Bihar,California, and the US Midwest: the early radicalization of Jayaprakash Narayan

Jayaprakash Narayan (JP) is often remembered as a ‘Gandhian Socialist’ because of his explicit rejection of revolutionary Marxism in and embrace of Gandhian principles in the 1950s and 1960s. However, the easy mapping of a ‘Marx to Gandhi’ trajectory in JP's political life minimizes the complexity of his political journey, in which cultural nationalism and internationalist Marxian thought were intertwined. This article, based on JP's 1972 interview with Hari Dev Sharma of the Nehru Memorial Library and Museum, investigates his early radicalization in the 1920s, and examines the uneven development of his political consciousness in that context. As such, it makes a specific contribution to the historical record of Indian revolutionaries, bringing JP into that story and suggesting that his later political turns may have had as much to do with the crises of global revolutionary thought and organization in the interwar period as with his own ideas and beliefs.     

Rebellious Tigers,a Patriotic Elephant and an Urdu-Speaking Cockatoo: Animals in ‘Mutiny’ Fiction

British fictional representations of the 1857 Indian ‘Mutiny’ are consistently drawn to tigers. These charismatic animals function as an aspect of a romanticized colonial exotic and perform a symbolic role as embodiments of the limits of imperial power. Tigers often featured as a metaphor for Indian revolutionary activities so that the suppression of the rebellion becomes encoded as a hunt. Taking tiger symbolism as a starting point, this essay explores the relationship of images of animals to imperial authority in late nineteenth-century ‘Mutiny’ fiction. Following a discussion of tigers in G.A. Henty's militaristic accounts of the ‘Mutiny’, I examine G.M. Fenn's tale of an elephant's loyalty to the crown, Begumbagh (1879) and Flora Annie Steel's magnum opus On the Face of the Waters (1896). While Henty and Fenn endeavour to encode a narrative of British superiority in representations of authority over animals, Steel's novel by contrast displays a more ambivalent approach to the nonhuman, evoked most strikingly in the figure of an Urdu-speaking cockatoo that consistently evades the allocation of an over-determined imperial symbolism of power. Tensions between the animal and the human and between the wild and the domestic emerge centrally, therefore, to the key question of political authority in imaginings of this historical crux.     

Memory in warfare: history as a destituent narrative

Abstract

To what extent may we consider historical writing a field of political tension? Could we make a plausible conceptual distinction between a constituent and a destituent narrative? According to Carlo Ginzburg – one of the proponents of ‘microhistory’ – historical sources are ‘distorting mirrors’, which let the truth shine through in an indirect way. Consequently, the good historian is the one who manages to grasp the ‘Freudian slips’ of history and fixes them in a coherent framework. Michel Foucault’s ‘political historicism’ seems to adopt the same historiographical approach: the most reliable witnesses of the past are the victims of the dominant power and the forgotten subjects of the constituent historical narrative. It seems to the author that Walter Benjamin and Simone Weil’s warfare writings share this destituent attitude towards historical representations. As far as Benjamin is concerned, the author’s hypothesis is that between the two world wars he radically redefines his notion of memory. With the apotheosis of the Nazi regime, he starts to conceive memory of the catastrophic past as the only possible input of an authentic revolutionary action. With a similar attention to collective memory, Weil goes through European history in order to deconstruct its principal political mythologies, from Rome to the Third Reich. Her purpose is to let the stories of the defeated re-emerge in order to show the history of violence that lies beyond the official representation of the past. In both cases, the main political aim is eventually to produce a destituent narrative of Europe that could serve as a guideline in the post-war period.     

Resistance politics of non-violence: Jean Paulhan’s ’Fautrier the Enraged’ (1943)

ABSTRACT

The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and traditional subject matter, Paulhan demonstrated that Fautrier’s typically matierist and anti-naturalistic approach was instrumental in ‘suggesting reality’. Fautrier’s individual creative process, Paulhan argued, led to a transparent experience to be shared between viewer and artist not only on an aesthetic level, but also from a political point of view. At the time of ‘Fautrier the Enraged”s writing, Paulhan had indeed been concerned with issues of political engagement, as is evident from his essay ‘The Flowers of Tarbes or Terror in Literature’ (1941), which reflects upon the human condition and is concerned with reconciling poetry, politics and ethics. The author believes that such questions were being addressed in Paulhan’s text on Fautrier and by Fautrier’s art and that an aesthetic reading of Paulhan’s text is inseparable from a political interpretation of Fautrier’s art within the context of the Occupation. Indeed, the aesthetic criteria used in Paulhan’s text as framework to his argument were then loaded with political meaning. For instance, Paulhan considered virtuosity as an essential artistic characteristic to be opposed to the art of imitation based on the technical ability to observe and simulate ‘nature’ as imposed by the occupants. With excerpts from Paulhan’s essay and exchange of letters with Fautrier as well as visual analysis of some of the artworks presented in the exhibition, this paper deals with the wider issues of ‘representation’ in the historical and cultural context of the Second World War in France.     

The politics of evolution: Morphology,medicine, and reform in radical London

Summary

This essay closely examines the highly contested but widely employed historiographical category ‘absolutism’. Why are scholars so divided on whether it is even legitimate to use the term and, if they agree to do so, why are they still much at odds in explaining what it is? What are the main historiographical currents in the study of absolutism? Is it the same thing to speak of absolutism in regard to the practices of early modern European monarchies and with reference to the political ideas of so-called absolutist theorists? By addressing these questions through the methodology of intellectual history, this essay provides a comprehensive account of debates on absolutism and, at the same time, suggests that further work needs to be carried out on its theoretical aspects. In this respect, the author will propose a series of key ideas and principles which are meant to encapsulate the core of an early modern doctrine of absolutist monarchical sovereignty. It will also be argued that, when studying political thought, the term ‘absolutism’ might be abandoned in favour of the plural ‘absolutisms’ as a better way of understanding the past, its languages, opinions, people. In so doing, a thorough analysis of what political absolutism(s) is will be set forth, and a series of more general considerations on history-writing will also be advanced.     

The nature of the times deceas'd

The essay reflects on the nature of time as a cultural function, especially in the light of the ‘heritage industry’ of the 1980s. In trying to identify the nature of some changes in relationships between pasts and present in the 1990s, the author suggests the concept of ‘post‐heritage’, defines it, and glances at its applicability to 1994.     

What happened to adventurous young people and their cool places?

ABSTRACT

The essay is about ‘youth full’ change, the content of which is always partial and incomplete but it is always playful in the sense that it is generative and creative. That revolutionary playfulness emanates from young people suggests an important harbinger of change that is often dismissed or feared by adults. As the world moves along dystopian axes, we ignore this palpable energy and its potential at great cost.     

Cultural diplomacy: India does it differently

Abstract

This article reviews the singularities of Indian doctrine and practice of cultural diplomacy, beginning with the observation that this term and the notions of ‘soft power’ and ‘public diplomacy’ commonly associated with cultural diplomacy elsewhere do not have much purchase in India, where the spirit and letter of ‘international cultural relations’ are the preferred currency. The essay explores the historical grounding for this preference, as well as the attitudes and practice that flow from it. Another singularity is the role and importance of the Indian diaspora: overseas populations of Indian origin have been both a significant segment of the target audience for international cultural relations – as if a certain idea of India had to be projected abroad to a part of itself – and a significant ‘co-producer’ in projecting that image. A third is the emergence of a new avatar of the diasporic Indian, now identified with capitalist entrepreneurship.     

Institutions in context: Reconstructing Aristotle's defence of cultural studies

Within political science, there are two alternative approaches to understanding political institutions: traditional ‘institutional studies’ and the newer ‘cultural studies’. Each approach tends to go its own way, with little debate between the two. The former explains institutions by reference to their independent behaviour which has a formative influence on political culture. The latter explains institutions by reference to their dependent behaviour which reflects the formative influence of political culture. This paper proposes a synthesis between the two approaches, offering a third alternative based on a reconstructured application of Aristotle's ‘regime analysis’, along lines experimented with by J.S. Mill. My primary aim is analytical rather that historical: to reconstruct an approach to institutional analysis which better relates institution and culture.     

Sir Philip Mitchell and the Indian Ocean, 1944–49

This article examines the strategic initiatives that Sir Philip Mitchell, governor of Kenya, brought to Great Britain’s Indian Ocean imperial and diplomatic policy in the years following the Second World War. Seeking to give strategic shape to his own coastal Islamic sympathies, Mitchell encroached on high-level policy debates with a proposal to reorganise Britain’s Western Indian Ocean around a political directorate to administer the coastal zones from Aden to Tanganyika. Such a cadre, Mitchell argued, would provide a valuable defensive bulwark against nationalist agitation and a ‘civilised’ foundation for local government initiatives. This paper brings together biography, strategic policy and area studies to demonstrate how Africa’s decolonisation shaped and limited the strategic options for Britain’s post-war Indian Ocean policy. Mitchell’s proposal broached a fascinating debate concerning the Indian Ocean as a realm of historical experience and future political construction.     

Historicising Agency

Why has ‘agency’ been such a tenacious concept in historical scholarship on women and gender, and what have been the consequences on this tenacity? This essay tackles these questions and proposes, through a brief examination of the history of skin lighteners in South Africa and beyond, how agency might be pushed in more surprising, more analytically productive directions. Too often agency slips from being a conceptual tool or starting point to a concluding argument. For example, in my subfield of African women's and gender history, statements like ‘African women had agency’ can stand as the impoverished punch lines of empirically rich studies. Consideration of Walter Johnson's 2003 essay ‘On Agency’ highlights the intellectual and political imperatives of 1970s Marxist and feminist social history that placed agency at centre stage. This essay examines why, more than a decade after Johnson's critique, agency endures as a ‘safety’ argument for reasons related to representational politics, research methodologies and the circumscribed imagination of intellectual gatekeepers. It argues that we should move beyond agency as argument by attending to the multiple concerns and desires – some intentional, others not – that animate human actions, including contentious gendered practices, and by examining how different historical actors have themselves understood agency. Agency has a history. By acknowledging and tracing that history, we will be better able to discern the usefulness and limits of agency for our own analyses.     

Agency,Periodisation and Change in the Gender and Women's History of Colonial India

The paper begins with a critique of the ‘imperialism‐nationalism’ paradigm and its concomitant privileging of the period 1885–1947, which has dominated the writing of modern Indian history. It is argued here that the fixation with the ‘birth‐of‐the‐nation’ theme has led to the neglect of women's agency; that it has resulted in many inconsistencies, dilemmas and unresolved issues regarding a range of topics within Indian gender‐relations; and that this periodisation inhibits the reclamation of terms such as ‘feminist’ and ‘feminism’. The second half of the essay proposes that women's agency can be recovered via a new chronology and a new template for understanding agency within which scholars will be enabled to retrieve the conscious voices of Indian women and record change in gender relations.     

Deferring to Vichy in the Western Hemisphere: The St Pierre and Miquelon Affair of 1941

This article argues that commentators such as Will Hutton might be somewhat premature in their forecast of an imminent collapse of the Chinese economy as a principal mechanism of general global economic downturn. Long-term predictions surely require some long-term data from the real historical past? The author argues more specifically that in recent history the turning points in the Chinese political economy tend to come from technological and related problems within that economy itself, rather than through political pressures arising from outside China. It follows that Chinese political transition awaits further economic development and its association with the emergence of a new phase of technological progress. This approach differs from that of the ‘adaptive governance’ analysts, who argue that evolution of political regimes may be traced through linkages between contemporary political processes and the ‘revolutionary precedents’ of the 1920s. Instead the author considers a continuous history of technological exigencies into the present time as the effective stimulants of regime changes.     

Geographies of steam: mapping the entrepreneurial activities of steam engineers in France during the second half of the eighteenth century

Entrepreneurship played a crucial role in the development and diffusion of steam technology. To account for this, we need to map the entrepreneurial activities that helped spread steam technology across Europe and beyond. Because tracing this history’s contours requires attending to local contexts, strategies and uses along with large-scale trajectories, it makes sense to speak of historical ‘geographies’ rather than of steam technology’s historical ‘geography’. Speaking of geographies in the plural also refers to the recognition that places can simultaneously be located in multiple spatial situations, their geographical identities the product of historical work, negotiation and perspective. To illustrate these points, this essay begins by reflecting on what might be called the ‘spatial turn’ in the history of technology and the role of entrepreneurship in the spread of steam technology in France during the second half of the eighteenth century, which is the historical focus of this essay. It then discusses a small number of representative cases of entrepreneurial engagement with steam technology in France and concludes by considering what this tells us about the relationship between the French state and its regions and the impact of the French Revolution in this geographically complex history.     

Distinctions,distinctions: ‘public’ and ‘private’ force?

This article evaluates recent literatures within International Relations on so‐called ‘private force’. It suggests that the conceptual weaknesses of much of this literature can be accounted for, in part, by a misunderstanding of the historical and sociological importance of the way power is organized and legitimated through shifts in the public—private distinction. This distinction is one of the primary mechanisms, if not the primary mechanism, for organizing political, economic and, therefore, military power. For the sake of historical accuracy and conceptual integrity scholars should abandon the terminology of ‘public’ and ‘private’ force. Tracing how public‐private distinctions shift and change as an effect of political power is a joint task for historical sociology and international political theory     

The cultural politics of shit: class,gender and public space in India

In this article we seek to interrogate the cultural, political and economic conditions that generate the crisis of sanitation in India, with its severe implications for the poor and the marginalized. The key question we ask is how to interpret and explain the spectre of ‘open defecation’ in India's countryside and its booming urban centres. The discussion is divided into three parts. Part one examines the cultural interpretation of ‘shitting’ as symbolic action underpinned by ideas of purity, pollution and ‘the body politic’. Part two takes the political economic approach to gain further insights into contemporary discourse, performance and cultural politics surrounding toilets and open defecation in India. Part three examines civil society activities, state campaigns and media accounts of open defecation to explore the disruptive potency of everyday toilet activities, and how these interplay with issues of class, caste, and gender. Drawing on interviews and a review of ethnographic work, we seek to interrogate the idiom of modern sanitation, with its emphasis on cleanliness, progress and dreams of technology, as a constitutive idea and an explanatory force in Indian modernity.     

Memory,history and the classical tradition

‘Memory’ is often confused and mistaken for myth; this is in turn connected with the widespread use of mistaking collective mythology and common myth for the idea of a ‘collective memory’. This essay discusses memory and history terminology in the context of the generic concept ‘classical tradition’. The case study explored here – the nineteenth-century Walhalla ‘temple’ near Regensburg in Southern Germany – is an attempt to discuss the classical tradition, focusing on archaeology and architecture rather than philology), within the parameters of the memory and history debate in contemporary historiography. The essay aims to develop the position of the iconic and symbolic importance of antiquity and the classical tradition in the memory and history debate as well as in historical writing. The concluding remarks emphasise the necessity of historicising tradition and its genealogies, conceptualised here as a tradition of legacies.     

‘The vehicle he has chosen’: Pointing out the theatricality of Caleb Williams

This article challenges the critical view that Godwin's association with the theatre is limited to the ill-fated Antonio (1800), and argues that the theatrical world was extremely important to Godwin the writer and political reformer. It considers Caleb Williams (1794) in this theatrical context and suggests a reading of it as a ‘theatrical novel’ in the light of St. Dunstan (1790), Godwin's historical tragedy. It argues that the novel is structured in such a manner that it reflects contemporary dramatic technique, especially in its incorporation of the practice peculiar to the Georgian stage known as ‘pointing’. I will suggest that this deliberate attempt to ‘narrativize’ this performative technique in fictional prose has profound implications in terms of explaining how Godwin saw his novel interact with its reader and is consistent with the philosophy of Political Justice.     

The Perils of Utopia: The Russian Intelligentsia under Communism and Perestroika

After evoking the spirit of the Russian intelligentsia, this essay interprets its changing place in society. A force for humanism, universal brotherhood and freedom of expression within a succession of repressive political regimes, the intelligentsia should — one might think — be greatly favoured by perestroika. Yet its very idealism and uncritical faith in such abstractions as ‘the people’ and ‘beloved foreigners’ have ill prepared it to deal with harsh and complex realities. As earlier stereotypes crumble and the Communist regime disintegrates, the intelligentsia itself is confused and divided. Faced with moral and political dilemmas, Tolstaya suggests that there may be some virtue in a productive form of escapism in art.