繁昌窑的兴衰

本文以繁昌柯家冲窑为基点展开论述,揭示繁昌窑被发现、被认知的过程,阐述了繁昌窑与传世名画的关系,繁昌窑与周边同时期窑址烧造(青)白瓷的可比性,以及繁昌窑(青)白瓷发展的三大原因:市场需求、技术迁移、工艺先进。同时讨论了繁昌窑衰落的三大原因:瓷土品质粗劣、战争频繁带来经济滞后、防御水灾的能力较弱。     

部落与民族主义的竞逐——1953年法国在摩洛哥的政变与格拉维部落的兴衰

部落构成了中东社会生活的一个重要层面,是理解中东国家必不可少的视角。1953年,法国在摩洛哥发动政变,废黜了支持民族主义力量的苏丹穆罕默德五世。格拉维部落在此期间经历了兴衰起落。此次政变集中反映了摩洛哥国内部落和民族主义力量对国家政权的竞逐,是观察中东地区部落和国家间复杂逻辑关系的典型个案。摩洛哥传统势力的代表格拉维部落与国家间关系表现出复杂形态:部落利用国家力量实现崛起,部落对抗民族主义力量发动政变企图控制国家,最后部落被国家抛弃而衰落。在部落和民族主义竞逐国家政权的过程中,法国殖民者成为二者沉浮的决定性因素和制衡力量。由于部落对国家认同的脆弱性,殖民主义政权得以通过玩弄部落认同对殖民地进行分而治之。     

The Rise and Fall of the Post-War Settlement

The People's Peace: British History, 1945–1989. By Kenneth O. Morgan.
Power, Competition and the State : Vol. 2, Threats to the Postwar Settlement: Britain, 1961–74. By Keith Middlemas.
Power, Competition and the State: Vol. 3, The End of the Postwar Era. By Keith Middlemas.
Selecting the Party Leader: Britain in Comparative Perspective. By R. M. Punnett.
British Politics Since 1945: The Rise and Fall of Consensus. By David Dutton.
UK Political Parties Since 1945. Edited by Anthony Seldon.
British History, 1945–1987: An Annotated Bibliography. By Peter Catterall.     

Command Celebrities: The Rise and Fall of Hanzelka and Zikmund

In the 1950s and 1960s, the travellers, explorers, authors, and filmmakers Ji?í Hanzelka and Miroslav Zikmund became celebrities both in Czechoslovakia and abroad. The Communist cultural authorities actively supported the transformation of the two men into cultural icons, which could be exploited as a model for the suppression of ‘old’, ‘decadent’, and indeed ‘popular’ culture, and as a tool for recruiting members of the intellectual, cultural, and social elites into its service. Hanzelka and Zikmund’s multimedia travelogues, as well as their dashing public personae, blended in a unique way the ‘high’ and ‘low’, the accessible and unreachable, the familiar and the exotic, in the officially promoted culture of the time. But in the later 1960s, as Hanzelka and Zikmund’s political loyalties towards some form of reform socialism became more blatant, the two men fell into disfavour, and they found themselves banished from the public sphere following the events of 1968 until the regime fell in 1989. This article investigates how the curious ‘command celebrity’ of ‘H&Z’ straddled socialist ideology and capitalist consumerism, political affirmation and cultural critique.