Gender and Sexuality in Latina/o Miami: Documenting Latina Transsexual Activists

This article examines the borderlands between transgender MTF (male‐to‐female) and gay male communities in Latina/o Miami through an analysis of the participation of Latinas in the Transsexual Action Organization (TAO). Previous research suggests that Cuban and Cuban American gay male culture have historically been associated with gender transgressive behaviour and identity. Because of this, it is often unclear how to distinguish between what is gay male/homosexual expression and transgender expression. If outward gender manifestations that we now call ‘transgender’ were understood in other historical and cultural contexts as ‘homosexual’, how do we label those manifestations today? By labelling them as homosexual are we simply reinscribing the marginalisation of transgender individuals? On the other hand, by labelling them as transgender are we imposing a contemporary category and therefore performing another kind of intellectual violence? In order to address these questions, I analyse a Latino/a organisation that explicitly labelled itself ‘transsexual’. TAO was an early transsexual rights organisation founded in 1970 by Angela Douglas in Los Angeles which moved to Miami Beach, Florida in 1972. Drawing on the organisation's publications, Moonshadow and Mirage Magazine (1972–75), and Douglas's self‐published autobiographical texts, Triple Jeopardy: The Autobiography of Angela Lynn Douglas (1983) and Hollywood's Obsession (1992), I analyse the rarely discussed participation of Latinas in the organisation.     

ONABASULU MALE HOMOSEXUALITY: Cosmology,Affect and Prescribed Male Homosexual Activity among the Onabasulu of the Great Papuan Plateau

This paper examines what has been called ‘ritualized homosexuality’ in a single ethnic group in the Strickland-Bosavi region of Papua New Guinea. Prescribed male homosexual practices are examined in the context of cosmology and the context of affect in the ‘everyday’ rather than ritual life of the Onabasulu. The perspective is derived from a more general interest in the social construction of the ‘world’ in everyday social life.     

‘Comradeship’ and ‘Friendship’: Masculinity and Militarisation in Germany's Homosexual Emancipation Movement after the First World War

This article analyses the impact of the First World War on Germany's homosexual emancipation movement. I argue that the war was a turning point for the nation's gay movement, as it provided a central ideal – comradeship – which altered the ways in which homosexual rights organisations defined homosexuality and masculinity. A militarised rhetoric permeated the language of gay rights groups in the 1920s, providing a vision of a spiritually and politically emancipated hypermasculine gay man who fought to legitimise ‘friendship’ and secure civil rights. The article relies on the publications of three major homosexual rights organisations recently collected at the Schwules Archiv und Museum in Berlin.     

The politics of rebirth in Colm Tóibín's ‘Three Friends’ and ‘A Long Winter’

This paper explores the compatibility of Catholic and homosexual identities. Because the language of Catholicism is so deeply entrenched in the popular imagination, I aim to show that not only does it provide a vocabulary for oppression but also for change. For the contemporary Irish novelist, the latter means conferring new meaning onto formerly oppressive language. In ‘Three Friends’ and ‘A Long Winter’, two short stories from Tóibín's Mothers and Sons (2007), the protagonists undergo a ‘baptism’ that signals their emergence into a new world, one tolerant of homosexual desire. Fergus, in the ocean, and Miquel, in the bathtub, experience moments at once erotic and cleansing. I outline their participation in the traditional world – the time before their bathing rites – in contradistinction to a re-imagined, modern, ‘queer’ world. I argue that Tóibín appropriates a Catholic, and therefore heteronormative, rite in a way that includes homosexuals. Thus, he reworks an oppressive framework in order to allow for the formerly excluded to participate and celebrate their non-heteronormativity, or queerness.     

Trauma,Male Fantasies,and Cultural Capital in the Films of Pablo Larraín

This paper explores the visualization and intersection of trauma, male fantasies, and cultural capital in the first four feature-length films of Chilean director Pablo Larraín: Fuga (2006), Tony Manero (2008), Post Mortem (2010), and No (2012). Larraín’s first feature sketches out these themes in individual and familial terms; the subsequent three, forming what Larraín has called an ‘unintentional trilogy’ of the Pinochet dictatorship, visualize them in a more collective, historical, and political register. Categorizing these films as examples of ‘posttraumatic cinema,’ I demonstrate how Larraín images the fantasy scenarios that structure Chile’s ‘true horror’: namely, the weaponization of male fantasies and of cultural capital – the combination of which induced indelible traumas during the dictatorship. The attendant institutionalization of injustice, impunity, and neoliberalism – which, as Larraín shows, was conserved during the country’s transition to democracy – has limited the possibilities of working through the recurring traumas ever since.     

Complicating hetero-normative spaces at school formals in New Zealand

The school formal in New Zealand constitutes a rich site of analysis for researchers interested in gender and sexuality performances. As a social space, the formal both shapes bodies and is shaped by them. In this article, we explore the school formals of three different types of schools: a single sex girls’, a single sex boys’ and a co-ed. high school, all from an urban centre. Using the theoretical tools provided by poststructuralism and queer theory, we conducted a discourse analysis of observations conducted by the first author at two school formals, interviews with staff and students and interviews with peer researchers. We demonstrate how same-sex practices do not necessarily map onto queer bodies, masculinity onto ‘male’ bodies or femininity onto ‘female’ bodies. Such fluidity challenges the rigid heterosexual/homosexual and masculine/feminine binaries so that schools are more inclusive of gender and sexual diversity.     

Critiquing the heteronormativity of the banal citizen in New Zealand's mediated civil union debate

This article extends Billig's (1995) landmark thesis on banal nationalism by considering how processes of national deixis circumscribe the boundaries of citizenship and forms of belonging within nation-states. Drawing on critical analyses of sexual citizenship, the article provides a discursive analysis of the debate over civil union in the New Zealand mainstream press during 2004–2005. It argues that this mediated debate represented an historical moment where the routine deictic flagging of the nation, and the correlated flagging of the ‘banal citizen’, fundamentally broke down, thereby allowing this unmarked and ‘ordinary’ process to be systematically examined. Four major discourses are identified in press coverage: ‘Homosexual’ subjects as abnormal and disordered, tolerance, equality and human rights, the sanctity of marriage and the preservation of the family (and the social order). Although the passing of the Civil Union Act does mark a (faltering) step forward in sexual equality, we argue that the presence of these discourses suggests that forms of both ontological and cultural heterosexism persist in New Zealand society. Despite the Act conferring new legal rights, ultimately we conclude that the four discourses act to restrict the extent to which ‘homosexual’ subjects are considered ‘valid’ and ‘legitimate’ citizens. In continuing to structure the public politics of sexual citizenship in New Zealand, these discourses have influenced recent debates over legislative moves towards ‘marriage equality’ in ways that raise concerns over the continuation of heterosexist norms, as well as exclusionary forms of homo-nationalism. More generally, this research demonstrates the effectiveness of Billig's work as a valuable and productive analytic lens to explicate concerns over the exclusionary nature of citizenship itself.     

Freudian Slips and Coteries of Vice: The Sexual Offences Act of 1967*

The Sexual Offences Act 1967 made the first inroads to decriminalising men's homosexual sex since buggery was made a capital offence under Henry VIII. The act was drafted at the direction of the 1957 Wolfenden report, but bore the distinct hallmark of individuals of the 1967 parliament. More complex than the dictated product of Wolfenden, and more idiosyncratic than a simple reflection of the social climate of the 1960s, the private member's bill was a Labour initiative with bipartisan support, driven in the Commons by the bizarre motivations of its sponsor, Labour member for Pontypool, Leo Abse. Contrary to popular myths about the aims of decriminalisation, Abse's crusading Freudian motivation was concerned with discouraging, more than allowing, homosexual behaviour. Similarly, ‘privacy’– the gift of the house of lords to sexual regulation – was aimed largely at curtailing men's sexual practices, along with secreting them away. Thus, while the act is typically associated with a general ideal of freedom, much parliamentary motivation concerned control and the prevention of sexual activities.     

Global Gay and Soviet Queen: Polish Transformation and Discourses of Homosexual Gender Variance

The paper discusses the ways in which gender variance of gay, male-bodied persons was positioned within the East/West divide after 1989. The critical media reading is based on gay press columns from the 1990s. While in Polish culture, as in the West, homosexuality was traditionally linked to gender variance, in the 1990s the new gay identity was established as gender-normative — a task much facilitated by the fact that in Poland the development of gay identity was preceded by a medicalized and heteronormative concept of transsexuality. The study shows that gay imagery was highly influenced by the ‘global gay’ capitalist ideal and the ‘chasing the West’ narrative of progress and liberation. After 1989, homosexual gender variance became a taboo that was only discussed in the gay erotic press in satirical columns in which the term ciota was used (queen, auntie). In the columns, cioty were ridiculed and degraded, but also positioned as more authentic and noble. Their femininity was framed in the misogynist discourse of flawed, uncontrollable physiology and emotional instability, which corresponds with the second meaning of the word ‘ciota’ in Polish — menstruation. Ultimately, the change from the Soviet queen to the respectable Western gay was legitimized by the use of nostalgic rhetoric and the fact that ciota was equated with the fallen communist regime and ‘gay’ with blooming capitalism.     

Business Fashion: Masculinity,Class and Dress in 1870s Australia

This article explores the emergence of ‘business fashion’ as a new mode of male dress in 1870s Australia. The focus is on men at the vanguard of this new fashion: namely, bankers and sharebrokers in New South Wales’ gold-mining towns during a gold rush between 1871 and 1874. The rise of business dress offers us insight into the surprising extent of male interest in fashion in late-colonial Australia – and fresh perspectives on the history of Australian masculinity, class and consumption as a consequence.     

Impersonating a Voter: Constructions of Race,and Conceptions of Subjecthood in the Franchise of Colonial New South Wales,c. 1850–1865

ABSTRACT

This article investigates the treatment of Aboriginal Australians as politically entitled subjects within New South Wales during that colony's first elections under ‘universal’ male suffrage. Using the case of Yellow Jimmy, a ‘half-caste’ resident prosecuted for impersonating a white settler at an election in 1859, it examines the uncertainties that surrounded Aboriginal Australians’ position as British subjects within the colony's first constitutions. By contrast to the early colonial franchises of New Zealand and the Cape – where questions of indigenous residents’ access to enfranchisement dominated discussions of the colonies’ early constitutions – in the rare instances in which indigenous men claimed their right to vote in New South Wales, local officials used their own discretion in determining whether they held the political entitlements of British subjects. This formed a continuity with the earlier treatment of Aboriginal Australians under settler law, where British authority and imperial jurisdiction was often advanced ‘on-the-ground’ via jurists and administrators rather than via the statutes or orders of Parliament or the Colonial Office.     

Troubling Confessions: Roman Catholicism and ‘The Homosexual Question’

Abstract

Current scholarship on human rights and torture largely ignores places and scenes where extra-judicial violence is routinely practiced. That is, framed within a secular discourse, the agency of religious bodies in the systemic infringement of ‘rights’ is never considered. This paper explores one question with two parts: What are the conditions in church governance (Christian) in which systematic violation of human ‘rights’ is the norm, and in which the production of behaviors very much like torture is made possible, even necessary? Why do such behaviors go unnoticed, or, when they are observed, are they discounted? Using the crisis of homosexual presence within contemporary Roman Catholicism I shall argue that pressure for ‘confessional’ purity produces behaviors and activities within lines of authority that mimic torture. The essay examines documented policies, ecclesiastical directives and procedures concerning the management and treatment of persons (mostly homosexuals and women) during the second half of the papacy of John Paul II (1986-2001).     

Dressed ‘as if for a Carnival’: Solving the Mystery of the Origins of Children’s Fashion. A New Perspective on the History and Historiography of Children’s Dress

The article has a double focus: explaining the so-far obscure origins of children’s fashion in the later eighteenth century and putting its emergence in the context of the ‘grand narrative’ concerning the ‘discovery of childhood’ during this pivotal period. Contrary to Rousseau’s famous dismissal of the hussar suit, the role of ‘fancy dress’ inspiration in the development of children’s fashions for the first time purposefully meant to distinguish the (male) child from the grown-ups and, concurrent with the Enlightenment’s ideas on childhood, emerges as central rather than marginal. The repertory of styles adopted for boys’ wear is shown to have been inspired by various ethnic and historical dress traditions rooted in the fascination with masquerade characteristic of the Rococo culture but harnessed to express the emerging new attitudes. Among them, special attention is given to inspirations by Polish national dress.

Second, the article takes on the argument presented by Daniel Thomas Cook in his inspiring article in Textile History, 42, no. 1 (2011). Having acknowledged the foundational role of fashion history in the emergence of childhood studies, Cook regards its present status as peripheral. He dismisses the underlying premise of its principal ‘grand narrative’ as based on a fruitless distinction between utility (and functionality) and fashion rather than the invention or discovery of the ‘child’ and ‘childhood’. While partially accepting Cook’s criticism, the article argues that the ‘grand narrative’, thus modified and expanded, retains its usefulness. In the nineteenth century, the ‘fancy dress’ and ‘playfulness’ theme continued, reflected in the most popular children’s styles (sailor suit, Little Lord Fauntleroy suit) and a range of others, temporarily or locally prominent, and intertwining with multifarious cultural, artistic, social and commercial developments.     

Gendered Agendas: The Secrets Scholars Keep about Yorùbá‐Atlantic Religion

Whereas scholars have often described the material interests served by any given social group's selective narration of history, this article catches scholars in the act of selectively narrating Yorùbá‐Atlantic cultural history in the service of their own faraway activist projects. Anthropologist Ruth Landes' re‐casting of the Afro‐Brazilian Candomblá religion as an instance of primitive matriarchy not only encouraged feminists abroad but also led Brazilian nationalist power‐brokers to marginalise the male, and often reputedly homosexual, priests who give the lie to Landes's interpretation. In the service of a longdistance Yorùbá nationalist agenda, sociologist Oyeronke Oyewumi has declared traditional Yorùbá society ‘genderless’, and found, among both North American feminist scholars and Yorùbá male scholars, allies in concealing the copious evidence of gender and gender inequality in Yorùbá cultural history. What these historical constructions lack in truth value they make up for in their power to mobilise new communities and alliances around the defence of a shared secret. The article addresses how politically tendentious scholarship on gender has inspired new social hierarchies and boundaries through the truths that some high‐profile scholars have chosen to silence.     

美国劳工史研究中“阶级”的概念重构与范式更新

在20世纪美国劳工史研究中,“阶级”概念的内涵被多次重构。旧劳工史家们依据马克思主义的社会分析理论,把“阶级”视为在生产力基础之上形成的一种社会结构。60到80年代美国的新劳工史家在社会史的广阔视野中重新研究阶级。他们反对“阶级”的结构化定义,重视工人自身在“阶级”形成中的能动性,但是,这种“社会转向”也让阶级研究变得碎片化。90年代以后,受后现代主义思潮影响的学者们把种族、性别等分析范畴嵌入劳工史研究,从而解构了“阶级”概念的确定性,将其变为一个不稳定的、模糊不清的“社会和话语构造物”。随着“阶级”概念被多次重构,其作为一个分析范畴在劳工史中的重要性也呈现出弱化的趋势。     

‘It was entirely his fault’: constructing white masculinities and the Haga Man assaults in Umeå, Sweden 1998–2006

Several cases of single repeat offenders in urban space have raised public concern in Sweden during recent decades. Few studies have been conducted on the consequences of the ‘hostage situations’ that emerge when one individual offender causes fear and affects a large group of people in a specific place. The concern of this article is to examine consequences of the Haga Man phenomenon: the case of a serial rapist operating between 1998 and 2006 in Umeå, a medium-sized Swedish city. The article focuses on the construction of white masculinities among male respondents in Umeå during the time of the attacks. I examine how men positioned themselves in relation to the public image of the offender as a ‘normal Swede’ and how they related to women's increasing fear of violence in urban space. Three prominent constructions of masculinity emerged from the research data: the dangerous stranger, the suspect and the protector. These three constructions of masculinity were not clear-cut and did not ‘belong’ to specific men – several of the interviewees articulated various forms of masculinities but stressed them in different ways depending on, for instance, age and/or ethnicity/race. I conclude that men largely positioned themselves as protectors as a strategy to distance themselves from the perpetrator (the image of the ‘normal Swedish man’ performing the rapes) and to ensure that they would not be perceived as suspects. However, men largely perceived that women's increased fear of crime was ‘one man's fault’ and broader issues about gendered power relations in space were not raised.     

Colonial Constructions of Masculinity: Transforming Aboriginal Australian Men into ‘Houseboys’

In Darwin in the Northern Territory of Australia, Aboriginal men made up more than half of the domestic servant population by 1938. They replaced the Chinese and Malay male servants who had worked for British colonists in the early colonial period. Much of the historical work on male domestic servants in colonial situations plots the construction of the ‘houseboy’ as emasculated, feminised and submissive. In contrast, colonial constructions of Aboriginal men as ‘houseboys’ in Darwin emphasise the masculinity of the Aboriginal hunter. Aboriginal men were characterised as requiring constant discipline and training, and this paternalistic discourse led to a corresponding denial of manhood or adulthood for Aboriginal men. While male domestic servants in other colonial settings were allowed some privileges of masculinity in relation to female workers, amongst Aboriginal domestic workers, it was so‐called ‘half‐caste’ women who, in acknowledgment of their ‘white blood’, received nominally higher wages and privileges for domestic work. Aboriginal men were denied what was referred to as a ‘breadwinning’ wage; an Australian wage awarded to white men with families. Despite this, their role as husbands was encouraged by the administration as a method of controlling sexual relations between white men and Aboriginal women. These sometimes contradictory images can be understood as manifestations of the racialised construction of gender in Australia.     

Manoeuvring men: masculinity as spatially defined readability at the grandes manoeuvres of the Belgian army, 1882–1883

This article uses the case study of the Belgian grandes manoeuvres of 1882 and 1883 to explore the ways in which self-defined ‘all male’ spaces can contribute to the study and deconstruction of historical masculinities. Using the manoeuvres of the Belgian army at the end of the nineteenth century as a theatre of (military as well as civilian) corporeal and discursive practices, the simultaneous enactment of masculinity and nation is analysed. The material spaces in which these military exercises took place are understood as contingent creators instead of passive containers of masculinity: that is, rather than as a passive background to soldiers' movements, the champ de manoeuvres appears as an active stage, aiding the construction of a gendered military identity, but also challenging dichotomous understandings of gender. Likewise, the gaze upon both landscape and soldiers by different audiences plays an active part in the story of the construction of masculinity and nation: the act of recognition, performed by male and female civilians, during and after the manoeuvres was crucial for the continuous repetition of the discourse that created and upheld notions of ‘man’ and of ‘Belgium’.     

Days of those made like me: retrospective pleasure,sexual knowledge,and C. P. Cavafy's homobiographics

Abstract

This article begins with a comparison between the anonymous Roman d'un inverti (1894/5) and Cavafy's poem ‘Να με?νει’, and then proceeds to read Cavafy's private notes and key erotic poems in the context of late nineteenth- and twentieth-century discourses about non-normative sexuality. During that period, and in a discursive domain dominated by sexological case studies, the deviant sexual life story was published in order to titillate, check, control and medicalize. In Cavafy's texts we see, instead, a network of homosexual life stories proposed as a platform for the conceptualization of novel sexual, aesthetic and social technologies, as well as a new ethics of contact.