二里头文化陶礼器造型艺术研究

二里头文化陶礼器的造型艺术表现为简洁质朴的艺术风格,这与夏代礼制文化中"尚质"的审美倾向十分吻合。陶礼器的造型艺术由黄金比例、纹饰和仿生三种设计方法以体现陶器造型和装饰的简洁与抽象性,而三至四期动物造型装饰的增多则为商代青铜礼器的艺术形式奠定了基础。酒器和食器的器物造型构成了礼仪中行为与时间的观念,以及动与静的礼仪活动的日常行为规范。而高等级墓葬中的稀有陶器斗笠形器,其造型与古人对天的描述相同,它不仅代表了所葬之人的身份与职能,还是上层社会对天祭祀权力的象征。     

CYPRIOT BYZANTINE GLAZED POTTERY: A STUDY OF THE PAPHOS WORKSHOPS

Twenty‐five samples of Byzantine glazed pottery from two archaeological sites between Limassol and Paphos region (Cyprus), dated between the 12th and 15th century ad were studied using micro X‐ray fluorescence spectroscopy, scanning electron microscopy and X‐ray diffraction analysis. It was found that all the glazes contain lead, following the main manufacturing process of medieval pottery in the Mediterranean territory, while some of them contain tin, possibly for better opacity. Furthermore, it is shown that copper, iron and cobalt with nickel are responsible for the decoration colours. Finally, the application of principal component analysis revealed significant differentiation for some of the samples.     

Northern Iroquoian Ethnic Evolution: A Social Network Analysis

Ethnicity is one kind of social relationship that archaeologists explore. The evolution of the northern Iroquoian ethnic landscape in New York, southern Ontario, and the St. Lawrence Valley has been of long-standing interest to archaeologists. Since MacNeish’s (1952) pottery typology study, the predominant model for this evolution has been cladistic. Collar decoration served as a means of signaling attributes of the potter and pottery users that mirrored other more visible signals. We use social network analysis to determine whether pottery collar decoration data best fit MacNiesh’s cladistic or an alternative rhizotic model. The results better fit the rhizotic model.     

Anglo‐Saxon Style Pottery from the Northern Netherlands and North‐Western Germany: Fabrics and Finish,Regional and Chronological Patterns,and their Implications

This paper presents the results of a study of Anglo‐Saxon style pottery in the northern Netherlands and north‐western Germany, involving macroscopic and microscopic analysis of fabrics and finish. Both regions show similar developments in form and decoration in the pottery of the fourth and fifth centuries ad , the late Roman and Migration period, resulting in the typical decoration and shapes that are known as the Anglo‐Saxon style. In the northern Netherlands, this style is traditionally associated with Anglo‐Saxon immigrants. It has, however, been suggested that this style was, rather, part of an indigenous development in areas in the northern Netherlands where occupation was continuous, though influenced by stylistic developments in north‐western Germany. That hypothesis is supported by the analysis of fabrics and finish presented here. The characteristic of fabrics and surface treatment indicate technological continuity. The use of local clay sources for Anglo‐Saxon style pottery and for contemporary regional types indicates that most of the Anglo‐Saxon style pottery in the northern Netherlands was not brought by Anglo‐Saxon immigrants or as imports, but must have been made locally. That applies to settlements with continuous habitation, as well as settlements in the coastal area that were not inhabited during the fourth century ad .     

Technological investigation of the decorative coatings on Yangshao pottery from Henan,China

Yangshao pottery sherds dated to c. 4200 bc from two archaeological sites in Henan province, China, were examined to determine the technological aspects of their decoration. The selected samples comprised plain and painted pottery, some of which have a white background slip and black or red decoration on the surface. Various analytical techniques including SEM/EDS, XRD and FTIR were applied in the study. Observations show that some pieces were wheel‐thrown. The refinement of the body fabric varies. Surface finishing includes simple burnishing, slipping and brushing. The black decoration on the surface is manganese black. The white background layer is kaolinitic clay slip. No organic binders or decorations were detected. The results of these analyses will help our understanding of the production steps involved in the craft production of Yangshao pottery.     

Two Southern sudanese pottery traditions in a historical perspective

The author observed two very different pottery traditions in Southern Sudan: (1) the Dinka pottery, made by coiling technique and decorated with twisted palm roulette, (2) the Jur Molo pottery, which was a lump of clay and decorated with mat impressions. The present‐day distribution of people using rouletting pottery in this area is to the Nilotic speaking group, while the makes of the mat‐impressed pots belong to the Central Sudanic speaking group. The author hypothesizes that the prehistoric distribution and datings of the mat impression ware indicate that this is the oldest pottery tradition and might be associated with the Iron Age distribution of the Central Sudanic people in Southern Sudan.     

Advances in Polychrome Ceramics in the Islamic World of the 12th Century AD

As part of a multidisciplinary programme of research on Islamic glazed pottery, the development of polychrome decoration during the 12th century AD has been investigated by examining polished sections through glazed pottery in an analytical scanning electron microscope. The two main decorative techniques used were underglaze and overglaze painting. The results suggest that true underglaze decoration, involving the application of pigment without any associated slip, was first developed in Syria, from where it spread to Iran, on to China and ultimately across wide areas of the world. In contrast, the overglaze technique used on mina'i ware was both very short‐lived and confined to Iran. The analytical results suggest that the probable explanation for this was the technical problems associated with maturing the overglaze paint and the consequent risk of unsatisfactory products.     

湖南桃源出土战国彩绘陶器的科学分析

为研究湖南桃源县战国楚墓出土彩绘陶器的组成结构及保存现状,采用能量色散X射线荧光光谱法(EDXRF)、扫描电镜-能谱法(SEM-EDS)、X射线衍射法(XRD)和激光拉曼光谱法(LRS)等手段对陶器胎体成分、表面彩绘、金属涂层等进行分析检测。结果表明:这批彩绘陶器胎体成分相近,为普通易熔黏土。彩绘陶器表面的红色颜料为朱砂(HgS),黑色颜料为炭黑(C)。在彩绘陶壶、陶鼎和陶敦表面发现金属涂层装饰,通过扫描电镜能谱和X射线衍射分析,确定涂层为单质锡,属于锡涂陶的范畴。同时红外光谱测试显示锡层内面棕黑色物质为生漆,可能混合其他胶结材料。以上结果为研究战国时期彩绘陶器,特别是锡涂陶的制作工艺及发展提供了新的资料。     

Roulette decoration on African pottery: technical considerations,dating and distributions

African Archaeological Review - The study of roulette decoration on African pottery has received little attention from archaeologists, with the result that a useful tool for culture historical...     

Medieval Painted Pottery in South and Central Italy

DURING the 9th century unglazed pottery decorated with red or brown slip came into production along the middle Rhine. This pottery, known as Pingsdorf ware, was exported in large quantities to the North Sea region and even to the Baltic coast.² By the 12th century red-painted pottery, often imitating Pingsdorf ware, was made at a number of sites in the Low Countries and western France.³

It has long been known that painted pottery was manufactured throughout the medieval Islamic world, including north Africa, and isolated finds of painted ware have been published in Italy and Spain.⁴ Nevertheless, little attempt has been made to explore the possible connexions between painted pottery in the Mediterranean basin and western Europe,⁵ A serious obstacle to such an attempt is the inadequacy of most publications of Mediterranean finds. This paper offers an account of the painted wares in one area of the Mediterranean, peninsular Italy, and suggests that the pottery found there may indeed be related to the earliest painted wares north of the Alps. It must be emphasized, however, that the study of Italian medieval pottery is in its infancy and that the suggestions made here are of an entirely speculative nature.     

CHEMICAL–MINERALOGICAL ANALYSES AND MICROSTRUCTURAL STUDIES OF PREHISTORIC POTTERY FROM RAHMATABAD,SOUTH‐WEST IRAN*

A series of prehistoric pottery samples excavated from Rahmatabad, south‐west Iran, were investigated using XRF and XRD analyses to determine their chemical and mineralogical compositions. The sample microstructures were also studied by SEM/EDX. The relative similarity of compositions, the fine, dense and homogeneous microstructures and the presence of high‐temperature phases such as diopside and mullite showed the use of high firing temperatures, in the range 950–1050°C. This, along with the homogeneity in shape, decoration and size ranges of the ware, all indicate the adoption of specialized pottery‐making techniques by the potters of Rahmatabad in the fifth to fourth millennia bc .     

地理资源造成史前南北陶器装饰风格的差异

新石器时代,南北陶器装饰已出现不同面貌,大体说来,黄河中上游为一种,表现为彩绘的样式：长江中游为一种,表现出素面刻划的特征。造成差异的原因,地理资源即无机质矿物颜料的多寡是第一位的,这一推论大体符合彩陶分布状况,和历史献记载以及现代探矿资料。     

宜昌路家河遗址夏商时期陶釜研究

本文从宜昌路家河遗址最多最典型的炊器陶釜入手,主要运用统计学的方法,通过分析陶釜在数量、器形、容量、纹饰等方面的变化,总结本区夏商时期考古学文化的特点,进而探讨不同时期陶釜在发展、交流与演变,来源与去向等方面的一些问题。     

Dark Age Traffic on the Bristol Channel, UK: A Hypothesis

Exotic pottery from the eastern Mediterranean and southern Gaul in the late 5th to 7th centuries is recognized as the characteristic find from Dark Age sites in Ireland and western Britain. But there is no consensus on the mechanisms by which they arrived. Interpretations range from diplomatic gifts through souvenirs to commerce. This attempt to resolve the issue is based on sites around the Bristol Channel. The quantities of pottery and numbers of sites are used to generate a rough estimate of the number of ships carrying the pottery to the area. It is argued that the estimated volume represents commercial trade.
© 2007 The Author     

Technology Transfer at the Periphery of the Mycenaean World: The Cases of Mycenaean Pottery Found in Central Macedonia (Greece) and the Plain of Sybaris (Italy)*

The study of technology transfer in pottery production to the periphery of the Mycenaean world has been addressed by considering two different areas, southern Italy and central Macedonia. Technological features such as ceramic paste, decoration and firing have been determined for different ceramic groups established according to provenance criteria. The studies of technology and provenance have been performed following an archaeometric approach, using neutron activation analysis, petrographic analysis, X‐ray diffraction and scanning electron microscopy. The results have revealed the existence of two different models. On the one hand, southern Italy seems to exhibit a more organized pottery production, which follows a Mycenaean‐like technology, while in central Macedonia production is probably more varied, being based in part on the technology of the local tradition.     

Radiocarbon pottery dating: the chemical compounds of organic fractions, the reliability of 14C dates (preliminary results)

In recent times, a large number of radiocarbon dates appeared for the Southern Neolithic on the basis of pottery dating because other organic matter has practically not been preserved. There are two organic fractions of pottery useful for dating: food residues and carbon from the pottery matrix itself. Food residues are often dated, but this material is not always preserved and is prone to being removed during the cleaning of the pottery. The clay mass of the pottery contains carbon, often directly visible upon breaking of the pottery. The article focusses on determining the chemical composition of the organic fractions in the pottery and the origin of the carbon. For this aim we used the nuclear magnetic resonance (NMR) method to identify the chemical compounds in the food residue and in the pottery matrix. As an example we used pottery from the Neolithic sites: Zamost??e (Central Russia) and the Varfolomeevskay sites (Southern European Russia, Low Volga region) from archaeological collections. The results obtained demonstrate that the food residue and the pottery matrix contain practically the same organic compounds, even if the relative abundances of various compounds are different in these materials. The origin of the carbon from pottery is discussed.     

SHELL-TEMPERED POTTERY ON THE CENTRAL PLAINS

Abstract

The Central Plains have not been included in recent coverage of issues related to the use of shell-tempered pottery in eastern North America. It has been known for over a century that this material does appear on the Central Plains. Its spatial and temporal distribution, however, are not well understood, and issues related to its presence and technology have only recently begun to receive needed attention. This paper reviews the status of what we know about the spatial and temporal distribution of shell-tempered pottery on the Central Plains by compiling data from many sources and visually portraying their patterning. Some factors affecting the distribution then are discussed, with particular attention given to firing and raw material properties. Vessel form and function, and decoration and its implications, also are briefly discussed.     

Pottery and the Visual World at Early Iron Age Hascherkeller,Germany

Abstract

On most late prehistoric and early historic settlement sites all over the world, pottery is the most abundant material recovered by archaeologists. Analysis of pottery provides information about the chronological position and cultural affiliation of a site, as well as about techniques of manufacture, organization of production, trade relations, and patterns in the social structure of the community. Here, a new approach is presented that focuses on pottery as a principal factor in the visual world of the people who made and used it. Pottery from the Early Iron Age settlement of Hascherkeller in southern Germany is examined in the context of the physical and social world of which the community was a part. It is argued that the shapes, textures, and decoration of the pottery refer to other elements of the physical world. This approach offers a new way to understand how prehistoric people responded to economic and political changes through the purposeful fashioning of their material culture.     

The Peak Dwellers

LONGBURY BANK, Dyfed is a native British early medieval settlement occupied in the 6th and 7th centuries A. D. The excavations in 1988–89 produced a series of artefacts which provide evidence of high status: imported Mediterranean pottery; continental pottery and glass; fine metalworking debris; and an unusual Type G penannular brooch. The site is unusual in being undefended and it is suggested that it belongs to a newly recognized class of undefended high status secular sites, other possible examples of which are discussed. The site is placed in its historical and landscape context through the use of pre-Norman and later documentation which appears to show a major shift in settlement in the 8th or 9th centuries.     

Archaeometric analysis of ceramic production in Tiwanaku state (c.500–1000 ce): An exploratory study

The chemical and mineralogical characterization of seven ceramic fragments produced within Tiwanaku state (c.500–1000 ce ) is reported. The instrumental techniques used included X‐ray elemental and mineralogical chemical analysis, Raman spectroscopy, and scanning and light microscopy. The results indicate there are several clay types, although they show similarities, such as the use of a plant‐based temper. The red colour of the decoration is hematite, and manganese oxides such as jacobsite are present in the black. The white colour is a mixture of gypsum and clay, and the orange is a mixture of hematite and clay. The use of colours, the quality of the clays and the temperatures reached during pottery firing point to expertise in ceramic production and to complex decision‐making processes. The multi‐elemental archaeometric approach documented here could become an important tool to shed a light on ancient ceramic technology and the internal variance of Tiwanaku pottery.