SHADOWS OF PLANNING: ON LANDSCAPE/PLANNING HISTORY AND INHERITED LANDSCAPE AMBIGUITIES AT THE URBAN FRINGE

The history of vernacular landscapes at the urban fringe is poorly studied, limiting our understanding of the contemporary character of the fringe and our knowledge of the urbanization process. This article argues the necessity of a combined analysis of the legacies of planning and the footprints of former landscape ideals in order to understand the conditions for spatial planning at the urban fringe. After first introducing the methodological use of landscape/planning history, the article focuses on the Swedish discourse on landscape change and landscape planning concerning the urban fringe in the 1930s. Particular focus is placed on the discourse on agricultural landscapes at the urban fringe. The third section of the article presents an examination of the footprints of the ‘landscape convention’ (i.e. an agreement on the meaning of landscape in relation to law and justice) resulting from the landscape discourse of the 1930s. The article argues that the legacy of the 1930s explains some of the difficulties arising when planners of today aim to utilize the farm landscape as a resource for recreation at the urban fringe. The shadow of the landscape discourse of the 1930s also creates difficulties in dealing with peri‐urban landscapes in Swedish planning and Swedish law. With the ongoing discourse on how to implement the European Landscape Convention, such knowledge is particularly useful.     

From ‘Problem City’ to ‘Promise City’: Gentrification and the Revitalisation of Newcastle

The city of Newcastle is a complex and changing landscape. Once regarded as Australia's ‘problem city’, Newcastle's identity is being significantly transformed. This identity transformation draws significantly upon the emergence of more cosmopolitan landscapes within inner Newcastle associated with the gentrification of these areas. The discourse of gentrification is inherently post‐industrial, providing a cleaner and more positive identity as Newcastle seeks to erase the stigma of its’ industrial heritage. However, as landscapes are the amalgam of multiple identities, Newcastle's industrial heritage periodically re‐emerges to problematise the city's newly adopted cosmopolitan identity.     

LEGACIES OF CHANGE: THE SHAPING OF CULTURAL LANDSCAPES IN A MARGINAL MEDITERRANEAN MOUNTAIN RANGE,THE GARRAF MASSIF,NORTH‐EASTERN SPAIN

Human conceptions of landscape have influenced the shaping of landscapes as much as landscape configurations have modelled human perceptions. In this article a new theoretical approach to long‐term cumulative landscape change is tested on the Garraf Massif (Baix Llobregat, north‐eastern Spain). Thanks to its ancient occupation, physical character and location near to the city of Barcelona, the area provides a good illustration of how human‐induced landscape change has shaped new, and sometimes conflicting, landscape perceptions. These perceptions then play an equally active role in altering the previously ‘inherited landscape’ in a long‐term cyclical process that can be studied through the combined use of historical, palaeoenvironmental and archaeological records.     

Constructing the Port: External Perceptions and Interventions in the Making of Place in Port Adelaide,South Australia

Port Adelaide, South Australia has been stigmatised as ‘Port Misery’ for over one hundred and fifty years. The origins of this stigmatised discourse can be traced prior to actual colonisation, having their genesis in wide political debates. This reflects the complex and contested nature of landscape, revealing that ‘Port Misery’ constitutes a powerful meta‐narrative that has been projected onto Port Adelaide by powerful and often external actors. This stigmatising discourse may lie dormant for prolonged periods of time, only to be remobilised to serve specific political, social and economic objectives. Recently, the ‘Port Misery’ discourse has been remobilised to justify the redevelopment of Port Adelaide from an industrial to a post‐industrial landscape.     

Rehoboth Baster,Namibian or Namibian Baster? An analysis of national discourses in Rehoboth,Namibia*

Abstract. The point of departure of this article is a conception of nations as discursive constructions of ‘us’/‘here’ in relation to ‘them’/‘there’. The empirical analysis examines three national discourses in Rehoboth, Namibia: (1) a discourse on the ethnic Baster nation; (2) a discourse on the Namibian nation‐state and (3) a discourse on the nation‐state containing a variety of ethnic nations (‘the rainbow nation’). The first discourse is characterised by a primordial belief about Rehoboth Basters, their homeland and their ties to this homeland. This conception is challenged by the discourse on the Namibian nation‐state. Here, it is argued that ‘ethnic nations’ are the creation of colonialism; with Namibia's new independence, it is seen as necessary to tear down previous ‘ethnic nations’ and build up a new, united nation‐state. The rainbow discourse attempts to integrate the other two discourses through ideas about overlapping nations, where the boundaries that separate ‘us’/‘here’ from ‘them’/‘there’ overlap and are inclusive rather than exclusive.     

Carto-fiction: narrativising maps through creative writing

Abstract

This study reacts to the recent call for a narrativisation of maps’ life in post-representational cartography, proposing ‘cartographic fictional writing’ as a means to move geography’s ‘creative (re)turn’ from a place-centred to a ‘carto-centred’ perspective, and as an epistemological tool to go on rethinking maps from post-representational perspectives. First, ‘carto-fiction’ is defined as a self-reflexive (autoethnographic), ethnofictional, creative carto-centred product/practice of research. Second, by including the entire short story entitled ‘Unfolding Berlin’ and an autoethnographic account on how it emerged, this study strives to both theorise and perform carto-fictional writing as an embodied and trans-subjective mapping experience. My goal is to propose ‘carto-fiction’ as a prolific tool to let emotional, subjective cartographies emerge and to narrativise maps as mapping practices. The article further strives to focus on the mapping power of creative writing, and carto-fictional writing and reading will be interpreted as mapping performances, in which subjects are bodily and emotionally engaged. The inclusion of original illustrations aims to involve readers in a visual experience and to further stimulate their spatial imagination: each reader is asked to reflect on his/her own mapping experiences to interpret the fictional story and, thus, the paper itself attempts to unfold unpredicted creative cartographic practices.     

The Struggle Continues? The Spectre of Liberation,Memory Politics and ‘War Veterans’ in Namibia

Memory politics continues to define the socio‐political landscape of post‐colonial Namibia. Interpretations of the country's recent political history are used to contest and legitimize current social and political relations. This article examines these issues as they appear in the negotiation of recognition and benefits between ex‐combatants and state and ruling party actors. A dominant narrative of national liberation, associated with the ruling party Swapo, casts Swapo ex‐combatants as heroes. This has propelled recurrent ex‐combatant demands to the forefront and relegated those who fought on the South African side to a secondary category of ex‐combatant ‘reintegration’. At the same time, this frame constrains ex‐combatant remembrance, pushing aside contentious memories that might lead to a more critical historical consciousness. Although telling a story of the emergence of a unified nation, the liberation narrative actually is an example of a far more exclusionary form of nationalism that uses the vocabulary of national belonging to make distinctions between citizens, and thus justifies practices of inclusion and exclusion. Its strength lies in its ability to link current material politics with emotionally compelling narratives of identity.     

The rise of cultural landscapes

The new interest in cultural landscapes is forcing a reappraisal of concepts of countryside heritage. First the traditional split between cultural and natural values is challenged. Second, modern landscape studies emphasise the subjectivity of landscape assessment, and this is subverting the former tendency to aspire to objectivity in evaluation. The acceptance of ‘associative’ value in landscape is an indicator of this. Modern landscape studies also emphasise the interrelationships between processes and aspects of value, and this is encouraging specialists to communicate across disciplinary frontiers. The desire by ecologists in the mid‐1980s to have cultural landscapes inscribed on the World Heritage list caused a re‐assessment of the World Heritage Criteria, and an initiative by ICOMOS brought this process to a conclusion in 1992. However the reappraisal of concepts of countryside value imply that there are many other philosophical and practical matters still to be resolved.     

‘If the miners had been Mexican…’ The Chilean mine rescue as Mexican ‘politics machine’ (Respond to this article at http://www.therai.org.uk/at/debate)

The operation in October 2010 to rescue 33 miners trapped in the San José mine near Copiapó, Chile, which culminated in a technologically and emotionally dramatic rescue after 69 days of captivity and the expenditure of at least 10 million dollars, captured the world's attention. The story acted as a kind of ‘accidental Olympics’, evoking national sentiment and global communitas, and offering more than a billion people the chance to peek into the lives of the miners and their families. But responses to the rescue were not the same everywhere. This article examines responses in Mexico. Whereas elsewhere the story's appeal lay in its capacity to be presented as a ‘politics‐free zone’, this seemed to be less the case in Mexico. Some Mexican publics, at least, were relatively immune to the apolitical ‘inspiration’ offered by the media and enthusiastically taken up elsewhere. This is because many Mexicans see a painful contrast between circumstances in their country and those in Chile. This sense of contrast manifested itself not only in a lower degree of ‘buy‐in’ to the feel‐good aspect of the story in Mexico, but also in a surge of ill‐feeling and protest against the Mexican government, and in a telling spate of jokes that did the rounds in October and November, which were disseminated on Twitter and YouTube and reported in television and print media. The jokes followed the formula: ‘If the [Chilean] miners had been Mexican…’ and drew on strains of social and political satire with a long history in Mexico.     

‘Rocking the nation’: the popular culture of neo‐nationalism

The aim of this paper is to understand contemporary forms of nationalism in a socio‐political context in which neo‐nationalism has obtained a dominant role not just in politics but in public discourse and in the cultural field as well. It investigates the emergence of a particular music scene in the beginning of the 21^st century, shaped by rock bands and performers and supported by far‐right political actors, which has made the ‘national’ imagination emotionally and ideologically appealing to a considerable part of Hungarian society and first of all to young people.     

‘The land and its people’: reflections on artistic identification in an age of nations and nationalism

From the late eighteenth century onwards, increasing numbers of visual artists came to identify with their nations and with the homeland and its people. This development was strongly influenced by growing national cultural support and regulation of the arts by academies, art schools, museums and art markets in Western Europe. On a subjective level, the Rousseauan movement of a ‘return to Nature’, Herder's espousal of vernacular cultural self‐expression and, above all, the widespread Romantic cult of authenticity, were potent influences on the inner self‐identification of visual artists after 1800, and were manifested in the novel importance accorded to landscape and rural genre painting in Western Europe. Here I consider the role of national sentiment, the ‘return to Nature’ and the cult of authenticity, first in landscape paintings by Paul Sandby, J. M. W. Turner and John Constable in early nineteenth‐century Britain, and then in the rural genre paintings of Jean‐Francois Millet and Jules Breton in nineteenth‐century France and Josef Israels, Anton Mauve and Vincent Van Gogh in the later nineteenth‐century Netherlands. Their work reveals how nineteenth‐century visual artists became inwardly identified with the ‘land and its people’, and how they in turn contributed, especially through prints and engravings, to the dissemination of national imagery and a cultural nationalism.     

COLONIZING CONTRASTING LANDSCAPES. THE PIONEER COAST SETTLEMENT AND INLAND UTILIZATION IN SOUTHERN NORWAY 10,000–9500 YEARS BEFORE PRESENT

This article contributes a western Scandinavian perspective to the discussion of the human colonization of former glaciated landscapes. Four assumptions concerning the peopling of the Norwegian coast are discussed: 1) a delayed colonization, 2) an immigration from the ‘North Sea Continent’, 3) reindeer as the main economic factor, and 4) a rapid rate of expansion along the coast. It is argued that only the first and last suppositions still appear credible, but need to be confirmed. A gradual major development is evident. Stage 1: Marine hunters colonized the resource‐rich coastlines of south‐west Sweden and southern Norway about 10,000 y.BP. Stage 2: Soon after, based on short seasonal moves, some coastal groups started exploiting reindeer in recently deglaciated mountain areas in south‐west Norway. A similar subsistence pattern developed in north‐west Norway. With its remote location, distinct landscape development and many‐faceted environments, Norway appears as ideal for exploring human colonization processes on different geographical scales. More C14‐dates and osteological material are, however, still needed.     

The Natural Contract: From Lévi‐Strauss to the Ecuadorian Constitutional Court

In 2008, the Ecuadorian Constituent Assembly became the first juridical body in the world to legalize what Michel Serres might have called a ‘natural contract.’ With the assistance of the U.S.‐based Community Environmental Legal Defense Fund, representatives at the Assembly in July of 2008 re‐wrote their 1998 constitution to include a landmark series of articles delineating the rights of nature — a notion long familiar to Indigenous communities in the Andean region, actively propagated by anthropologists like Claude Lévi‐Strauss at the French National Assembly as early as the 1970s, and often mocked by mainstream Western jurists for its conceptual confusion about the sorts of entities that can properly be said to have rights. Drawing on the experiences of activists currently engaged in the first national‐level lawsuit to make use of these rights as well as a range of both activists and non‐activists involved in alternative implementations of them, the article explores the possibilities, limitations, and paradoxes of this extension of rights‐based discourse. At a time when the natural world is increasingly being talked about at the United Nations and elsewhere not as a ‘rights‐holder,’ but as an ‘ecosystem services provider,’ I suggest that while the discourse of ‘rights' signals promising shifts in how Andean governments are conceptualizing agency and responsibility in ways that productively break with the trend toward marketization, it also runs the risk of providing the administration with symbolic cover for its intensifying commitment to what Eduardo Gudynas has called, a ‘new extractivism.'     

Love & loss in the 1960s

Roland Barthes observed that though there is a ‘lover's discourse’ shared by all those who are in love, it is a discourse ignored or disparaged by ‘surrounding languages’. Concerned that the discourse of heritage may participate in this closure against the ‘in love’ experience, I begin to explore ways the field of heritage studies might start speaking this language. Specifically, I ponder the ways that a young Chinese woman in the film Days of being wild, following the breakup of a love affair, becomes locked in a landscape of lost love that is populated with objects sticky with affect, objects which although they transmit painful affects nevertheless bind her by a dynamic that Lauren Berlant terms ‘cruel optimism’. I then turn to imagine the way a Balinese house compound gateway might, in a similar way, have become impregnated with affects relating to victims of the 1965–1966 killings in Bali and how, for those left behind, it might assume the ability to ‘presence’ a lost one. Archaeology and heritage studies have great potential to foster empathy with the experience of past others, but this calls for a sophisticated understanding of how objects become imbued with affect and how they transmit it.     

Visualisierungen in der deutschen Geographie des 19. Jahrhunderts. Die Beispiele Robert Schlagintweit und Hans Meyer

Visualization in 19^th‐century German geography: Robert Schlagintweit and Hans Meyer as examples. – Visual representations of nature formed an essential part of 19^th‐century earth sciences. In particular, colonial photography – as a visual source, and as an instrument of the construction of national identities – serves essential research interests of current history and social sciences. The present paper is a case study on the role and function of photography in German geography of the 19^th and early 20^th centuries. It focuses on the work of the Munich geographer Robert Schlagintweit (1833–1885) and the Leipzig colonial geographer Hans Meyer (1858–1929); the early history of photography in India and the function of images in the geographical exploration of overseas territories are discussed. Although there is nearly half a century between the work of R. Schlagintweit and H. Meyer, their photography shows remarkable parallels. The ideas of both on the practice of visualization are rooted in pedagogic and didactic concepts as well as in popular science. For both geographers photography was essentially a technical help, which often needed graphic revisions. And they both preferred photography to depict people and buildings (compared, for instance, to landscapes). Concerning the more comprehensive question of how far their photography transmitted a specific German ‘image of abroad’, it is indicated that such a specific image should have its essential roots in a peculiar visual culture of German earth sciences in the first half of the 19^th century. Thus the paper offers a starting point for further studies discussing the change from a ‘Biedermeier image’ of foreign cultures to a more ‘colonial’ one in 19^th‐century German geography.     

Retheorizing Mana: Bible Translation and Discourse of Loss in Fiji

‘Mana’ has been a key term in anthropological theory since the late nineteenth century, but, as Roger Keesing argued more than twenty years ago, it is necessary to rethink mana theoretically based on its changing usage in Oceanic discourse. Keesing criticized mana's nominalization and substantivization by anthropologists. In this paper I review his criticisms and expand upon his argument, making three related claims based on data from Fiji. First, mana is canonically a verb in Fijian, but contemporary speakers frequently use it in its nominalized and substantivized form. Second, a key reason for this nominalization is mana's use in the Fijian Bible to denote ‘miracles’ as well as homonymous ‘manna,’ the food given by God to the Israelites. Third, in order to understand mana in present‐day Fiji, scholars must consider it in the context of widespread discourse about decline, loss, and diminution.     

Homelessness,poverty, and risks to health: beyond at risk categorizations of street children1

Homeless and street children are commonly portrayed in the academic and welfare literature as a prime category of ‘children at risk’. They have attracted world‐wide attention due to rising numbers in cities of the Western and developing world coupled with a discourse of childhood that ascribes risk to poor urban children unaccompanied by adults on the streets. This paper presents a critique of views about homeless and street children that rest upon an unhelpful blanket generalization of risk and, more specifically, that adopt polemical or categorical statements about homelessness as the most salient risk factor for poor health. Current research is distancing itself from a discourse that sets global characteristics for a ‘street lifestyle’, aiming instead to contextualize research on street children. Many studies have also questioned the stereotypical expectation that homeless children are the most vulnerable in deprived environments, arguing that poverty, not homelessness per se, carries the most significant risks to children's health. A risk discourse is unhelpful where it promotes a stereotype of vulnerability about children, resulting in further discrimination and social exclusion; it is most helpful when it focuses attention on ways to negotiate adverse situations. Some challenging academic and practical questions need to be raised regarding risk assumptions and risk assessment.     

Telling Stories to Hear Autoethnography: Researching women's lives in northern Pakistan

Stories about sewing machines are not usually the stuff of geographies, although stories and narratives offer potential as a geographic method. In this article, I examine the ways that story telling is a reflexive representational strategy, becoming a text for analysis that can be complemented by field research methods. I examine a story about sewing machines to suggest how it can be an analytical tool for postcolonial research, conveying what may be called the ‘real’ effects of colonialism, imperialism, and globalization in the lives of the women I researched in northern Pakistan. This method of representation makes more transparent the extent of women's participation in constructing ‘my’ narrative and research.