认识。     

清宫大白伞盖佛母信仰探析

清代宫廷对白伞盖佛母的崇拜出现了显著的发展,特别在乾隆时期,除在宫中大量制作白伞盖佛母像外,还在北京及其周边地区的各大寺庙制作供奉精美的绘画和雕塑,甚至专门兴建寺院来供奉白伞盖佛母像。其信奉目的和崇拜方式等方面的特点,目前尚很少有专门的论述见诸文献。本文借助清宫档案及现存清代原状佛堂内白伞盖佛母的陈设情况,试图说明清代宫廷是将白伞盖佛母作为重要的福寿保护神来供奉的,并不是简单地继承元代的信仰传统而是另有传承和发展。     

元代汤垕生平之考证

本文主要目的为重新对元代初期之书画鉴赏家及收藏家汤生平之考证及与其同时文人往来之情形。因此,本文除了藉用地方志、文集、诗集及书画题跋等为佐证之外,同时也将汤父亲汤炳龙之背景,与其他宋末元初文人、画家之交往,及对汤仕途之影响作进一步研究。本论文之结论则定汤约生于1250年代中期,而卒于1310年代中期;乃确定汤活跃于元代初期,且旅居杭州多年,最后移居且卒于北京。汤撰有二书,现仅存《画鉴》一书。此书对了解元初绘画发展及收藏品味具有重要贡献。     

曲亭马琴读本序跋与李渔戏曲小说论

曲亭马琴基于与李渔相似的人生境遇,以及对其创作才华的钦佩之情,模仿其号自名“蓑笠渔隐”,并由此抒发了执着于小说创作,不顾正统文人讥笑、不愿与世俗为伍的隐逸之志。具体到小说观念方面,曲亭马琴立足于自身的文学标准,在深刻接受李渔“义发劝惩”主张的同时,在“取事凡近”上又与李渔大相径庭。而且,两人在作品中都倾注了巨大心血,马琴甚至模仿李渔在《八犬传》的结尾发出了同样的感慨,这一点亦颇令人深思。     

Upsetting the Establishment

The Guanlong Bloc has been widely believed to have enjoyed significant advantages in the dynasties founded between the Western Wei and the Tang. Based on an analysis of the sociopolitical framework and geo-strategic factor before the Taiyuan Uprising, this article aims to explain how in order to strike a severe blow against the Sui. Li Yuan, a core member of the Guanlong Bloc, made use of forces alienated by, or simply unrelated to, the establishment. In addition to showing their considerable resentment against the establishment, a substantial number of meritorious officials collaborating with Li Yuan during the Sui were not directly affiliated with the Guanlong Bloc in terms of family and regional backgrounds; some of them were from humble origin or even desperados not tolerated by the establishment. Amongst the desperados, some were originally members of the Guanlong Bloc but committed crimes while the others were local bandits and chivalrous swordsmen. During his time governing Taiyuan and leading the troop to march towards Chang’an, Li Yuan had managed to recruit local bandits and chivalrous swordsmen. During the medieval era, aristocratic elites played a dominant role in shaping both politics and society; class differentiation was considered a major feature characterized by aristocratic preference. This prevailing mindset, however, did not seem to place any restrictions on Li Yuan in his efforts to recruit locals from humble origin. This practice was instrumental in drawing local supports, thus tremendously strengthening his military force to overthrow the establishment. The method adopted by Li Yuan highlights the point that despite his deep connection with the Guanlong Bloc, he adopted a policy of drawing on local human resources rather than relying on the military strength of the Guanlong region in the process of establishing his own authority. Another major point of discussion is the weakening of the Guanlong Bloc during the Sui. Yang Jian and his sons had counted heavily on those who were not the Guanlong Bloc members; some members of the Bloc had even become the target of purges during the reign of Yang Guang. In this sense, the strategy of using forces outside the establishment to overthrow it was not Li Yuan’s creation; instead, Li simply followed what Yang Jian and his sons had been doing in their endeavors to overthrow the existing order. The above historical facts are sufficient to cast doubt on the advantageous position that the Guanlong Bloc was supposed to be enjoying during medieval China. As a whole, similar to all other military and political blocs in history, the Guanlong Bloc passed through the stages of both establishment and transformation before stepping out of the historical arena.     

“正当的历史观”:论李济的考古学研究与民族主义

张光直曾指出,李济的考古学研究在以下几个方面产生了"特别深远的影响":坚持使用第一手科学取得的经验材料、主张考古遗物的分类应以可定量的有形的东西为基础、从文化人类学的观点出发对考古资料作解释、不把对中国问题研究的视野局限于中     

李大钊对“历史”概念的探讨

1924年,商务印书馆出版的李大钊著的《史学要论》,标志着李大钊的史学思想已经走向成熟。在此书中,李大钊提出了历史的完整的定义。他的这个定义是有两个形成的过程的。他曾经思考过诸多国内外历史学者对于历史的定义,但在接受了唯物史观以后,他才真正明确了历史的概念。他对历史的定义,是他的史学思想中很有价值的重要内容。     

从《味水轩日记》、《六研斋笔记》看李日华绘画史观之转变

明代书画家、收藏家李日华没有象董其昌那样用明晰的语句来概述他对绘画史的整体认识,但从李日华《味水轩日记》、《六研斋笔记》等著作对绘画作品的品鉴中,仍可看到他对绘画史有一个自成体系的把握和理解。本文试图将李日华现存著述、题跋中有关绘画的品鉴和个人认识汇集起来,从而勾勒出李日华的绘画史观念。     

唐云麾将军李献忠墓志简释

本文指出李献忠因当年参与剪除诸韦的宫廷之变而赢得了睿、玄两帝的垂青。李氏父子两代一门四人供职于唐廷之宿卫,且其父考李求“因公之效”获赠以司马。     

Li Hanjun's views on socialism

This article examines Li Hanjun's views on socialism. Li Hanjun was one of the main founders of the Chinese Communist Party (CCP), and expressed his vision and ideas of socialism during the 1920s. Like many other Communists in the early CCP, he was convinced that China should take a socialist road. Yet, in respect to how to realise socialism and what kind of socialist society should be built, Li held a view different from most of them. In his opinion, the governing institutions in a socialist society should be democratic and autonomous rather than centralist and bureaucratic; production and distribution should be administered and managed by an association of free and equal producers in the form of cooperatives instead of by the state and its officials. These views were quite distinct from the Soviet centralised state socialism and the dictatorship by a ruling elite. However, his ideas and designs of the economic and political institutions in socialist society were consonant with Marx on many points. Besides examining Li Hanjun's socialist views, this research also attempts to explore his philosophical inclinations and political orientation, in order to explain why he could conceive such special ideas of a socialist fabric.     

元好问对苏轼词的接受

金源词人元好问对苏词有多方面接受.他借鉴苏词语汇,化用苏词词韵、语典,在语言形式、抒情精神等方面借鉴、学习苏词,从而将自己所经历的宦海沉浮乃至国破家亡的痛苦形诸于词.元好问对苏词的接受,客观上反映了金元时期南北文化融合的大势.