What is 'Australian'? Knowledge and Among a Gallery of Contemporary Australians

Recent discussions of Australian national identity have focused on official discourses or media representations, or have involved expert readings of popular texts. We know remarkably little about how 'ordinary' Australians (we use this term with considerable reservation) think about their nation. This issue was addressed using focus group methodology with recruitment according to demographic and regional criteria. Groups were asked to identify 'Australian' people, groups, places, activities, events and values. Whilst it was predicted that there would be great variability over the groups, we found remarkable homogeneity. Participants consistently recognised and endorsed traditional, older, past-oriented symbols and images of Australia as predicted in the Australian Studies literature. Progressive, abstract and inclusive concepts of the nation, such as those recently advanced by governmental agencies, were notably absent from discussion. These findings suggest popular concepts of the Australian are robust and have a relative autonomy from the alternative models and discourses proposed by Australia's contending elites.     

Frontiers,Borders, Edges: Liminal Challenges to the Hegemony of Exclusion

Spatial metaphors that presuppose exclusion and separation rather than interaction and co‐existence dominated in representations of landscape on Australian frontiers prior to the 1990s legal, parliamentary and social recognition of native title. Metaphors of co‐existence have emerged from the public debate about native title. This constitutes a major challenge to previously hegemonic ideas that indigenous Australians were marginal to the Australian national identity. This paper reviews the implications of metaphors used to represent frontiers, borders, boundaries, edges and complex relations within and between indigenous and non‐indigenous territories in Australia. It argues that the liminal notion of co‐existence unsettles many of the hidden legacies of colonial exploitation infecting Australian geographical imaginations to the detriment of reconciliation and sustainability. This opens avenues for geographers to address the burdens the discipline carries from its roles in creating geographies of exclusion.     

The Incredible Vagueness of being British/English

After suggesting why strong national identities arise, the author highlights the difficulties of distinguishing between Britishness and Englishness. Though this distinction is frequently elided or conflated, there are now pressures to resolve ambiguities that arise from globalization, Celtic demands for autonomy, the UK's membership of the European Union and the growth of international expressions of English identity. Can a specifically English identity be demarcated? Simply listing supposed national characteristics is futile, while looking at the connection between identity and landscape is helpful, but insufficient. Delimiting a British identity is even more difficult. Nonetheless, the author suggests that it remains important to construct an inclusive notion of British identity.     

Italian neopatriotism: Debating national identity in the 1990s

This article discusses some of the distinguishing features of the debate over national identity that took place in Italy in the 1990s. Reacting against the threats of the Lega Nord and in response to the new ideological and political landscape of the post-Cold War order, a number of Italian intellectuals rediscovered the value of patriotism. Searching for the origins of the Italians' allegedly weak sense of national identity, some questioned the Resistance and the party system that originated from it. While this historical revisionism has been the object of well-deserved criticism, there is another type of thematization of identity which has received less attention: it deploys the old notion of an 'Italian character', which appears frequently in the press and the media. The article shows that this discourse, too, is a way of articulating patriotism, and then reflects on the meaning that this reconfiguration of ideologies and identities acquires in the new context, both domestic and international.     

Nationalism,Britishness and the ‘Souring’ of Australian National Art

This article investigates the nationalist historiography of the Heidelberg School, an Australian art movement from the Federation period, known for its iconic representations of national life and landscape. Drawing on recent scholarship of Australian nationalism, it questions conventional accounts of the Heidelberg School in Australian art history, especially those based on Bernard Smith’s radical interpretation of this movement. For Bernard Smith, and the generations of Australian art historians he influenced, the nationalism of the 1890s was a progressive force for national culture. Yet, in the post-Federation decades, national art declined (or ‘soured’) into a reactionary form of insular nationalism. By focusing on the ‘souring’ narrative of Australian national art, this article critiques the nationalist interpretation of the Heidelberg School. It explores an apparent contradiction: the role of Britishness in the construction of a distinctly Australian national art.     

Community Antagonism Towards Asylum Seekers in Port Augusta,South Australia

An overtly hostile response to asylum seekers was observed in questionnaire responses provided by residents of Port Augusta, South Australia in April 2002. A social construction approach to identity and representation was used to interrogate this antagonism within its social, cultural, political and geographical contexts. Asylum seekers were constructed as ‘burdensome’, ‘threatening’ and ‘illegal’, and opposition to them was set within the discursive framework of a ‘Self/Other’ binary. Enmity towards asylum seekers was articulated concurrently with overwhelming support for the Federal Government's exclusive and deterrence‐oriented asylum policies. However, vehement opposition was expressed regarding the government's decision to construct Baxter Immigration Reception and Processing Centre in close proximity to Port Augusta. Factors contributing to the respondents’ negative perceptions of asylum seekers include xenophobia (specifically Islamophobia), events of geopolitical significance, and problematic government and media representations of asylum seekers. An awareness of these factors is necessary to unpack and, potentially, to destabilise the negative constructions of asylum seekers circulating in contemporary Australian discourses. Their entrenchment in the national consciousness may lead to tangible social implications including fear, friction and ultimately violence between the ‘Self’ and ‘Other’, and this should therefore be countered. Community antagonism also contradicts notions of a culturally tolerant Australia and fosters electoral support for the policies of exclusion and deterrence that undermine Australia's commitment to international human rights frameworks.

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Layers of the Landscape: Representations and Perceptions of an Ordinary (Shared) Sports Landscape in a Haitian and Dominican Community

Over the last decade, much research has assessed sport in relation to geographical perspectives of place, landscape, and identity. Using multiple qualitative methods, including mental maps, interviews and conversations, and participant observation, this inductive study attempts to better understand local perceptions of an everyday landscape. This work was conducted in Villa Ascension, a rural community in the Dominican Republic consisting of Haitian and Dominican residents. Football is a strong component of Haitian identity, and baseball is likewise important to Dominicans. Currently, the community has one site where two sports are actively played. Given the community's heterogeneous ethnic composition, Villa Ascension's sports landscape is recognised as having multiple layers of meaning. Knowledge produced in this case study revealed the emergent themes of perceived interpretations of ordinary landscapes, the forging of boundaries, communal relationships and support, and hazards and modification of limited spaces for play. The landscape being a layered one with multiple representations of place and identity, the Haitians' broader perceptions suggest that they view the site as a place of primary importance. Alternatively, the Dominicans are attempting to forge and maintain their sense of sporting identity in the landscape.     

Australian foreign policy and news media: national identity and the sale of uranium to India and China

This article explores the utility of a constructivist-media communications approach to understanding the production of national identity in Australia through a case study of the Australian Labor Party's 2011 decision to allow uranium sales to India. The decision came at a time when Australian foreign policy, political debate and news media discourse were increasingly concerned with India and China, as ‘rising’ superpowers whose prominence offered opportunities for economic prosperity even as it undermined settled regional power balances. This article finds that, rather than a matter of rational strategy, the decision was made in a context of considerable anxiety about the ‘Asian century’ as the Australian public, politicians and policymakers struggled to comprehend geopolitical change. It further argues that the constructivist project in international relations can benefit from engaging with insights from media and communications methodologies and by taking a less hierarchical approach to ‘elite’ and ‘non-elite’ discursive agency.     

Shadows on the landscape: an inquiry into the value of some Australian places

In 1922, Australian places connected with a solar eclipse were of world‐historical significance as they were associated with empirical confirmation of Einstein's general theory of relativity. They also formed a major part of Australian national consciousness, although they have since reverted to lost geographies. An exploration of Australian reception of eclipse science leads to questions of official heritage construction and stereotypical national identity. An argument is presented for the importance of intangible heritage at national, communal, and individual levels. At the complex intersection between memory and identity, place value is investigated within wider social‐political formations with emphasis on participation across perceived boundaries of social class, gender, and ethnicity, including the valuable role of Aboriginal peoples.     

'International community' after Iraq

One frequently hears statements about the damage done to the 'international community' by disagreements about the invasion and occupation of Iraq. It is clear from the general nature and frequency of its use that the term 'inter‐national community' has an important political function in generating legiti‐macy for those who act in its name. It is also clear from its popular usage that 'international community' means very different, and often quite opposed, things to different people. Why is the strong term 'community' chosen when 'inter‐national society' might be more useful? Longstanding debates within political theory and the English school provide helpful insights into why people use this term in the ways that they do. This article will argue that international community implies a deep and robust sharing of identity, and that in relation to the Iraq war, the most important meaning of it equates broadly with the West. The authors look at the effect of the war on the western international com‐munity through its impact on NATO, the EU, the UN, the WTO and public opinion. They further argue that the evidence from these sources does not yet suggest that the western international community has been fatally damaged.     

A trans-national machine on the world stage: representing McCormick's reaper through world's fairs, 1851–1902

The McCormick Harvesting Machine Co. displayed its harvesting machinery at world fairs and agricultural fairs, using these events to build respectability for its machines and in support of sales and advertising claims. Records of the company reveal the firm's competitive behaviour at these fairs and their associated field trials for agricultural machinery. Analysis of company advertisements, catalogues, and correspondence on fairs and field trials reveals the way McCormick used these events, the extent and nature of international competition, and the nature of the world stage for industrial competition. Cyrus Hall McCormick, founder of the company, learning from his Crystal Palace success of 1851 and his even earlier experience with fairs in the USA, represented his reaper as a global product, made in America and internationally successful. Indeed, at the fairs McCormick's machines were embroiled in internecine warfare among an international brotherhood of manufacturers in pursuit of common goals and using a common repertoire of tactics, if not identical machines. This is because ‘American harvesting machines’ were a trans-national phenomenon. The paper concludes that globalisation was occurring in harvesting machinery and suggests that problems emerge from considering international competition in this industry as a contest among distinct national economies.     

Consuming icons: nationalism and advertising in Australia*

ABSTRACT. In extension of Billig's (1995) and Edensor's (2002) contribution to the literature, this paper examines an often overlooked element in ‘mundane’ nationalism, company advertising. Through the development of a typology of advertising strategies, it examines the role of companies as nationalist actors, and highlights how advertisements can engage with and impact on wider national discourses. Nationalist company advertising is classified into types, depending on how associated the company is with nationalism in popular discourse, and whether the advertising campaign involves the company's participation in broader nationalistic political projects. The types developed in this typology include (1) ‘ordinary marketing/achieving nationalist credentials’, (2) ‘ordinary marketing/established nationalist credentials’ and (3) ‘activist marketing/achieving nationalist credentials’. Case studies from the Australian context are used to illustrate these types, how the different types use nationalism, and their varying impact on shaping wider nationalistic discourses.     

NATIONALIZING HISTORY AND THE CHALLENGE OF DISCORDANT TEMPORALITIES1

Christopher Hill's National History and the World of Nations reminds us of the conjunctural moment of an emerging world market in the latter half of the nineteenth century and the promise it offered for vitalizing a “world history” yet to be written. More importantly, it supplies the silhouette of a radically different interpretive approach, formed by the force of a centrifugal perspective that—through its concentration on how France, the United States, and Japan were simultaneously motivated to construct representations of self‐identity in national narratives—converged to disclose the possibility of a wider world no longer held hostage to the geopolitical category of the “West.” Hill's account shows that the impulse behind the formation of national history employed different strategies to imagine a singular linear historical narrative of national identity that aimed both to remove the spectacle of coexisting, different, multiple temporalities and to weld large and regionally disparate populations into a single people who, in a new time, would be instructed to recognize themselves in the nation's story. In Hill's reckoning, national history in France, the United States, and Japan appears simply as another name for historical necessity that sought, through processes of naturalization and nationalization, to overcome the unstable and uneven relationship between state and capital but that failed to conceal the deeper reality of determinations demanded by the relations of capital at the local and international levels.     

Nested assemblages: migrants,war heritage,informal learning and national identities

ABSTRACT

This article examines relations between Anzac heritage and Australian national identity, among migrant visitors to the Australian War Memorial (AWM). What meaning could a story derived from Australian involvement in the First World War have to migrants who moved to Australia after the Second World War? Participants in qualitative interviews were eleven first-generation Australians, whose countries of birth were England, Greece, Ireland, New Zealand, Philippines, Scotland, South Africa and Sri Lanka, with parental countries of birth extending to Austria, Germany, India and Japan. Drawing on sociomaterial assemblage theory, the findings illustrate the concept of nested assemblages. At increasing scalar levels, the migrants form visitor-AWM assemblages, they may (or may not) feel part of a national Anzac heritage assemblage, and as migrants they are entangled in multiple national assemblages concurrently. Assemblages pertaining to family, faith, learning and memorialising were additional networks at play. Mapping interrelations amongst these assemblages showed migrants as actively gathering and interpreting heritage, sometimes as the enactment of national identity and at other times as the performance of informal, lifelong learning. The findings have importance to institutions seeking to be responsive to diverse and changing populations, particularly those wrestling with tensions around national identity.     

Narrating Difference and Defining the Nation in Late Nineteenth and Early Twentieth Century 'Western' Europe

This article examines the influence of Orientalist representations of Eastern Europe on definitions and theories of the nation, and their impact on normative interpretations of the nature of nations and national identity in Western Europe. It focuses on the history of the development of these normative interpretations in the decades leading up to and including the First World War. During this period European progressives--whether intellectuals, social scientists or politicians--residing in Britain and France, definitively 'Western European' states, were keen to discuss the future application of the principle of nationality, its necessity and its obstacles. With the outbreak of war in 1914, such progressive interest in the status of nations and national identities helped shape the anticipated democratic 'new world order' and the mental map of Eastern and Western Europe. I argue that their attempts to explain and represent the nature and significance of nationhood and national identity iterated Orientalist versions of Eastern Europe, and, at the same time, their definitions and theorisations of nations were replete with anomalies that defy any simply categorisation of the nature of Western Europe or the status of its nations.     

The Little Nyonya and Singapore’s national self: reflections on aesthetics,ethnicity and postcolonial state formation

Singapore’s postcolonial state formation process has combined the appeal/distress of a multiracial society with the nationalistic pride of economic development. In recent years, the city-state has witnessed a revival of Peranakan culture and history, referring to the descendants of early Chinese immigrants who integrated into Indigenous societies before becoming prized mediators for British colonisers in the nineteenth and twentieth centuries. We question how these references are strategically deployed as part of the process of postcolonial state formation and how their aesthetic representations support public discussions and debates about what defines contemporary (Chinese) Singaporean identity. By examining Peranakan representations in the television series The Little Nyonya from a Deleuzian perspective, it will be argued that Peranakan history and culture are mobilised to de-territorialise previous meanings of national ethnic markers, specifically Chineseness, and to re-territorialise a local sense of Indigeneity. In reaction to concerns over Mainlander identity, representations of Peranakan culture and history in The Little Nyonya support the indigenisation of a specific Chinese identity that is accessible to all Singaporeans, offering an aesthetic framework in which the ongoing process of negotiating between Singapore’s national self and other unfolds.     

Imagined homeland: landscape painting in Palestine in the 1920s*

Abstract. This essay examines the proposition that landscape representations both reflect and endorse national ideology. By studying in detail selected landscape paintings by Jewish artists in pre‐State Israel some of the assumptions linking landscape and nationalism will be revisited. In particular, I shall challenge received notions in Israeli art historiography that interpret the numerous landscape paintings of the 1920s as directly expressing the identification with Zionism – the Jewish national movement. Analysis of the subject repertoire reveals that artists usually ignored images of the Zionist settlement in Palestine. They preferred instead to depict oriental countryside or ancient cities in an emblematic idealistic manner supported by stylistic borrowings from contemporary French painting. The country in these paintings is more an idea than a reality. Yet they evoke neither the biblical past nor a Zionist futuristic vision, but rather an oriental Arcadia of an unspecified time.     

Inventing Australia: a Critique of Recent Cultural Policy Rhetoric

This paper provides a critical analysis of the cultural and arts policies released by the Keating Labor government of the early 1990s and the current Howard Coalition government. While official definitions of Australian national identity promoted multiculturalism, analysis of Creative Nation, Labor's 1994 cultural policy, and recent statements from the Coalition, exposes the partiality of recent constructions. Both Labor and the Coalition's constructions of identity were based on an economism that was linked to traditional, masculine myths of egalitarianism and ‘mateship’. Such constructions show that neither party has embraced multiculturalism to the degree suggested by policy rhetoric.     

Globalisation and the decline of national identity? An exploration across sixty‐three countries

The relationship between globalisation and national identity is puzzling. While some observers have found that globalisation reduces people's identification with their nation, others have reached the opposite conclusion. This article explores this conundrum by examining the relationship between globalisation and people's feelings towards national identity. Using data from the International Social Survey Program National Identity II ( 2003 ) and the World Values Survey ( 2005 ), it analyses these relations across sixty‐three countries. Employing a multilevel approach, it investigates how a country's level of globalisation is related to its public perceptions towards different dimensions of national identity. The results suggest that a country's level of globalisation is not related to national identification or nationalism but it is related negatively to patriotism, the willingness to fight for the country and ethnic conceptions of membership in the nation. An examination of alternative explanations indicates that globalisation has a distinct impact on national identity.