Spaces of safety and more-than-safety in women’s refuges in England

Many women escaping domestic violence spend time in women’s refuges (shelters) whilst they deal with practical and emotional issues in a safe space. Such spaces are therefore an important place for women’s recovery and empowerment after abuse, but are also complex spaces of displacement. In the UK, there is a wide range of refuge providers, and different models of accommodation and support provision in refuges. Differences, such as those between refuges providing self-contained flats and those with communal facilities and communal activities, can provide very different experiences for the women and their children who live there. In addition, there have been shifts in the policy context of refuges, and increasingly individualistic models of service provision. This article explores women’s refuges as spaces of safety, and of more-than-safety, drawing on interviews with women in the Midlands, South Coast and London, and on participatory creative groupwork with women in the Midlands and South Coast. Refuge spaces require, but also enable, contact and encounter between women; and communal living and group processes can enable interaction and collaboration between women. The article draws on women’s words and images to exemplify these experiences, concluding that the safe spaces of women’s refuges can enable processes of more-than-safety. These collective processes begin to counteract the isolation of abuse and to help prepare women for their lives after the refuge.     

Race,space, and agency in the international introduction industry: how American men perceive women’s agency in Colombia,Ukraine and the Philippines

The international introduction industry, more commonly known as the ‘mail order bride’ industry, is often portrayed in American media as a conduit of human trafficking or a ploy by women from ‘third world’ countries to gain access to American citizenship. This study addresses how men participating in the international introduction industry perceived the industry and the agency/sincerity of women who participate in it across three different geographic spaces, namely Ukraine, Colombia and the Philippines, and how these perceptions often adopt racialized discourses that portrays white Ukrainian women as sexy ‘scammers’, while women of color are more likely to be portrayed as victims of poverty and patriarchy. Based on empirical data collected on romance tours within all geographic spaces with male participants, I suggest that men’s racialized assumptions regarding women’s intentions within the industry, as well as what type of agency they possess, are heavily based on tropes of the third world as backwards, traditional, and static.     

Race and the Aesthetics of Alterity in Mahshid Amirshahi’s Dadeh Qadam-Kheyr

Focusing on black women Qadam-Kheyr and Sorur in Mahshid Amirshahi’s novel Dadeh Qadam-Kheyr (1999), this article examines literary representations of the African-Iranian presence, and provides a critique of race and slavery in twentieth-century Iran. In light of the history of the Iranian slave trade until 1928, and the reconstruction of race and gender identities along Eurocentric lines of nationalism in Iran, the novel under scrutiny is a dynamic site of struggle between an “Iranian” literary discourse and its “non-Persian” Others. The “aesthetics of alterity” at the heart of the text is, therefore, the interplay between the repressed title-character Qadam-Kheyr and the resilient minor character Sorur, each registering Amirshahi’s artistic intervention into a forgotten corner of Iranian history.     

Performing curiosity: re-viewing women’s domestic embroidery in seventeenth-century England

For many in seventeenth-century England, curiosity became an intellectual and physical means of exploring natural and artificial wonders and categorising tangible and intangible things. For well-off Englishwomen, “curious work” had a more specific meaning. It described a specific type of pictorial, decorative embroidery, usually learnt in school and practised in the home, possessing moral agency and functioning as an indicator of status and wealth. Although recognised for their exuberant use of extravagant materials, these embroideries have proved challenging to appreciate and understand. This paper re-situates these “curious works”, placing them within the changing concept and practice of curiosity in early modern England by using an object-based evidence approach combined with an historical archaeology methodology. Viewing these artefacts through the “lens of curiosity” provides a new perspective on these embroideries as the outcome of the performance of the feminine curiosity and thus the equivalent to the masculine project of curiosity.     

Lincoln,Race, and the Spirit of ’76

Abstract

This essay examines how Lincoln dealt with race, slavery, and emancipation in antebellum America. It argues that despite a few controversial statements and policies regarding black Americans, Lincoln sought to preserve the American union and its system of self-government by reclaiming the ideals of the Declaration of Independence. Unlike U.S. Senator Stephen A. Douglas, who exploited white bigotry in his promotion of local “popular sovereignty” as a solution to the slavery controversy, Lincoln highlighted the natural rights of blacks as a way to prevent the spread of slavery and thereby save what he would later call “the last best hope of earth.”     

Intersectional solidarity? The Armagh women,the British left and women’s liberation

In 1980, three Republican women prisoners held in Armagh prison in Northern Ireland joined the hunger strike being conducted by male Republican prisoners in Maze Prison. Overshadowed by the fatal 1981 strike, the 1980 strike involved these women in Armagh, who challenged the traditional nationalist notion of the strong male warrior, while generating sympathy and solidarity across the globe, including with the far left and the women’s liberation movement in Britain. This article will look at how the left and the women’s liberation movement in both Britain and Ireland looked to portray these women within their competing narratives.     

Egyptian women’s position in the family in the time of the Pharaohs

Although many scholars have assert that the Egyptian women s position in the family was high during the time of the Pharaohs, no research in China has made a comprehensive and systematic discussion over this issue so far. Based on both documents and archaeological materials, this article approaches this question in three aspects: (1) Egyptian women s position in the family economy; (2) the affection between the husband and the wife; (3) the position and role of the mother.