Popular culture,post-truth and emotional framings of world politics

ABSTRACT

With the election of US President Donald Trump, the separation between high and low politics and the line between fiction and reality has become fundamentally blurred. Yet popular culture offers an important vector through which we might make sense of this political turmoil. The purpose of this essay is two-fold: conceptually, I examine how television provides opportunities for the insight into the visual and emotional registers of the post-truth era. I illustrate this empirically by examining two popular television series – Homeland and The Good Fight. I argue that the power of popular culture is derived from its visuality as the intersection of image and sound, through which emotional registers related to anxiety and outrage can be elicited and visually narrated. Even more so, the visual nature of popular culture has a strong affective component that shapes how we experience representations of reality and reveals the power and political significance of popular culture.     

From Populism To Protagonism (and Back?) in Bolivarian Venezuela: Rethinking Ernesto Laclau’s on Populist Reason

Ernesto Laclau’s On Populist Reason, now over a decade old, is one of our generation’s most nuanced contributions to debates on political community and social change in the era of mass democracy. Against critiques of populism as illiberal demagoguery, Laclau’s conceptualization emphasizes the discursive nature of power and politics and considers populist sequences as radical democratic openings in an era of consolidated global neoliberal capitalism. This article considers the shifting terrain of democracy – from liberal, to populist, and finally to protagonistic forms – in the context of Venezuela’s Bolivarian Revolution. I argue that despite Laclau’s important contributions, the formulations of power that underlie his populist reason are symptomatic rather than critical of contemporary liberal politics. The article offers an analysis of Bolivarian Venezuela that emphasizes popular experimentation with protagonism as an expression of democracy based in grassroots collective autonomy and direct democracy over the representation and managed development of the modern state.     

Contesting danger: a new agenda for policy and scholarship on Central Asia

Western geopolitical discourse misrepresents and constructs Central Asia as an inherently and essentially dangerous place. This pervasive ‘discourse of danger’ obscures knowledge of the region, deforms scholarship and, because it has policy implications, actually endangers Central Asia. This article identifies how the region is made knowable to a US–UK audience through three mutually reinforcing dimensions of endangerment: Central Asia as obscure, oriental, and fractious. This is evidenced in the writings of conflict resolution and security analysts, the practices of governments, the activities of international aid agencies and numerous lurid films, documentaries and novels. The article first establishes the tradition of inscribing danger to Central Asia, in both academic and policy discourse, from the colonial experience of the nineteenth century through to the post‐Soviet transition and subsequent considerations of the region in terms of the war on terror. It considers several examples of this discourse of danger including the popular US TV drama about presidential politics, The West Wing, the policy texts of ‘Washingtonian security analysis’ and accounts of danger, insecurity and urban violence in the Ferghana Valley. It is argued that popular policy and academic texts are relatively consistent across the three dimensions of endangerment. This argument is demonstrated through a discussion of how policy‐making and practice is informed by this discourse of danger and of how the discourse of danger is contested within the region. The example of urban violence in Osh, Kyrgyzstan and Jalalabad, Afghanistan in 2010 demonstrates how opportunities to mitigate conflict may have been lost due to the distortions of this discourse of danger. It concludes by raising the challenge to policy‐makers, journalists and academics to contest this western geopolitical discourse and provide better accounts of how danger is experienced by Central Asians.     

Triad Dramas as Commentaries on Revolutionary Disharmony,Totalitarian Nostalgia,and a Yearning for Past Chivalry

In 2007, amateur on-line writer Kong Ergou’s triad novel series, Past Events of the Northeast: Twenty Years of the Triads, became a hit as a piece of network original literature. Five years later, the first volume of the book series was adapted into a network television drama of the same title. Focusing on the television drama, this paper examines three interrelated “dimensions” of the text. The first “dimension” relates to the correspondence between the inception and development of underworld gangs, and the vicissitudes experienced by the Chinese people during the harsh and unprecedented economic and cultural conditions that were introduced during the post-Mao era. A second “dimension” of this dramatic text finds that the nostalgia for and admiration of totalitarian times, together with a postmodern parody and deconstruction of Maoist society and its ideology, are juxtaposed in contemporary popular cultural products such as Past Events, thus demonstrating the complex and obscure emotions of ordinary Chinese people in relation to socialist revolutionary times. The final “dimension” compares the chivalrous spirit espoused by the gangsters with the ever-deteriorating morality and ethical values prevalent in present-day China.     

When ‘Angelino’ squirrels don’t eat nuts: a feminist posthumanist politics of consumption across southern California

Eastern fox squirrels (Sciurus niger), reddish-brown tree squirrels native to the eastern and southeastern United States, were introduced to and now thrive in suburban/urban California. As a result, many residents in the greater Los Angeles region are grappling with living amongst tree squirrels, particularly because the state’s native western gray squirrel (Sciurus griseus) is less tolerant of human beings and, as a result, has historically been absent from most sections of the greater Los Angeles area. ‘Easties,’ as they are colloquially referred to in the popular press, are willing to feed on trash and have an ‘appetite for everything.’ Given that the shift in tree squirrel demographics is a relatively recent phenomenon, this case presents a unique opportunity to question and re-theorize the ontological given of ‘otherness’ that manifests, in part, through a politics whereby animal food choices ‘[come] to stand in for both compliance and resistance to the dominant forces in [human] culture’. I, therefore, juxtapose feminist posthumanist theories and feminist food studies scholarship to demonstrate how eastern fox squirrels are subjected to gendered, racialized, and speciesist thinking in the popular news media as a result of their feeding/eating practices, their unique and unfixed spatial arrangements in the greater Los Angeles region, and the western, modernist human frame through which humans interpret these actions. I conclude by drawing out the implications of this research for the fields of animal geography and feminist geography.     

Bodies,gender, place and culture: 21 years on

This article examines research on embodiment published in Gender, Place and Culture (GPC) over the past two decades. We searched using the keywords ‘body’, ‘bodies’, ‘embodiment’, ‘embody’, ‘flesh’, ‘fleshy’, ‘corporeality’ and ‘corporeal’, the titles and abstracts of all the articles that have appeared in GPC since it first began publication in 1994. Articles containing these keywords were listed in a searchable bibliography. What we found was a growing volume of research inspired by ‘body politics’ produced over a 21-year period that compares favourably to cognate geography journals. We also found that various themes have emerged including maternal and geopolitical bodies. In other areas, we identified gaps. Throughout the article, we engage with the question: has the upsurge of interest in embodiment, as expressed in the pages of GPC since 1994, led to an upheaval of masculinist ways of thinking in the discipline? We conclude by expressing our feelings of ambivalence.     

The Tyranny of the Serial: Popular Geopolitics,the Nation,and Comic Book Discourse

Abstract: This paper seeks to theorize the structuring of geopolitical worldviews and attitudes by the comic book medium and by serial popular culture more broadly. Evidence of the use of comic books to promote specific discourses by geopolitical actors is presented, and the conventions that govern the limits of comic book narration are outlined. Among the conventions of production discussed are the role of “continuity” as a structuring force and the serial nature of most comic books. The impact of these conventions is viewed through an examination of Watchmen and Captain America comic books. Both series revolve around issues of political legitimacy and the structuring of geopolitical space, but do so in different ways. This leads to insight connecting seriality with the concept of the nation itself. Finally, a theorization of the limits to comic book and other serialized discourse is outlined, and its ultimately conservative political outcome is described as endemic to the genre.     

Popular geopolitics of Chinese Nanjing massacre films: a feminist approach

This article attempts to deconstruct the masculinised contract among the war narrative, popular culture, and Chinese nationalism by exploring the roles of women in Nanjing Massacre films with war narratives and Chinese audiences' emotional ‘readings’ of these women. Based on the analysis of City of Life and Death (2009) and The Flowers of War (2011) and audiences' comments on these two films from Douban Movie, this article has mapped a popular geopolitics of these two films through a feminist approach. The main argument of this research points out that, through the production and consumption of these two films, the women of the Nanjing Massacre can be territorialised as Nanjing/China and used to represent China's attitudes towards both the historical and current Sino–Japanese relationship. In this way, the women of these films can be considered an articulation of popular culture and politics, and they are empowered to establish Chinese nationalism and construct anti-Japanese identities in Chinese society. To a wider extent, this article can be read as a contribution to the literature on gender, nationalism and popular geopolitics.     

The invasion complex: the abject other and spaces of violence

This article examines how the image of the refugee has been defined through the fear of the other, and how the mechanisms of detention have transformed the conditions of belonging. I examine the contemporary geopolitical forces propelling the rise of a new authoritarianism, growing border anxieties and hostility towards refugees, and argue that these emerging shifts provoke an urgent need for a new conceptual framework to understand the dynamics of contemporary global flows and concepts of belonging. I introduce what I call the ‘invasion complex’, a new conceptual hybrid that draws upon elements of psychoanalytic theory and complex systems theory, and Giorgio Agamben's analysis of sovereignty and ‘the camp’, to explain heightened border anxieties and the legitimization of violence towards the Other. I consider the value, applications and limitations of Agamben's analysis, and contend that both the state‐centric moral debate on the refugee crisis, and Agamben's method of privileging political agency in terms of sovereign power, tend to discount the role of complexity. Drawing on the Australian political and public discourse on refugees, and the 2001 Tampa crisis, I argue that the hostile reactions can be traced to a complex interplay between old phobias and new fantasies. I conclude by urging the need to move beyond nation state centric critiques of racism, and propose the development of a new paradigm — a potential politics that recognizes the complex dynamics of global flows, and which opens the way for a discourse of hope based on the rights of the human being, rather than the citizen.     

Communities of discourse: Ideology and social structure in the reformation,the enlightenment,and European socialism

In contrast to the conventional view of Ludwig Feuerbach as a left-wing Young Hegelian, this article argues that his primary contribution to philosophy is to be found in his later ethics, the basis of which may be discerned in his earlier writings. Over and above recent work on Feuerbach's aesthetics, his relation to Herder, and the relationship between aesthetics and ‘theological politics’ in his thought, Feuerbach's philosophy can re-evaluated, in relation to Epicurus and the French libertin tradition, as articulating an ethics of hedonism. In The Essence of Christianity (1841), the Nachlass fragment ‘Elementary Aesthetics’ (1843), and his Principles of the Philosophy of the Future (1843) Feuerbach moves towards the vitalist materialist position that culminates in his (proto-Nietzschean) insight in ‘Against the Dualism of Body and Soul, Flesh and Spirit’ (1846) into the world as an ‘aesthetic phenomenon’, thus laying the foundations for his recognition of the centrality of sensuous pleasure to the ethical life.     

Settling Accounts: Retribution,Emotion and Memory during the Fall of Mussolini

Abstract

The fall of Mussolini on 25 July 1943, and the concomitant collapse of the Fascist regime, have long been recognized as a pivotal moment in the Second World War and, indeed, contemporary Italian history. To date, however, these events have been viewed almost exclusively ‘from above’, in terms of elite politics, international diplomacy, and military strategy. Drawing on the analytical frameworks of Alltagsgeschichte (‘everyday history’), the present contribution examines the experiences, reactions and behaviors of ordinary Italians during the fall of Fascism. In particular, it explores incidents of retributive and symbolic violence, political denunciation, and popular demonstration, in order to understand how individuals and communities expressed emotions and memories, negotiated relationships, and sought to redress grievances and antipathies developed over more than twenty years of ‘totalitarian’ dictatorship.     

Negotiating and queering US hegemony in TV drama: popular geopolitics and cultural studies

This article argues that popular geopolitics should pay closer attention to entertainment television and to the negotiations, complexities, and contradictions associated with contemporary televisual texts. This move requires a closer engagement with media and cultural studies than that initiated to date. In the second half of the article, we discuss the ABC TV drama Commander in Chief, which follows the first female president of the USA, and is set in a post-9/11 world wherein the struggle for US geopolitical domination has become a much more complex endeavor. We end by wondering whether entertainment television might provide us with imaginative resources for queering US hegemony.     

The Efficacies of Heritage: Syndromes,Magics, and Possessional Acts

In this paper I present critical insights into the efficacies of heritage. I take the phenomenon of the Jerusalem Syndrome (JS) as my point of departure and recast it as Heritage Syndrome (HS). I do this to better understand how such efficacies are experienced and materialized in ritual possessional acts. As a framework, the JS reveals the power and potency that reside in experiences of collapse. Such disembedding events activate subsequent ritual dramas (whether malign/benign or successful/failed) of world-making, redemption, repair, and renewal. Heritage quests as ritual ‘sacred dramas’ and ‘practical magics’ are I argue, similarly experienced in the collapse of known categories: imagined/real, extraordinary/mundane, possessing/being possessed, and crucially what heritage is versus what heritage does. Writ large, heritage efficacies are bound-up in the breakdown and blurring of boundaries — and thus the non-distinction — between heritage in the conventional sense and other dynamics such as magic, prophecy, and well-being/ill-being. These reveal alternative pathways, potentialities, and patterns of behaviour that demonstrate that dominant, elite, rationalized approaches to heritage banalize heritage efficacies and can thus be termed a failed project. I argue that conceiving of heritage as a syndrome — and critically as a movement away from medical pathologization and towards a recasting of heritages as diverse constellations of cultural-spiritual-magical-emotional experiences and engagements — better reflects the deeply felt complex and transformative practices at play. These heritage rites distinguished at points by those who wish their lives were more dramatic and those who wish their lives were less traumatic better describe how the vast majority of global actors engage with heritage, notably at popular, grass-roots level and in contexts of extremis, yet its significance goes largely unrecognized and unvalued.     

‘Queen’s Day – TV’s Day’: the British monarchy and the media industries

In contemporary British history, Elizabeth II’s coronation in 1953 is typically imagined and narrated as the moment where television was anchored as a national cultural form. In addition, it is well documented by commentators and scholars that during preparation for the coronation, politicians and the palace had reservations that live television might fracture the carefully constructed mystique of monarchy. This article revisits the coronation to consider why and how television was perceived as a watershed moment for both monarchy and television, and what difference this has made to royal representations since. Using the work of Michael Warner, it argues that the mediated intimacies facilitated by television as a new cultural form encouraged viewers to enact participatory and active processes of spectatorship as royal ‘publics’, who are brought into being through being addressed. That is, it was the act of emphasising the centrality of television’s role in the coronation, and in reinforcing the apparent distance between monarchy and (popular) media, that these ‘meanings’ of the coronation were constructed in the public and historical imaginary.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

Brazilian Horrors Past and Present: José Mojica Marins and Politics As Reproductive Futurism

Director José Mojica Marins is both the mastermind and actor behind Zé do Caixão, an icon within Brazilian popular culture and an international cult sensation. Marins encountered numerous conflicts with Brazil’s military dictatorship, and after producing the first two films of an intended trilogy, At Midnight I’ll Take Your Soul (1964) and This Night I’ll Possess Your Corpse (1967), the third film, Embodiment of Evil, was not made until 2008. Throughout this trilogy, Zé do Caixão kidnaps, tortures, and murders scores of victims, effectively mimicking the human rights abuses that occurred under the dictatorship. He advocates liberation from the oppression of traditional morality while reinscribing its rhetorical raison d’être: purpose through procreation. The popular appeal of these films, their political intentionality, and their production during and after the dictatorship allow for an analysis of the rhetorical strategies employed by Marins in his attempt to both shock audiences and instill in them a counterhegemonic consciousness. Despite the radical agenda at work in Marins’s films, I will argue that this trilogy is conservative in its rhetorical framework, serving as an example of Lee Edelman’s reproductive futurism, wherein political legitimacy is contingent upon procreation.     

Capturing the multiplicities of resilience through popular geopolitics: Aesthetics and homo resilio in Breaking Bad

In this article, Grove and Adey's (2015) call to capture the multiplicities of resilience through aesthetics is advanced by engaging with the first two seasons of the television series Breaking Bad. This engagement demonstrates that the relationality of geopolitics and mobility is important for resilience. To capture dynamics generated by the interplay of geopolitical contexts and resilient subjectivities through popular geopolitics, Jacques Rancière's aesthetics and the concept of the aesthetic subject are deployed. The emergence of homo resilio as a political subject within an imagined American heartland is presented to contextualise the aesthetic reading of Breaking Bad that follows. The character Walter White is presented as a paradigmatic example of homo resilio to map the geopolitics of this subject position. The paper concludes that race and gender feature at the intersections of homo resilio, geopolitics, and cultural criticism, reiterating the importance of popular geopolitics for capturing the multiplicities of resilience.     

The nation remembers: national identity and shared memory in television documentaries

Abstract. This article explores the impact of recent trends towards globalisation on the ways in which national identity and ‘shared memory’ find expression in the media. Concentrating on television documentaries produced through international co‐ productions, I show how national consciousness became a key ideological component in the construction of televised narratives. This illustration will be made through the examination of a particular co‐produced television documentary, The Fifty Years War. To make this programme possible, funding from three television networks was secured, with each source given the right to use the produced footage to construct its own version of the final product. The completed series thus exists in three distinct versions, British (BBC2), American (PBS) and Middle Eastern (MBC). Since the final product of this co‐production was split into several national/cultural versions, the content of the different national/cultural projects became translated into different presentations of ‘reality’. In analysing the similarities and differences among the three end‐products, this article offers some reflections regarding the three‐sided interplay between television, shared memory and national identity in an age of globalisation.     

The Emergence of Ethno-Geopolitics in Post-Soviet Russia

A prominent UK-based political and historical geographer analyzes ethnogeopolitics, a new trend in Russian political discourse that is distinguished by the primary role it assigns to ethnicity (rather than the nation-state) as a geopolitical factor—i.e., recognizing formal (often poly-ethnic) ethno-national groupings on their respective ethnic spaces as important "geopolitical subjects" in their own right with a certain autonomy in world politics. After defining and otherwise setting out the differences between ethno-geopolitics and the more mainstream school of Russian geopolitics emerging after the disintegration of the USSR, the author proceeds to assess the extent to which ethno-geopolitics is shaping current Russian geopolitical thought in two critically important arenas: (1) Russia's relations with other great powers at the global level and (2) the dynamics of ethnicity (and inter-ethnic relations) within its own boundaries as well as in neighboring states. Journal of Economic Literature, Classification Numbers: Y900, Z190. 71 references.     

#MeToo,white feminism and taking everyday politics seriously in the global political economy

ABSTRACT

This paper examines social media movements, specifically #MeToo, in relation to the politics of feminism and white privilege in the contemporary global political economy. Analysis of social media movements is located as a key part of the intricate web of practices that enable certain types of gendered identity and socioeconomic privilege to intersect, in powerful ways and to potent effect. The paper argues that, while scholarship on the global political economy has not often taken seriously popular culture sources in and across world politics, and needs to do better in this regard, investigating the politics of popular culture, race and socioeconomic privilege in contemporary world politics is important. This is because such analysis foregrounds everyday, cultural practices of knowledge formation, building space for emphasising relations of power but also highlighting the possibilities of and for resistance, agency and avenues for creative thinking and doing in world politics.