The Pantheon of Feminist Culture: Women’s Movements and the Organization of Memory

The collective memory of feminist movements, like that of nation-states, is comprised of ‘invented traditions’ and embodied in ‘lieu de mémoire’ (sites of memory). This essay considers national and international examples of collective memory, including International Women’s Day, showing how celebrations of historical events and commemorations of the past were used to cement group cohesion and define boundaries of inclusion and exclusion. The essay proposes a typology of collective memory and examines the implications of the attenuation of memory in contemporary society.     

Towards Hume – the discourse on the liberty of the press in the age of Walpole*

The liberty of the press became one of the main topics of public debate in the 1720s and 1730s in response to Walpole’s restrictive press policy. This debate was carried on mainly in newspapers such as the Craftsman and the London Journal. Country and Court writers did not limit their discussions to legal questions, but conducted a lively debate about what press freedom actually was, and what role the press should have in political life. Among other things, they discussed to what extent it was appropriate for the press to take on an anti-governmental role. This debate is important, not least because it is a foil for one of the ‘classical’ eighteenth-century texts on the problem of press freedom, David Hume’s essay ‘Of the Liberty of the Press’. The debate reveals to what extent, and in what respects, Hume was breaking new ground in this essay.     

Memory and Non-Place: Visual Testimonies of Japanese American Internment During World War II

This article addresses the little-known history of Japanese Latin American internment during WWII. Classified as ‘illegal aliens’ and ‘enemy aliens’, 2,264 Japanese Latin Americans were stripped of citizenship from their home countries, denied rights in the United States, and ultimately deprived reconciliation due to their undocumented status. Using the traces of this history as a case study, I explore the strategic memories Japanese Latin Americans create about non-place – spaces of statelessness or states of exception – that allow them to make claims about state violence committed against them under these conditions, and, second, argue that demands for justice against political violence entail not only bringing light to erased histories but also developing engaged acts of reception that account for survivors’ claims to the memories of non-place. Visual testimonies, such as the Denshō Digital Archive and the short documentary Hidden Internment: The Art Shibayama Story (2004), affectively connect a viewer/listener to the memory of trauma, to an inexpressible haunting, and thus are critical platforms for creating a collective memory between survivors and the digital generation of postmemory.     

The Tannenberg myth in history and literature, 1914–1945

ABSTRACT

The Battle of Tannenberg in late August 1914 has been described as the ‘most powerful German myth’ of the First World War. This essay analyses the role of the battle in German collective memory up to the end of the Third Reich. During the war, the victory in East Prussia was celebrated widely and greatly contributed to the personality cult surrounding Paul von Hindenburg. After 1918, Tannenberg served right-wing circles as a political argument against the post-war order, evoked to underscore the notion of German victimhood against Slav ‘encirclement’, the ‘war guilt lie’ and the territorial provisions of the Treaty of Versailles. However, it never really captured the attention or imagination of writers and artists. Linked primarily to national-conservative groups and ideals, Tannenberg was also of no major significance in National Socialist propaganda.     

Time as told: Telling the past in Kyrgyzstan

This paper addresses Kyrgyz ‘time-telling’, exploring how Kyrgyz herders and villagers ‘tell’ of their experience of time through genealogies, family stories and epic poetry. The author takes a phenomenological approach, drawing on different forms of narrative; interweaving history, myth and story; revealing the life within the past, as genres mesh (and not always seamlessly). She argues that the lived experience of ‘time-telling’ works through narrative, memory, sound, performance, and poetics, providing a matrix through which the past is continuously brought to life for performers and audience alike. The paper is in three parts. The first sets the scene, exploring three interwoven, kin-related Kyrgyz genres – family trees, genealogies, and epic poetry. The second looks at diverse manifestations of the Kyrgyz epic Manas, and its interpenetration with social life. The third reveals how different forms of performing and remembering the epic bring the past to life through the act of performance.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

The tyranny of the definite article: Some thoughts on the art of intellectual history

This essay argues, following an insight of Burckhardt, that the philosophy of history is a ‘centaur’, and that it has a tendency to hinder rather than to encourage the practice of history. It challenges many of the presuppositions of Bevir's study, demonstrating that The Logic of the History of Ideas is not, in any meaningful sense, an historically minded work. The ‘logic’ of the essay looks to the arts, especially literature and music, as providing genuinely illuminating parallels to the discipline involved in the practice of intellectual history. History cannot be understood as a process of philosophical abstraction; pertinent examples are of its essence, and plurality is therefore central to its richly textured nature. It still has much to learn from the reflexive procedures of anthropology. By examining the idea of ‘tradition’ the essay demonstrates that ‘the past’ is never dead, and that the relationship between texts is a living process: the intellectual historian is him/herself an artist, and his/her task is no less demanding than that of the creative artist, and it is always humblingly provisional.     

The Sublime Dissociation of the Past: Or How to Be(come) What One Is No Longer

Forgetting has rarely been investigated in historical theory. Insofar as it attracted the attention of theorists at all, forgetting has ordinarily been considered to be a defect in our relationship to the past that should be overcome in one way or another. The only exception is Nietzsche who so provocatively sung the praises of forgetting in his On the Use and Abuse of History (1874). But Nietzsche’s conception is the easy victim of a consistent historicism and therefore in need of correction. Four types of forgetting are identified in this essay. Central in the essay’s argument is the fourth type. This is the kind of forgetting taking place when a civilization “commits suicide” by exchanging a previous identity for a new one. Hegel’s moving account of the conflict between Socrates and the Athenian state is presented as the paradigmatic example of this kind of forgetting. Two conclusions follow from an analysis of this type of forgetting. First, we can now understand what should be recognized as a civilization’s historical sublime and how the notions of the historical sublime and of collective trauma are related. Second, it follows that myth and (scientific) history do not exclude each other; on the contrary, (scientific) history creates myth. This should not be taken to be a defect of history, for this is precisely how it should be.     

Albert Einsteln as Seen by Artists

Abstract

To commemorate the 80th birthday on 9 December 1980 of Dr Joseph Needham – a Member of our Editorial Board – we are here publishing a somewhat condensed progress report of what has been rightly called ‘the greatest single act of historical synthesis and intercultural communication ever attempted by one man’. After describing its contents, Dr Needham gives a preliminary outline of his methodology, how he has quarried Chinese literature and iconography, how he has immersed himself in China's living tradition to interpret correctly her past and how he has mastered the often century-old technical terminology of Chinese science – only thus could he build his oecumenical university. He concludes here with the hope that this vast study, so felicitously begun, will continue ‘as limitless as is all history’.     

East and West in Jewish nationalism: conflicting types in the Zionist vision?

ABSTRACT. This article analyses the ethnic and civic components of the early Zionist movement. The debate over whether Zionism was an Eastern‐ethnic nationalist movement or a Western‐civic movement began with the birth of Zionism. The article also investigates the conflict that broke out in 1902 surrounding the publication of Herzl's utopian vision, Altneuland. Ahad Ha'am, a leader of Hibbat Zion and ‘Eastern’ cultural Zionism, sharply attacked Herzl's ‘Western’ political Zionism, which he considered to be disconnected from the cultural foundations of historical Judaism. Instead, Ahad Ha'am supported the Eastern Zionist utopia of Elchanan Leib Lewinsky. Hans Kohn, a leading researcher of nationalism, distinguished between ‘Eastern’ and ‘Western’ nationalist movements. He argued that Herzl's political heritage led the Zionist movement to become an Eastern‐ethnic nationalist movement. The debate over the character of Jewish nationalism – ethnic or civic – continues to engage researchers and remains a topic of public debate in Israel even today. As this article demonstrates, the debate between ‘Eastern’ and ‘Western’ Zionism has its foundations in the origins of the Zionist movement. A close look at the vision held by both groups challenges Kohn's dichotomy as well as his understanding of the Zionist movement.     

The social life of ruins: sites of memory and the politics of a Zimbabwean periphery

This article explores conflicts over a series of ruins located within Zimbabwe's flagship National Park. The relics have long been regarded as sacred places by local African communities evicted from their vicinity, and have come to be seen as their ethnic heritage. Local intellectuals' promotion of this heritage was an important aspect of a defensive mobilization of cultural difference on the part of a marginalized minority group. I explore both indigenous and colonial ideas about the ruins, the different social movements with which they have been associated and the changing social life they have given the stone relics. Although African and European ideas sometimes came into violent confrontation – as in the context of colonial era evictions – there were also mutual influences in emergent ideas about tribe, heritage and history. The article engages with Pierre Nora's notion of ‘sites of memory’, which has usefully drawn attention to the way in which ideas of the past are rooted and reproduced in representations of particular places. But it criticizes Nora's tendency to romanticize pre-modern ‘memory’, suppress narrative and depoliticize traditional connections with the past. Thus, the article highlights the historicity of traditional means of relating to the past, highlighting the often bitter and divisive politics of traditional ritual, myth, kinship, descent and ‘being first’. It also emphasizes the entanglement of modern and traditional ideas, inadequately captured by Nora's implied opposition between history and memory.     

The Norman Conquest of the classical past: William of Poitiers,language and history

William of Poitiers' Gesta Guillelmi, written shortly after the Norman Conquest of England, remains surprisingly neglected, especially by historians. He is generally regarded primarily as a classical stylist who employed classical references to decorate his panegyric of William of Normandy. Poitiers' use of classical allusion was, however, far from superficial. In arguing for William’s legitimacy as king of England, Poitiers addresses a wider audience than is generally acknowledged, and appeals directly to the fears, expectations and values of his day. The article examines his three most sustained allusions to classical heroes of naval enterprises and conquest – Caesar, Aeneas and Theseus – as key components of the memory of the Norman Conquest, demonstrating that each allusion makes a specific moral and political point. Poitiers is a case study for medieval authorial ingenuity in applying classicism to the problems of the present.     

The regard of the first man: on Joseph Addison’s aesthetic categories

This study examines the sources that could inspire Joseph Addison’s influential ‘aesthetic’ triad of ‘great’, ‘uncommon’, and ‘beautiful’, as elaborated in his essay-series The Pleasures of the Imagination in 1712. After identifying a philological problem in the interpretative tradition which gives rise to Addison’s triad from a section of Ps Longinus’ Peri Hypsous, further three seventeenth-century texts – Thomas Burnet’s Telluris theoria sacra, Dominique Bouhours’ Les entretiens d’Ariste et d’Eugène, and Baltasar Gracián’s El Criticón – are presented in order to reconstruct a ‘reading glass’ through which Addison could peruse and understand the Longinian section, and then could create his ‘aesthetic’ triad. As a result of this reconstruction, the possible connection between Gracián’s allegorical novel and Addison’s essay can cast more light on the complex and insufficiently discussed relationship between theology or devotional literature and the emerging modern aesthetic discourse. From this angle, Addison’s ‘man of polite imagination’, that is, the homo aestheticus in the modern sense of the adjective, seems to be the heir of Gracián’s ‘first man’ who has the privilege of regarding the created world in a new light, and, as Addison’s aesthete, of discovering its greatness, novelty and beauty in ‘innocent pleasures’.     

Mothers and others in Edna O'Brien's The Country Girls

This essay responds to critical assertions that the absence of functional maternity in Edna O'Brien's famous 1960 novel The Country Girls reflects O'Brien's frustration with the cloying myth of ‘Ireland-as-motherland’. While I agree that O'Brien centrally considers the imbrication of femininity with nationality in a culturally conservative post-independence Ireland and enumerates the devastating lived effects of this discourse on Irish women, I argue that The Country Girls offers a potentially productive step beyond lamentation or complaint: namely, a nascent transnational poetics. I contend that the novel hinges on a character heretofore neglected by the criticism – Caithleen Brady's Austrian landlady, Joanna – and suggest that O'Brien slyly positions Joanna as Caithleen's potential surrogate mother, framing a ‘foreigner’ as a source of subversive family ties. Joanna's presence, I believe, indicates an effort on O'Brien's part to negotiate a political response to both gendered oppression and literary parochialism (the much-remarked climate of censorship that marked the newly independent Ireland's intellectual culture): the notion that community and security might be transformatively relocated in strategic ‘translocal’ networks rather than within the confines of the nation-state. Joanna signifies O'Brien's look beyond Mother Ireland – a desire to open the country to both global feminisms and transnational textualities.     

‘Anti–Mini Militants Meet Modern Misses’: Urban Style,Gender and the Politics of ‘National Culture’ in 1960s Dar es Salaam,Tanzania

This essay examines a 1968–9 campaign by Tanzania’s ruling party Youth League to outlaw mini–skirts and other ‘indecent’ fashions as ‘decadent’ affronts to Tanzanian ‘national culture’. It situates the intense, public debate on the campaign both in terms of the state’s contested national cultural project, and in relation to intersecting anxieties about shifts in women’s work and mobility in urban space, and the politics of sex in postcolonial Dar es Salaam. Arguing that ‘the city’ ndash; both as an imagined space and as the site of particular, gendered social struggles – is central to understanding the campaign, the essay charts attempts by the ban’s opponents to fashion viable personas and notes the limits of these attempts.     

The ‘Dividual Androgyne’ and Me: a Personal Affair

In the 25 years since Marilyn Strathern published The Gender of the Gift (1988) its signature concepts of the ‘dividual androgyne’ and ‘sociality’ have received almost no criticism in the anthropological literature and are now widely accepted as true. The ‘dividual’ is considered to be ‘a new, non‐unitary model of embodiment and … one of the most important theoretical accomplishments to emerge from Melanesian ethnography in the latter part of the 20^th Century’ despite the fact that it erases affect, agency, identity and other essential features of human beings (Lipset 2008). The present critique of Strathern's concept of the androgynous ‘dividual’ challenges its legitimacy as a Melanesian or any other ‘premodern’ form of personhood and suggests that it expresses the wish of academic feminists in the 1970s and 1980s to locate an indigenous model for androgyny and to characterise patriarchy, misogyny and sexual segregation as peculiarly Western. The article explores aspects of Gimi myth, ritual and exchange which Strathern claims helped her to formulate the concept of the ‘dividual’ (especially those surrounding men's sacred bamboo flutes) and concludes that she mistook a virulently anti‐female ideology – including a fantasy in which men may subsume or incorporate certain aspects of female anatomy – for benign accommodation between the sexes. The ‘dividual’ does not correspond to social reality among the Gimi and paradoxically affirms Lévi‐Strauss' classic demonstration in the Elementary Structures of Kinship (1949) that ‘the gender of the gift’ is invariably female.     

Hegel's critique of the enlightenment

Franco Venturi famously emphasised the importance of the ‘English Model’ for Italian reformist culture in his Settecento riformatore. This essay contributes to the history of the development and evolution of the ‘English Model’ beginning with its influential appearance in Antonio Genovesi's 1757–1758 translation of John Cary's 1695 Essay on the State of England. The ‘English Model’ was not a stable concept and, in fact, one tradition inverted the model's meaning, rejecting the need for protectionism and instead embracing a providential faith in laissez-faire. This tradition began with an important, but falsified footnote in Carlo Denina's 1769–1770 Rivoluzioni d’Italia. In this note and the tradition that adopted it, Lorenzo de’ Medici's imagined English wool factories became the locus of this inversion, and, through a reading of Adam Smith's Wealth of Nations, blaming the Medici as agents of Italy's aberrant historical development became an alternative to blaming English economic imperialism in late eighteenth-century Italy. The narrative of Medici involvement in the decline of Italy was finally realigned with Genovesi's original intention under the auspice of Pope Pius VI in 1794.     

The tyranny of the definite article: Some thoughts on the art of intellectual history

This essay argues, following an insight of Burckhardt, that the philosophy of history is a ‘centaur’, and that it has a tendency to hinder rather than to encourage the practice of history. It challenges many of the presuppositions of Bevir's study, demonstrating that The Logic of the History of Ideas is not, in any meaningful sense, an historically minded work. The ‘logic’ of the essay looks to the arts, especially literature and music, as providing genuinely illuminating parallels to the discipline involved in the practice of intellectual history. History cannot be understood as a process of philosophical abstraction; pertinent examples are of its essence, and plurality is therefore central to its richly textured nature. It still has much to learn from the reflexive procedures of anthropology. By examining the idea of ‘tradition’ the essay demonstrates that ‘the past’ is never dead, and that the relationship between texts is a living process: the intellectual historian is him/herself an artist, and his/her task is no less demanding than that of the creative artist, and it is always humblingly provisional.     

A People for the Patricians: Cuadros De Costumbres and State-Making on the Frontier in Colombia and Venezuela

This essay argues that the individual nature of the sketch of manners (cuadros de costumbres) imagined, in the midst of post-war politicisation of the popular classes, a dismantling of alliances of class and race to privilege a single possible image of community: the nation. By reconstructing the discourses – in particular of José María Vergara y Vergara and Ramón Páez – that facilitated the production of the llanero type in Venezuela and the Indian (indio) type in Colombia, this essay posits the sketcher as embodying a ‘patrician mindset’. As a product of it, the sketchers project their own personal histories onto their representations of the people and, in so doing, erases the frontier histories of these populations. By confounding the history of the nation with their own histories, Vergara y Vergara and Páez equated ‘patria’ with patrimony, producing peaceful populations as ‘pueblo’ (national people). Paradoxically, these idyllic portraits of the ‘pueblo’ belie an all but peaceful principle of authority that these post-independence patricians used to legitimise themselves.     

The historical dynamics of ethnic conflicts: confrontational nationalisms,democracy and the Basques in contemporary Spain*

ABSTRACT. All the historical moments in which the Basque debate reached political protagonism in contemporary Spain coincided with political contexts of institutional democratisation. The debate on patriotism in the Basque Country is connected with a uniform narrative regarding the Basques and their moral distance from the Spanish nation: the ‘Basque problem’. This narrative has fostered a confrontational discourse between Spanish and Basque nationalism. It has also promoted recourse to specific stereotypical images of the Basques, which bind ethnicity to collective identity. Such representations reveal that the invention of the Basque country as a uniform ethnic collective had much more to do with the internal contradictions of Spanish national identity – and later of Basque identity – than with the existence of a secular conflict between Basques and Spaniards. The Basque case shows that every ‘ethnic conflict’ requires adequate contextualisation in order to avoid simplifying its origins and past pathways to make it conform to present uses.