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This article analyzes how Freud takes issue with the prioritization of the present over and above the historical past. Significantly, Freud's understanding of history is closely related to his interest in Christianity's historical dependence on Jewish antiquity. He emphasizes the common sources of both religions: both are shaped by the experience of guilt. Christianity, however, relegates the historical past to the realm of the “old Adam.” According to Freud, Jewish culture, by contrast, revolves around the commemoration of a “savage” (i.e. pre‐modern) past. This article thus focuses on how Freud combines his analysis of onto‐genesis (in his psychoanalytical case studies) with a discussion of phylogeny. The manifestation of psychic illness gives body to the unconscious remembrance of phylogenetic history. Thanks to religious and literary documents an irrational past has been put down in writing. According to Freud, this characterizes their historical truth value.  相似文献   

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This paper argues that Machiavelli's method, his inductive and comparative use of history and experience for political analysis, and his fashioning of historical-political analysis as ‘science’, played an important and still unrecognised role in his reception in the sixteenth century. It makes the case that Machiavelli's inductive reasoning and stress on historia and experientia offered a model for scientific method that open-minded sixteenth-century scholars, eager to understand, organise and augment human knowledge (scientia), could fit to their own epistemology. By focusing on the question of method—a crucial issue for sixteenth-century contemporaries—the paper offers more than a key to the understanding of Machiavelli's positive reception. It also helps in apprehending the crucial importance of Lucretius to Machiavelli's scholarship; the role of the late Renaissance fascination with historia in his reception; and the breadth of appropriation of his method exactly in the decades when anti-Machiavellianism became official politics all over Europe. These claims are sustained through the cases of Machiavelli's early translators and promulgators; the French legal humanists and historiographers; the Swiss, Italian and French scholars engaging with medicine, Paracelsism and astronomy; the authors of political maxims from all over Europe; and finally Francis Bacon.  相似文献   

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Putting Bath on the Map is an exhibition of maps of the City of Bath displayed in the Building of Bath Collection. The maps are considered in the context of the permanent collection of the museum which examines how buildings were constructed in the eighteenth-century city. The exhibition reviews how buildings moved from conception, as shown on maps and in architectural texts, through legal, financial, and material processes to take their place in the landscape. This essay considers the display of particular maps, such as Joseph Gilmore's (1694), and John Wood's (1735), and the recent city initiative to improve its signage maps to help visitors and citizens build mental maps of the historic city.  相似文献   

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Government ministries of industry have long been promoters, co‐producers and even sometimes producers of cultural policy – from local and regional development strategies to initiatives that fund cultural organizations to support emerging fields such as the technological arts. This article explores the relationship between cultural policy‐making, science museums and industry ministries in Canada. More specifically, this article investigates the emergence and institutionalization of scientific culture policy as a result of advocacy by science centres in the 1980s. Beyond the delineation of scientific culture as a field and of the contribution of industry ministries to cultural policy, this article highlights the entrepreneurial strategies of cultural organizations and their impact on policy and facilities, thus suggesting that cultural organizations are not just passive instruments of social regulation and reform.  相似文献   

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Over the last decade class has re-emerged as a significant concept within British sociology, with prominent academics calling for a more Bourdieuian approach which focuses on class distinctions in cultural practices and tastes. Within this discussion, several note the important role fashion plays as a means of class distinction, though few have fully explored just how the fashion–class relationship operates. Based on empirical research, carried out as part of qualitative study into fashion practices and fashion discourse, this article examines the fashion–class relationship, by considering its links to both gender and space. It argues that the way in which women judge visibility and public space differs with class status and that this, in turn, has significant implications for women's fashion choices, and more specifically, dressing up. Indeed, whilst middle-class participants tend to view almost any space as public and one in which they are visible, for working-class participants neighbourhood and local spaces are seen to constitute semi-private spaces, whose audiences' opinions and judgements do not matter. As a result, being dressed in your pyjamas is not deeply problematic for these working-class women in the context of their everyday lives, whilst for their middle-class counterparts being seen in your pyjamas is something which should be avoided, at all cost. Moreover, as the article demonstrates, the wearing of pyjamas is often considered by middle-class respondents as indicative of working classness. And thus, being seen in your pyjamas is undesirable on two counts.  相似文献   

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