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In March 2014, while recording finds in the Ministry of Heritage and Culture in al‐Khuwair, artefacts unexpectedly came to light reportedly from al‐Juba in Oman's Bar al‐?ikmān, in al‐Wus?a Governorate, until recently an archaeologically little‐researched part of the Sultanate. Some of the pieces could be attributed to the Samad LIA or perhaps the PIR, both from the centuries at the turning point of the ages from BCE to CE. Such finds have never before come to light in this part of Oman. Samad LIA sites are generally located some 220 km to the north on the southern flank of the al‐?ajjar mountains in a zone c.160 x 105 km in area. Diagnostic pottery finds spread from Wadi Bānī Ruwāhah (UTM 40Q 620570 m E, 2561848 m N) eastwards to the coast, a smaller area than previously believed.  相似文献   

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Site HLO1 (Sharjah, UAE), situated in a particularly favourable geographical position, has provided an extraordinary range of anthropogenic radiocarbon dates, spanning before 8000 to Zero BCE. The Neolithic is represented by finds from the eighth to the fifth millennium BCE. Apart from the dated fireplaces, however, there are almost no typical artefacts of this period. Small stone structures appear to have been early Neolithic graves. A middle Neolithic grave consisted of a large rounded stone heap which was reused as a grave during the Late Bronze Age. The site is interpreted as a campsite of nomadic herders, used throughout the Neolithic period. After a break in the fourth millennium BCE, the site became a Bronze Age smelting site which continued to be settled until the Late Iron Age.  相似文献   

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Recently, there has been an effort within Islamic Studies to reassess the common belief that the so‐called ‘post‐classical’ era of Islamic history was characterized by intellectual stagnation and decline. The Mamluk era is one such period that has suffered from a dearth of scholarly attention resulting from outdated stereotypes. This article contributes to scholarship on this era through examining some poems by a late Mamluk poet, ?ā?isha al‐Bā?ūniyya (d. 1517). While much scholarship on al‐Bā?ūniyya focuses on her lyrical mystical verse, the poems studied here incorporate selective allusions to key Islamic sources in order to narrate a history of divine favor as the speaker imagines it. This innovative history expresses a poetics of devotion that focalizes Mu?ammad and the poet's own peers. The poems intertextually anchor this narrative in key Islamic sources, reflecting al‐Bā?ūniyya's extensive scholarly training. They constitute an unusual example of a female poet writing beyond the genres with which women's premodern poetry is conventionally associated. This poetry also represents a post‐classical contribution to Islamic literary and religious history. However, the criterion of originality should ultimately be reconsidered in evaluations of scholarly merit, and scholarship should pay more attention to continuities and intertextuality in texts.  相似文献   

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